Oran Gaoil a rinneadh ri taobh Loch Laomain (A love song composed on the banks of Loch Lomond) album cover

ISRC

GBCYD0802811

Oran Gaoil a rinneadh ri taobh Loch Laomain (A love song composed on the banks of Loch Lomond)

Eilidh Mackenzie
Released 1992-01-01

Last verified:

GBCYD0802811 is the International Standard Recording Code (ISRC) for the recording “Oran Gaoil a rinneadh ri taobh Loch Laomain (A love song composed on the banks of Loch Lomond) by Eilidh Mackenzie, released 1992-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
CYDRegistrant
08Year (2008)
02811Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Oran Gaoil a rinneadh ri taobh Loch Laomain (A love song composed on the banks of Loch Lomond)" by Eilidh Mackenzie?
The ISRC for "Oran Gaoil a rinneadh ri taobh Loch Laomain (A love song composed on the banks of Loch Lomond)" by Eilidh Mackenzie is GBCYD0802811.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBCYD0802811?

GBCYD0802811 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Oran Gaoil a rinneadh ri taobh Loch Laomain (A love song composed on the banks of Loch Lomond) by Eilidh Mackenzie. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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