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ISRC

GBCAD0503007

Fantasia on British Sea Songs: IX. See the Conqu'ring Hero Comes

Song: Fantasia on British Sea Songs: VIII. See, the Conqu’ring Hero Comes

BBC SingersBBC Symphony ChorusBBC Symphony OrchestraLeonard Slatkin
Released 2005-06-06

Last verified:

GBCAD0503007 is the International Standard Recording Code (ISRC) for the recording "Fantasia on British Sea Songs: IX. See the Conqu'ring Hero Comes" by BBC Singers, BBC Symphony Chorus, BBC Symphony Orchestra, Leonard Slatkin, released 2005-06-06. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
CADRegistrant
05Year (2005)
03007Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Fantasia on British Sea Songs: IX. See the Conqu'ring Hero Comes" by BBC Singers?
The ISRC for "Fantasia on British Sea Songs: IX. See the Conqu'ring Hero Comes" by BBC Singers, BBC Symphony Chorus, BBC Symphony Orchestra, Leonard Slatkin is GBCAD0503007.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBCAD0503007?

GBCAD0503007 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Fantasia on British Sea Songs: IX. See the Conqu'ring Hero Comes" by BBC Singers, BBC Symphony Chorus, BBC Symphony Orchestra, Leonard Slatkin. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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