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Joshua: Act I. "To long posterity we here record" album cover

ISRC

GBAJY9146108

Joshua: Act I. "To long posterity we here record"

Song: Joshua, HWV 64: Act I

John Mark AinsleyChoir of New College OxfordThe King’s ConsortRobert King
Released 1991-04-01

Last verified:

GBAJY9146108 is the International Standard Recording Code (ISRC) for the recording "Joshua: Act I. "To long posterity we here record"" by John Mark Ainsley, Choir of New College Oxford, The King’s Consort, Robert King, released 1991-04-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AJYRegistrant
91Year (1991)
46108Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1991):
Last two digits of the reference year (1991). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Joshua: Act I. "To long posterity we here record"" by John Mark Ainsley?
The ISRC for "Joshua: Act I. "To long posterity we here record"" by John Mark Ainsley, Choir of New College Oxford, The King’s Consort, Robert King is GBAJY9146108.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAJY9146108?

GBAJY9146108 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Joshua: Act I. "To long posterity we here record"" by John Mark Ainsley, Choir of New College Oxford, The King’s Consort, Robert King. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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