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Jammin’ the Boogie album cover

ISRC

USMC14404720

Jammin’ the Boogie

Song: JAMMIN' THE BOOGIE

Albert Ammons Rhythm Kings
matched
Released 1944-01-01

Last verified:

USMC14404720 is the International Standard Recording Code (ISRC) for the recording “Jammin’ the Boogie” by Albert Ammons Rhythm Kings, released 1944-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ALBERT AMMONS.

Format

USCountry
MC1Registrant
44Year (2044)
04720Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2044):
Last two digits of the reference year (2044). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ALBERT AMMONSComposer
MICHAEL H GOLDSEN INC OriginalPublisher100.00%IPI: 00634289432

Who publishes this song?

MICHAEL H GOLDSEN INCOriginalPublisher
IPI: 00634289432

MLC Song Code

J02954
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "Jammin’ the Boogie" by Albert Ammons Rhythm Kings?
The ISRC for "Jammin’ the Boogie" by Albert Ammons Rhythm Kings is USMC14404720.
Who wrote "Jammin’ the Boogie"?
"Jammin’ the Boogie" was written by ALBERT AMMONS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMC14404720?

USMC14404720 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Jammin’ the Boogie” by Albert Ammons Rhythm Kings. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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