UPC · Release
Hamlet
Brett Dean, Allan Clayton, Brenda Rae and 9 more
8100042028252
14 tracksReleased 2023-01-27
Last verified:
8100042028252 is the Universal Product Code (UPC barcode) for the release “Hamlet” by Brett Dean, Allan Clayton, Brenda Rae, Sarah Connolly, Rod Gilfry, William Burden, John Relyea, David Butt Philip, Jacques Imbrailo, the Metropolitan Opera Orchestra, Chorus, Nicholas Carter, released 2023-01-27. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 14 tracks, each with its own ISRC. Tracks include USY3P2206671, USY3P2206672, USY3P2206673.
Format
810GS1 prefix
0042Company prefix
02825Product
2Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCHamlet
ISRC14 recordings
Track List (14)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Hamlet, Act I: Scene 1, Dust, noble dust, quintessence of dust | Allan Clayton, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter | — | |
| 2 | Hamlet, Act I: Scene 2, Though yet of our dear brother’s death the memory be green | Rod Gilfry, David Butt Philip, Brenda Rae, the Metropolitan Opera Chorus, the Metropolitan Opera Chorus, Nicholas Carter | — | |
| 3 | Hamlet, Act I: Scene 2, The head is not more native to the heart than is the throne of Denmark | Rod Gilfry, David Butt Philip, Jacques Imbrailo, Allan Clayton, Justin Austin, William Burden, Sarah Connolly, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter | — | |
| 4 | Hamlet, Act I: Scene 2, Farewell, sister, and remember well what I have said to you | David Butt Philip, Brenda Rae, William Burden, Rod Gilfry, Sarah Connolly, Allan Clayton, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter | — | |
| 5 | Hamlet, Act I: Scene 2, That it should come to this | Allan Clayton, Jacques Imbrailo, Justin Austin, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter | — | |
| 6 | Hamlet, Act I: Scene 3, Angels, Angels, Angels and ministers of grace | Allan Clayton, Jacques Imbrailo, Justin Austin, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter | — | |
| 7 | Hamlet, Act I: Scene 3, Mark me—I will | John Relyea, Allan Clayton, Jacques Imbrailo, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter | — | |
| 8 | Hamlet, Act I: Scene 3, O, Hamlet, bear it not | John Relyea, Allan Clayton, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter | — | |
| 9 | Hamlet, Act I: Scene 4, Welcome, dear Rosencrantz and Guildenstern | Rod Gilfry, Sarah Connolly, Aryeh Nussbaum Cohen, Christopher Lowrey, William Burden, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter | — | |
| 10 | Hamlet, Act I: Scene 4, How now, Ophelia? Green Girl | William Burden, Brenda Rae, Rod Gilfry, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter | — | |
| 11 | Hamlet, Act I: Scene 4, The very ecstasy of love | Aryeh Nussbaum Cohen, Christopher Lowrey, Rod Gilfry, William Burden, Sarah Connolly, Brenda Rae, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter | — | |
| 12 | Hamlet, Act I: Scene 4, …or not to be | Allan Clayton, Brenda Rae, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter | — | |
| 13 | Hamlet, Act I: Scene 4, Get thee to a nunnery | Allan Clayton, Brenda Rae, Rod Gilfry, William Burden, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter | — | |
| 14 | Hamlet, Act I: Scene 5, My honour’d lord | Aryeh Nussbaum Cohen, Christopher Lowrey, Allan Clayton, Jacques Imbrailo, William Burden, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter | — |
Hamlet, Act I: Scene 1, Dust, noble dust, quintessence of dust
Allan Clayton, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
—
Hamlet, Act I: Scene 2, Though yet of our dear brother’s death the memory be green
Rod Gilfry, David Butt Philip, Brenda Rae, the Metropolitan Opera Chorus, the Metropolitan Opera Chorus, Nicholas Carter
—
Hamlet, Act I: Scene 2, The head is not more native to the heart than is the throne of Denmark
Rod Gilfry, David Butt Philip, Jacques Imbrailo, Allan Clayton, Justin Austin, William Burden, Sarah Connolly, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
—
Hamlet, Act I: Scene 2, Farewell, sister, and remember well what I have said to you
David Butt Philip, Brenda Rae, William Burden, Rod Gilfry, Sarah Connolly, Allan Clayton, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
—
Hamlet, Act I: Scene 2, That it should come to this
Allan Clayton, Jacques Imbrailo, Justin Austin, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
—
Hamlet, Act I: Scene 3, Angels, Angels, Angels and ministers of grace
Allan Clayton, Jacques Imbrailo, Justin Austin, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
—
Hamlet, Act I: Scene 3, Mark me—I will
John Relyea, Allan Clayton, Jacques Imbrailo, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
—
Hamlet, Act I: Scene 3, O, Hamlet, bear it not
John Relyea, Allan Clayton, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
—
Hamlet, Act I: Scene 4, Welcome, dear Rosencrantz and Guildenstern
Rod Gilfry, Sarah Connolly, Aryeh Nussbaum Cohen, Christopher Lowrey, William Burden, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
—
Hamlet, Act I: Scene 4, How now, Ophelia? Green Girl
William Burden, Brenda Rae, Rod Gilfry, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
—
Hamlet, Act I: Scene 4, The very ecstasy of love
Aryeh Nussbaum Cohen, Christopher Lowrey, Rod Gilfry, William Burden, Sarah Connolly, Brenda Rae, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
—
Hamlet, Act I: Scene 4, …or not to be
Allan Clayton, Brenda Rae, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
—
Hamlet, Act I: Scene 4, Get thee to a nunnery
Allan Clayton, Brenda Rae, Rod Gilfry, William Burden, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
—
Hamlet, Act I: Scene 5, My honour’d lord
Aryeh Nussbaum Cohen, Christopher Lowrey, Allan Clayton, Jacques Imbrailo, William Burden, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
—
Additional database matches (18)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Hamlet, Act I: Scene 5, I did enact Julius Ceasar in the university | William Burden, John Relyea, Manase Latu, Chad Shelton, Justin Austin, Allan Clayton, Jacques Imbrailo, Aryeh Nussbaum Cohen, Christopher Lowrey, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter | — |
| Hamlet, Act I: Scene 5, Aliquid in civitate Daniae corroptum est | John Relyea, Manase Latu, Chad Shelton, Justin Austin, Allan Clayton, William Burden, Jacques Imbrailo, Aryeh Nussbaum Cohen, Christopher Lowrey, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter | — |
| Hamlet, Act I: Scene 6, Pastoral. Comical. Historical, tragical | Allan Clayton, Jacques Imbrailo, Manase Latu, Brenda Rae, Sarah Connolly, William Burden, Rod Gilfry, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter | — |
| Hamlet, Act I: Scene 6, Worm‐wood | Allan Clayton, Brenda Rae, Christopher Lowrey, Aryeh Nussbaum Cohen, Rod Gilfry, William Burden, Sarah Connolly, Jacques Imbrailo, the Metropolitan Opera Orchestra, the Metropolitan Opera Chorus, Nicholas Carter | — |
| Hamlet, Act I: Scene 7, O… Heavy burden | Rod Gilfry, Allan Clayton, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter | — |
| Hamlet, Act I: Scene 8, As you said, ’tis meet that some more audience should over hear | William Burden, Allan Clayton, Sarah Connolly, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter | — |
| Hamlet, Act I: Scene 8, Save me, save me | Allan Clayton, Sarah Connolly, John Relyea, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter | — |
| Hamlet, Act II: Scene 9, Laertes, Laertes shall be king | Allan Clayton, Aryeh Nussbaum Cohen, Rod Gilfry, Sarah Connolly, David Butt Philip, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter | — |
| Hamlet, Act II: Scene 9, Never, never, never, never doubt I love… | Brenda Rae, David Butt Philip, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter | — |
| Hamlet, Act II: Scene 9, Tomorrow is St. Valentine’s day | Brenda Rae, David Butt Philip, Sarah Connolly, Aryeh Nussbaum Cohen, Christopher Lowrey, Rod Gilfry, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter | — |
| Hamlet, Act II: Scene 9, Didst thou persuade revenge | David Butt Philip, Rod Gilfry, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter | — |
| Hamlet, Act II: Scene 9, There is a willow, a willow, grows a skant the brook | Sarah Connolly, Brenda Rae, David Butt Philip, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter | — |
| Hamlet, Act II: Scene 10, In youth when I did love… | John Relyea, Allan Clayton, Jacques Imbrailo, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter | — |
| Hamlet, Act II: Scene 10, Ah—But soft a while…Here comes the King | Allan Clayton, Jacques Imbrailo, David Butt Philip, Sarah Connolly, Rod Gilfry, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter | — |
| Hamlet, Act II: Scene 11, Sweet lord | Aryeh Nussbaum Cohen, Christopher Lowrey, Allan Clayton, Jacques Imbrailo, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter | — |
| Hamlet, Act II: Scene 12, Come, Hamlet, come and take this hand from me | Rod Gilfry, Allan Clayton, David Butt Philip, Christopher Lowrey, Aryeh Nussbaum Cohen, Sarah Connolly, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter | — |
| Hamlet, Act II: Scene 12, O! Let the doors be locked. O villainy! | Allan Clayton, David Butt Philip, Rod Gilfry, Christopher Lowrey, Aryeh Nussbaum Cohen, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter | — |
| Hamlet, Act II: Scene 12, O good Horatio, if thou didst ever hold me in thy heart | Allan Clayton, Jacques Imbrailo, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter | — |
Hamlet, Act I: Scene 5, I did enact Julius Ceasar in the university
William Burden, John Relyea, Manase Latu, Chad Shelton, Justin Austin, Allan Clayton, Jacques Imbrailo, Aryeh Nussbaum Cohen, Christopher Lowrey, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
—
Hamlet, Act I: Scene 5, Aliquid in civitate Daniae corroptum est
John Relyea, Manase Latu, Chad Shelton, Justin Austin, Allan Clayton, William Burden, Jacques Imbrailo, Aryeh Nussbaum Cohen, Christopher Lowrey, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
—
Hamlet, Act I: Scene 6, Pastoral. Comical. Historical, tragical
Allan Clayton, Jacques Imbrailo, Manase Latu, Brenda Rae, Sarah Connolly, William Burden, Rod Gilfry, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
—
Hamlet, Act I: Scene 6, Worm‐wood
Allan Clayton, Brenda Rae, Christopher Lowrey, Aryeh Nussbaum Cohen, Rod Gilfry, William Burden, Sarah Connolly, Jacques Imbrailo, the Metropolitan Opera Orchestra, the Metropolitan Opera Chorus, Nicholas Carter
—
Hamlet, Act I: Scene 7, O… Heavy burden
Rod Gilfry, Allan Clayton, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
—
Hamlet, Act I: Scene 8, As you said, ’tis meet that some more audience should over hear
William Burden, Allan Clayton, Sarah Connolly, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
—
Hamlet, Act I: Scene 8, Save me, save me
Allan Clayton, Sarah Connolly, John Relyea, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
—
Hamlet, Act II: Scene 9, Laertes, Laertes shall be king
Allan Clayton, Aryeh Nussbaum Cohen, Rod Gilfry, Sarah Connolly, David Butt Philip, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
—
Hamlet, Act II: Scene 9, Never, never, never, never doubt I love…
Brenda Rae, David Butt Philip, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
—
Hamlet, Act II: Scene 9, Tomorrow is St. Valentine’s day
Brenda Rae, David Butt Philip, Sarah Connolly, Aryeh Nussbaum Cohen, Christopher Lowrey, Rod Gilfry, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
—
Hamlet, Act II: Scene 9, Didst thou persuade revenge
David Butt Philip, Rod Gilfry, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
—
Hamlet, Act II: Scene 9, There is a willow, a willow, grows a skant the brook
Sarah Connolly, Brenda Rae, David Butt Philip, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
—
Hamlet, Act II: Scene 10, In youth when I did love…
John Relyea, Allan Clayton, Jacques Imbrailo, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
—
Hamlet, Act II: Scene 10, Ah—But soft a while…Here comes the King
Allan Clayton, Jacques Imbrailo, David Butt Philip, Sarah Connolly, Rod Gilfry, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
—
Hamlet, Act II: Scene 11, Sweet lord
Aryeh Nussbaum Cohen, Christopher Lowrey, Allan Clayton, Jacques Imbrailo, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
—
Hamlet, Act II: Scene 12, Come, Hamlet, come and take this hand from me
Rod Gilfry, Allan Clayton, David Butt Philip, Christopher Lowrey, Aryeh Nussbaum Cohen, Sarah Connolly, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
—
Hamlet, Act II: Scene 12, O! Let the doors be locked. O villainy!
Allan Clayton, David Butt Philip, Rod Gilfry, Christopher Lowrey, Aryeh Nussbaum Cohen, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
—
Hamlet, Act II: Scene 12, O good Horatio, if thou didst ever hold me in thy heart
Allan Clayton, Jacques Imbrailo, the Metropolitan Opera Chorus, the Metropolitan Opera Orchestra, Nicholas Carter
—
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What is UPC 8100042028252?
8100042028252 is a Universal Product Code (UPC) assigned to Hamlet by Brett Dean, Allan Clayton, Brenda Rae, Sarah Connolly, Rod Gilfry, William Burden, John Relyea, David Butt Philip, Jacques Imbrailo, the Metropolitan Opera Orchestra, Chorus, Nicholas Carter. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 14 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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