Person · Active since 1927
Credits Graph
Credit Chain
"Tu Fedel? Tu Costante?", HWV 171: Recit: L'occhio nero vivace...Aria: Se Licori, Filli ed io
Helen Watts, English Chamber Orchestra, Raymond Leppard
"Tu Fedel? Tu Costante?", HWV 171: Recit: Ma il tuo genio...Aria: Sì crudel, ti lascierò
Helen Watts, English Chamber Orchestra, Raymond Leppard
"Tu Fedel? Tu Costante?", HWV 171: Recit: Ma se non hai più d'un sol cuore...Aria: Se non ti piace
Helen Watts, English Chamber Orchestra, Raymond Leppard
"Tu Fedel? Tu Costante?", HWV 171: Recit: Tu fidel? Tu constante?...Aria: Cento belle ami, Fileno
Helen Watts, English Chamber Orchestra, Raymond Leppard
A Midsummer Night's Dream: Act III, Scene 2. "If we offend, it is with our good will"
Owen Brannigan, Kenneth MacDonald, Norman Lumsden, David Kelly, Robert Tear, Keith Raggett, John Shirley-Quirk, Helen Watts, Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten
A Midsummer Night's Dream: Act III, Scene 2. "O Wall, full often hast thou heard my moans"
Kenneth MacDonald, Owen Brannigan, Robert Tear, Helen Watts, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten
A Midsummer Night's Dream: Act III, Scene 2. "Sweet moon, I thank thee for thy sunny beams..."
Owen Brannigan, Helen Watts, Thomas Hemsley, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten
A Midsummer Night's Dream: Act III, Scene 2. "This lanthorn doth the horned Moon present"
Keith Raggett, Peter Pears, John Shirley-Quirk, Thomas Hemsley, Helen Watts, Kenneth MacDonald, David Kelly, Josephine Veasey, London Symphony Orchestra, Benjamin Britten
A Midsummer Night's Dream: Act III, Scene 2. Orchestral March / "Now, fair Hippolyta"
John Shirley-Quirk, Helen Watts, Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten
Béatrice et Bénédict: Act 1. "Vous soupirez, madame?" - "Nuit paisible et sereine!"
April Cantelo, Helen Watts, London Symphony Orchestra, Sir Colin Davis
Cantata Academica, (Carmen basiliense) op. 62: III. At huius caelestis...V: Tum vero Aeneas Sylvius virtus
Jennifer Vyvyan, Helen Watts, Peter Pears, Owen Brannigan, London Symphony Chorus, London Symphony Orchestra, George Malcolm
Cantata Academica, (Carmen basiliense) op. 62: IX. Rhenana erga omnes. X: Ut instissime XI: O cives..
Helen Watts, Peter Pears, Owen Brannigan, London Symphony Chorus, London Symphony Orchestra, George Malcolm
Cantata: Carco sempre di gloria, HWV 87: Recit: Carco sempre di gloria...Aria: Sei del Ciel dono perfetto
Helen Watts, English Chamber Orchestra, Raymond Leppard
Cantata: Carco sempre di gloria: Aria: Sei cara, sei bella
Helen Watts, English Chamber Orchestra, Raymond Leppard
Cantata: Splenda l'alba in oriente, HWV 166: Aria: Splenda l'alba in oriente
Helen Watts, English Chamber Orchestra, Raymond Leppard
Cantata: Splenda l'alba in oriente, HWV 166: Recit: Tu, armonica Cecilia...Aria: La virtute è un vero nume
Helen Watts, English Chamber Orchestra, Raymond Leppard
Dido and Aeneas, Z. 626, Act 1: II. Ah Belinda, I am press’d
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 1: III. Grief increase, I am press’d with torment
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 1: IV. When monarchs unite, how happy their state
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 1: IX. If not for mine, for empire’s sake
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 1: V. Whence could so much virtue spring
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 1: VI. Fear no danger to ensue
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 1: VII. See, your royal guest appears
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 1: VIII. Cupid Only Throws the Dart
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 1: X. Pursue thy conquest, Love
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 1: XI. to the hills and vales
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 1: XII. the Triumphing Dance
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: I. Prelude for the witches
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: II. Wayward sisters, you that fright
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: III. Harm’s our delight and mischief all our skill
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: IX. in our deep-vaulted cell
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: V. Ha, Ha, Ha
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: VI. Ruin’d ere we this perform
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: VI. the Queen of Carthage, whom we hate
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: VII. Ha, Ha, Ha
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: VIII. But Ere We This Perform
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: X. Echo Dance of Furies
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: XI. Ritornello
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: XII. Thanks to these lonesome vales
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: XIII. Off She Visits This Lov’D Mountain
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: XIV. Behold, upon my bending spear
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: XV. Haste, hast to town
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 2: XVI. Stay, Prince, and hear great love’s command
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 3: I. Prelude for the sailors
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 3: II. Come away, fellow sailors
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 3: III. the Sailors Dance
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 3: IV. See the flags and streamers curling
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 3: IX. Great minds against themselves
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 3: V. Our next motion
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 3: VI. Destruction’s our delight
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 3: VII. the Witches Brew
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 3: VIII. Your Counsel All is Urg’D in Vain
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 3: X. Thy hand, Belinda, darkness shades me
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 3: XI. When I am laid in earth
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act 3: XII. With drooping wings ye Cupids come
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626, Act. 1: I. Shake the cloud off your brow
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Dido and Aeneas, Z. 626: Overture
Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra, Alfred Deller
Die Walküre / Act 3: Ride of the Valkyries (from “Apocalypse Now”)
Birgit Nilsson, Berit Lindholm, Brigitte Fassbaender, Claudia Hellmann, Helen Watts, Helga Dernesch, Marilyn Tyler, Vera Schlosser, Wiener Philharmoniker, Sir Georg Solti
Die Walküre: The Ride of the Valkyries
Helga Dernesch, Brigitte Fassbaender, Claudia Hellmann, Berit Lindholm, Vera Schlosser, Marilyn Tyler, Helen Watts, Wiener Philharmoniker, Georg Solti
Dixit Dominus in D major, RV 594: Tecum principium
Helen Watts, English Chamber Orchestra, Stephen Cleobury
Elektra: "Es muß etwas geschehen sein" (Chrysothemis)
Helen Watts, Yvonne Minton, Marie Collier, Jane Cook, Pauline Tinsley, Maureen Lehane, Wiener Philharmoniker, Sir Georg Solti
Elektra: "Wo bleibt Elektra?" (Erste Magd)
Helen Watts, Yvonne Minton, Jane Cook, Maureen Lehane, Pauline Tinsley, Felicia Weathers, Wiener Philharmoniker, Sir Georg Solti
Es reißet euch eschrecklich Ende, BWV 90: No. 2. Rezitativ. "Des Höchsten Güte wird von Tag zu Tage neu"
Helen Watts, Concerto Amsterdam, Jürgen Jürgens
Götterdämmerung: Vorspiel. "Welch Licht leuchtet dort"
Helen Watts, Wiener Philharmoniker, Sir Georg Solti
Götterdämmerung: Vorspiel. "Welch Licht leuchtet dort"
Helen Watts, Wiener Philharmoniker, Sir Georg Solti
Kantate, BWV 33 „Allein zu dir, Herr Jesu Christ“: III. Aria (Alto) „Wie furchtsam wankten meine Schritte“
Helen Watts, Bach-Collegium Stuttgart, Helmuth Rilling
Kantate, BWV 34 „O ewiges Feuer, o Ursprung der Liebe“: III. Aria (Alto) „Wohl euch, ihr auserwählten Seelen“
Helen Watts, Bach-Collegium Stuttgart, Helmuth Rilling
Kantate, BWV 46 „Schauet doch und sehet, ob irgendein Schmerz sei“: IV. Recitativo (Alto) „Doch bildet euch, o Sünder, ja nicht ein“
Helen Watts, Bach-Collegium Stuttgart, Helmuth Rilling
Kantate, BWV 46 „Schauet doch und sehet, ob irgendein Schmerz sei“: V. Aria (Alto) „Doch Jesus will auch bei der Strafe“
Helen Watts, Bach-Collegium Stuttgart, Helmuth Rilling
Komm, du süsse Todesstunde, BWV 161: No. 1. Aria. "Komm, du süße Todesstunde"
Helen Watts, Concerto Amsterdam, Jürgen Jürgens
Komm, du süsse Todesstunde, BWV 161: No. 4. Rezitativ. "Der Schluß ist schon gemacht"
Helen Watts, Concerto Amsterdam, Jürgen Jürgens
Litaniae Lauretanae, K. 195: I. Kyrie eleison
Ileana Cotrubaş, Helen Watts, Robert Tear, John Shirley-Quirk, George Malcolm, Schola Cantorum of Oxford, Academy of St Martin in the Fields, Sir Neville Marriner
Litaniae Lauretanae, K. 195: II. Sancta Maria
Ileana Cotrubaş, Helen Watts, Robert Tear, John Shirley-Quirk, Schola Cantorum of Oxford, Academy of St Martin in the Fields, Sir Neville Marriner
Litaniae Lauretanae, K. 195: III. Salus infirmorum
Ileana Cotrubaş, Helen Watts, Robert Tear, John Shirley-Quirk, Schola Cantorum of Oxford, Academy of St Martin in the Fields, Sir Neville Marriner
Litaniae Lauretanae, K. 195: IV. Regina angelorum
Ileana Cotrubaş, Helen Watts, Robert Tear, John Shirley-Quirk, Schola Cantorum of Oxford, Academy of St Martin in the Fields, Sir Neville Marriner
Magnificat BWV 243 in D major, 9. Esurientes implevit bonis
Helen Watts, Bach-Collegium Stuttgart, Helmuth Rilling
Magnificat in E-flat major, BWV 243a: IX. Esurientes implevit bonis
Helen Watts, Academy of St Martin in the Fields, Philip Ledger
Magnificat in E-flat major, BWV 243a: VI. Et misericordia
Helen Watts, Robert Tear, Academy of St Martin in the Fields, Philip Ledger
Magnificat in E-flat major, BWV 243a: X. Suscepit Israel
Felicity Palmer, Helen Watts, Choir of King's College, Cambridge, Academy of St Martin in the Fields, Philip Ledger
Magnificat, H. 772: VI. Deposuit potentes
Helen Watts, Robert Tear, Academy of St Martin in the Fields, Philip Ledger
Magnificat, H. 772: VII. Suscepit Israel
Helen Watts, Academy of St Martin in the Fields, Philip Ledger
Messe in H-moll, BWV 232: I. Missa. Gloria. Qui sedes
Helen Watts, Concentus Musicus Wien, Nikolaus Harnoncourt
Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. En in unum Dominum
Helen Watts, Rotraud Hansmann, Concentus Musicus Wien, Nikolaus Harnoncourt
Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Agnus Dei
Helen Watts, Concentus Musicus Wien, Nikolaus Harnoncourt
Messiah: Part I, No. 17 Recitative "Then shall the eyes of the blind"
Helen Watts, London Symphony Orchestra, Sir Colin Davis
Messiah: Part I, No. 18 Duet "He shall feed His flock"
Helen Watts, Heather Harper, London Symphony Orchestra, Sir Colin Davis
Messiah: Part I, No. 5 Air "But who may abide the day of His coming"
Helen Watts, London Symphony Orchestra, Sir Colin Davis
Messiah: Part I, No. 7 Recitative "Behold, a virgin shall conceive" / Nos. 8-9 Air and Chorus "O thou that tellest good tidings"
Helen Watts, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
Messiah: Part II, No. 21 Air "He was despised"
Helen Watts, London Symphony Orchestra, Sir Colin Davis
Messiah: Part III, No. 47 Recitative "Then shall be brought to pass" / No. 48 Duet "O death, where is they sting?" / No. 49 Chorus "But thanks be to God"
Helen Watts, John Wakefield, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
Missa brevis No. 9 in B-flat major: “Agnus Dei; Dona nobis pacem”
Andrew Parrott, Schola Cantorum of Oxford, Helen Watts, Ileana Cotrubaș, John Shirley-Quirk, Robert Tear, George Malcolm, Academy of St Martin in the Fields, Neville Marriner
Missa in angustiis, Hob. XXII:11: Agnus Dei: Agnus Dei
Wilfred Brown, Choir of King’s College, Cambridge, Tom Krause, Sylvia Stahlman, Helen Watts, Simon Preston, London Symphony Orchestra, Sir David Willcocks
Missa in angustiis, Hob. XXII:11: Benedictus
Wilfred Brown, Choir of King’s College, Cambridge, Tom Krause, Sylvia Stahlman, Helen Watts, Simon Preston, London Symphony Orchestra, Sir David Willcocks
Missa in angustiis, Hob. XXII:11: Credo: Et incarnatus est
Wilfred Brown, Choir of King’s College, Cambridge, Tom Krause, Sylvia Stahlman, Helen Watts, Simon Preston, London Symphony Orchestra, Sir David Willcocks
Missa in angustiis, Hob. XXII:11: Gloria: Gloria in Excelsis Deo
Wilfred Brown, Choir of King’s College, Cambridge, Tom Krause, Sylvia Stahlman, Helen Watts, Simon Preston, London Symphony Orchestra, Sir David Willcocks
Missa in angustiis, Hob. XXII:11: Gloria: Quoniam tu solus Sanctus
Wilfred Brown, Choir of King’s College, Cambridge, Tom Krause, Sylvia Stahlman, Helen Watts, Simon Preston, London Symphony Orchestra, Sir David Willcocks
Missa in tempore belli, H XXII 9: Benedictus
April Cantelo, Choir of St John’s College, Cambridge, Barry McDaniel, Robert Tear, Helen Watts, Academy of St Martin in the Fields, George Guest
Missa in tempore belli, H XXII 9: Credo
April Cantelo, Choir of St John’s College, Cambridge, Barry McDaniel, Robert Tear, Helen Watts, Academy of St Martin in the Fields, George Guest
Missa in tempore belli, H XXII 9: Kyrie
April Cantelo, Choir of St John’s College, Cambridge, Helen Watts, Academy of St Martin in the Fields, George Guest
Missa in tempore belli, H XXII 9: Sanctus
Choir of St John’s College, Cambridge, Helen Watts, Academy of St Martin in the Fields, George Guest
A Child of Our Time
1995
Béatrice et Bénédict
2003 · Philips Classics
British Composers: A Mass of Life / Songs of Sunset / An Arabesque
1992
Cantatas / Arias
2019
Cantatas BWV 18 / 59 / 89 / 90 / 106 / 118 / 152 / 161 / 182
2008 · Teldec
Cantatas BWV 198, 158 & 27
1994 · Das Alte Werk
Coronation Mass / Vesperae Solennes / Exsultate, Jubilate
Decca
Exsultate, Jubilate / Krönungsmesse / Litaniae Lauretanae, K195
1988 · London Records
Hugh the Drover
1994 · EMI Classics
Judas Maccabeus
Messe in h-Moll
2016 · Warner Classics
Messiah
2014 · Decca
Messiah
1993 · Philips
Oster-Oratorium / Kantate, BWV 10
1990 · Decca
Paukenmesse
1986 · Argo (2)
Requiem
1988 · London Records
Requiem
1986 · Argo (2)
Requiem / Krönungsmesse / Coronation Mass / Exsultate, jubilate / Litany K. 195
1994 · Decca
Symphony no. 2 “Resurrection”
1999 · Vox Classics
Symphony no. 2 “Resurrection”
2007 · Decca
Symphony no. 8
1996 · Decca
Symphony no. 8
1985 · London Records
Symphony no. 8
1998 · BBC
The Apostles / Meditation From ‘The Light of Life’
1992 · EMI Classics
The Apostles / Meditation From ‘The Light of Life’
1992 · EMI
The British Music Collection: Benjamin Britten: The Rarities
2001 · Decca
The Compact Selection - Handel: Messiah (highlights)
1987 · The Compact Selection
The Dancers / Harp Song of the Dane Women / Mariners' Song / Ave maris stella / Six Gerard Manley Hopkins Poems
1998
The Midsummer Marriage: Opera in Three Acts
1995 · Lyrita
Weihnachtsoratorium, BWV 248
1997 · Decca
Helen Watts is a performer, active since 1927.
Our database contains 119 recordings and 30 releases credited to Helen Watts. Credits data is sourced from the Mechanical Licensing Collective (MLC), MusicBrainz (CC0), and Spotify.
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