’O sole mio

A Quiet Place: Act 1: Aria "You're Late"

Across the Skies

Aida: “Se quel guerrier io fossi” … “Celeste Aida”

Aida: Atto I, scena 1. Romanza “Se quel guerrier io fossi! ... Celeste Aida” (Radamès)

Andrea Chénier: “Colpito qui m’avete ... Un di all’azzurro spazio”

Andrea Chénier: “Come un bel di di maggio”

Cavalleria rusticana: “Mamma, quel vino è generoso”

Clarinet Concerto no. 2 in E‐flat major, op. 74, J. 118: III. Alla polacca

Concerto for 2 Harpsichords in C major, BWV 1061 (arr. for 4 Marimbas and Orchestra): I. Allegro

Concerto for 2 Harpsichords in C major, BWV 1061 (arr. for 4 Marimbas and Orchestra): II. Adagio ovvero largo

Concerto for 2 Harpsichords in C major, BWV 1061 (arr. for 4 Marimbas and Orchestra): III. Fuga. Vivace

Concerto for 2 Harpsichords in C minor, BWV 1062 (arr. for 4 Marimbas and Orchestra): I. Allegro

Concerto for 2 Harpsichords in C minor, BWV 1062 (arr. for 4 Marimbas and Orchestra): II. Andante e piano

Concerto for 2 Harpsichords in C minor, BWV 1062 (arr. for 4 Marimbas and Orchestra): III. Allegro assai

Concerto for 4 Harpsichords in A minor, BWV 1065 (arr. for 8 Marimbas and Orchestra): I. Allegro

Concerto for 4 Harpsichords in A minor, BWV 1065 (arr. for 8 Marimbas and Orchestra): II. Largo

Concerto for 4 Harpsichords in A minor, BWV 1065 (arr. for 8 Marimbas and Orchestra): III. Allegro

Concerto for Cello and Orchestra no. 1 in G minor, op. 49: I. Allegro

Concerto for Cello and Orchestra no. 1 in G minor, op. 49: II. Largo – Molto espressivo

Concerto for Cello and Orchestra no. 1 in G minor, op. 49: III. Allegro – Allegro molto

Concerto for Cello and Orchestra: Cantilena

Concerto for Cello and Orchestra: Finale

Concerto for Cello and Orchestra: Four Episodes

Concerto for Cello and Orchestra: Introduction

Concerto for Violin and Orchestra, op. 67: I. Allegro molto

Concerto for Violin and Orchestra, op. 67: II. Allegretto

Concerto for Violin and Orchestra, op. 67: III. Adagio

Concerto for Violin and Orchestra, op. 67: IV. Allegro risoluto

Concerto for Violoncello and Orchestra

Der Fliegende Holländer: Act II. "Summ und brumm, du gutes Rädchen"

Der fliegende Holländer: Steuermann laß die Wacht

Der Waffenschmied, LoWV 66, Act 3: Marsch

Earthrise (version for Orchestra)

Echoes From the Other Shore

Fantasy in F minor for Piano and Orchestra: I. Allegro molto moderato – Più mosso – Tempo 1

Fantasy in F minor for Piano and Orchestra: II. Largo

Fantasy in F minor for Piano and Orchestra: II. Vivace – Cadenza – Largamente – Allegro marciato

Fragment eines Orchesterstücke, D 71c

Fragment eines Orchesterstücke, D 74a

Fragment eines Orchesterstücke, D 94a

Harpsichord Concerto no. 1 in D minor, BWV 1052 (arr. for 2 Marimbas and Orchestra): I. Allegro

Harpsichord Concerto no. 1 in D minor, BWV 1052 (arr. for 2 Marimbas and Orchestra): II. Adagio

Harpsichord Concerto no. 1 in D minor, BWV 1052 (arr. for 2 Marimbas and Orchestra): III. Allegro

Héléna: Overture

I due Foscari: Atto I. “Dal più remoto esilio ... Odio solo, ed odio atroce"

I vespri siciliani: “E di Monforte il cenno! Giorno di pianto”

Il trovatore: “Ah, si ben mio”

Il trovatore: “Di quella pira”

L’africana: “Mi batte il cor” … “O paradiso!”

La Bohème: “Che gelida manina”

La Danza: Tarantella neapolitana

La Gioconda: “Cielo e mar”

La Gioconda: “Cielo e mar”

La Juive : « Rachel, quand du Seigneur »

La Mer. Trois esquisses symphoniques: I. De l'aube jusqu'à midi sur la mer

Le Cid : « Ah ! Tout est bien fini ! » … « Ô souverain, ô juge, ô père! »

Lighthouse

Lonely Song

Luisa Miller: “Oh! fede negar potessi ... Quando le sere al placido”

Macbeth: “O figli, o figli miei” … “Ah, la paterna mano”

Manon : « Je suis seul » … « Ah, fuyez, douce image »

Manon Lescaut: “Donna non vidi mai”

Martha: “M’appari tutt’amor”

Messiah, HWV 56: Part I. Aria: "Alle Tale macht hoch und erhaben"

Messiah, HWV 56: Part I. Aria: "Das Volk, das im Dunkeln wandelt"

Messiah, HWV 56: Part I. Aria: "Doch wer mag ertragen den Tag seiner Ankunft"

Messiah, HWV 56: Part I. Aria: "Er weidet seine Herde"

Messiah, HWV 56: Part I. Aria: "Erwach zu Liedern der Wonne"

Messiah, HWV 56: Part I. Aria: "O du, die Wonne verkündet in Zion"

Messiah, HWV 56: Part I. Chorus: "Denn die Herrlichkeit Gottes, des Herrn"

Messiah, HWV 56: Part I. Chorus: "Ehre sei Gott in der Höhe"

Messiah, HWV 56: Part I. Chorus: "O du, die Wonne verkündet in Zion"

Messiah, HWV 56: Part I. Chorus: "Sein Joch ist sanft"

Messiah, HWV 56: Part I. Chorus: "Und er wird reinigen die Kinder Levi"

Messiah, HWV 56: Part I. Chorus: "Uns ist zum Heil ein Kind geboren"

Messiah, HWV 56: Part I. Overture: Grave - Allegro moderato

Messiah, HWV 56: Part I. Pifa: Larghetto e sempre piano

Messiah, HWV 56: Part I. Recitative acc. "Tröstet Zion, spricht euer Gott"

Messiah, HWV 56: Part I. Recitative acc.: "Blick auf! Nacht bedecket..."

Messiah, HWV 56: Part I. Recitative acc.: "So spricht der Herr, Gott Zebaoth"

Messiah, HWV 56: Part I. Recitative: "Dann tut das Auge des Blinden sich auf"

Messiah, HWV 56: Part I. Recitative: "Denn sieh! Eine Jungfrau wird schwanger"

Messiah, HWV 56: Part I. Recitative: "Es waren Hirten beisammen" - "Und sieh!" - "Und der Engel sprach" - "Und alsobald war da"

Messiah, HWV 56: Part II. Aria: "Doch du ließest ihn im Grabe nicht"

Messiah, HWV 56: Part II. Aria: "Du zerschlägst sie mit dem Eisenzepter"

Messiah, HWV 56: Part II. Aria: "Er ward verschmähet"

Messiah, HWV 56: Part II. Aria: "Schau hin und sieh"

Messiah, HWV 56: Part II. Aria: "Warum entbrennen die Heiden"

Messiah, HWV 56: Part II. Aria: "Wie lieblich ist der Boten Schritt"

Messiah, HWV 56: Part II. Chorus: "Der Herr gab das Wort"

Messiah, HWV 56: Part II. Chorus: "Durch seine Wunden sind wir geheilet"

Messiah, HWV 56: Part II. Chorus: "Er trauete Gott"

Messiah, HWV 56: Part II. Chorus: "Halleluja"

Messiah, HWV 56: Part II. Chorus: "Ihr Schall ging aus in jedes Land"

Messiah, HWV 56: Part II. Chorus: "Kommt her, und seht das Lamm"

Messiah, HWV 56: Part II. Chorus: "Machet das Tor weit dem Herrn"

Messiah, HWV 56: Part II. Chorus: "Wahrlich! Er litt unsere Qual"

Messiah, HWV 56: Part II. Chorus: "Wie Schafe gehn, flohn wir zerstreut"

Messiah, HWV 56: Part II. Chorus: Brecht entzwei die Ketten alle"