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ISRC

GBAYC8801459

Concerto no. 1 in F major, BWV 1046: II. Adagio

Song: PUBLIC DOMAIN TRACK

Catherine MackintoshPaul GoodwinSusan DentTimothy BrownOrchestra of the Age of Enlightenment
matched
Released 1990-01-01

Last verified:

GBAYC8801459 is the International Standard Recording Code (ISRC) for the recording "Concerto no. 1 in F major, BWV 1046: II. Adagio" by Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment, released 1990-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AYCRegistrant
88Year (1988)
01459Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1988):
Last two digits of the reference year (1988). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Concerto no. 1 in F major, BWV 1046: II. Adagio" by Catherine Mackintosh?
The ISRC for "Concerto no. 1 in F major, BWV 1046: II. Adagio" by Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment is GBAYC8801459.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYC8801459?

GBAYC8801459 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Concerto no. 1 in F major, BWV 1046: II. Adagio" by Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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