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Jephtha, Pt. 2: No. 35. But oh! behold the princely Pair (First Elder) album cover

ISRC

GBLWD2502916

Jephtha, Pt. 2: No. 35. But oh! behold the princely Pair (First Elder)

Michael MofidianEarly Opera CompanyChristian Curnyn
Released 2025-04-18

Last verified:

GBLWD2502916 is the International Standard Recording Code (ISRC) for the recording "Jephtha, Pt. 2: No. 35. But oh! behold the princely Pair (First Elder)" by Michael Mofidian, Early Opera Company, Christian Curnyn, released 2025-04-18. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
LWDRegistrant
25Year (2025)
02916Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Jephtha, Pt. 2: No. 35. But oh! behold the princely Pair (First Elder)" by Michael Mofidian?
The ISRC for "Jephtha, Pt. 2: No. 35. But oh! behold the princely Pair (First Elder)" by Michael Mofidian, Early Opera Company, Christian Curnyn is GBLWD2502916.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBLWD2502916?

GBLWD2502916 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Jephtha, Pt. 2: No. 35. But oh! behold the princely Pair (First Elder)" by Michael Mofidian, Early Opera Company, Christian Curnyn. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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