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Messiah: Part 2: Aria: He was despised and rejected of men (alto) album cover

ISRC

GBAJY0980023

Messiah: Part 2: Aria: He was despised and rejected of men (alto)

Song: Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto)

Iestyn DaviesBritten SinfoniaStephen Layton
Released 2009-11-10

Last verified:

GBAJY0980023 is the International Standard Recording Code (ISRC) for the recording "Messiah: Part 2: Aria: He was despised and rejected of men (alto)" by Iestyn Davies, Britten Sinfonia, Stephen Layton, released 2009-11-10. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AJYRegistrant
09Year (2009)
80023Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Messiah: Part 2: Aria: He was despised and rejected of men (alto)" by Iestyn Davies?
The ISRC for "Messiah: Part 2: Aria: He was despised and rejected of men (alto)" by Iestyn Davies, Britten Sinfonia, Stephen Layton is GBAJY0980023.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAJY0980023?

GBAJY0980023 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Messiah: Part 2: Aria: He was despised and rejected of men (alto)" by Iestyn Davies, Britten Sinfonia, Stephen Layton. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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