Arias

UPC · Release

Arias

Johann Sebastian Bach, Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson

028942973725
13 tracksReleased 1992-01-01Deutsche Grammophon

Last verified:

028942973725 is the Universal Product Code (UPC barcode) for the release Arias by Johann Sebastian Bach, Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson, released 1992-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 13 tracks, each with its own ISRC. Tracks include DEF059004030, DEF058904560, DEF058904570.

Format

0Number system
28942Manufacturer
97372Product
5Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCArias
ISRC13 recordings
ISWC2 works

Track List (13)

Kantate No. 197 "Gott ist unser Zuversicht", BWV 197, No. 8: Vergnügen und Lust, Gedeihen und Heil
Kantate No. 197 "Gott ist unser Zuversicht", BWV 197, No. 8: Vergnügen und Lust, Gedeihen und Heil
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
Kantate No. 58 "Ach Gott, wie manches Herzeleid", BWV 58, No. 3: Ich bin vergnügt in meinem Leiden
Kantate No. 58 "Ach Gott, wie manches Herzeleid", BWV 58, No. 3: Ich bin vergnügt in meinem Leiden
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
Kantate No. 204 "Ich bin in mir vergnügt", BWV 204, No. 4: Die Schätzbarkeit der weiten Erden
Kantate No. 204 "Ich bin in mir vergnügt", BWV 204, No. 4: Die Schätzbarkeit der weiten Erden
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
Kanatate No. 97 "In allen meinen Taten", BWV 97, No. 4: Ich traue seiner Gnaden
Kanatate No. 97 "In allen meinen Taten", BWV 97, No. 4: Ich traue seiner Gnaden
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
Kantate No. 115 "Mache dich, mein Geist, bereit", BWV 115, No. 4: Bete aber auch dabei
Kantate No. 115 "Mache dich, mein Geist, bereit", BWV 115, No. 4: Bete aber auch dabei
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
Kantate No. 171 "Gott, wie dein Name, so ist auch dein Ruhm", BWV 171, No. 4: Jesus soll mein erstes Wort
Kantate No. 171 "Gott, wie dein Name, so ist auch dein Ruhm", BWV 171, No. 4: Jesus soll mein erstes Wort
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
Messe h-moll, BWV 232 No. 23: Benedictus, Qui Venit In Nomine Domini
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
Messe h-moll, BWV 232, No. 5: Laudamus Te
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
Cantata No.202 "Weichet Nur, Betrübte Schatten" (Wedding Cantata), BWV 202 5. Aria: Wenn Die Frühlingslüfte Streichen
Cantata No.202 "Weichet Nur, Betrübte Schatten" (Wedding Cantata), BWV 202 5. Aria: Wenn Die Frühlingslüfte Streichen
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
Kantate No. 36 "Schwingt freudig euch empor", BWV 36, No. 7: Auch mit Gedämpften, schwachen Stimmen
Kantate No. 36 "Schwingt freudig euch empor", BWV 36, No. 7: Auch mit Gedämpften, schwachen Stimmen
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
Kantate No. 187 "Es wartet alles auf dich, dass du ihnen Speise", BWV 187, No. 5: Gott versorget alles Leben
Kantate No. 187 "Es wartet alles auf dich, dass du ihnen Speise", BWV 187, No. 5: Gott versorget alles Leben
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
Kantate No. 84 "Ich bin vergnügt mit meinem Glücke, das mir der liebe Gott beschert", BWV 84, No. 3: Ich esse mit Freuden mein weniges Brot
Kantate No. 84 "Ich bin vergnügt mit meinem Glücke, das mir der liebe Gott beschert", BWV 84, No. 3: Ich esse mit Freuden mein weniges Brot
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
Kantate No. 105 "Herr, gehe nicht ins Gericht mit deinem Knecht", BWV 105, No. 5: Kann ich nur Jesu mir zum Freunde machen
Kantate No. 105 "Herr, gehe nicht ins Gericht mit deinem Knecht", BWV 105, No. 5: Kann ich nur Jesu mir zum Freunde machen
Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson

What other identifiers does this connect to?

Musical Works (ISWC)

Creative Contributors (ISNI)

Identifier Graph

UPCAriasISRCKantate No. 197…ISRCKantate No. 58 …ISRCKantate No. 204…ISRCKanatate No. 97…ISRCKantate No. 115…

People also ask

What is UPC 028942973725?
UPC 028942973725 is the Universal Product Code (barcode) for "Arias" by Johann Sebastian Bach, Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson, released on Deutsche Grammophon.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028942973725?
UPC 028942973725 contains 13 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 028942973725?

028942973725 is a Universal Product Code (UPC) assigned to Arias by Johann Sebastian Bach, Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 13 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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