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Suite no. 1 in G major, BWV 1007: I. Prélude album cover

ISRC

USSM18200515

Suite no. 1 in G major, BWV 1007: I. Prélude

Song: Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude

Yo-Yo Ma
matched
Released 1984-01-01

Last verified:

USSM18200515 is the International Standard Recording Code (ISRC) for the recording “Suite no. 1 in G major, BWV 1007: I. Prélude” by Yo-Yo Ma, released 1984-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PUBLIC DOMAIN.

Format

USCountry
SM1Registrant
82Year (1982)
00515Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1982):
Last two digits of the reference year (1982). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSuite no. 1 in G major, BWV 1007: I. Prélude
IPIPUBLIC DOMAIN

People also ask

What is the ISRC for "Suite no. 1 in G major, BWV 1007: I. Prélude" by Yo-Yo Ma?
The ISRC for "Suite no. 1 in G major, BWV 1007: I. Prélude" by Yo-Yo Ma is USSM18200515.
Who wrote "Suite no. 1 in G major, BWV 1007: I. Prélude"?
"Suite no. 1 in G major, BWV 1007: I. Prélude" was written by PUBLIC DOMAIN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM18200515?

USSM18200515 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Suite no. 1 in G major, BWV 1007: I. Prélude” by Yo-Yo Ma. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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