A Child of Our Time: Part 1: “How Can I Cherish My Man in Such Days…steal Away”

A Child of Our Time: Part 1: “Is Evil Then Good?”

A Child of Our Time: Part 1: “Now in Each Nation” - “When Shall the Userer’s City Cease”

A Child of Our Time: Part 1: “The World Turns on Its Dark Side”

A Child of Our Time: Part 2: “A Star Rises in Mid‐Winter”

A Child of Our Time: Part 2: “And a Time Came”

A Child of Our Time: Part 2: “Go Down, Moses”

A Child of Our Time: Part 2: “Nobody Knows the Trouble I See”

A Child of Our Time: Part 2: “They Took a Terrible Vengeance”

A Child of Our Time: Part 2: “What Have I Done to You, My Son? …O, by and by”

A Child of Our Time: Part 3: “Deep River”

A Child of Our Time: Part 3: “The Cold Deepens”

A Child of Our Time: Part 3: “The Words of Wisdom Are These”

Appalachia: [Song.] L’istesso tempo – Misterioso lento – Lento – Più mosso

Fantasia on British Sea Songs: I. Fanfare - The Saucy Arethusa

Fantasia on British Sea Songs: II. Tom Bowling

Fantasia on British Sea Songs: III. The Sailor's Hornpipe: Jack the Lad

Fantasia on British Sea Songs: IV. Ar hyd y nos (All Through the Night)

Fantasia on British Sea Songs: IX. See the Conqu'ring Hero Comes

Fantasia on British Sea Songs: V. The Road to the Isles

Fantasia on British Sea Songs: VI. Danny Boy

Fantasia on British Sea Songs: VII. The Rio Grande

Fantasia on British Sea Songs: VIII. Home, Sweet Home

Fantasia on British Sea Songs: X. Rule Britannia!

Five Mystical Songs: I. Easter

Five Mystical Songs: II. I Got Me Flowers

Five Mystical Songs: III. Love Bade me Welcome

Five Mystical Songs: IV. The Call

Five Mystical Songs: V. Antiphon

Harnasie, op. 55: Obraz I (Tableau I). Na hali (In the Mountain Pasture): 1 Redyk (Wiosenne wyjście stąd na halę) (Spring departure for the mountain pastures). Andante tranquillo – Poco animato, ma non troppo vivo – Meno mosso – Meno mosso –

Harnasie, op. 55: Obraz I (Tableau I). Na hali (In the Mountain Pasture): 2 Zaloty (Courtship). Vivace. Allegramente – Poco meno – Meno mosso, andantino – Più mosso – Ancora più mosso –

Harnasie, op. 55: Obraz I (Tableau I). Na hali (In the Mountain Pasture): 3 Marsz zbójnicki (Robbers’ March). Tempo di marcia, ma animato – Più animato – Ancora più animato – Vivace. Allegramente –

Harnasie, op. 55: Obraz I (Tableau I). Na hali (In the Mountain Pasture): 4 Harnaś i dziewczyna (Harnaś and the Girl). Poco meno. Tranquillo – Meno mosso, andantino – Subito più mosso, agitato molto – L’istesso tempo – Andantino. Grazioso – Poco avvivando – Più mosso – Meno mosso, sostenuto – Ancora poco meno – Poco meno –

Harnasie, op. 55: Obraz I (Tableau I). Na hali (In the Mountain Pasture): 5 Taniec zbójnicki. Finał (Robbers’ Dance. Finale). Allegramente, non troppo vivace – Poco sostenuto – Avvivando – Poco sostenuto – Meno mosso, andantino – Poco allegro –

Harnasie, op. 55: Obraz II (Tableau II). W karczmie (In the Inn): 6a Wesele (Wedding). Allegramente, non troppo vivace – Poco meno – Poco più (come sopra) – Poco sostenuto – Poco meno – Poco sostenuto – Vivace (come sopra) –

Harnasie, op. 55: Obraz II (Tableau II). W karczmie (In the Inn): 6b Cepiny (Capping the Bride). Andantino dolce – Poco animato – Più tranquillo – Poco animato – Più mosso – Vivace –

Harnasie, op. 55: Obraz II (Tableau II). W karczmie (In the Inn): 6c Pieśń siuhajów (Song of the Siuhaje). Allegramente – Poco sostenuto –

Harnasie, op. 55: Obraz II (Tableau II). W karczmie (In the Inn): 7 Taniec góralski (Góral Dance). Meno mosso – Allegro moderato – Più mosso –

Harnasie, op. 55: Obraz II (Tableau II). W karczmie (In the Inn): 8 Napad harnasiów. Taniec. Porwanie młodej (Raid of the Harnasie. Dance. Abduction of the Bride). Moderato, con passione – Più mosso (très rythmé) – Poco sostenuto – Poco sostenuto – Tempo di marcia – Poco meno mosso –

Harnasie, op. 55: Obraz II (Tableau II). W karczmie (In the Inn): 9 Epilog (Epilogue). [ ]

Jerusalem

Land of Hope and Glory

Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 8 Coro "Giovani liete" (Coro) / Recitativo "Cos'è questa commedia?" (Il Conte, Figaro, Susanna) / No. 9 Coro "Giovani liete" (Coro) / Recitativo "Evviva!" (Figaro, Susanna, Basilio, Cherubino, Il Conte)

Le nozze di Figaro, K. 492: Act III, Scene XI. No. 22 Coro "Ricevete, oh padroncina" (Contadinelle) / Act III, Scenes XII-XIII. Recitativo "Questo sono, Madama" (Barbarina, La Contessa, Susanna, Antonio, Il Conte, Cherubino, Figaro)

Le nozze di Figaro, K. 492: Act III, Scene XI. No. 22 Coro "Ricevete, oh padroncina" (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze)

Le nozze di Figaro, K. 492: Act IV, Scene XIV. No. 23 Finale. Fandango "Eh già solita usanza" (Il Conte, Figaro) / No. 23 Finale. Allegretto "Amanti costanti seguaci d'onor" (Barbarina, Coro)

Le nozze di Figaro, K. 492: Act IV, Scenes XII-XIV. No. 23 Finale "Ecco la marcia, Andiamo" (Figaro, Susanna, Il Conte, La Contessa) / No. 23 Finale "Amanti costanti seguaci d'onor" (Coro di contadine)

Le Soleil des eaux : Complainte du Lézard Amoureux

Le Soleil des eaux : La Sorgue

Madama Butterfly: "Humming Chorus"

Pomp and Circumstance March No. 1 in D-major "Land of Hope and Glory"

Prince Igor, Chorus of the Polovtsian Maidens

Prince Igor, Polovtsian dances

Prince Igor, Polovtsian March

Requiem

Stabat Mater, op. 53: ‘Chrystus niech mi będzie grodem’ (May His sacred cross defend me). Andante tranquillissimo – Meno mosso

Stabat Mater, op. 53: 'I któż, widząc tak cierpiącą' (Is there any, tears withholding). Moderato - Poco più mosso - Tempo I

Stabat Mater, op. 53: ‘Matko, źródło wszechmiłości’ (Love’s sweet fountain, Mother tender). Lento, dolcissimo – Poco meno

Stabat Mater, op. 53: ‘Panno słodka, racz, mozołem’ (Maid immaculate, excelling). Allegro moderato – Poco meno – Tempo come sopra – Poco meno

Stabat Mater, op. 53: ‘Spraw, niech płaczę z Tobą razem’ (In Thy keeping, watching, weeping). Moderato

Stabat Mater, op. 53: 'Stała Matka bolejąca' (Mother, bowed with grief appalling). Andante, mesto - Più lento - Tempo I - Poco meno - Tempo I - Più lento

Symphony no. 1 “A Sea Symphony”: III. Scherzo. The Waves

Symphony no. 3, op. 27 “The Song of the Night”: Allegretto tranquillo – Più tranquillo – Ancora più sostenuto – Andantino. Meno mosso – Poco più mosso. Scherzando – Non più mosso. Forte ed energico – Meno mosso. Andantino dolce – Più mosso. Scherzando – Forte, energico, ma non più mosso – Vivace scherzando – Poco meno – Andante – Tempo di scherzo, come sopra – Meno mosso (subito) – Molto tranquillo –

Symphony no. 3, op. 27 “The Song of the Night”: Largo – Largo assai – Meno mosso – Meno mosso. Adagio – Poco meno mosso. Sostenuto – Poco meno mosso – Lento assai – Poco avvivando – Poco meno. Molto tranquillo – Avvivando – Poco avvivando – Poco più mosso – Maestoso – Largo assai – Lento assai

Symphony no. 3, op. 27 “The Song of the Night”: Moderato assai – Meno mosso (quasi Adagio ma poco agitato) – Poco meno, molto tranquillo – Ancora poco meno – Ancora poco meno – Avvivando – Poco più – Ancora poco avvivando – Poco meno, Maestoso – Vivace, scherzando – Poco più tranquillo –

The Marriage of Figaro: Flower Chorus: Ricevete, o padroncina

The Mikado: "I've got a little list"

The Miraculous Mandarin: The body of the Mandarin begins to glow with a greenish blue light...

The National Anthem

The Song of the High Hills: In ruhigem fließendem Tempo – Tranquillo. Very quietly but not dragging – With vigour – Not too slow – Rather quicker – Slower. Maestoso (not hurried). With exultation –

The Song of the High Hills: Tempo I – Più mosso ma tranquillo – With exultation (not hurried). Maestoso – Tempo I – Very slow

The Song of the High Hills: Very slow (The wide far distance – The great solitude) – Slow and solemnly – Very quietly – Slow and very legato –