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ISRC

GBAYC2401482

Iphigénie en Tauride, Wq. 46, Act 2: “Dieux qui me poursuivez” (Oreste)

Pierre MolletOrchestre de la Société des Concerts du ConservatoireCarlo Maria Giulini

Last verified:

GBAYC2401482 is the International Standard Recording Code (ISRC) for the recording "Iphigénie en Tauride, Wq. 46, Act 2: “Dieux qui me poursuivez” (Oreste)" by Pierre Mollet, Orchestre de la Société des Concerts du Conservatoire, Carlo Maria Giulini. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
24Year (2024)
01482Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Iphigénie en Tauride, Wq. 46, Act 2: “Dieux qui me poursuivez” (Oreste)" by Pierre Mollet?
The ISRC for "Iphigénie en Tauride, Wq. 46, Act 2: “Dieux qui me poursuivez” (Oreste)" by Pierre Mollet, Orchestre de la Société des Concerts du Conservatoire, Carlo Maria Giulini is GBAYC2401482.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC2401482?

GBAYC2401482 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Iphigénie en Tauride, Wq. 46, Act 2: “Dieux qui me poursuivez” (Oreste)" by Pierre Mollet, Orchestre de la Société des Concerts du Conservatoire, Carlo Maria Giulini. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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