UPC · Album

Requiem / Krönungsmesse / Coronation Mass / Exsultate, jubilate / Litany K. 195

Wolfgang Amadeus Mozart, Cotrubaş, Watts and 4 more

028944300925
29 tracksReleased 1994-01-01Decca

Last verified:

028944300925 is the Universal Product Code (UPC barcode) for the release Requiem / Krönungsmesse / Coronation Mass / Exsultate, jubilate / Litany K. 195 by Wolfgang Amadeus Mozart, Cotrubaş, Watts, Tear, Shirley‐Quirk, Academy of St Martin in the Fields, Sir Neville Marriner, released 1994-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 29 tracks, each with its own ISRC. Tracks include GBF076610171, GBF076610172, GBF076610173.

Format

0Number system
28944Manufacturer
30092Product
5Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCRequiem / Krönungsmesse / Coronation Mass / Exsultate, jubilate / Litany K. 195
ISRC29 recordings
ISWC14 works
IPI1 songwriter

Track List (29)

Exsultate, jubilate, K. 165: I. Exsultate, jubilate
Erna Spoorenberg, Philip Ledger, Academy of St Martin in the Fields, Neville Marriner
Exsultate, jubilate, K. 165: II. Fulget amica dies
Erna Spoorenberg, Philip Ledger, Academy of St Martin in the Fields, Neville Marriner
Exsultate, jubilate, K. 165: III. Tu virginum corona
Erna Spoorenberg, Philip Ledger, Academy of St Martin in the Fields, Neville Marriner
Exsultate, jubilate, K. 165: IV. Alleluja
Erna Spoorenberg, Philip Ledger, Academy of St Martin in the Fields, Neville Marriner
Krönungsmesse, K. 317: I. Kyrie
Ileana Cotrubaş, Robert Tear, George Malcolm, Schola Cantorum of Oxford, Academy of St Martin in the Fields, Sir Neville Marriner
Krönungsmesse, K. 317: II. Gloria
Ileana Cotrubaş, Robert Tear, John Shirley-Quirk, George Malcolm, Schola Cantorum of Oxford, Academy of St Martin in the Fields, Sir Neville Marriner
Krönungsmesse, K. 317: III. Credo
Ileana Cotrubaş, Robert Tear, John Shirley-Quirk, George Malcolm, Schola Cantorum of Oxford, Academy of St Martin in the Fields, Sir Neville Marriner
Krönungsmesse, K. 317: IV. Sanctus
George Malcolm, Schola Cantorum of Oxford, Academy of St Martin in the Fields, Sir Neville Marriner
Krönungsmesse, K. 317: V. Benedictus
Ileana Cotrubaş, Robert Tear, John Shirley-Quirk, George Malcolm, Schola Cantorum of Oxford, Academy of St Martin in the Fields, Sir Neville Marriner
Missa brevis No. 9 in B-flat major: “Agnus Dei; Dona nobis pacem”
Andrew Parrott, Schola Cantorum of Oxford, Helen Watts, Ileana Cotrubaș, John Shirley-Quirk, Robert Tear, George Malcolm, Academy of St Martin in the Fields, Neville Marriner
Litaniae Lauretanae, K. 195: I. Kyrie eleison
Ileana Cotrubaş, Helen Watts, Robert Tear, John Shirley-Quirk, George Malcolm, Schola Cantorum of Oxford, Academy of St Martin in the Fields, Sir Neville Marriner
Litaniae Lauretanae, K. 195: II. Sancta Maria
Ileana Cotrubaş, Helen Watts, Robert Tear, John Shirley-Quirk, Schola Cantorum of Oxford, Academy of St Martin in the Fields, Sir Neville Marriner
Litaniae Lauretanae, K. 195: III. Salus infirmorum
Ileana Cotrubaş, Helen Watts, Robert Tear, John Shirley-Quirk, Schola Cantorum of Oxford, Academy of St Martin in the Fields, Sir Neville Marriner
Litaniae Lauretanae, K. 195: IV. Regina angelorum
Ileana Cotrubaş, Helen Watts, Robert Tear, John Shirley-Quirk, Schola Cantorum of Oxford, Academy of St Martin in the Fields, Sir Neville Marriner
Litaniae Lauretanae, K. 195: V. Agnus Dei
Ileana Cotrubaş, George Malcolm, Schola Cantorum of Oxford, Academy of St Martin in the Fields, Sir Neville Marriner
Requiem in D minor, K. 626 (Beyer edition): I. Introitus: "Requiem aeternam"
Ileana Cotrubaş, Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
Requiem in D minor, K. 626 (Beyer edition): II. "Kyrie eleison"
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
Requiem in D minor, K. 626 (Beyer edition): IIIa. Sequenz: "Dies irae"
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
Requiem in D minor, K. 626 (Beyer edition): IIIb. Sequenz: "Tuba mirum"
Ileana Cotrubaş, Helen Watts, Robert Tear, John Shirley-Quirk, Academy of St Martin in the Fields, Sir Neville Marriner
Requiem in D minor, K. 626 (Beyer edition): IIIc. Sequenz: "Rex tremendae"
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
Requiem in D minor, K. 626 (Beyer edition): IIId. Sequenz: "Recordare"
Ileana Cotrubaş, Helen Watts, Robert Tear, John Shirley-Quirk, Academy of St Martin in the Fields, Sir Neville Marriner
Requiem in D minor, K. 626 (Beyer edition): IIIe. Sequenz: "Confutatis"
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
Requiem in D minor, K. 626 (Beyer edition): IIIf. Sequenz: "Lacrimosa"
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
Requiem in D minor, K. 626 (Beyer edition): IVa. Offertorium: "Domine Jesu"
Ileana Cotrubaş, Helen Watts, Robert Tear, John Shirley-Quirk, Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
Requiem in D minor, K. 626 (Beyer edition): IVb. Offertorium: "Hostias"
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
Requiem in D minor, K. 626 (Beyer edition): V. "Sanctus"
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
Requiem in D minor, K. 626 (Beyer edition): VI. "Benedictus"
Ileana Cotrubaş, Helen Watts, Robert Tear, John Shirley-Quirk, Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
Requiem in D minor, K. 626 (Beyer edition): VII. "Agnus Dei"
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
Requiem in D minor, K. 626 (Beyer edition): VIII. Communio: "Lux aeterna"
Ileana Cotrubaş, Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner

People also ask

What is UPC 028944300925?
UPC 028944300925 is the Universal Product Code (barcode) for "Requiem / Krönungsmesse / Coronation Mass / Exsultate, jubilate / Litany K. 195" by Wolfgang Amadeus Mozart, Cotrubaş, Watts, Tear, Shirley‐Quirk, Academy of St Martin in the Fields, Sir Neville Marriner, released on Decca.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028944300925?
UPC 028944300925 contains 29 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 028944300925?

028944300925 is a Universal Product Code (UPC) assigned to Requiem / Krönungsmesse / Coronation Mass / Exsultate, jubilate / Litany K. 195 by Wolfgang Amadeus Mozart, Cotrubaş, Watts, Tear, Shirley‐Quirk, Academy of St Martin in the Fields, Sir Neville Marriner. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 29 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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