Person · Active since 1972
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Hamlet, Act I: Scene 3, Mark me—I will
John Relyea, Allan Clayton, Jacques Imbrailo, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
Hamlet, Act I: Scene 3, O, Hamlet, bear it not
John Relyea, Allan Clayton, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
Hamlet, Act I: Scene 5, Aliquid in civitate Daniae corroptum est
John Relyea, Manase Latu, Chad Shelton, Justin Austin, Allan Clayton, William Burden, Jacques Imbrailo, Aryeh Nussbaum Cohen, Christopher Lowrey, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
Hamlet, Act I: Scene 5, I did enact Julius Ceasar in the university
William Burden, John Relyea, Manase Latu, Chad Shelton, Justin Austin, Allan Clayton, Jacques Imbrailo, Aryeh Nussbaum Cohen, Christopher Lowrey, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
Hamlet, Act I: Scene 8, Save me, save me
Allan Clayton, Sarah Connolly, John Relyea, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
Hamlet, Act II: Scene 10, In youth when I did love…
John Relyea, Allan Clayton, Jacques Imbrailo, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
La clemenza di Tito: Act I, no. 10. Terzetto "Vengo... aspettate... Sesto!..." (Vitellia, Annio, Publio)
Magdalena Kožená, Hillevi Martinpelto, John Relyea, Christine Rice, Scottish Chamber Orchestra, Charles Mackerras
La clemenza di Tito: Act I, no. 12. Quintetto con coro "Deh, conservate, o Dei" (Sesto, Annio, Servilia, Coro, Publio, Vitellia)
Magdalena Kožená, Hillevi Martinpelto, Lisa Milne, John Relyea, Christine Rice, Scottish Chamber Chorus, Scottish Chamber Orchestra, Charles Mackerras
La clemenza di Tito: Act I. Recitativo "Te della patria il Padre" (Publio, Annio, Tito)
John Relyea, Christine Rice, Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras
La clemenza di Tito: Act I. Recitativo "Vedrai, Tito, vedrai" (Vitellia, Publio, Annio)
Hillevi Martinpelto, John Relyea, Christine Rice, Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras
La clemenza di Tito: Act II, no. 14. Terzetto "Se al volto mai ti senti" (Sesto, Vitellia, Publio)
Magdalena Kožená, Hillevi Martinpelto, John Relyea, Scottish Chamber Orchestra, Charles Mackerras
La clemenza di Tito: Act II, no. 16. Aria "Tardi s'avvede d'un tradimento" (Publio)
John Relyea, Scottish Chamber Orchestra, Charles Mackerras
La clemenza di Tito: Act II, no. 18. Terzetto "Quello di Tito è il volto!" (Sesto, Tito, Publio)
Magdalena Kožená, John Relyea, Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras
La clemenza di Tito: Act II, no. 26. Sestetto con coro "Tu, è ver, m' assolvi, Augusto" (Sesto, Tito, Vitellia, Servilia, Annio, Publio, Coro)
Magdalena Kožená, Hillevi Martinpelto, Lisa Milne, John Relyea, Christine Rice, Scottish Chamber Chorus, Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras
La clemenza di Tito: Act II. Recitative "Partir deggio, o restar?" (Sesto, Vitellia, Publio)
Magdalena Kožená, Hillevi Martinpelto, John Relyea, Scottish Chamber Orchestra, Charles Mackerras
La clemenza di Tito: Act II. Recitativo "Già de' pubblici giuochi" (Publio, Tito)
John Relyea, Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras
La clemenza di Tito: Act II. Recitativo "No, così scellerato" (Tito, Annio, Publio)
John Relyea, Christine Rice, Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras
La clemenza di Tito: Act II. Recitativo "Ove s'intese mai più contumace infedeltà?" (Tito, Publio)
John Relyea, Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras
La clemenza di Tito: Act II. Recitativo "Sesto, de' tuoi delitti" (Tito, Vitellia, Sesto, Servilia, Annio, Publio)
Magdalena Kožená, Hillevi Martinpelto, Lisa Milne, John Relyea, Christine Rice, Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": e. Wie Felsenabgrund mir zu Füssen (Pater Profundus)
John Relyea, City of Birmingham Symphony Orchestra, Sir Simon Rattle
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": p. Alles Vergängliche (Chorus mysticus)
London Symphony Chorus, Juliane Banse, David Wilson-Johnson, City of Birmingham Symphony Orchestra Chorus, Jane Henschel, Soile Isokoski, Christine Brewer, John Relyea, Birgit Remmert, Toronto Children's Chorus, Jon Villars, City of Birmingham Symphony Orchestra, Sir Simon Rattle
Symphony no. 8 in E-flat major: II. Final Scene from "Faust II": q. Alles Vergängliche (Chorus mysticus)
London Symphony Chorus, Juliane Banse, David Wilson-Johnson, City of Birmingham Symphony Orchestra Chorus, Jane Henschel, Soile Isokoski, Christine Brewer, John Relyea, Birgit Remmert, Toronto Children's Chorus, Jon Villars, City of Birmingham Symphony Orchestra, Sir Simon Rattle
Symphony no. 8: Part I. Hymnus “Veni, creator spiritus”: “Accende lumen sensibus”
American Boychoir, Elizabeth Bishop, The Choral Arts Society of Washington, Mihoko Fujimura, Anthony Dean Griffey, Angela Meade, John Relyea, Erin Wall, Markus Werba, Westminster Symphonic Choir, The Philadelphia Orchestra, Yannick Nézet-Séguin
Symphony no. 8: Part I. Hymnus “Veni, creator spiritus”: “Gloria sit Patri Domino”
American Boychoir, Elizabeth Bishop, The Choral Arts Society of Washington, Mihoko Fujimura, Anthony Dean Griffey, Angela Meade, John Relyea, Erin Wall, Markus Werba, Westminster Symphonic Choir, The Philadelphia Orchestra, Yannick Nézet-Séguin
Symphony no. 8: Part I. Hymnus “Veni, creator spiritus”: “Imple superna gratia”
Elizabeth Bishop, The Choral Arts Society of Washington, Mihoko Fujimura, Anthony Dean Griffey, Angela Meade, John Relyea, Erin Wall, Markus Werba, Westminster Symphonic Choir, The Philadelphia Orchestra, Yannick Nézet-Séguin
Symphony no. 8: Part I. Hymnus “Veni, creator spiritus”: “Infirma nostri corporis virtute firmans perpeti”
Elizabeth Bishop, Mihoko Fujimura, Anthony Dean Griffey, Angela Meade, John Relyea, Erin Wall, Markus Werba, The Philadelphia Orchestra, Yannick Nézet-Séguin
Symphony no. 8: Part I. Hymnus “Veni, creator spiritus”: “Infirma nostri corporis”
Elizabeth Bishop, The Choral Arts Society of Washington, Mihoko Fujimura, Anthony Dean Griffey, Angela Meade, John Relyea, Erin Wall, Markus Werba, Westminster Symphonic Choir, The Philadelphia Orchestra, Yannick Nézet-Séguin
Symphony no. 8: Part I. Hymnus “Veni, creator spiritus”: “Qui Paraclitus diceris”
Elizabeth Bishop, The Choral Arts Society of Washington, Mihoko Fujimura, Anthony Dean Griffey, Angela Meade, John Relyea, Erin Wall, Markus Werba, Westminster Symphonic Choir, The Philadelphia Orchestra, Yannick Nézet-Séguin
Symphony no. 8: Part II. Final Scene From Goethe’s “Faust”:, Part II: Chorus mysticus: “Alles Vergängliche ist nur ein Gleichnis”
American Boychoir, Elizabeth Bishop, The Choral Arts Society of Washington, Mihoko Fujimura, Anthony Dean Griffey, Angela Meade, John Relyea, Erin Wall, Markus Werba, Westminster Symphonic Choir, The Philadelphia Orchestra, Yannick Nézet-Séguin
Symphony no. 8: Part II. Final Scene From Goethe’s “Faust”:, Part II: Pater profundus: “Wie Felsenabgrund mir zu Füßen”
John Relyea, The Philadelphia Orchestra, Yannick Nézet-Séguin
John Relyea is a performer, active since 1972.
Our database contains 30 recordings and 4 releases credited to John Relyea. Credits data is sourced from the Mechanical Licensing Collective (MLC), MusicBrainz (CC0), and Spotify.
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