Person · Active since 1939
Credits Graph
Credit Chain
"Sehet, wir gehn hinauf gen Jerusalem", BWV 159: 3. Recitative: "Nun will ich mich, mein Jesu" (Tenore)
Robert Tear, Philip Ledger, Academy of St Martin in the Fields, Sir Neville Marriner
A Midsummer Night's Dream: Act I. "Is all our company here?"
Norman Lumsden, Kenneth MacDonald, Owen Brannigan, Keith Raggett, Robert Tear, David Kelly, London Symphony Orchestra, Benjamin Britten
A Midsummer Night's Dream: Act II. "Are we all met?"
Owen Brannigan, Norman Lumsden, Kenneth MacDonald, David Kelly, Robert Tear, Keith Raggett, Stephen Terry, London Symphony Orchestra, Benjamin Britten
A Midsummer Night's Dream: Act III, Scene 1. "Have you sent to Bottom's house?"
Norman Lumsden, Keith Raggett, Robert Tear, Kenneth MacDonald, Owen Brannigan, David Kelly, London Symphony Orchestra, Benjamin Britten
A Midsummer Night's Dream: Act III, Scene 2. "If we offend, it is with our good will"
Owen Brannigan, Kenneth MacDonald, Norman Lumsden, David Kelly, Robert Tear, Keith Raggett, John Shirley-Quirk, Helen Watts, Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten
A Midsummer Night's Dream: Act III, Scene 2. "In the same interlude"
Robert Tear, Josephine Veasey, Peter Pears, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten
A Midsummer Night's Dream: Act III, Scene 2. "O Wall, full often hast thou heard my moans"
Kenneth MacDonald, Owen Brannigan, Robert Tear, Helen Watts, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten
Acis and Galatea, HWV 49: Act I: Happy We!
Jill Gomez, Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner
Acis and Galatea, HWV 49: Act I: Lo! Here My Love!
Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner
Acis and Galatea, HWV 49: Act I: Love in Her Eyes Sits Playing
Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner
Acis and Galatea, HWV 49: Act I: Where Shall I Seek the Charming Fair?
Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner
Acis and Galatea, HWV 49: Act II: Help, Galatea! Help, Ye Parent Gods!
Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner
Acis and Galatea, HWV 49: Act II: His Hideous Love Provokes my Rage
Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner
Acis and Galatea, HWV 49: Act II: Love Sounds Th'alarm
Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner
Acis and Galatea, HWV 49: Act II: The Flocks Shall Leave the Mountains
Jill Gomez, Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner
Anthem a 4: Almighty and everlasting God
Alfred Deller, Deller Consort, Wenzinger Consort Of Viols, August Wenzinger
via Deller ConsortAnthem a 4: O Lord, increase my faith
Alfred Deller, Deller Consort, Wenzinger Consort Of Viols, August Wenzinger
via Deller ConsortAnthem a 5; treble viol, alto viol, tenor viol (2), bass viol: This is the record of John
Alfred Deller, Deller Consort, Wenzinger Consort Of Viols, August Wenzinger
via Deller ConsortAnthem a 5: O Lord, I lift my heart to Thee
Alfred Deller, Deller Consort, Wenzinger Consort Of Viols, August Wenzinger
via Deller ConsortBacchus and Ariadne from Six English Cantatas, 1755.: Aria: Ah Theseus, Theseus stay
Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner
Bacchus and Ariadne from Six English Cantatas, 1755.: Aria: Cease lovely Nymph to weep
Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner
Bacchus and Ariadne from Six English Cantatas, 1755.: Aria: Learn hence ye fond maidens
Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner
Bacchus and Ariadne from Six English Cantatas, 1755.: Recit: The jolly God who rules
Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner
Bacchus and Ariadne from Six English Cantatas, 1755.: Recitative: The faithless Theseus...
Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner
Bacchus and Ariadne from Six English Cantatas, 1755.: Recitative: With soft reluctance
Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner
Ballad of Heroes, op. 14: III. Recitative and Choral (Auden/Swingler)
City of Birmingham Symphony Chorus, Robert Tear, City of Birmingham Symphony Orchestra, Simon Rattle
Billy Budd, op. 50, Act 1: Billy! Hist! Billy Budd!
Robert Tear, Peter Glossop, London Symphony Orchestra, Benjamin Britten
Billy Budd, op. 50, Act 1: Come along kid! Come along!
Benjamin Luxon, Robert Tear, Ambrosian Opera Chorus, London Symphony Orchestra, Benjamin Britten
Billy Budd, op. 50, Act 1: Come here. Remember your promise
Michael Langdon, Robert Tear, London Symphony Orchestra, Benjamin Britten
Billy Budd, op. 50, Act 1: Pull, my bantams!
Eric Garrett, Norman Lumsden, Bryan Drake, David Bowman, Nigel Rogers, Delme Bryn-Jones, Robert Tear, Robert Bowman, Ambrosian Opera Chorus, Wandsworth School Boys’ Choir, London Symphony Orchestra, Benjamin Britten
Consort song a 5 "The Cries of London": A good Sausage, a good
Alfred Deller, Deller Consort, Wenzinger Consort Of Viols, August Wenzinger
via Deller ConsortConsort song a 5 "The Cries of London": God give you good morrow
Alfred Deller, Deller Consort, Wenzinger Consort Of Viols, August Wenzinger
via Deller ConsortDido and Aeneas, Z. 626, Act 1: II. Ah Belinda, I am press’d
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 1: III. Grief increase, I am press’d with torment
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 1: IV. When monarchs unite, how happy their state
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 1: IX. If not for mine, for empire’s sake
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 1: V. Whence could so much virtue spring
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 1: VI. Fear no danger to ensue
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 1: VII. See, your royal guest appears
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 1: VIII. Cupid Only Throws the Dart
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 1: X. Pursue thy conquest, Love
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 1: XI. to the hills and vales
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 1: XII. the Triumphing Dance
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: I. Prelude for the witches
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: II. Wayward sisters, you that fright
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: III. Harm’s our delight and mischief all our skill
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: IX. in our deep-vaulted cell
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: V. Ha, Ha, Ha
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: VI. Ruin’d ere we this perform
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: VI. the Queen of Carthage, whom we hate
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: VII. Ha, Ha, Ha
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: VIII. But Ere We This Perform
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: X. Echo Dance of Furies
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: XI. Ritornello
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: XII. Thanks to these lonesome vales
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: XIII. Off She Visits This Lov’D Mountain
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: XIV. Behold, upon my bending spear
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: XV. Haste, hast to town
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: XVI. Stay, Prince, and hear great love’s command
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 3: I. Prelude for the sailors
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 3: II. Come away, fellow sailors
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 3: III. the Sailors Dance
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 3: IV. See the flags and streamers curling
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 3: IX. Great minds against themselves
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 3: V. Our next motion
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 3: VI. Destruction’s our delight
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 3: VII. the Witches Brew
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 3: VIII. Your Counsel All is Urg’D in Vain
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 3: X. Thy hand, Belinda, darkness shades me
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 3: XI. When I am laid in earth
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 3: XII. With drooping wings ye Cupids come
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act. 1: I. Shake the cloud off your brow
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626: Overture
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Ach Belmonte! Ach mein Leben!" (Konstanze, Belmonte, Pedrillo, Blonde)
Norma Burrowes, Stuart Burrows, Christiane Eda-Pierre, Robert Tear, Academy of St Martin in the Fields, Sir Colin Davis
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Wenn unsrer Ehre wegen" (Konstanze, Belmonte, Pedrillo, Blonde)
Norma Burrowes, Stuart Burrows, Christiane Eda-Pierre, Robert Tear, Academy of St Martin in the Fields, Sir Colin Davis
Die Entführung aus dem Serail, K. 384: Akt II, Szene VII. No. 13 Arie "Frisch zum Kampfe!" (Pedrillo)
Robert Tear, Academy of St Martin in the Fields, Sir Colin Davis
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. No. 14 Duett "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin)
Robert Lloyd, Robert Tear, Academy of St Martin in the Fields, Sir Colin Davis
Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. No. 18 Romanze "In Mohrenland gefangen war" (Pedrillo, Belmonte)
Stuart Burrows, Robert Tear, Academy of St Martin in the Fields, Sir Colin Davis
Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. No. 21a Vaudeville "Nie werd'ich deine Huld verkennen" / Akt III, Szene IX. No. 21b Chor der Janitscharen "Bassa Selim lebe lange"
Norma Burrowes, Stuart Burrows, Christiane Eda-Pierre, The John Alldis Choir, Robert Lloyd, Robert Tear, Academy of St Martin in the Fields, Sir Colin Davis
Die Sieben Todsünden: Anger
Julia Migenes, Robert Tear, Stuart Kale, Alan Opie, Roderick Kennedy, London Symphony Orchestra, Michael Tilson Thomas
Die Sieben Todsünden: Avarice
Robert Tear, Stuart Kale, Alan Opie, Roderick Kennedy, London Symphony Orchestra, Michael Tilson Thomas
Die Sieben Todsünden: Envy
Stuart Kale, Roderick Kennedy, Julia Migenes, Alan Opie, Robert Tear, London Symphony Orchestra, Michael Tilson Thomas
Die Sieben Todsünden: Gluttony
Robert Tear, Stuart Kale, Alan Opie, Roderick Kennedy, London Symphony Orchestra, Michael Tilson Thomas
Die Sieben Todsünden: Lust
Stuart Kale, Roderick Kennedy, Julia Migenes, Alan Opie, Robert Tear, London Symphony Orchestra, Michael Tilson Thomas
Die Sieben Todsünden: Pride
Stuart Kale, Roderick Kennedy, Julia Migenes, Alan Opie, Robert Tear, London Symphony Orchestra, Michael Tilson Thomas
Die Sieben Todsünden: Sloth
Robert Tear, Stuart Kale, Alan Opie, Roderick Kennedy, London Symphony Orchestra, Michael Tilson Thomas
Die Zauberflöte, K. 620: Act I, Scene XII. No. 6 Trio "Du feines Täubchen, nur herein" (Monostatos, Pamina, Tamino)
Margaret Price, Peter Schreier, Robert Tear, Staatskapelle Dresden, Sir Colin Davis
Die Zauberflöte, K. 620: Act I, Scene XVI. "Schnelle Füße, rascher Mut" (Pamina, Papageno, Monostatos, Coro)
MDR Rundfunkchor Leipzig, Mikael Melbye, Margaret Price, Robert Tear, Staatskapelle Dresden, Sir Colin Davis
Die Zauberflöte, K. 620: Act I, Scene XVII. "Herr, ich bin zwar Verbrecherin" (Pamina, Sarastro, Monostatos, Tamino, Coro)
MDR Rundfunkchor Leipzig, Kurt Moll, Margaret Price, Peter Schreier, Robert Tear, Staatskapelle Dresden, Sir Colin Davis
Die Zauberflöte, K. 620: Act II, Scene VII. No. 13 Aria "Alles fühlt der Liebe Freuden" (Monostatos)
Robert Tear, Staatskapelle Dresden, Sir Colin Davis
Die Zauberflöte, K. 620: Act II, Scene XXX. "Nur stille! Stille! Die Strahlen der Sonne" (Monostatos, Königin, Damen) / Act II, Scene XXX. "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro, Coro)
Marie McLaughlin, Kurt Moll, Ann Murray, Hanna Schwarz, Luciana Serra, Robert Tear, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Sir Colin Davis
Die Zauberflöte, K. 620: Act II, Scene XXX. "Nur stille! Stille! Die Strahlen der Sonne" (Monostatos, Königin, Damen) / Act II, Scene XXX. "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro, Coro)
Marie McLaughlin, Kurt Moll, Ann Murray, Hanna Schwarz, Luciana Serra, Robert Tear, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Sir Colin Davis
Die Zauberflöte, Nur stille, stille - Die Strahlen der Sonne (Schluß 2. A
MDR Rundfunkchor Leipzig, Marie McLaughlin, Kurt Moll, Ann Murray, Hanna Schwarz, Luciana Serra, Robert Tear, Staatskapelle Dresden, Sir Colin Davis
Duet for 2 Tenors in E-flat major, K. 384A/389 (Erik Smith completion): "Welch ängstliches Beben"
Stuart Burrows, Robert Tear, Academy of St Martin in the Fields, Sir Colin Davis
Fair Caelia love pretented: Aria: How engaging, how endearing
Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner
Fair Caelia love pretented: Aria: To all the sex deceitfull
Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner
Fair Caelia love pretented: Recit: But Caelia now repenting
Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner
Fair Caelia love pretented: Recit: Fair Caelia love pretented
Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner
Fantasia "In nomine" a 5
Alfred Deller, Deller Consort, Wenzinger Consort Of Viols, August Wenzinger
via Deller ConsortFantasia a 4
Alfred Deller, Deller Consort, Wenzinger Consort Of Viols, August Wenzinger
via Deller ConsortFantasia I a 3
Alfred Deller, Deller Consort, Wenzinger Consort Of Viols, August Wenzinger
via Deller ConsortFantasia II a 3
Alfred Deller, Deller Consort, Wenzinger Consort Of Viols, August Wenzinger
via Deller ConsortGlagolitic Mass: III. Slava
Teresa Kubiak, Anne Collins, Robert Tear, Brighton Festival Chorus, Royal Philharmonic Orchestra, Rudolf Kempe
Glagolitic Mass: IV. Vĕruju
Robert Tear, Wolfgang Schöne, John Birch, Brighton Festival Chorus, Royal Philharmonic Orchestra, Rudolf Kempe
Glagolitic Mass: V. Svet
Teresa Kubiak, Robert Tear, Wolfgang Schöne, Brighton Festival Chorus, Royal Philharmonic Orchestra, Rudolf Kempe
Glagolitic Mass: VI. Agneče Božij
Teresa Kubiak, Anne Collins, Robert Tear, Wolfgang Schöne, Brighton Festival Chorus, Royal Philharmonic Orchestra, Rudolf Kempe
Hymn a 4: O my love, how comely now
Alfred Deller, Deller Consort, Wenzinger Consort Of Viols, August Wenzinger
via Deller ConsortHymn a 4: Thus angels sung
Alfred Deller, Deller Consort, Wenzinger Consort Of Viols, August Wenzinger
via Deller ConsortKrönungsmesse, K. 317: I. Kyrie
Ileana Cotrubaş, Robert Tear, George Malcolm, Schola Cantorum of Oxford, Academy of St Martin in the Fields, Sir Neville Marriner
Krönungsmesse, K. 317: II. Gloria
Ileana Cotrubaş, Robert Tear, John Shirley-Quirk, George Malcolm, Schola Cantorum of Oxford, Academy of St Martin in the Fields, Sir Neville Marriner
Krönungsmesse, K. 317: III. Credo
Ileana Cotrubaş, Robert Tear, John Shirley-Quirk, George Malcolm, Schola Cantorum of Oxford, Academy of St Martin in the Fields, Sir Neville Marriner
Krönungsmesse, K. 317: V. Benedictus
Ileana Cotrubaş, Robert Tear, John Shirley-Quirk, George Malcolm, Schola Cantorum of Oxford, Academy of St Martin in the Fields, Sir Neville Marriner
Madrigal a 5; treble viol, alto viol, tenor viol (2), bass viol: What is our life?
Alfred Deller, Deller Consort, Wenzinger Consort Of Viols, August Wenzinger
via Deller ConsortMadrigal a 5: The silver swan
Alfred Deller, Deller Consort, Wenzinger Consort Of Viols, August Wenzinger
via Deller ConsortA Ceremony of Carols / Saint Nicolas
1995 · EMI Classics
Acis & Galatea
1998
Acis & Galatea
1998 · Decca
Alceste, Wq. 44 (Sung in French) [Live Recordings 1981]
2014 · Opus Arte
At The Boar's Head / The Wandering Scholar
1995 · EMI Classics
Béatrice et Bénédict
2003 · Philips Classics
Beethoven: Mass in C / Mozart: Mass in C “Coronation”
1996
Beethoven: Missa Solemnis / Schubert: Symphony no. 4
2002
Before and after Summer - Till Earth Outwears - I said to Love
2007 · Lyrita
British Composers: A Mass of Life / Songs of Sunset / An Arabesque
1992
British Composers: Britten: War Requiem / Bliss: Morning Heroes
2007 · EMI Classics
British Composers: Britten: Winter Words etc.
2000 · EMI Classics
Britten: Spring Symphony / Bridge: Enter Spring / Summer
1996
Britten: Spring Symphony / Bridge: Enter Spring / Summer
1996
Cantatas / Arias
2019
Choral Symphony
2025
Choral Symphony
1988 · ASV Digital
Coronation Mass / Vesperae Solennes / Exsultate, Jubilate
Decca
Das Geistliche & Weltliche Chorwerk (Sacred & Secular Choral Works)
2011 · EMI Classics
Das klagende Lied
1995 · BBC Radio Classics
Das klagende Lied
2002 · EMI Classics
Das klagende Lied
1985 · La Voix De Son Maître Digital
Das Lied von der Erde
1995 · RCA Victor Red Seal
Elias
1990 · CBS Masterworks
Exsultate, Jubilate / Krönungsmesse / Litaniae Lauretanae, K195
1988 · London Records
Folksong Arrangements
2008 · EMI Classics
Hippolyte et Aricie
2019
Hugh the Drover
1994 · EMI Classics
Idomeneo
TELDEC
Idomeneo
2009 · TELDEC
Il ritorno d'Ulisse in Patria
2000 · Orfeo D'Or
Les Contes d’Hoffmann
2006 · EMI Classics
Lulu
2000 · Deutsche Grammophon
Mass in B minor
1978
Mass in B minor, BWV 232 / Cantata 'Ich will den Kreuzstab gerne tragen', BWV 56
2011 · Decca
Messiah
1992 · EMI Classics
Missa Solemnis / Messe en ut majeur
1990 · EMI
Paukenmesse
1986 · Argo (2)
Rachmaninov & Chopin Songs
Requiem
1988 · London Records
Requiem
1986 · Argo (2)
Requiem
2005 · EMI Classics
Requiem / Krönungsmesse / Coronation Mass / Exsultate, jubilate / Litany K. 195
1994 · Decca
Requiem / Symphonie fantastique
1996 · EMI Classics
Roméo et Juliette
1988 · Philips Classics
Rossini: Petite Messe solennelle / Respighi: Deità silvane, Trittico botticelliano, Lauda per la natività del Signore
1995 · London Records
Saint François d'Assise
1998 · Orfeo (2)
Serenade for Tenor, Horn & Strings / Les Illuminations / The Young Person’s Guide to the Orchestra
1988 · Deutsche Grammophon
Serenade for Tenor, Horn & Strings / Nocturne / Les Illuminations
2006 · EMI Classics
Serenade for Tenor, Horn & Strings / Our Hunting Fathers / Folksongs
1993 · EMI Classics
Other members of Deller Consort
Robert Tear is a performer, active since 1939. Robert Tear is a member of Deller Consort, and credits from that group are included in this catalog.
Our database contains 251 recordings and 50 releases credited to Robert Tear. Credits data is sourced from the Mechanical Licensing Collective (MLC), MusicBrainz (CC0), and Spotify.
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