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  3. Karl Christian Kohn
Karl Christian Kohn is a person, active since 1928.

Karl Christian Kohn

Person · Active since 1928

Karl Christian Kohn is a musician in the Credits.fm index identified by 1 ISNI identifier. A musician is the person or group behind the codes — IPI numbers identify them as a songwriter or publisher, ISNI identifiers as a creative contributor, and their recordings each carry an ISRC.

ISNI

0000 0001 1061 6579
SourcesMusicBrainz

Verified on

  • MusicBrainz artist record
  • ISNI.org identity 0000000110616579

Credits Graph

Credit Chain

MusicianKarl Christian Kohn
ISNI0000 0001 1061 6579
KC

Karl Christian Kohn

Kohn, Karl Christian

Performer

ISNI: 0000 0001 1061 6579
50Recordings
10Releases

Are you Karl Christian Kohn? Claim this profile →

Credits

1

Capriccio: Letzte Szene “Du Spiegelbild der verliebten Madeleine”

Gundula Janowitz, Karl Christian Kohn, Hedwig Bilgram, Rudolf Koeckert, Walter Nothas, Symphonieorchester des Bayerischen Rundfunks, Karl Böhm

bass vocals
2

Capriccio: Letzte Szene “Wo ist mein Bruder?”

Gundula Janowitz, Karl Christian Kohn, Hedwig Bilgram, Rudolf Koeckert, Walter Nothas, Symphonieorchester des Bayerischen Rundfunks, Karl Böhm

bass vocals
3

Die Zauberflöte: Erster Aufzug. “Du stolzer Jüngling, nur hierher” (Monostatos, Pamina, Tamino, Chor, Sarastro)

Karl Christian Kohn, Anneliese Rothenberger, Ferry Gruber, Fritz Wunderlich, Münchner Philharmoniker, Fritz Rieger

Performer
4

Die Zauberflöte: Erster Aufzug. “Es lebe Sarastro! Sarastro lebe!” (Chor, Papageno, Pamina, Sarastro)

Karl Christian Kohn, Anneliese Rothenberger, Badischer Staatsopernchor, Münchner Philharmoniker, Fritz Rieger

Performer
5

Die Zauberflöte: Zweiter Aufzug, Nr. 10. Arie mit Chor: “O Isis und Osiris” (Sarastro, Chor)

Karl Christian Kohn, Badischer Staatsopernchor, Münchner Philharmoniker, Fritz Rieger

Performer
6

Die Zauberflöte: Zweiter Aufzug, Nr. 15. Arie: “In diesen heil'gen Hallen” (Sarastro)

Karl Christian Kohn, Münchner Philharmoniker, Fritz Rieger

Performer
7

Die Zauberflöte: Zweiter Aufzug, Nr. 19. Terzett: “Soll ich dich, Teuren, nicht mehr sehn?” (Pamina, Sarastro, Tamino)

Karl Christian Kohn, Anneliese Rothenberger, Fritz Wunderlich, Münchner Philharmoniker, Fritz Rieger

Performer
8

Die Zauberflöte: Zweiter Aufzug. “Ihr eingeweihten Diener der Götter Osiris und Isis!” (Sarastro, Erster Priester, Zweiter Priester, Dritter Priester)

Karl Christian Kohn, Badischer Staatsopernchor, Münchner Philharmoniker, Fritz Rieger

Performer
9

Die Zauberflöte: Zweiter Aufzug. “Morden soll ich?” (Pamina, Monostatos, Sarastro)

Karl Christian Kohn, Anneliese Rothenberger, Ferry Gruber, Münchner Philharmoniker, Fritz Rieger

Performer
10

Die Zauberflöte: Zweiter Aufzug. “So fahr denn hin!” (Monostatos, Sarastro, Pamina)

Karl Christian Kohn, Anneliese Rothenberger, Ferry Gruber, Münchner Philharmoniker, Fritz Rieger

Performer
11

Die Zauberflöte: Zweiter Aufzug. “Tamino, dein Betragen war bisher männlich” (Sarastro, Pamina, Tamino)

Karl Christian Kohn, Anneliese Rothenberger, Fritz Wunderlich, Münchner Philharmoniker, Fritz Rieger

Performer
12

Don Giovanni, K. 527: Atto primo, N. 1. Introduzione: “Notte e giorno faticar” (Leporello, Donna Anna, Don Giovanni, Il commendatore)

Karl Christian Kohn, Sena Jurinac, Dietrich Fischer-Dieskau, Walter Kreppel, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay

bass vocals
13

Don Giovanni, K. 527: Atto primo, N. 3. Aria: “Ah! chi mi dice mai” (Donna Elvira, Don Giovanni, Leporello)

Maria Stader, Dietrich Fischer-Dieskau, Karl Christian Kohn, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay

bass vocals
14

Don Giovanni, K. 527: Atto primo, N. 4. Aria: “Madamina, il catalogo è questo” (Leporello)

Karl Christian Kohn, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay

bass vocals
15

Don Giovanni, K. 527: Atto primo. “Bisogna aver coraggio” (Donna Elvira, Don Ottavio, Donna Anna, Leporello, Don Giovanni)

Maria Stader, Ernst Haefliger, Sena Jurinac, Karl Christian Kohn, Dietrich Fischer-Dieskau, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay

bass vocals
16

Don Giovanni, K. 527: Atto primo. “Riposate, vezzose ragazze!” (Don Giovanni, Leporello, Masetto, Zerlina, Donna Anna, Donna Elvira, Don Ottavio)

Dietrich Fischer-Dieskau, Karl Christian Kohn, Ivan Sardi, Irmgard Seefried, Sena Jurinac, Maria Stader, Ernst Haefliger, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay

bass vocals
17

Don Giovanni, K. 527: Atto primo. Recitativo: “Chi è lá? … Stelle! che vedo!” (Donna Elvira, Don Giovanni, Leporello)

Maria Stader, Dietrich Fischer-Dieskau, Karl Christian Kohn, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay

bass vocals
18

Don Giovanni, K. 527: Atto primo. Recitativo: “Io deggio ad ogni patto” (Leporello, Don Giovanni)

Karl Christian Kohn, Dietrich Fischer-Dieskau, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay

bass vocals
19

Don Giovanni, K. 527: Atto primo. Recitativo: “Leporello, ove sei?” (Don Giovanni, Leporello)

Dietrich Fischer-Dieskau, Karl Christian Kohn, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay

bass vocals
20

Don Giovanni, K. 527: Atto primo. Recitativo: “Manco male, è partita” (Don Giovanni, Leporello, Zerlina, Masetto)

Dietrich Fischer-Dieskau, Karl Christian Kohn, Irmgard Seefried, Ivan Sardi, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay

bass vocals
21

Don Giovanni, K. 527: Atto primo. Recitativo: “Orsù, spicciati presto” (Don Giovanni, Leporello)

Dietrich Fischer-Dieskau, Karl Christian Kohn, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay

bass vocals
22

Don Giovanni, K. 527: Atto secondo, N. 14. Duetto: “Eh via, buffone” (Don Giovanni, Leporello)

Dietrich Fischer-Dieskau, Karl Christian Kohn, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay

bass vocals
23

Don Giovanni, K. 527: Atto secondo, N. 15. Terzetto: “Ah! taci, ingiusto core” (Donna Elvira, Leporello, Don Giovanni)

Maria Stader, Karl Christian Kohn, Dietrich Fischer-Dieskau, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay

bass vocals
24

Don Giovanni, K. 527: Atto secondo, N. 19. Sestetto: “Sola, sola, in buio loco” (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto)

Maria Stader, Karl Christian Kohn, Ernst Haefliger, Sena Jurinac, Irmgard Seefried, Ivan Sardi, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay

bass vocals
25

Don Giovanni, K. 527: Atto secondo, N. 20. Aria: “Ah! pietà, signori miei!” (Leporello)

Karl Christian Kohn, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay

bass vocals
26

Don Giovanni, K. 527: Atto secondo, N. 22. Duetto: “O statua gentillissima” (Leporello, Don Giovanni, Il commendatore)

Karl Christian Kohn, Dietrich Fischer-Dieskau, Walter Kreppel, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay

bass vocals
27

Don Giovanni, K. 527: Atto secondo, N. 24. Finale II. “Già la mensa è preparata” (Don Giovanni, Leporello)

Dietrich Fischer-Dieskau, Karl Christian Kohn, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay

bass vocals
28

Don Giovanni, K. 527: Atto secondo. “Ah! dove’è il perfido” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)

Sena Jurinac, Maria Stader, Irmgard Seefried, Ernst Haefliger, Ivan Sardi, Karl Christian Kohn, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay

bass vocals
29

Don Giovanni, K. 527: Atto secondo. “Don Giovanni, a cenar teco m’invitasti” (Il commendatore, Don Giovanni, Leporello, Coro)

Walter Kreppel, Dietrich Fischer-Dieskau, Karl Christian Kohn, RIAS-Kammerchor, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay

bass vocals
30

Don Giovanni, K. 527: Atto secondo. “L’ultima prova dell’amor mio” (Donna Elvira, Don Giovanni, Leporello)

Maria Stader, Dietrich Fischer-Dieskau, Karl Christian Kohn, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay

bass vocals
31

Don Giovanni, K. 527: Atto secondo. Recitativo: “Ah! ah! ah! questa è buona!” (Don Giovanni, Leporello, Il commendatore)

Dietrich Fischer-Dieskau, Karl Christian Kohn, Walter Kreppel, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay

bass vocals
32

Don Giovanni, K. 527: Atto secondo. Recitativo: “Amico, che ti par?” (Don Giovanni, Leporello) - "Eccomi a voi” (Donna Elvira, Don Giovanni, Leporello)

Dietrich Fischer-Dieskau, Karl Christian Kohn, Maria Stader, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay

bass vocals
33

Don Giovanni, K. 527: Atto secondo. Recitativo: “Di molte faci il lume” (Leporello, Donna Elvira)

Karl Christian Kohn, Maria Stader, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay

bass vocals
34

Don Giovanni, K. 527: Atto secondo. Recitativo: “Leporello” - "Signore” (Don Giovanni, Leporello)

Dietrich Fischer-Dieskau, Karl Christian Kohn, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay

bass vocals
35

La Traviata: Aufzug II. „Alfred, ihr hier?” (alle, Alfred, Flora, Gaston, Violetta, Baron, Chor)

Hans Bruno Ernst, Karl Christian Kohn, Chor des Bayerischen Rundfunks, Hilde Güden, Claudia Hellmann, Friedrich Lenz, Günter Missenhardt, Fritz Wunderlich, Symphonieorchester des Bayerischen Rundfunks, Bruno Bartoletti

bass vocals
36

La Traviata: Aufzug II. Finale (Begin) „Maskenscherz soll uns froh die Nacht vertreiben” (Flora, Doktor, Marquis)

Chor des Bayerischen Rundfunks, Hans Bruno Ernst, Claudia Hellmann, Karl Christian Kohn, Symphonieorchester des Bayerischen Rundfunks, Bruno Bartoletti

bass vocals
37

La Traviata: Aufzug II. Finale (Schluss) „Wie wenig würdig zeigt sich der Mann” (Georg Germont, Alfred, alle, Chor, Violetta)

Hans Bruno Ernst, Hilde Güden, Claudia Hellmann, Karl Christian Kohn, Friedrich Lenz, Chor des Bayerischen Rundfunks, Dietrich Fischer-Dieskau, Günter Missenhardt, Fritz Wunderlich, Symphonieorchester des Bayerischen Rundfunks, Bruno Bartoletti

bass vocals
38

La Traviata: Aufzug III. „Nimm es, hier ist dies Bild von mir” (Violetta, Alfred, Georg Germont, Doktor, Annina)

Claudia Hellmann, Karl Christian Kohn, Dietrich Fischer-Dieskau, Hilde Güden, Fritz Wunderlich, Symphonieorchester des Bayerischen Rundfunks, Bruno Bartoletti

bass vocals
39

Requiem d-moll, KV 626: III. Sequentia: Recordare Jesu Pie

Maria Stader, Hertha Töpper, John van Kesteren, Karl Christian Kohn, Münchener Bach-Orchester, Karl Richter

bass vocals
40

Requiem d-moll, KV 626: III. Sequentia: Recordare Jesu Pie

Maria Stader, Hertha Töpper, John van Kesteren, Karl Christian Kohn, Münchener Bach-Orchester, Karl Richter

bass vocals
41

Requiem d-moll, KV 626: III. Sequentia: Tuba mirum

Maria Stader, Hertha Töpper, John van Kesteren, Karl Christian Kohn, Münchener Bach-Orchester, Karl Richter

bass vocals
42

Requiem d-moll, KV 626: III. Sequentia: Tuba mirum

Maria Stader, Hertha Töpper, John van Kesteren, Karl Christian Kohn, Münchener Bach-Orchester, Karl Richter

bass vocals
43

Requiem d-moll, KV 626: IV. Offertorium: Domine Jesu Christe

Maria Stader, Hertha Töpper, John van Kesteren, Karl Christian Kohn, Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter

bass vocals
44

Requiem d-moll, KV 626: IV. Offertorium: Domine Jesu Christe

Maria Stader, Hertha Töpper, John van Kesteren, Karl Christian Kohn, Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter

bass vocals
45

Requiem d-moll, KV 626: VI. Benedictus

Maria Stader, Hertha Töpper, John van Kesteren, Karl Christian Kohn, Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter

bass vocals
46

Requiem d-moll, KV 626: VI. Benedictus

Maria Stader, Hertha Töpper, John van Kesteren, Karl Christian Kohn, Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter

bass vocals
47

Zar und Zimmermann: Akt I. Nr. 4 Arie „O sancta justitia!“ (van Bett)

Karl Christian Kohn, Bamberger Symphoniker, Hans Gierster

bass vocals
48

Zar und Zimmermann: Akt I. Nr. 5 Ensemble „Laßt ruhen, die Arbeit“ (Chor, van Bett, Peter I., Iwanow)

Chor des Bayerischen Rundfunks, Dietrich Fischer-Dieskau, Karl Christian Kohn, Friedrich Lenz, Bamberger Symphoniker, Hans Gierster

bass vocals
49

Zar und Zimmermann: Akt III. Finale II „So scheid’ ich denn von euch“ (Peter I., Marie, Witwe, Iwanow, van Bett, Chor)

Chor des Bayerischen Rundfunks, Dietrich Fischer-Dieskau, Ingeborg Hallstein, Claudia Hellmann, Karl Christian Kohn, Friedrich Lenz, Bamberger Symphoniker, Hans Gierster

bass vocals
50

Zar und Zimmermann: Akt III. Nr. 13 Ensemble „Den hohen Herrscher würdig zu empfangen“ (van Bett, Chor)

Chor des Bayerischen Rundfunks, Karl Christian Kohn, Bamberger Symphoniker, Hans Gierster

bass vocals

Discography (10)

Der Freischütz

Der Freischütz

1988 · Angel Records

Der Freischütz

Der Freischütz

Der Freischütz

Der Freischütz

1998 · EMI Classics

Doktor Faust

Doktor Faust

1989 · Deutsche Grammophon

Don Giovanni

Don Giovanni

2001 · Deutsche Grammophon

Krönungsmesse / Spatzenmesse

Krönungsmesse / Spatzenmesse

1988

Requiem

Requiem

1995 · TELDEC

Xerxes

Xerxes

1998 · Orfeo (2)

Zar und Zimmermann: Highlights

Zar und Zimmermann: Highlights

1994 · Deutsche Grammophon

Zar und Zimmermann: Highlights

Zar und Zimmermann: Highlights

Deutsche Grammophon

Who is Karl Christian Kohn?

Karl Christian Kohn is a performer, active since 1928.

Our database contains 50 recordings and 10 releases credited to Karl Christian Kohn. Credits data is sourced from the Mechanical Licensing Collective (MLC), MusicBrainz (CC0), and Spotify.

People also ask

What identifiers does Karl Christian Kohn have?+
Karl Christian Kohn is identified by ISNI 0000 0001 1061 6579. IPI numbers identify a songwriter or publisher across collection societies; ISNI identifies a creative contributor across registries.
How many recordings is Karl Christian Kohn credited on?+
The index links Karl Christian Kohn to 50 recordings, each carrying its own ISRC. Credits come from the MLC, MusicBrainz (CC0), and Spotify.
Is Karl Christian Kohn in a group?+
No group memberships are catalogued for Karl Christian Kohn.

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