4 Traditional Songs: No. 1. A Brisk Young Lad

4 Traditional Songs: No. 2. Searching for Lambs

4 Traditional Songs: No. 3. The Cruel Mother

4 Traditional Songs: No. 4. The Bitter Withy

6 Songs from ‘A Shropshire Lad’: No. 1. Loveliest of Trees

6 Songs from ‘A Shropshire Lad’: No. 2. When I was One And Twenty

6 Songs from ‘A Shropshire Lad’: No. 3. Look Not in my Eyes

6 Songs from ‘A Shropshire Lad’: No. 4. Think No More Lad

6 Songs from ‘A Shropshire Lad’: No. 5. The Lads in their Hundreds

6 Songs from ‘A Shropshire Lad’: No. 6. Is My Team Ploughing?

A Fool’s Preferment, Z. 571: I’ll Sail Upon the Dog‐Star

A Hymn on Divine Music

Ach dass ich Wassers g’nug hätte (Lamento)

Amidigi di Gaula: Pena tiranna

An Wasserflüßen Babylon

Ascension Oratorio, BWV. 11 - Aria - Ach, bleibe doch, mein liebstes Leben

Ascension Oratorio, BWV. 11 - Recitativo - Ach ja! So komme bald zurück

Auf dem Gebirge, SWV 396

Chandos Anthem no. 11a “Let God Arise”, HWV 256a: O Sing Unto God

Chandos Anthem no. 7 “My Song Shall Be Alway”, HWV 252: The Heav’ns Are Thine

Chandos Anthem no. 9 “O Praise the Lord With One Consent”, HWV 254: Praise Him, All Ye That in His House

Chichester Psalms: I.

Chichester Psalms: II.

Chichester Psalms: III.

Christ unser Herr zum Jordan Kam

Coffee‐Spoon Cavatina

Easter Oratorio, BWV. 249 - Aria - Saget, saget mir geschwinde

Easter Oratorio, BWV. 249 - Recitativo - Hier ist die Gruft

Easter Oratorio, BWV. 249 - Recitativo - Indessen seufzen wir

Easter Oratorio, BWV. 249 - Recitativo - O kalter Männer Sinnlaufet

En prière

Es war aber an der Stätte

Esther, HWV 50b, Act II Scene 3: Duet “Who Calls My Parting Soul from Death?” (Esther, Ahasuerus)

Four Songs: No. 1. By Beauteous Softness

Four Songs: No. 2. Come Unto These Yellow Sands

Four Songs: No. 3. Full Fathom Five

Four Songs: No. 4. Evening Hymn

Giulo Cesare in Egitto: Recitativo: Cieli, e qual delle sfere

Giulo Cesare in Egitto: Recitativo: Giulio, che miri?

Giulo Cesare in Egitto: Se in fiorito ameno prato

Giulo Cesare in Egitto: Sinfonia

Griselda: Act I, Scene IX. Recitativo (Corrado, Griselda)

Griselda: Act I, Scene VII. Recitativo (Gualtiero, Corrado, Roberto, Costanza)

Griselda: Act I, Scene VIII. Recitativo (Roberto, Corrado)

Griselda: Act I, Scene X. Recitativo (Griselda, Corrado, Ottone)

Griselda: Act I, Scene XI. Alle minacce di fiera belva (Corrado)

Griselda: Act I, Scene XI. Recitativo (Griselda, Corrado)

Griselda: Act II, Scene I. “La rondinella amante” (Corrado)

Griselda: Act II, Scene I. Recitativo (Corrado, Costanza)

Griselda: Act II, Scene V. Recitativo (Ottone, Griselda, Corrado)

Griselda: Act II, Scene V. Recitativo accompagnato (Ottone, Griselda, Corrado)

Griselda: Act II, Scene VI. Recitativo (Ottone, Corrado)

Griselda: Act II, Scene XI. Recitativo (Corrado, Gualtiero, Costanza, Griselda)

Griselda: Act III, Final Scene. Recitativo (Gualtiero, Griselda, Corrado, Roberto, Costanza, Ottone)

Griselda: Act III, Scene II. Recitativo (Griselda, Corrado, Roberto, Costanza)

Griselda: Act III, Scene III. Recitativo (Gualtiero, Griselda, Corrado, Roberto, Costanza)

Griselda: Act III, Scene IV. Recitativo (Gualtiero, Corrado, Roberto, Costanza)

Hercules, HWV 60, Act II Scene 8: Duet “Joys of Freedom” (Dejanira, Iole)

King David

Lord, What is Man?

Messiah: Part 1: Aria with chorus: O thou that tellest good tidings to Zion (alto)

Messiah: Part 1: Aria: But who may abide the day of his coming? (alto)

Messiah: Part 1: Aria: He shall feed his flock like a shepherd (alto/soprano)

Messiah: Part 1: Recitative: Behold, a virgin shall conceive, and bear a son (alto)

Messiah: Part 1: Recitative: Then shall the eyes of the blind be opened (alto)

Messiah: Part 2: Aria: He was despised and rejected of men (alto)

Messiah: Part 2: Aria: Thou art gone up on high (alto)

Messiah: Part 3: Aria: O Death, where is thy sting? (alto/tenor)

Messiah: Part 3: Recitative: Then shall be brought to pass (alto)

New‐Made Tongue

Nocturne, op. 43 no. 2

Noël, op. 43 no. 1

O dulce nomen Jesu

Ode for the Birthday of Queen Anne, HWV 74: Alto Solo with Solo Trumpet “Eternal Source of Light Divine”

Old Bones

Rinaldo: Or la tromba

Rinaldo: Venti, turbini

Salve mi Jesu

Saul, HWV 53, Act I Scene 5: Air “Oh Lord, Whose Mercies Numberless” (David)

Semele, HWV 58, Act I Scene 2: Duet “You’ve Undone Me” (Ino, Athamas)

Semele, HWV 58, Act II Scene 1: Air “Hence, Iris, Hence Away” (Juno)

Semele, HWV 58, Act II Scene 4: Air “But Hark, the Heav’nly Sphere Turns Round” (Ino)

Semele, HWV 58, Act II Scene 4: Duet “Prepare, Then, Ye Immortal Choir” (Semele, Ino)

Semele, HWV 58, Act III Scene 8: Air “Despair No More Shall Wound Me” (Athamas)

Susanna, HWV 66, Act III Scene 2: Duet “To My Chaste Susanna’s Praise” (Joacim, Susanna)

That’s so You

The Choice of Hercules, HWV 69, Part II Scene 2: No. 15. Air “Yet, Can I Hear That Dulcet Lay” (Hercules)

The Lover in Winter: No. 1. Iam nocet frigus

The Lover in Winter: No. 2. Nec Limpha caret

The Lover in Winter: No. 3. Modo frigescit

The Lover in Winter: No. 4. Nutritur ignis osculo

Theodora, HWV 68, Part II Scene 5: Duet “To Thee Thy Glorious Son of Worth” (Theodora, Didymus)

Theodora, HWV 68, Part III Scene 6: Duet “Thither Let Our Hearts Aspire!” (Theodora, Didymus)

Via Crucis: Station 1. Jesus Is Condemned to Death 'Universa turba succlamabat dicens'

Via Crucis: Station 12. Jesus Dies on the Cross 'Stabat autem iuxta crucem Jesu mater eius'

Via Crucis: Station 13. Jesus Is Taken Down From the Cross 'Judaei ergo'

Via Crucis: Station 5. Simon of Cyrene Helps Jesus Carry the Cross 'Exeuntes autem invenerunt'

Via Crucis: Station 6. Veronica Wipes the Face of Jesus 'Auferet Dominus Deus lacrymam'

Via Crucis: Station 8. The Women of Jerusalem Weep for Jesus 'Sequebatur autem illum multa turba'