ISRC ISWC IPI ISNI UPC Musicians API MCP

Search ISRC Credits Works More

Search

Credits.fm
isrc.fm
iswc.fm
ipi.fm
isni.fm
UPC Search
Musician Search
Credits Graph
Top IPIs
Top ISRCs
Top ISWCs
Top ISNIs
Top UPCs

Learn

What Are Music Credits?
What Is an ISRC?
What Is an ISWC?
What Is an IPI?
What Is an ISNI?
What Is a UPC?
ISRC vs ISWC
ISRC vs UPC
IPI vs ISNI
Glossary

Developers

REST API
Credits Graph
MCP Server
llms.txt

About

About Credits.fm
Notes.fm
Privacy Policy
Terms of Service

Home
Musicians
Danny Bond

Danny Bond is a person. Member of Musica Polyphonica, Octophoros, Orchestra of the Eighteenth Century.

Danny Bond

Person

SourcesMusicBrainz

Verified on

MusicBrainz artist record

Credits Graph

Member of

Musica Polyphonica Octophoros Orchestra of the Eighteenth Century

DB

Danny Bond

Bond, Danny

Performer

Member of Musica Polyphonica, Octophoros, Orchestra of the Eighteenth Century

345Recordings

4Releases

Are you Danny Bond? Claim this profile →

Credits

"Meeresstille und glückliche Fahrt" Op. 27

Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Adagio, KV 411

Joyce DiDonato, Eric Hoeprich, Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Andante in C for Flute and Orchestra, KV 315

Konrad Hünteler, Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Ave verum corpus, KV 618

Netherlands Chamber Choir, Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Bassoon Sonata in B major, op. 24 no. 4: I. Allegro moderato

Danny Bond, Robert Kohnen, Richte van der Meer

Bassoon Sonata in B major, op. 24 no. 4: II. Adagio

Danny Bond, Robert Kohnen, Richte van der Meer

Bassoon Sonata in B major, op. 24 no. 4: III. Tempo di minuetto

Danny Bond, Robert Kohnen, Richte van der Meer

Bassoon Sonata in C major, op. 24 no. 1: I. Allegro

Danny Bond, Robert Kohnen, Richte van der Meer

Bassoon Sonata in C major, op. 24 no. 1: II. Adagio

Danny Bond, Robert Kohnen, Richte van der Meer

Bassoon Sonata in C major, op. 24 no. 1: III. Menuet avec des variations

Danny Bond, Robert Kohnen, Richte van der Meer

Bassoon Sonata in C major, op. 24 no. 6: I. Allegro moderato

Danny Bond, Robert Kohnen, Richte van der Meer

Bassoon Sonata in C major, op. 24 no. 6: II. Adagio

Danny Bond, Richte van der Meer

Bassoon Sonata in C major, op. 24 no. 6: III. Rondeau poco moderato

Danny Bond, Robert Kohnen, Richte van der Meer

Bassoon Sonata in F major, op. 24 no. 3: I. Allegro moderato

Danny Bond, Richte van der Meer

Bassoon Sonata in F major, op. 24 no. 3: II. Largo

Danny Bond, Richte van der Meer

Bassoon Sonata in F major, op. 24 no. 3: III. Rondeau

Danny Bond, Richte van der Meer

Bassoon Sonata in G major, op. 24 no. 2: I. Allegro maestoso

Danny Bond, Richte van der Meer

Bassoon Sonata in G major, op. 24 no. 2: II. Adagio

Danny Bond, Richte van der Meer

Bassoon Sonata in G major, op. 24 no. 2: III. Rondeau moderato

Danny Bond, Richte van der Meer

Bassoon Sonata in G minor, op. 24 no. 5: I. Allegro con expressione

Danny Bond, Richte van der Meer

Bassoon Sonata in G minor, op. 24 no. 5: II. Adagio

Danny Bond, Richte van der Meer

Bassoon Sonata in G minor, op. 24 no. 5: III. Rondeau

Danny Bond, Richte van der Meer

Brandenburg Concerto no. 6 in B-flat major, BWV 1051: (no tempo indication)

Orchestra of the Eighteenth Century

via Orchestra of the Eighteenth Century

Brandenburg Concerto no. 6 in B-flat major, BWV 1051: Adagio, ma non tanto

Orchestra of the Eighteenth Century

via Orchestra of the Eighteenth Century

Brandenburg Concerto no. 6 in B-flat major, BWV 1051: Allegro

Orchestra of the Eighteenth Century

via Orchestra of the Eighteenth Century

Castor et Pollux, suite, Chaconne

Jean-Philippe Rameau

via Orchestra of the Eighteenth Century

Clarinet Concerto in A, K. 622: Adagio

Eric Hoeprich, Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Clarinet Concerto in A, K. 622: Rondo (Allegro)

Eric Hoeprich, Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Clarinet Concerto, KV 622: Adagio

Eric Hoeprich, Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Clarinet Concerto, KV 622: Adagio

Eric Hoeprich, Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Clarinet Concerto, KV 622: Allegro

Eric Hoeprich, Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Clarinet Concerto, KV 622: Allegro

Eric Hoeprich, Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Clarinet Concerto, KV 622: Rondo, Allegro

Eric Hoeprich, Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Clarinet Concerto, KV 622: Rondo, Allegro

Eric Hoeprich, Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Concerto for Bassoon in B-flat major, K. 186e/191: I. Allegro

Danny Bond, The Academy of Ancient Music, Christopher Hogwood

Concerto for Bassoon in B-flat major, K. 186e/191: II. Andante ma adagio

Danny Bond, The Academy of Ancient Music, Christopher Hogwood

Concerto for Bassoon in B-flat major, K. 186e/191: III. Rondeau. Tempo di menuetto

Danny Bond, The Academy of Ancient Music, Christopher Hogwood

Concerto for Clarinet in A major, K. 622: I. Allegro

Eric Hoeprich, Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Concerto in C for Flute, Harp and Orchestra, KV 299: I. Allegro

Konrad Hünteler, Helga Storck, Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Concerto in C for Flute, Harp and Orchestra, KV 299: II. Andantino

Konrad Hünteler, Helga Storck, Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Concerto in C for Flute, Harp and Orchestra, KV 299: III. Rondeau - Allegro

Konrad Hünteler, Helga Storck, Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Dardanus: 1er Air (Grave)

Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Dardanus: 2eme Air (Vivement)

Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Dardanus: Bruit de guerre « pour entr’acte » (vif)

Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Dardanus: Chaconne (Modéré)

Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Dardanus: Entrée « pour les Guerriers » (Majestueusement)

Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Dardanus: Les Songes « gracieusement et un peu gai »

Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Dardanus: Ouverture (Lent et majestueux)

Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Dardanus: Tambourins I-II (Vif)

Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Flute Concerto in C, KV 313: I. Allegro maestoso

Konrad Hünteler, Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Flute Concerto in C, KV 313: II. Adagio non troppo

Konrad Hünteler, Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Flute Concerto in C, KV 313: III. Rondo - Tempo di menuetto

Konrad Hünteler, Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Flute Concerto in D, KV 314: I. Allegro aperto

Konrad Hünteler, Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Flute Concerto in D, KV 314: II. Adagio ma non troppo

Konrad Hünteler, Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Flute Concerto in D, KV 314: III. Rondeau - Allegro

Konrad Hünteler, Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Haffner-Serenade D-dur KV 250: I. Allegro maestoso, Allegro molto

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Haffner-Serenade D-dur KV 250: II. Andante

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Haffner-Serenade D-dur KV 250: III. Menuetto

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Haffner-Serenade D-dur KV 250: IV. Rondo (Allegro)

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Haffner-Serenade D-dur KV 250: V. Menuetto galante

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Haffner-Serenade D-dur KV 250: VI. Andante

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Haffner-Serenade D-dur KV 250: VII. Menuetto

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Haffner-Serenade D-dur KV 250: VIII. Adagio, Allegro assai

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

I. Introduzione

Musica Polyphonica, Louis Devos

via Musica Polyphonica

La clemenza di Tito, KV 621: Aria: Non più di fiori

Joyce DiDonato, Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

La clemenza di Tito, KV 621: Aria: Parto, ma tu ben mio

Joyce DiDonato, Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

La clemenza di Tito, KV 621: Overture

Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Le nozze di Figaro, K. 492: Sinfonia

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Boréades, RCT 31, Act IV Scene 4: Entrée d’Abaris

Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Boréades: Air andante e gracieux

Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Boréades: Air gracieux

Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Boréades: Air vif (torture d’Alphise)

Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Boréades: Airs « pour les Saisons et les Zéphirs »

Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Boréades: Contredanse en rondeau

Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Boréades: Entr’acte « les Vents »

Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Boréades: Entrée « d’Abaris, Polimnie, Les Muses, Zéphirs, Saisons les Heures et les Arts »

Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Boréades: Entrée de Peuples « fièrement et marqué »

Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Boréades: Gavotte vive – Gavotte II

Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Boréades: Loure

Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Boréades: Menuets I-II

Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Boréades: Ouverture

Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Boréades: Rondeau vif

Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Indes Galantes: I. Prologue: 1. Ouverture

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Indes Galantes: I. Prologue: 2. Entrée des quatre nations

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Indes Galantes: I. Prologue: 3. Air pour les esclaves africains

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Indes Galantes: I. Prologue: 4. Air vif

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Indes Galantes: I. Prologue: 5. Musette en rondeau

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Indes Galantes: I. Prologue: 6. Air pour les amants et les amantes

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Indes Galantes: I. Prologue: 7. Air pour les deux Polonais

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Indes Galantes: I. Prologue: 8. Menuet I & II

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Indes Galantes: I. Prologue: 9. Contredanse

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Indes Galantes: II. Les Incas du Pérou: 1. Ritournelle pour les Incas de Pérou

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Indes Galantes: II. Les Incas du Pérou: 2. Air des Incas

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Indes Galantes: II. Les Incas du Pérou: 3. Air pour l'adoration du soleil

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Indes Galantes: II. Les Incas du Pérou: 4. Gavotte I & II

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Indes Galantes: II. Les Turcs: 1. Ritornell pour le Turc généreux

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Indes Galantes: II. Les Turcs: 2. Forlane des matelots

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Indes Galantes: II. Les Turcs: 3. Tambourin I & II

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Indes Galantes: III. Les Fleurs: 1. Riturnelle pour la fete persane

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Indes Galantes: III. Les Fleurs: 2. Marche

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Indes Galantes: III. Les Fleurs: 3. Air pour Zéphire

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Indes Galantes: III. Les Fleurs: 4. Air pour Borée et la rose

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Indes Galantes: IV. Les Sauvages: 1. Air pour les Sauvages

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Les Indes Galantes: IV. Les Sauvages: 2. Chaconne

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Marsch D-dur KV 249: Maestoso

Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Mass in C, K. 317 “Coronation”: 1. Kyrie

Marinella Pennicchi, Zeger Vandersteene, Netherlands Chamber Choir, Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Mass in C, K. 317 “Coronation”: 2. Gloria

Marinella Pennicchi, Catherine Patriasz, Zeger Vandersteene, Jelle Draijer, Netherlands Chamber Choir, Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Mass in C, K. 317 “Coronation”: 3. Credo

Marinella Pennicchi, Catherine Patriasz, Zeger Vandersteene, Jelle Draijer, Netherlands Chamber Choir, Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Mass in C, K. 317 “Coronation”: 4. Sanctus

Netherlands Chamber Choir, Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Mass in C, K. 317 “Coronation”: 5. Benedictus

Marinella Pennicchi, Catherine Patriasz, Zeger Vandersteene, Jelle Draijer, Netherlands Chamber Choir, Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Mass in C, K. 317 “Coronation”: 6. Agnus Dei

Marinella Pennicchi, Catherine Patriasz, Zeger Vandersteene, Jelle Draijer, Netherlands Chamber Choir, Orchestra of the 18th Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Maurerische Trauermusick, KV 477

Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Nouvelle méthode de basson, Sonata no. 1: I. Allegro moderato

Danny Bond, Richte van der Meer

Nouvelle méthode de basson, Sonata no. 1: II. Adagio

Danny Bond, Richte van der Meer

Nouvelle méthode de basson, Sonata no. 1: III. Rondeau. Allegro assai

Danny Bond, Richte van der Meer

Nouvelle méthode de basson, Sonata no. 2: I. Allegro

Danny Bond, Richte van der Meer

Nouvelle méthode de basson, Sonata no. 2: II. Adagio

Danny Bond, Richte van der Meer

Nouvelle méthode de basson, Sonata no. 2: III. Rondeau. Allegretto non troppo

Danny Bond, Richte van der Meer

Nouvelle méthode de basson, Sonata no. 3: I. Allegro

Danny Bond, Richte van der Meer

Nouvelle méthode de basson, Sonata no. 3: II. Siciliano

Danny Bond, Richte van der Meer

Nouvelle méthode de basson, Sonata no. 3: III. Polonaise. Allegretto

Danny Bond, Richte van der Meer

Nouvelle méthode de basson, Sonata no. 4: I. Allegro molto

Danny Bond, Richte van der Meer

Nouvelle méthode de basson, Sonata no. 4: II. Adagio non troppo

Danny Bond, Richte van der Meer

Nouvelle méthode de basson, Sonata no. 4: III. Rondeau. Allegretto moderato

Danny Bond, Richte van der Meer

Nouvelle méthode de basson, Sonata no. 5: I. Allegro maestoso

Danny Bond, Richte van der Meer

Nouvelle méthode de basson, Sonata no. 5: II. Adagio

Danny Bond, Richte van der Meer

Nouvelle méthode de basson, Sonata no. 5: III. Rondeau. Allegretto

Danny Bond, Richte van der Meer

Nouvelle méthode de basson, Sonata no. 6: I. Allegro moderato

Danny Bond, Richte van der Meer

Nouvelle méthode de basson, Sonata no. 6: II. Adagio

Danny Bond, Richte van der Meer

Nouvelle méthode de basson, Sonata no. 6: III. Presto moderato

Danny Bond, Richte van der Meer

Orchestral Suite no. 2 in B minor, BWV 1067: Badinerie

Michael Schmidt-Casdorff, Orchestra of the Eighteenth Century

via Orchestra of the Eighteenth Century

Orchestral Suite no. 2 in B minor, BWV 1067: Bourrées 1 & 2

Michael Schmidt-Casdorff, Orchestra of the Eighteenth Century

via Orchestra of the Eighteenth Century

Orchestral Suite no. 2 in B minor, BWV 1067: Menuet

Michael Schmidt-Casdorff, Orchestra of the Eighteenth Century

via Orchestra of the Eighteenth Century

Orchestral Suite no. 2 in B minor, BWV 1067: Ouverture

Michael Schmidt-Casdorff, Orchestra of the Eighteenth Century

via Orchestra of the Eighteenth Century

Orchestral Suite no. 2 in B minor, BWV 1067: Polonoise & Double

Michael Schmidt-Casdorff, Orchestra of the Eighteenth Century

via Orchestra of the Eighteenth Century

Orchestral Suite no. 2 in B minor, BWV 1067: Rondeau

Michael Schmidt-Casdorff, Orchestra of the Eighteenth Century

via Orchestra of the Eighteenth Century

Orchestral Suite no. 2 in B minor, BWV 1067: Sarabande

Michael Schmidt-Casdorff, Orchestra of the Eighteenth Century

via Orchestra of the Eighteenth Century

Overture "The Hebrides" (Fingal's Cave) Op. 26

Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Piano Concerto no. 20 in D minor, K. 466: I. Allegro

John Gibbons, Orchestra of the Eighteenth Century, Frans Brüggen

via Orchestra of the Eighteenth Century

Sonata in A minor, op. 26 no. 2, PB 373: I. Vivace

Danny Bond, Robert Kohnen, Richte van der Meer

Sonata in A minor, op. 26 no. 2, PB 373: II. Allemande. Allegro ma non troppo

Danny Bond, Robert Kohnen, Richte van der Meer

Sonata in A minor, op. 26 no. 2, PB 373: III. Adagio

Danny Bond, Robert Kohnen, Richte van der Meer

Sonata in A minor, op. 26 no. 2, PB 373: IV. Giga

Danny Bond, Robert Kohnen, Richte van der Meer

Sonata in C major, op. 20 no. 3: I. Allemande. Allegro

Danny Bond, Robert Kohnen, Richte van der Meer

Sonata in C major, op. 20 no. 3: II. Sarabanda

Danny Bond, Robert Kohnen, Richte van der Meer

Sonata in C major, op. 20 no. 3: III. Fuga da capella. Allegro

Danny Bond, Robert Kohnen, Richte van der Meer

Sonata in D major, op. 26 no. 1, PB 372: I. Moderato

Danny Bond, Robert Kohnen, Richte van der Meer

Sonata in D major, op. 26 no. 1, PB 372: II. Gavotte

Danny Bond, Robert Kohnen, Richte van der Meer

Sonata in D major, op. 26 no. 1, PB 372: III. Adagio

Danny Bond, Robert Kohnen, Richte van der Meer

Sonata in D major, op. 26 no. 1, PB 372: IV. Allegro

Danny Bond, Robert Kohnen, Richte van der Meer

Sonata in D minor, op. 40 no. 1, PB 450: I. Allegro ma non troppo

Danny Bond, Robert Kohnen, Richte van der Meer

Sonata in D minor, op. 40 no. 1, PB 450: II. Vivace

Danny Bond, Robert Kohnen, Richte van der Meer

Sonata in D minor, op. 40 no. 1, PB 450: III. Adagio

Danny Bond, Robert Kohnen, Richte van der Meer

Sonata in D minor, op. 40 no. 1, PB 450: IV. Allegro

Danny Bond, Robert Kohnen, Richte van der Meer

Sonata in F major, op. 20 no. 1: I. Fuga. Allegro

Danny Bond, Robert Kohnen, Richte van der Meer

Sonata in F major, op. 20 no. 1: II. Aria. Affetuoso

Danny Bond, Robert Kohnen, Richte van der Meer

Sonata in F major, op. 20 no. 1: III. Allegro

Danny Bond, Robert Kohnen, Richte van der Meer

Sonata in G major, op. 20 no. 5: I. Preludio. Presto

Danny Bond, Robert Kohnen, Richte van der Meer

Sonata in G major, op. 20 no. 5: II. Sarabande

Danny Bond, Robert Kohnen, Richte van der Meer

Sonata in G major, op. 20 no. 5: III. Presto

Danny Bond, Robert Kohnen, Richte van der Meer

Sonata in G major, op. 26 no. 3, PB 374: I. Allegro ma non troppo

Danny Bond, Robert Kohnen, Richte van der Meer

Sonata in G major, op. 26 no. 3, PB 374: II. Corrente

Danny Bond, Robert Kohnen, Richte van der Meer

Sonata in G major, op. 26 no. 3, PB 374: III. Adagio

Danny Bond, Robert Kohnen, Richte van der Meer

Sonata in G major, op. 26 no. 3, PB 374: IV. Minuets I & II

Danny Bond, Robert Kohnen, Richte van der Meer

Groups (3)

Musica Polyphonica

Group

Octophoros

Group

Orchestra of the Eighteenth Century

Orchestra

Discography (4)

Bassoon Concertos = Concertos Pour Basson = Fagottkonzerte (Concertos For Wind And Strings)

Bassoon Concertos = Concertos Pour Basson = Fagottkonzerte (Concertos For Wind And Strings)

1995 · L'Oiseau-Lyre

Flute and Harp Concerto / Flute Concerto no. 1 / Andante in C / Bassoon Concerto

Flute and Harp Concerto / Flute Concerto no. 1 / Andante in C / Bassoon Concerto

1988 · L'Oiseau-Lyre

French Music for Bassoon

French Music for Bassoon

2021 · Accent

Sonatas for bassoon and continuo

Sonatas for bassoon and continuo

2009 · Accent Plus

Related Musicians

Other members of Musica Polyphonica, Octophoros, Orchestra of the Eighteenth Century

Anner Bylsma

Bartolomeo Dandolo Marchesi

Bob van Asperen

Bruce Haynes

Danielle Etienne

Dirk Lippens

Dirk Verelst

Elmar Schmid

Eric Hoeprich

Eva Zylka

François Fernandez

Frank Theuns

Frans Brüggen

Frans Vos

Gilberte Van den Plas

Gunter Van Rompaey

Jean Ferrard

Kaori Uemura

Klaas-Jan de Groot

Lucy van Dael

Myriam Gevers

Nicholas Pap

Paul Dombrecht

Paul Plunkett

Piet Dombrecht

René Van Laken

Roel Dieltiens

Roeland Verelst

Staas Swierstra

Steve Saunders

Victor Apostle

Wim Brabants

Who is Danny Bond?

Danny Bond is a performer. Danny Bond is a member of Musica Polyphonica, Octophoros and Orchestra of the Eighteenth Century, and credits from those groups are included in this catalog.

Our database contains 345 recordings and 4 releases credited to Danny Bond. Credits data is sourced from the Mechanical Licensing Collective (MLC), MusicBrainz (CC0), and Spotify.

Search more musicians · Learn about music credits · Powered by Notes.fm