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ISRC

GBCPB0100044

Waiting for the Big One2

Song: WAITING FOR THE BIG ONE

Peter Gabriel
unmatchedNot yet matched in the MLC database
Released 1977-01-01

Last verified:

GBCPB0100044 is the International Standard Recording Code (ISRC) for the recording "Waiting for the Big One" by Peter Gabriel, released 1977-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
CPBRegistrant
01Year (2001)
00044Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2001):
Last two digits of the reference year (2001). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

PETER BRIAN GABRIELComposer
REAL WORLD MUSIC LTD OriginalPublisher0.00%IPI: 00162612296
EMI BLACKWOOD MUSIC INC RightsAdministrator100.00%IPI: 00223437493

Who publishes this song?

REAL WORLD MUSIC LTDOriginalPublisher
IPI: 00162612296
EMI BLACKWOOD MUSIC INCRightsAdministrator
IPI: 00223437493

MLC Song Code

W4518P
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "Waiting for the Big One" by Peter Gabriel?
The ISRC for "Waiting for the Big One" by Peter Gabriel is GBCPB0100044.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBCPB0100044?

GBCPB0100044 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Waiting for the Big One" by Peter Gabriel. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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