UPC · Release
George Frideric Handel, Jill Gomez, Philip Langridge, Robert Tear, Benjamin Luxon, Academy of St. Martin in the Fields, Sir Neville Marriner
Last verified:
00028945297323 is the Universal Product Code (UPC barcode) for the release “Acis & Galatea” by George Frideric Handel, Jill Gomez, Philip Langridge, Robert Tear, Benjamin Luxon, Academy of St. Martin in the Fields, Sir Neville Marriner, released 1998-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 46 tracks, each with its own ISRC. Tracks include GBF077712040, GBF077712050, GBF077712060.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Acis and Galatea, HWV 49: Symphony | Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 2 | Acis and Galatea, HWV 49: Act I: Oh, the Pleasure of the Plains | Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 3 | Acis and Galatea, HWV 49: Act I: Ye Verdant Plains | Jill Gomez, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 4 | Acis and Galatea, HWV 49: Act I: Hush, Ye Pretty Warbling Quire! | Jill Gomez, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 5 | Acis and Galatea, HWV 49: Act I: Where Shall I Seek the Charming Fair? | Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 6 | Acis and Galatea, HWV 49: Act I: Stay, Shepherd, Stay! | Philip Langridge, Academy of St. Martin in the Fields, Sir Neville Marriner | T-800.601.004-5 |
| 7 | Acis and Galatea, HWV 49: Act I: Shepherd, What Art Thou Pursuing? | Philip Langridge, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 8 | Acis and Galatea, HWV 49: Act I: Lo! Here My Love! | Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 9 | Acis and Galatea, HWV 49: Act I: Love in Her Eyes Sits Playing | Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner | T-900.145.968-3 |
| 10 | Acis and Galatea, HWV 49: Act I: Oh! Didst Thou Know the Pains | Jill Gomez, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 11 | Acis and Galatea, HWV 49: Act I: As When the Dove Laments her Love | Jill Gomez, Academy of St. Martin in the Fields, Sir Neville Marriner | T-900.145.970-7 |
| 12 | Acis and Galatea, HWV 49: Act I: Happy We! | Jill Gomez, Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner | T-070.158.261-7 |
| 13 | Acis and Galatea, HWV 49: Act II: Wretched Lovers! | Academy of St. Martin in the Fields, Sir Neville Marriner | T-900.137.817-2 |
| 14 | Acis and Galatea, HWV 49: Act II: I Rage- I Melt- I Burn! | Benjamin Luxon, Academy of St. Martin in the Fields, Sir Neville Marriner | T-071.118.076-5 |
| 15 | Acis and Galatea, HWV 49: Act II: O Ruddier Than the Cherry | Benjamin Luxon, Academy of St. Martin in the Fields, Sir Neville Marriner | T-300.922.222-0 |
| 16 | Acis and Galatea, HWV 49: Act II: Whither, Fairest, Art Thou Running | Benjamin Luxon, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 17 | Acis and Galatea, HWV 49: Act II: Cease to Beauty to be Suing | Benjamin Luxon, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 18 | Acis and Galatea, HWV 49: Act II: Would You Gain the Tender Creature | Philip Langridge, Academy of St. Martin in the Fields, Sir Neville Marriner | T-900.137.816-1 |
| 19 | Acis and Galatea, HWV 49: Act II: His Hideous Love Provokes my Rage | Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 20 | Acis and Galatea, HWV 49: Act II: Love Sounds Th'alarm | Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 2-1 | Acis and Galatea, HWV 49: Act II: Consider, Fond Shepherd | Philip Langridge, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 2-2 | Acis and Galatea, HWV 49: Act II: Cease, oh Cease, Thou Gentle Youth | Jill Gomez, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 2-3 | Acis and Galatea, HWV 49: Act II: The Flocks Shall Leave the Mountains | Jill Gomez, Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 2-4 | Acis and Galatea, HWV 49: Act II: Help, Galatea! Help, Ye Parent Gods! | Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 2-5 | Acis and Galatea, HWV 49: Act II: Mourn, All Ye Muses! | Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 2-6 | Acis and Galatea, HWV 49: Act II: Must I My Acis Still Bemoan | Jill Gomez, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 2-7 | Acis and Galatea, HWV 49: Act II: 'Tis Done: Thus I Exert My Pow'r Divine | Jill Gomez, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 2-8 | Acis and Galatea, HWV 49: Act II: Heart, the Seat of Soft Delight | Jill Gomez, Academy of St. Martin in the Fields, Sir Neville Marriner | T-900.152.745-3 |
| 2-9 | Acis and Galatea, HWV 49: Act II: Galatea, Dry Thy Tears | Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 2-10 | Il pastor fido, HWV 8a, Act I: Pour les Chasseurs I & II | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 2-11 | Look Down Harmonious Saint, HWV 124: Recitative: Look Down, Look Down | Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner | T-921.031.576-7 |
| 2-12 | Look Down Harmonious Saint, HWV 124: Aria: Sweet Accents all Your Numbers Grace | Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 2-13 | Meine Seele hört im Sehen, HWV 207 | Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 2-14 | Süsse Stille, sanfter Quelle, HWV 205 | Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 2-15 | Bacchus and Ariadne from Six English Cantatas, 1755.: Recitative: The faithless Theseus... | Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 2-16 | Bacchus and Ariadne from Six English Cantatas, 1755.: Aria: Ah Theseus, Theseus stay | Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 2-17 | Bacchus and Ariadne from Six English Cantatas, 1755.: Recit: The jolly God who rules | Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 2-18 | Bacchus and Ariadne from Six English Cantatas, 1755.: Aria: Cease lovely Nymph to weep | Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 2-19 | Bacchus and Ariadne from Six English Cantatas, 1755.: Recitative: With soft reluctance | Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 2-20 | Bacchus and Ariadne from Six English Cantatas, 1755.: Aria: Learn hence ye fond maidens | Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 2-21 | Fair Caelia love pretented: Recit: Fair Caelia love pretented | Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 2-22 | Fair Caelia love pretented: Aria: To all the sex deceitfull | Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 2-23 | Fair Caelia love pretented: Recit: But Caelia now repenting | Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 2-24 | Fair Caelia love pretented: Aria: How engaging, how endearing | Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 2-25 | The Secular Masque, c. 1746: Momus to Mars | Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 2-26 | The Lass of Richmond Hill | Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner | T-902.302.554-9 |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
00028945297323 is a Universal Product Code (UPC) assigned to Acis & Galatea by George Frideric Handel, Jill Gomez, Philip Langridge, Robert Tear, Benjamin Luxon, Academy of St. Martin in the Fields, Sir Neville Marriner. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 46 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
00028945297323 is the Universal Product Code (UPC barcode) for the release “Acis & Galatea” by George Frideric Handel, Jill Gomez, Philip Langridge, Robert Tear, Benjamin Luxon, Academy of St. Martin in the Fields, Sir Neville Marriner, released 1998-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 46 tracks, each with its own ISRC. Tracks include GBF077712040, GBF077712050, GBF077712060.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Acis and Galatea, HWV 49: Symphony | Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 2 | Acis and Galatea, HWV 49: Act I: Oh, the Pleasure of the Plains | Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 3 | Acis and Galatea, HWV 49: Act I: Ye Verdant Plains | Jill Gomez, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 4 | Acis and Galatea, HWV 49: Act I: Hush, Ye Pretty Warbling Quire! | Jill Gomez, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 5 | Acis and Galatea, HWV 49: Act I: Where Shall I Seek the Charming Fair? | Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 6 | Acis and Galatea, HWV 49: Act I: Stay, Shepherd, Stay! | Philip Langridge, Academy of St. Martin in the Fields, Sir Neville Marriner | T-800.601.004-5 |
| 7 | Acis and Galatea, HWV 49: Act I: Shepherd, What Art Thou Pursuing? | Philip Langridge, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 8 | Acis and Galatea, HWV 49: Act I: Lo! Here My Love! | Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 9 | Acis and Galatea, HWV 49: Act I: Love in Her Eyes Sits Playing | Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner | T-900.145.968-3 |
| 10 | Acis and Galatea, HWV 49: Act I: Oh! Didst Thou Know the Pains | Jill Gomez, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 11 | Acis and Galatea, HWV 49: Act I: As When the Dove Laments her Love | Jill Gomez, Academy of St. Martin in the Fields, Sir Neville Marriner | T-900.145.970-7 |
| 12 | Acis and Galatea, HWV 49: Act I: Happy We! | Jill Gomez, Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner | T-070.158.261-7 |
| 13 | Acis and Galatea, HWV 49: Act II: Wretched Lovers! | Academy of St. Martin in the Fields, Sir Neville Marriner | T-900.137.817-2 |
| 14 | Acis and Galatea, HWV 49: Act II: I Rage- I Melt- I Burn! | Benjamin Luxon, Academy of St. Martin in the Fields, Sir Neville Marriner | T-071.118.076-5 |
| 15 | Acis and Galatea, HWV 49: Act II: O Ruddier Than the Cherry | Benjamin Luxon, Academy of St. Martin in the Fields, Sir Neville Marriner | T-300.922.222-0 |
| 16 | Acis and Galatea, HWV 49: Act II: Whither, Fairest, Art Thou Running | Benjamin Luxon, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 17 | Acis and Galatea, HWV 49: Act II: Cease to Beauty to be Suing | Benjamin Luxon, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 18 | Acis and Galatea, HWV 49: Act II: Would You Gain the Tender Creature | Philip Langridge, Academy of St. Martin in the Fields, Sir Neville Marriner | T-900.137.816-1 |
| 19 | Acis and Galatea, HWV 49: Act II: His Hideous Love Provokes my Rage | Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 20 | Acis and Galatea, HWV 49: Act II: Love Sounds Th'alarm | Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 2-1 | Acis and Galatea, HWV 49: Act II: Consider, Fond Shepherd | Philip Langridge, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 2-2 | Acis and Galatea, HWV 49: Act II: Cease, oh Cease, Thou Gentle Youth | Jill Gomez, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 2-3 | Acis and Galatea, HWV 49: Act II: The Flocks Shall Leave the Mountains | Jill Gomez, Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 2-4 | Acis and Galatea, HWV 49: Act II: Help, Galatea! Help, Ye Parent Gods! | Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 2-5 | Acis and Galatea, HWV 49: Act II: Mourn, All Ye Muses! | Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 2-6 | Acis and Galatea, HWV 49: Act II: Must I My Acis Still Bemoan | Jill Gomez, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 2-7 | Acis and Galatea, HWV 49: Act II: 'Tis Done: Thus I Exert My Pow'r Divine | Jill Gomez, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 2-8 | Acis and Galatea, HWV 49: Act II: Heart, the Seat of Soft Delight | Jill Gomez, Academy of St. Martin in the Fields, Sir Neville Marriner | T-900.152.745-3 |
| 2-9 | Acis and Galatea, HWV 49: Act II: Galatea, Dry Thy Tears | Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 2-10 | Il pastor fido, HWV 8a, Act I: Pour les Chasseurs I & II | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 2-11 | Look Down Harmonious Saint, HWV 124: Recitative: Look Down, Look Down | Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner | T-921.031.576-7 |
| 2-12 | Look Down Harmonious Saint, HWV 124: Aria: Sweet Accents all Your Numbers Grace | Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 2-13 | Meine Seele hört im Sehen, HWV 207 | Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 2-14 | Süsse Stille, sanfter Quelle, HWV 205 | Robert Tear, Academy of St. Martin in the Fields, Sir Neville Marriner | — |
| 2-15 | Bacchus and Ariadne from Six English Cantatas, 1755.: Recitative: The faithless Theseus... | Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 2-16 | Bacchus and Ariadne from Six English Cantatas, 1755.: Aria: Ah Theseus, Theseus stay | Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 2-17 | Bacchus and Ariadne from Six English Cantatas, 1755.: Recit: The jolly God who rules | Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 2-18 | Bacchus and Ariadne from Six English Cantatas, 1755.: Aria: Cease lovely Nymph to weep | Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 2-19 | Bacchus and Ariadne from Six English Cantatas, 1755.: Recitative: With soft reluctance | Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 2-20 | Bacchus and Ariadne from Six English Cantatas, 1755.: Aria: Learn hence ye fond maidens | Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 2-21 | Fair Caelia love pretented: Recit: Fair Caelia love pretented | Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 2-22 | Fair Caelia love pretented: Aria: To all the sex deceitfull | Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 2-23 | Fair Caelia love pretented: Recit: But Caelia now repenting | Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 2-24 | Fair Caelia love pretented: Aria: How engaging, how endearing | Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 2-25 | The Secular Masque, c. 1746: Momus to Mars | Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 2-26 | The Lass of Richmond Hill | Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner | T-902.302.554-9 |
