Concerto for Oboe d’amore in A major, BWV 1055R: II. Larghetto album cover

ISRC

GBELX1405575

Concerto for Oboe d’amore in A major, BWV 1055R: II. Larghetto

Song: Oboe d’Amore Concerto in A major, BWV 1055R: II. Larghetto

Gonzalo X. RuizPortland Baroque OrchestraMonica Huggett
Released 2014-11-10

Last verified:

GBELX1405575 is the International Standard Recording Code (ISRC) for the recording “Concerto for Oboe d’amore in A major, BWV 1055R: II. Larghetto by Gonzalo X. Ruiz, Portland Baroque Orchestra, Monica Huggett, released 2014-11-10. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
ELXRegistrant
14Year (2014)
05575Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Concerto for Oboe d’amore in A major, BWV 1055R: II. Larghetto" by Gonzalo X. Ruiz?
The ISRC for "Concerto for Oboe d’amore in A major, BWV 1055R: II. Larghetto" by Gonzalo X. Ruiz, Portland Baroque Orchestra, Monica Huggett is GBELX1405575.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBELX1405575?

GBELX1405575 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Concerto for Oboe d’amore in A major, BWV 1055R: II. Larghetto by Gonzalo X. Ruiz, Portland Baroque Orchestra, Monica Huggett. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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