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ISRC

NLA506900322

Requiem « Grande Messe des morts », op. 5, H. 75: V. Quaerens me

Song: Requiem, op. 5: V. Quaerens me

London Symphony ChorusWandsworth School Boys’ ChoirSir Colin Davis
Released 1970-01-01

Last verified:

NLA506900322 is the International Standard Recording Code (ISRC) for the recording "Requiem « Grande Messe des morts », op. 5, H. 75: V. Quaerens me" by London Symphony Chorus, Wandsworth School Boys’ Choir, Sir Colin Davis, released 1970-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
A50Registrant
69Year (1969)
00322Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1969):
Last two digits of the reference year (1969). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Requiem « Grande Messe des morts », op. 5, H. 75: V. Quaerens me" by London Symphony Chorus?
The ISRC for "Requiem « Grande Messe des morts », op. 5, H. 75: V. Quaerens me" by London Symphony Chorus, Wandsworth School Boys’ Choir, Sir Colin Davis is NLA506900322.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLA506900322?

NLA506900322 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Requiem « Grande Messe des morts », op. 5, H. 75: V. Quaerens me" by London Symphony Chorus, Wandsworth School Boys’ Choir, Sir Colin Davis. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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