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Prince Igor, Chorus of the Polovtsian Maidens album cover

ISRC

GBATS0002903

Prince Igor, Chorus of the Polovtsian Maidens

Song: Prince Igor: Act II. "The prairie floweret" (Song of the Polovtsian Maidens)

BBC Symphony ChorusMargaret FieldPhilharmonia OrchestraGeoffrey Simon
Released 1992-01-01

Last verified:

GBATS0002903 is the International Standard Recording Code (ISRC) for the recording “Prince Igor, Chorus of the Polovtsian Maidens” by BBC Symphony Chorus, Margaret Field, Philharmonia Orchestra, Geoffrey Simon, released 1992-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
ATSRegistrant
00Year (2000)
02903Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2000):
Last two digits of the reference year (2000). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Prince Igor, Chorus of the Polovtsian Maidens" by BBC Symphony Chorus?
The ISRC for "Prince Igor, Chorus of the Polovtsian Maidens" by BBC Symphony Chorus, Margaret Field, Philharmonia Orchestra, Geoffrey Simon is GBATS0002903.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBATS0002903?

GBATS0002903 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Prince Igor, Chorus of the Polovtsian Maidens” by BBC Symphony Chorus, Margaret Field, Philharmonia Orchestra, Geoffrey Simon. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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