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ISRC

GBAJY0972427

Via Crucis: Station 13. Jesus Is Taken Down From the Cross 'Judaei ergo'

Britten SinfoniaPolyphonyStephen LaytonIestyn DaviesAllan Clayton
Released 2009-03-28

Last verified:

GBAJY0972427 is the International Standard Recording Code (ISRC) for the recording "Via Crucis: Station 13. Jesus Is Taken Down From the Cross 'Judaei ergo'" by Britten Sinfonia, Polyphony, Stephen Layton, Iestyn Davies, Allan Clayton, released 2009-03-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AJYRegistrant
09Year (2009)
72427Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Via Crucis: Station 13. Jesus Is Taken Down From the Cross 'Judaei ergo'" by Britten Sinfonia?
The ISRC for "Via Crucis: Station 13. Jesus Is Taken Down From the Cross 'Judaei ergo'" by Britten Sinfonia, Polyphony, Stephen Layton, Iestyn Davies, Allan Clayton is GBAJY0972427.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAJY0972427?

GBAJY0972427 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Via Crucis: Station 13. Jesus Is Taken Down From the Cross 'Judaei ergo'" by Britten Sinfonia, Polyphony, Stephen Layton, Iestyn Davies, Allan Clayton. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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