ISRC
Requiem: IV. Sanctus2
Song: REQUIEM SANCTUS
Last verified:
HKI190227404 is the International Standard Recording Code (ISRC) for the recording “Requiem: IV. Sanctus” by Choir of Clare College, Cambridge, Members of the City of London Sinfonia, Timothy Brown, released 2003-03-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
Unmatched Recording
This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.
Credits Graph
Want songwriter and ownership data?
This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.
MLC Song Code
HKI190227404 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Requiem: IV. Sanctus” by Choir of Clare College, Cambridge, Members of the City of London Sinfonia, Timothy Brown. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
Learn more about ISRCs · Powered by Notes.fm
Choir of Clare College, Cambridge, Elin Manahan Thomas, Members of the City of London Sinfonia, Timothy Brown
HKI190227403Iona Brown, Timothy Brown, Anthony Jenkins, Stephen Shingles, Denis Vigay
NLA507805005Julian Baker, Timothy Brown, Barry Davis, Celia Nicklin, Graham Sheen, Angela Tennick, Academy of St Martin in the Fields, Neville Marriner
NLA507921502HKI190227404 is the International Standard Recording Code (ISRC) for the recording “Requiem: IV. Sanctus” by Choir of Clare College, Cambridge, Members of the City of London Sinfonia, Timothy Brown, released 2003-03-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
