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ISRC

GBAYC0801490

St John Passion, BWV 245: Aria: Von Den Stricken

Song: Johannes-Passion, BWV 245: Teil I. No. 7 Aria (Alt) "Von den Stricken meiner Sünden"

David DanielsHannah McLaughlinKatharina SpreckelsenThe English ConcertHarry Bicket
Released 2008-08-25

Last verified:

GBAYC0801490 is the International Standard Recording Code (ISRC) for the recording "St John Passion, BWV 245: Aria: Von Den Stricken" by David Daniels, Hannah McLaughlin, Katharina Spreckelsen, The English Concert, Harry Bicket, released 2008-08-25. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
08Year (2008)
01490Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "St John Passion, BWV 245: Aria: Von Den Stricken" by David Daniels?
The ISRC for "St John Passion, BWV 245: Aria: Von Den Stricken" by David Daniels, Hannah McLaughlin, Katharina Spreckelsen, The English Concert, Harry Bicket is GBAYC0801490.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC0801490?

GBAYC0801490 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "St John Passion, BWV 245: Aria: Von Den Stricken" by David Daniels, Hannah McLaughlin, Katharina Spreckelsen, The English Concert, Harry Bicket. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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