UPC · Release
Christmas Oratorio
Bach, Watson, Davies, Gilchrist, Brook, The Choir of Trinity College Cambridge, Orchestra of the Age of Enlightenment, Stephen Layton
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034571280318 is the Universal Product Code (UPC barcode) for the release “Christmas Oratorio” by Bach, Watson, Davies, Gilchrist, Brook, The Choir of Trinity College Cambridge, Orchestra of the Age of Enlightenment, Stephen Layton, released 2013-01-01 on Hyperion. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 65 tracks, each with its own ISRC.
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- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
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Track List (65)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Christmas Oratorio, BWV 248: Part 1: Chorus. Jauchzet, frohlocket, auf, preiset die Tage | — | ||
| 2 | Christmas Oratorio, BWV 248: Part 1: Recitative (Evangelist). Es begab sich aber zu der Zeit | — | ||
| 3 | Christmas Oratorio, BWV 248: Part 1: Recitative (Alto). Nun wird mein liebster Bräutigam | — | ||
| 4 | Christmas Oratorio, BWV 248: Part 1: Aria (Alto). Bereite dich, Zion, mit zärtlichen Trieben | — | ||
| 5 | Christmas Oratorio, BWV 248: Part 1: Chorale. Wie soll ich dich empfangen | — | ||
| 6 | Christmas Oratorio, BWV 248: Part 1: Recitative (Evangelist). Und sie gebar ihren ersten Sohn | — | ||
| 7 | Christmas Oratorio, BWV 248: Part 1: Chorale (Sopranos) & Recitative (Bass). Er ist auf Erden kommen arm / Wer will die Liebe recht erhöhn | — | ||
| 8 | Christmas Oratorio, BWV 248: Part 1: Aria (Bass). Grosser Herr, o starker König | — | ||
| 9 | Christmas Oratorio, BWV 248: Part 1: Chorale. Ach mein herzliebes Jesulein | — | ||
| 10 | Christmas Oratorio, BWV 248: Part 2: Sinfonia | — | ||
| 11 | Christmas Oratorio, BWV 248: Part 2: Recitative (Evangelist). Und es waren Hirten in derselben Gegend | — | ||
| 12 | Christmas Oratorio, BWV 248: Part 2: Chorale. Brich an, o schönes Morgenlicht | — | ||
| 13 | Christmas Oratorio, BWV 248: Part 2: Recitative (Evangelist, The Angel). Und der Engel sprach zu ihnen | — | ||
| 14 | Christmas Oratorio, BWV 248: Part 2: Recitative (Bass). Was Gott dem Abraham verheißen | — | ||
| 15 | Christmas Oratorio, BWV 248: Part 2: Aria (Tenor). Frohe Hirten, eilt, ach eilet | — | ||
| 16 | Christmas Oratorio, BWV 248: Part 2: Recitative (Evangelist). Und das habt zum Zeichen | — | ||
| 17 | Christmas Oratorio, BWV 248: Part 2: Chorale. Schaut hin, dort liegt im finstern Stall | — | ||
| 18 | Christmas Oratorio, BWV 248: Part 2: Recitative (Bass). So geht denn hin, ihr Hirten, geht | — | ||
| 19 | Christmas Oratorio, BWV 248: Part 2: Aria (Alto). Schlafe, mein Liebster, genieße der Ruh’ | — | ||
| 20 | Christmas Oratorio, BWV 248: Part 2: Recitative (Evangelist). Und alsobald war da bei dem Engel | — | ||
| 21 | Christmas Oratorio, BWV 248: Part 2: Chorus. Ehre sei Gott in der Höhe | — | ||
| 22 | Christmas Oratorio, BWV 248: Part 2: Recitative (Bass). So recht, ihr Engel, jauchzt und singet | — | ||
| 23 | Christmas Oratorio, BWV 248: Part 2: Chorale. Wir singen dir in deinem Heer | — | ||
| 24 | Christmas Oratorio, BWV 248: Part 3: Chorus. Herrscher des Himmels, erhöre das Lallen | — | ||
| 25 | Christmas Oratorio, BWV 248: Part 3: Recitative (Evangelist). Und da die Engel von ihnen gen Himmel fuhren | — | ||
| 26 | Christmas Oratorio, BWV 248: Part 3: Chorus. Lasset uns nun gehen gen Bethlehem | — | ||
| 27 | Christmas Oratorio, BWV 248: Part 3: Recitative (Bass). Er hat sein Volk getröst’ | — | ||
| 28 | Christmas Oratorio, BWV 248: Part 3: Chorale. Dies hat er alles uns getan | — | ||
| 29 | Christmas Oratorio, BWV 248: Part 3: Duet (Soprano, Bass). Herr, dein Mitleid, dein Erbarmen | — | ||
| 30 | Christmas Oratorio, BWV 248: Part 3: Recitative (Evangelist). Und sie kamen eilend | — | ||
| 31 | Christmas Oratorio, BWV 248: Part 3: Aria (Alto). Schließe, mein Herze, dies selige Wunder | — | ||
| 32 | Christmas Oratorio, BWV 248: Part 3: Recitative (Alto). Ja, ja, mein Herz soll es bewahren | — | ||
| 33 | Christmas Oratorio, BWV 248: Part 3: Chorale. Ich will dich mit Fleiß bewahren | — | ||
| 34 | Christmas Oratorio, BWV 248: Part 3: Recitative (Evangelist). Und die Hirten kehrten wieder um | — | ||
| 35 | Christmas Oratorio, BWV 248: Part 3: Chorale. Seid froh dieweil | — | ||
| 36 | Christmas Oratorio, BWV 248: Part 3: Chorus da capo. Herrscher des Himmels, erhöre das Lallen | — | ||
| 2-1 | Christmas Oratorio, BWV 248: Part 4: Chorus. Fallt mit Danken, fallt mit Loben | — | ||
| 2-2 | Christmas Oratorio, BWV 248: Part 4: Recitative (Evangelist). Und da acht Tage um waren | — | ||
| 2-3 | Christmas Oratorio, BWV 248: Part 4: Recitative (Bass) & Arioso (Sopranos, Bass). Immanuel, o süsses Wort! / Jesu, du mein liebstes Leben | — | ||
| 2-4 | Christmas Oratorio, BWV 248: Part 4: Aria (Soprano, Echo Soprano). Flößt, mein Heiland, flößt dein Namen | — | ||
| 2-5 | Christmas Oratorio, BWV 248: Part 4: Recitative (Bass) & Chorale (Sopranos). Wohlan, dein Name soll allein / Jesu, meine Freud und Wonne | — | ||
| 2-6 | Christmas Oratorio, BWV 248: Part 4: Aria (Tenor). Ich will nur dir zu Ehren leben | — | ||
| 2-7 | Christmas Oratorio, BWV 248: Part 4: Chorale. Jesus richte mein Beginnen | — | ||
| 2-8 | Christmas Oratorio, BWV 248: Part 5: Chorus. Ehre sei dir, Gott, gesungen | — | ||
| 2-9 | Christmas Oratorio, BWV 248: Part 5: Recitative (Evangelist). Da Jesus geboren war zu Bethlehem | — | ||
| 2-10 | Christmas Oratorio, BWV 248: Part 5: Chorus with Recitative (Alto). Wo ist der neugeborne König der Jüden? | — | ||
| 2-11 | Christmas Oratorio, BWV 248: Part 5: Chorus. Dein Glanz all Finsternis verzehrt | — | ||
| 2-12 | Christmas Oratorio, BWV 248: Part 5: Aria (Bass). Erleucht auch meine finstre Sinnen | — | ||
| 2-13 | Christmas Oratorio, BWV 248: Part 5: Recitative (Evangelist). Da das der König Herodes hörte | — | ||
| 2-14 | Christmas Oratorio, BWV 248: Part 5: Recitative (Alto). Warum wollt ihr erschrecken? | — | ||
| 2-15 | Christmas Oratorio, BWV 248: Part 5: Recitative (Evangelist). Und ließ versammlen alle Hohepriester | — | ||
| 2-16 | Christmas Oratorio, BWV 248: Part 5: Trio (Soprano, Alto, Tenor). Ach, wenn wird die Zeit erscheinen? | — | ||
| 2-17 | Christmas Oratorio, BWV 248: Part 5: Recitative (Alto). Mein Liebster herrschet schon | — | ||
| 2-18 | Christmas Oratorio, BWV 248: Part 5: Chorale. Zwar ist solche Herzensstube | — | ||
| 2-19 | Christmas Oratorio, BWV 248: Part 6: Chorus. Herr, wenn die stolzen Feinde schnauben | — | ||
| 2-20 | Christmas Oratorio, BWV 248: Part 6: Recitative (Evangelist, Herod). Da berief Herodes die Weisen heimlich | — | ||
| 2-21 | Christmas Oratorio, BWV 248: Part 6: Recitative (Soprano). Du Falscher, suche nur den Herrn zu fällen | — | ||
| 2-22 | Christmas Oratorio, BWV 248: Part 6: Aria (Soprano). Nur Ein Wink von seinen Händen | — | ||
| 2-23 | Christmas Oratorio, BWV 248: Part 6: Recitative (Evangelist). Als sie nun den König gehöret hatten | — | ||
| 2-24 | Christmas Oratorio, BWV 248: Part 6: Chorale. Ich steh an deiner Krippen hier | — | ||
| 2-25 | Christmas Oratorio, BWV 248: Part 6: Recitative (Evangelist). Und Gott befahl ihnen im Traum | — | ||
| 2-26 | Christmas Oratorio, BWV 248: Part 6: Recitative (Tenor). So geht! Genug, mein Schatz geht nicht von hier | — | ||
| 2-27 | Christmas Oratorio, BWV 248: Part 6: Aria (Tenor). Nun mögt ihr stolzen Feinde schrecken | — | ||
| 2-28 | Christmas Oratorio, BWV 248: Part 6: Recitative (Quartet). Was will der Höllen Schrecken nun | — | ||
| 2-29 | Christmas Oratorio, BWV 248: Part 6: Chorale. Nun seid ihr wohl gerochen | — |
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What is UPC 034571280318?
034571280318 is a Universal Product Code (UPC) assigned to Christmas Oratorio by Bach, Watson, Davies, Gilchrist, Brook, The Choir of Trinity College Cambridge, Orchestra of the Age of Enlightenment, Stephen Layton. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 65 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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