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ISRC

GBLWD0802014

Cosi fan tutte, K. 588, Act I: Oh, the soldier's life for me! (Chorus)

Song: Cosi fan tutte or The School for Lovers

Orchestra of the Age of EnlightenmentCharles Mackerras
Released 2008-01-01

Last verified:

GBLWD0802014 is the International Standard Recording Code (ISRC) for the recording "Cosi fan tutte, K. 588, Act I: Oh, the soldier's life for me! (Chorus)" by Orchestra of the Age of Enlightenment, Charles Mackerras, released 2008-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
LWDRegistrant
08Year (2008)
02014Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Cosi fan tutte, K. 588, Act I: Oh, the soldier's life for me! (Chorus)" by Orchestra of the Age of Enlightenment?
The ISRC for "Cosi fan tutte, K. 588, Act I: Oh, the soldier's life for me! (Chorus)" by Orchestra of the Age of Enlightenment, Charles Mackerras is GBLWD0802014.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBLWD0802014?

GBLWD0802014 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Cosi fan tutte, K. 588, Act I: Oh, the soldier's life for me! (Chorus)" by Orchestra of the Age of Enlightenment, Charles Mackerras. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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