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Huit scènes de Faust, op. 1 Nr. 8. "Sérénade de Méphistophélès" album cover

ISRC

GBBBA9550128

Huit scènes de Faust, op. 1 Nr. 8. "Sérénade de Méphistophélès"

Song: Huit scènes de Faust: No. 8. Sérénade de Méphistophélès "Maintenant que le ciel brille" / "Devant la maison"

John Mark AinsleyDavis Joachim
Released 2010-10-09

Last verified:

GBBBA9550128 is the International Standard Recording Code (ISRC) for the recording “Huit scènes de Faust, op. 1 Nr. 8. "Sérénade de Méphistophélès"” by John Mark Ainsley, Davis Joachim, released 2010-10-09. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
BBARegistrant
95Year (1995)
50128Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1995):
Last two digits of the reference year (1995). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Huit scènes de Faust, op. 1 Nr. 8. "Sérénade de Méphistophélès"" by John Mark Ainsley?
The ISRC for "Huit scènes de Faust, op. 1 Nr. 8. "Sérénade de Méphistophélès"" by John Mark Ainsley, Davis Joachim is GBBBA9550128.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBBBA9550128?

GBBBA9550128 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Huit scènes de Faust, op. 1 Nr. 8. "Sérénade de Méphistophélès"” by John Mark Ainsley, Davis Joachim. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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