ISRC

GBAYC2401044

Missa solemnis, op. 123: I. Kyrie

Hans SotinHeather HarperJanet BakerRobert TearNew Philharmonia ChorusLondon Philharmonic OrchestraCarlo Maria Giulini

Last verified:

GBAYC2401044 is the International Standard Recording Code (ISRC) for the recording "Missa solemnis, op. 123: I. Kyrie" by Hans Sotin, Heather Harper, Janet Baker, Robert Tear, New Philharmonia Chorus, London Philharmonic Orchestra, Carlo Maria Giulini. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
24Year (2024)
01044Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Missa solemnis, op. 123: I. Kyrie" by Hans Sotin?
The ISRC for "Missa solemnis, op. 123: I. Kyrie" by Hans Sotin, Heather Harper, Janet Baker, Robert Tear, New Philharmonia Chorus, London Philharmonic Orchestra, Carlo Maria Giulini is GBAYC2401044.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC2401044?

GBAYC2401044 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Missa solemnis, op. 123: I. Kyrie" by Hans Sotin, Heather Harper, Janet Baker, Robert Tear, New Philharmonia Chorus, London Philharmonic Orchestra, Carlo Maria Giulini. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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