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Sans Day Carol album cover

ISRC

GBAYD1000052

Sans Day Carol2

Song: SANS DAY CAROL

John RutterClare College SingersOrchestra
matched
Released 1988-01-01

Last verified:

GBAYD1000052 is the International Standard Recording Code (ISRC) for the recording “Sans Day Carol” by John Rutter, Clare College Singers, Orchestra, released 1988-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by RUTTER.

Format

GBCountry
AYDRegistrant
10Year (2010)
00052Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

RUTTERComposer
OXFORD UNIVERSITY PRESS OriginalPublisher100.00%IPI: 00023184706

Who publishes this song?

OXFORD UNIVERSITY PRESSOriginalPublisher
IPI: 00023184706

MLC Song Code

S04320
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Sans Day Carol" by John Rutter?
The ISRC for "Sans Day Carol" by John Rutter, Clare College Singers, Orchestra is GBAYD1000052.
Who wrote "Sans Day Carol"?
"Sans Day Carol" was written by RUTTER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAYD1000052?

GBAYD1000052 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Sans Day Carol” by John Rutter, Clare College Singers, Orchestra. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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