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Gloriana: Act I - Scene 2: 5. First Lute Song album cover

ISRC

GBF079240914

Gloriana: Act I - Scene 2: 5. First Lute Song

Song: Gloriana: Act I

Josephine BarstowPhilip LangridgeOrchestra of the Welsh National OperaCharles Mackerras
Released 2004-10-07

Last verified:

GBF079240914 is the International Standard Recording Code (ISRC) for the recording “Gloriana: Act I - Scene 2: 5. First Lute Song” by Josephine Barstow, Philip Langridge, Orchestra of the Welsh National Opera, Charles Mackerras, released 2004-10-07. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
F07Registrant
92Year (1992)
40914Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1992):
Last two digits of the reference year (1992). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Gloriana: Act I - Scene 2: 5. First Lute Song" by Josephine Barstow?
The ISRC for "Gloriana: Act I - Scene 2: 5. First Lute Song" by Josephine Barstow, Philip Langridge, Orchestra of the Welsh National Opera, Charles Mackerras is GBF079240914.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBF079240914?

GBF079240914 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Gloriana: Act I - Scene 2: 5. First Lute Song” by Josephine Barstow, Philip Langridge, Orchestra of the Welsh National Opera, Charles Mackerras. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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