Person · Active since 1948
Credits Graph
Credit Chain
Acis and Galatea, HWV 49: Act I. Recitative. “Oh! Didst thou know the pains” - Aria. “As when the dove” (Galatea)
Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner
Alcina, HWV 34: Act 1, Scene 14. Aria. “Tornami a vagheggiar” (Morgana)
Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner
Alcina, HWV 34: Act 2, Scene 8. Aria. “Ah! mio cor!” (Alcina)
Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner
Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte
Kathleen Battle, Margo Garrett
Amor
Kathleen Battle, Margo Garrett
An die Nacht
Kathleen Battle, Margo Garrett
Angels Watching Over Me
Kathleen Battle
Ave Maria
Kathleen Battle
Ave Maria
Kathleen Battle
Away in a Manger
Kathleen Battle
Basta, vincesti… Ah, non lasciarmi, K. 486a
Kathleen Battle, Royal Philharmonic Orchestra, André Previn
Bring a Torch, Jeannette, Isabelle
Kathleen Battle
Canción de cuna
Kathleen Battle
Cantata "Jauchzet Gott in allen Landen", BWV 51 No. 1: Aria Jauchzet Gott in allen Landen
Kathleen Battle, Wynton Marsalis, Orchestra of St. Luke’s, John Nelson
Cantata No.202 "Weichet Nur, Betrübte Schatten" (Wedding Cantata), BWV 202 5. Aria: Wenn Die Frühlingslüfte Streichen
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
Ch'io mi scordi te... Non temer, amato Bene, K. 490
Kathleen Battle, Royal Philharmonic Orchestra, André Previn
Comment, disaient-ils
Kathleen Battle, Margo Garrett
Così fan tutte: Act II. "Una donna a quindici anni" (Despina)
Kathleen Battle, Metropolitan Opera Orchestra, James Levine
Das Veilchen, K. 476
Kathleen Battle, James Levine
Depuis le jour
Kathleen Battle, Margo Garrett
Die Entführung aus dem Serail - Ach ich liebte (Constanze)
Kathleen Battle, Metropolitan Opera Orchestra, James Levine
Die Entführung aus dem Serail - Welcher Kummer herrscht in meiner Seele...Traurigkeit ward mir zum Lose (Constanze)
Kathleen Battle, Metropolitan Opera Orchestra, James Levine
Die Entführung aus dem Serail, K. 384: Act II, Scene I. No. 8 Aria "Durch Zärtlichkeit und Schmeicheln" (Blonde)
Kathleen Battle, Wiener Philharmoniker, Sir Georg Solti
Die Entführung aus dem Serail, K. 384: Act II, Scene I. No. 9 Duetto "Ich gehe, doch rate ich dir" (Osmin, Blonde)
Kathleen Battle, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
Die Entführung aus dem Serail, K. 384: Act II, Scene VI. No. 12 Aria "Welche Wonne, welche Lust" (Blonde)
Kathleen Battle
Die Entführung aus dem Serail: Dritter Aufzug, no. 21a. Vaudeville: Nie werd’ ich deine Huld verkennen (Belmonte, Konstanze, Pedrillo, Blonde, Osmin)
Kathleen Battle, Chor der Wiener Staatsoper, Edita Gruberová, Martti Talvela, Gösta Winbergh, Heinz Zednik, Wiener Philharmoniker, Sir Georg Solti
Die Entführung aus dem Serail: Welche Wonne, welche Lust
Kathleen Battle, Metropolitan Opera Orchestra, James Levine
Die Entführung aus dem Serail: Zweiter Aufzug, no. 16. Quartetto: Ach, Belmonte! ach, mein Leben! (Konstanze, Belmonte, Pedrillo, Blonde)
Wiener Philharmoniker, Sir Georg Solti
Die Entführung aus dem Serail: Zweiter Aufzug. no. 11. Dialog: Kein Bassa mehr da? … Bst, bst! Blondchen! Ist die Luft rein? (Blonde, Pedrillo) / No. 12. Aria: Welche Wonne, welche Lust (Blonde) / Dialog: Ach, daß es nur schon vorbei wäre! (Pedrillo)
Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte - Ach, ich fühl's, es ist verschwunden (Pamina)
Kathleen Battle, Metropolitan Opera Orchestra, James Levine
Die Zauberflöte - Bald prangt, den Morgen zu verkünden (Pamina)
Kathleen Battle, Metropolitan Opera Orchestra, James Levine
Die Zauberflöte, K. 620 / Act 2 : Pa-Pa-Pa-Pa-Pa-Pa-Papagena!
Kathleen Battle, Philippe Huttenlocher, Orchestre philharmonique de Strasbourg, Alain Lombard
Don Giovanni - Batti, batti, o bel Masetto (Zerlina)
Kathleen Battle, Metropolitan Opera Orchestra, James Levine
Don Giovanni - Vedrai, carino (Zerlina)
Kathleen Battle, Metropolitan Opera Orchestra, James Levine
Don Giovanni, KV 527: Atto primo, no. 12. Aria "Batti, batti, o bel Masetto" (Zerlina)
Kathleen Battle, Berliner Philharmoniker, Herbert von Karajan
Don Giovanni, KV 527: Atto primo, no. 7. Duettino "Là ci darem la mano" (Don Giovanni, Zerlina)
Samuel Ramey, Kathleen Battle, Berliner Philharmoniker, Herbert von Karajan
Dormi Jesu
Kathleen Battle
E pur cosi / Piangero la sorte mia
Kathleen Battle, Margo Garrett
El desmbre congelat
Kathleen Battle
El noi de la mare
Kathleen Battle
Enfant, si j'etais roi
Kathleen Battle, Margo Garrett
Exsultate Jubilate, K 165 (158a): Alleluia
Kathleen Battle, Orchestra of St. Luke’s, André Previn
Exsultate Jubilate, K. 165
Kathleen Battle, Royal Philharmonic Orchestra, André Previn
Fix Me Jesus
Kathleen Battle
Frondi tenere / Ombra mai fu
Kathleen Battle, Margo Garrett
Frühlingsstimmen, op. 410
Kathleen Battle, Wiener Philharmoniker, Herbert von Karajan
Fum, Fum, Fum!
Kathleen Battle
Gesu Bambino
Kathleen Battle
Gianni Schicchi: “O mio babbino caro”
Kathleen Battle
Giulio Cesare in Egitto, HWV 17: Act 3, Scene 1. Recitative. “E pur così in un giorno” - Aria. “Piangerò la sorte mia” (Cleopatra)
Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner
Gloria: III. Domine Deus
John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
Gloria: V. Domine Deus, Agnus Dei
John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
Gloria: VI. Qui sedes ad dexteram Patris
John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
Going Home
Kathleen Battle
Grosse Messe c-Moll: Benedictus: "Benedictus, qui venit / Osanna in excelsis"
Wiener Philharmoniker, James Levine, Kathleen Battle, Lella Cuberli, Peter Seiffert, Kurt Moll, Konzertvereinigung Wiener Staatsopernchor
Grosse Messe c-Moll: Gloria: "Domine Deus"
Wiener Philharmoniker, James Levine, Kathleen Battle, Lella Cuberli
Grosse Messe c-Moll: Gloria: "Laudamus te"
Wiener Philharmoniker, James Levine, Kathleen Battle
Grosse Messe c-Moll: Gloria: "Quoniam tu solus Sanctus"
Wiener Philharmoniker, James Levine, Kathleen Battle, Lella Cuberli, Peter Seiffert
Grosse Messe c-Moll: Kyrie: "Kyrie eleison"
Wiener Philharmoniker, James Levine, Kathleen Battle, Konzertvereinigung Wiener Staatsopernchor
Hark! The Herald Angels Sing
Kathleen Battle
He's Got the Whole World in His Hands
Kathleen Battle, Jessye Norman
I Saw Three Ships / The First Nowell / The Holly and the Ivy
Kathleen Battle
I Wonder as I Wander
Kathleen Battle
Il barbiere di Siviglia: Atto I. N. 3 Canzone: “Se il mio nome saper voi bramate” (conte, Rosina, Figaro) / Recitativo: “Oh cielo!” (conte, Figaro)
Kathleen Battle, Plácido Domingo, Frank Lopardo, Chamber Orchestra of Europe, Claudio Abbado
Il barbiere di Siviglia: Atto I. N. 5 Cavatina: “Una voce poco fa” (Rosina) / Recitativo: “Sì, sì, la vincerò” (Rosina, Figaro, Bartolo, Basilio)
Kathleen Battle, Plácido Domingo, Lucio Gallo, Ruggero Raimondi, Chamber Orchestra of Europe, Claudio Abbado
Il barbiere di Siviglia: Atto I. N. 7 Duetto: “Dunque io son” (Rosina, Figaro) / Recitativo “Ora mi sento meglio” (Rosina, Bartolo)
Kathleen Battle, Plácido Domingo, Lucio Gallo, Chamber Orchestra of Europe, Claudio Abbado
Il barbiere di Siviglia: Atto I. N. 9 Finale I: “Ehi, di casa! Buona gente!” (conte, Bartolo, Rosina)
Kathleen Battle, Lucio Gallo, Frank Lopardo, Chamber Orchestra of Europe, Claudio Abbado
Il barbiere di Siviglia: Atto II. N. 11 Aria: “Contro un cor che accende amore” (Rosina, conte) / Recitativo: “Bella voce! Bravissima!” (conte, Rosina, Bartolo)
Kathleen Battle, Lucio Gallo, Frank Lopardo, Chamber Orchestra of Europe, Claudio Abbado
Il barbiere di Siviglia: Atto II. N. 12 Arietta: “Quando mi sei vicina” (Bartolo) / Recitativo: “Bravo, signor barbiere” (Bartolo, Figaro, Rosina, conte)
Kathleen Battle, Plácido Domingo, Lucio Gallo, Frank Lopardo, Chamber Orchestra of Europe, Claudio Abbado
Il barbiere di Siviglia: Atto II. N. 13 Quintetto: “Don Basilio!” … “Cosa veggo!” (Rosina, conte, Figaro, Bartolo, Basilio) / Recitativo: “Ah, disgraziato me!” (Bartolo, Berta)
Kathleen Battle, Plácido Domingo, Lucio Gallo, Frank Lopardo, Ruggero Raimondi, Gabriele Sima, Chamber Orchestra of Europe, Claudio Abbado
Il barbiere di Siviglia: Atto II. N. 14 Aria: “Il vecchiotto cerca moglie” (Berta) / Recitativo: “Dunque voi Don Alonso non conoscete affato?” (Bartolo, Basilio, Rosina)
Kathleen Battle, Lucio Gallo, Ruggero Raimondi, Gabriele Sima, Chamber Orchestra of Europe, Claudio Abbado
Il barbiere di Siviglia: Atto II. N. 14a Recitativo e aria: “Ma forse, ahimè, Lindoro … Ah se è ver” (Rosina)
Kathleen Battle, Chamber Orchestra of Europe, Claudio Abbado
Il barbiere di Siviglia: Atto II. N. 15 Temporale / Recitativo: “Alfine, eccoci qua” (Figaro, conte, Rosina)
Kathleen Battle, Plácido Domingo, Frank Lopardo, Chamber Orchestra of Europe, Claudio Abbado
Il barbiere di Siviglia: Atto II. N. 16 Terzetto: “Ah, qual colpo inaspettato!” (Rosina, Figaro, conte) / Recitativo: “Ah, disgraziati noi!” (Figaro, conte, Rosina, Basilio, Un notaio, Bartolo, ufficiale, coro)
Kathleen Battle, Plácido Domingo, Lucio Gallo, Frank Lopardo, Ruggero Raimondi, Goran Simić, Coro del Teatro La Fenice, Chamber Orchestra of Europe, Claudio Abbado
Il barbiere di Siviglia: Atto II. N. 19 Finaletto II: “Di sì felice innesto” (tutti)
Kathleen Battle, Plácido Domingo, Lucio Gallo, Frank Lopardo, Ruggero Raimondi, Gabriele Sima, Coro del Teatro La Fenice, Chamber Orchestra of Europe, Claudio Abbado
Il barbiere di Siviglia: Atto II. Recitativo: “Ma vedi il mio destino!” (Bartolo) / N. 10 Duetto: “Pace e gioia sia con voi” (conte, Bartolo) / Recitativo: “Insomma, mio signore” (Bartolo, conte, Rosina)
Kathleen Battle, Lucio Gallo, Frank Lopardo, Chamber Orchestra of Europe, Claudio Abbado
Il barbiere di Siviglia: Atto Primo. “Che cosa accadde, signori miei?” (Figaro, Bartolo, conte, Rosina, Berta, Basilio, ufficiale, coro)
Kathleen Battle, Plácido Domingo, Lucio Gallo, Frank Lopardo, Ruggero Raimondi, Gabriele Sima, Goran Simić, Coro del Teatro La Fenice, Chamber Orchestra of Europe, Claudio Abbado
Il barbiere di Siviglia: Atto Primo. “Con la presente il dottor Bartolo” (Bartolo, conte, Rosina, Berta, Basilio)
Kathleen Battle, Lucio Gallo, Frank Lopardo, Ruggero Raimondi, Gabriele Sima, Chamber Orchestra of Europe, Claudio Abbado
Il barbiere di Siviglia: Atto Primo. Stretta del finale I: “Ma signor” … “Mi par d’esser con la testa” (Bartolo, coro, Berta, Basilio, Rosina, conte, Figaro)
Kathleen Battle, Plácido Domingo, Lucio Gallo, Frank Lopardo, Ruggero Raimondi, Gabriele Sima, Coro del Teatro La Fenice, Chamber Orchestra of Europe, Claudio Abbado
Joshua, HWV 64: Act 3. Aria. “Oh! had I Jubal's lyre” (Achsah)
Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner
Kanatate No. 97 "In allen meinen Taten", BWV 97, No. 4: Ich traue seiner Gnaden
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
Kantate No. 105 "Herr, gehe nicht ins Gericht mit deinem Knecht", BWV 105, No. 5: Kann ich nur Jesu mir zum Freunde machen
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
Kantate No. 115 "Mache dich, mein Geist, bereit", BWV 115, No. 4: Bete aber auch dabei
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
Kantate No. 171 "Gott, wie dein Name, so ist auch dein Ruhm", BWV 171, No. 4: Jesus soll mein erstes Wort
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
Kantate No. 187 "Es wartet alles auf dich, dass du ihnen Speise", BWV 187, No. 5: Gott versorget alles Leben
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
Kantate No. 197 "Gott ist unser Zuversicht", BWV 197, No. 8: Vergnügen und Lust, Gedeihen und Heil
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
Kantate No. 204 "Ich bin in mir vergnügt", BWV 204, No. 4: Die Schätzbarkeit der weiten Erden
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
Kantate No. 36 "Schwingt freudig euch empor", BWV 36, No. 7: Auch mit Gedämpften, schwachen Stimmen
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
Kantate No. 58 "Ach Gott, wie manches Herzeleid", BWV 58, No. 3: Ich bin vergnügt in meinem Leiden
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
Kantate No. 84 "Ich bin vergnügt mit meinem Glücke, das mir der liebe Gott beschert", BWV 84, No. 3: Ich esse mit Freuden mein weniges Brot
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
L'Allegro, il Penseroso ed il Moderato, HWV 55: Pt. I. Recitative and Aria. “First, and chief, on golden wing” - “Sweet bird”
Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner
L'amerò, sarò costante from Il rè pastore, K. 208
Kathleen Battle, Royal Philharmonic Orchestra, André Previn
L’elisir d’amore: Atto I. Duetto “Voglio dire, lo stupendo elisir” (Nemorino, Dulcamara)
Enzo Dara, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine
La Clemenza di Tito: Act II. "S'altro che lagrime" (Servilia)
Kathleen Battle, Metropolitan Opera Orchestra, James Levine
Laudate Dominum
Kathleen Battle, Robert Sadin
Le nozze di Figaro - Giunse alfin il momento...Deh vieni, non tardar (Susanna)
Kathleen Battle, Metropolitan Opera Orchestra, James Levine
Le nozze di Figaro - Non so più cosa son, cosa faccio (Cherubino)
Kathleen Battle, Metropolitan Opera Orchestra, James Levine
Le nozze di Figaro - Porgi amor, qualche ristoro (Countess)
Kathleen Battle, Metropolitan Opera Orchestra, James Levine
Le Nozze di Figaro, K. 492, Act IV: Giunse alfin il momento … Deh vieni non tardar
Kathleen Battle, the Metropolitan Opera Orchestra, James Levine
Le nozze di Figaro, K. 492: Act VI: Deh, vieni, non tardar (Susanna)
Kathleen Battle, Wiener Philharmoniker, Riccardo Muti
A Christmas Celebration
1986 · EMI
A German Requiem
1983
Angels' glory
1996 · Sony Classical
Angels' Glory
1997 · Sony Classical
Ariadne auf Naxos
1986 · Deutsche Grammophon
Arias
1992 · Deutsche Grammophon
Arias
Bel Canto
1993 · Deutsche Grammophon
Classic Kathleen Battle: A Portrait
2002 · Sony Classical
Die Entführung aus dem Serail
2012 · Decca
Die Entführung aus dem Serail
1987 · London Records
Don Giovanni
1986 · Deutsche Grammophon
Don Giovanni
2020 · Esoteric Company
Don Giovanni (Highlights)
1986 · Deutsche Grammophon
Donizetti · L’elisir d’amore (Highlights)
1990 · Deutsche Grammophon
Ein deutsches Requiem
2004 · RCA Red Seal
Ein deutsches Requiem, op. 45
1984 · RCA Victor Gold Seal
Exsultate, jubilate / Arias
2004 · EMI Classics
Faure: Requiem / Ravel: Pavane pour une infante défunte
2000 · Deutsche Grammophon
French Opera Arias
1996 · Deutsche Grammophon
Gloria / Organ Concerto / Concert champêtre
1995 · Deutsche Grammophon
Gloria / Stabat Mater
1989 · Deutsche Grammophon
Grace
1997 · Sony Classical
Grace
1997 · Sony Classical
Grace
1997 · Sony Classical
Honey and Rue
1995 · Deutsche Grammophon
Il barbiere di Siviglia
1992 · Deutsche Grammophon
Il Barbiere Di Siviglia - Highlights
1992 · Deutsche Grammophon
Il signor Bruschino
1993 · Deutsche Grammophon
In Concert
1993 · Sony Classical
James Levine conducts Brahms
2011
Kathleen Battle at Carnegie Hall
1992 · Deutsche Grammophon
Kathleen Battle at Carnegie Hall
1992
Kathleen Battle in Concert
1986 · Deutsche Grammophon
Kathleen Battle Sings Mozart
1991 · EMI Classics
Kathleen Battle Sings Mozart
1986 · Angel Records
Kathleen Battle Sings Mozart
1986
L’elisir d’amore
1990 · Deutsche Grammophon
L’italiana in Algeri
1991 · Erato
L’italiana in Algeri
2010 · Erato
Le nozze di Figaro: Highlights
2001 · EMI Classics
Lieder
1988 · Deutsche Grammophon
Lieder
1988 · Deutsche Grammophon
Lulu-Suite / Lyrische Suite
2003 · Allegria
Messiah
1987 · Angel Records Digital
Messiah
2008 · EMI Classics
Messiah (Highlights)
2000
Mozart: Mass K. 317 "Coronation Mass" / Bruckner: Te Deum
1985
Mozart: Opera Arias
1997 · Deutsche Grammophon
Neujahrskonzert in Wien
1987 · Deutsche Grammophon
Kathleen Battle is a performer, active since 1948.
Our database contains 198 recordings and 50 releases credited to Kathleen Battle. Credits data is sourced from the Mechanical Licensing Collective (MLC), MusicBrainz (CC0), and Spotify.
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