ISRC
Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: VIII. "Pignus futurae gloriae"
Song: Litaniae de venerabili altaris sacramento, K. 125: VIII. Pignus futurae gloriae
Last verified:
NLN580564007 is the International Standard Recording Code (ISRC) for the recording “Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: VIII. "Pignus futurae gloriae"” by Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt, released 2005-10-25. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
NLN580564007 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: VIII. "Pignus futurae gloriae"” by Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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Performers
Label
Brilliant Classics
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Europäische Kammersolisten, Thomas Hammes, Nicol Matt
NLY330605966Marietta Fischesser, Barbara Werner, Benoît Haller, Manfred Bittner, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt
NLN580570825Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt
NLY330604289NLN580564007 is the International Standard Recording Code (ISRC) for the recording “Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B flat major, K. 125: VIII. "Pignus futurae gloriae"” by Chamber Choir of Europe, Pamela Heuvelmans, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt, released 2005-10-25. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
