ISRC
Die Zauberflöte: Zweiter Aufzug. “Tamino, dein Betragen war bisher männlich” (Sarastro, Pamina, Tamino)
Song: Die Zauberflöte: Akt II. Dialog „Prinz, dein Betragen war bis hieher männlich und gelassen” (Sarastro, Pamina, Tamino)
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LC5295000500 is the International Standard Recording Code (ISRC) for the recording “Die Zauberflöte: Zweiter Aufzug. “Tamino, dein Betragen war bisher männlich” (Sarastro, Pamina, Tamino)” by Karl Christian Kohn, Anneliese Rothenberger, Fritz Wunderlich, Münchner Philharmoniker, Fritz Rieger, released 2018-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
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LC5295000500 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Die Zauberflöte: Zweiter Aufzug. “Tamino, dein Betragen war bisher männlich” (Sarastro, Pamina, Tamino)” by Karl Christian Kohn, Anneliese Rothenberger, Fritz Wunderlich, Münchner Philharmoniker, Fritz Rieger. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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Münchner Philharmoniker, Günter Wand
DEAD70604401Reinhold Schmidt, Wiener Singverein, Walter Berry, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Josef Nebois, Berliner Philharmoniker, Herbert von Karajan
DEF056630510Reinhold Schmidt, Wiener Singverein, Walter Berry, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Josef Nebois, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan
DEF056630517LC5295000500 is the International Standard Recording Code (ISRC) for the recording “Die Zauberflöte: Zweiter Aufzug. “Tamino, dein Betragen war bisher männlich” (Sarastro, Pamina, Tamino)” by Karl Christian Kohn, Anneliese Rothenberger, Fritz Wunderlich, Münchner Philharmoniker, Fritz Rieger, released 2018-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
