UPC · Release
Messiah
George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields
00028944482423
21 tracksReleased 2024-03-22
Last verified:
00028944482423 is the Universal Product Code (UPC barcode) for the release “Messiah” by George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields, released 2024-03-22. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 21 tracks, each with its own ISRC. Tracks include GBF077641517, GBF077641518, GBF077641519.
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0Indicator
002GS1 prefix
8944Company prefix
48242Product
3Check digit
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- Packaging-level digit (0 = base item, 1-8 = larger packs).
- GS1 prefix:
- Country/region prefix assigned by GS1.
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Credit Chain
UPCMessiah
ISRC21 recordings
ISWC6 works
Track List (21)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | Messiah, Part 2: No. 24. Chorus. "Surely he hath borne our griefs" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-2 | Messiah, Part 2: No. 25. Chorus. "And with his stripes" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-3 | Messiah, Part 2: No. 26. Chorus. "All we like sheep" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-4 | Messiah, Part 2: Nos. 27-28. Recitative tenor & Chorus. "All they that see him... He trusted in God" | Academy of St. Martin in the Fields Chorus, Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-5 | Messiah, Part 2: Nos. 29-30. Recitative & Arioso soprano. "Thy rebuke hath broken his heart... Behold and see" | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-6 | Messiah, Part 2: Nos. 31-32. Recitative & Air tenor. "He was cut off out of the land of the living..." | Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-7 | Messiah, Part 2: No. 33. Chorus. "Lift up you heads" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T9001543573 | |
| 2-8 | Messiah, Part 2: Nos. 34-35. Recitative Tenor & Chorus. "Unto Which of the Angels..." | Academy of St. Martin in the Fields Chorus, Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-9 | Messiah, Part 2: No. 36. Air bass. "Thou art gone up on high" | Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-10 | Messiah: Part 2, no. 37. Chorus “The Lord gave the Word” | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T7000779728 | |
| 2-11 | Messiah, Part 2: No. 38. Duet Soprano & Alto, Chorus. "How Beautiful Are the Feet..." | Academy of St. Martin in the Fields Chorus, Elly Ameling, Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-12 | Messiah, Part 2: No. 39. Arioso tenor. "Their sound is gone out" | Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-13 | Messiah, Part 2: Nos. 40-41. Air bass & Chorus. "Why do the nations so furiously rage together..." | Academy of St. Martin in the Fields Chorus, Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-14 | Messiah, Part 2: Nos. 42-43. Recitative & Air tenor. "He that dwelleth in heaven..." | Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-15 | Hallelujah Chorus (Messiah) | Academy of St Martin in the Fields Chorus, László Heltay, Academy of St Martin in the Fields, Sir Neville Marriner | T-060898099-9 | |
| 2-16 | Messiah, Part 3: No. 45. Air soprano: "I Know that my Redeemer liveth" | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-17 | Messiah, Part 3: No. 46. Chorus. "Since by man came death" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-18 | Messiah, Part 3: Nos. 47-48. Recitative & Air bass. "Behold, I tell you a mystery..." | Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-19 | Messiah, Part 3: Nos. 49-51. Recitative alto, Duet alto & tenor, Chorus. "Then shall be brougt to pass..." | Academy of St. Martin in the Fields Chorus, Philip Langridge, Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-20 | Messiah, Part 3: No. 52. Air alto. "If God be for us" | Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner | T3091719374 | |
| 2-21 | Messiah, Part 3: No. 53. Chorus. "Worthy is the Lamb... Amen" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — |
Messiah, Part 2: No. 24. Chorus. "Surely he hath borne our griefs"
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
—
Messiah, Part 2: No. 25. Chorus. "And with his stripes"
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
—
Messiah, Part 2: No. 26. Chorus. "All we like sheep"
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
—
Messiah, Part 2: Nos. 27-28. Recitative tenor & Chorus. "All they that see him... He trusted in God"
Academy of St. Martin in the Fields Chorus, Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner
—
Messiah, Part 2: Nos. 29-30. Recitative & Arioso soprano. "Thy rebuke hath broken his heart... Behold and see"
Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner
—
Messiah, Part 2: Nos. 31-32. Recitative & Air tenor. "He was cut off out of the land of the living..."
Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner
—
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
Messiah, Part 2: Nos. 34-35. Recitative Tenor & Chorus. "Unto Which of the Angels..."
Academy of St. Martin in the Fields Chorus, Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner
—
Messiah, Part 2: No. 36. Air bass. "Thou art gone up on high"
Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner
—
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
Messiah, Part 2: No. 38. Duet Soprano & Alto, Chorus. "How Beautiful Are the Feet..."
Academy of St. Martin in the Fields Chorus, Elly Ameling, Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner
—
Messiah, Part 2: No. 39. Arioso tenor. "Their sound is gone out"
Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner
—
Messiah, Part 2: Nos. 40-41. Air bass & Chorus. "Why do the nations so furiously rage together..."
Academy of St. Martin in the Fields Chorus, Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner
—
Messiah, Part 2: Nos. 42-43. Recitative & Air tenor. "He that dwelleth in heaven..."
Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner
—
Academy of St Martin in the Fields Chorus, László Heltay, Academy of St Martin in the Fields, Sir Neville Marriner
Messiah, Part 3: No. 45. Air soprano: "I Know that my Redeemer liveth"
Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner
—
Messiah, Part 3: No. 46. Chorus. "Since by man came death"
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
—
Messiah, Part 3: Nos. 47-48. Recitative & Air bass. "Behold, I tell you a mystery..."
Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner
—
Messiah, Part 3: Nos. 49-51. Recitative alto, Duet alto & tenor, Chorus. "Then shall be brougt to pass..."
Academy of St. Martin in the Fields Chorus, Philip Langridge, Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner
—
Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner
Messiah, Part 3: No. 53. Chorus. "Worthy is the Lamb... Amen"
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
—
Additional database matches (16)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Messiah, Part 1: No. 1. Symphony | Academy of St Martin in the Fields, Sir Neville Marriner | T8001321252 |
| Messiah, Part 1: Nos. 2-3. Recitative & Air Tenor. "Comfort ye my people... Every valley shall be exalted" | Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Messiah, Part 1: No. 4. Chorus. "And the glory of the Lord" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Messiah, Part 1: Nos. 5-6. Recitative & Air bass. "Thus saith the Lord... But who may abide" | Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Messiah, Part 1: No. 7. Chorus. "And he shall purify" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Messiah, Part 1: Nos. 8-9. Recitative & Air alto & Chorus. "Behold, a virgin shall conceive... O thou That tellest good tidings to Zion" | Academy of St. Martin in the Fields Chorus, Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Messiah, Part 1: Nos. 10-11. Recitative & Air bass. "For behold, darkness shall cover the earth... The people that walked in darkness" | Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Messiah: Part 1: No. 12. Chorus. "For unto us a child is born" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Messiah, Part 1: No. 13. Pifa | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Messiah, Part 1: Nos. 14-16. Recitative soprano. "There were shepherds, abiding in the field... And lo! the angel of the Lord come upon them... And the angel said unto them... And suddenly there was with the angel" | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Messiah, Part 1: No. 17. Chorus. "Glory to God in the highest" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Messiah, Part 1: No. 18. Air soprano. "Rejoice greatly, O daughter of Zion" | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Messiah, Part 1: Nos. 19-20. Recitative and Aria alto. "Then shall the eyes... He shall feed is flock" | Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Messiah, Part 1: No. 21. Chorus. "His yoke is easy" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Messiah, Part 2: No. 22. Chorus ."Behold the Lamb of God" | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T9012343974 |
| Messiah, Part 2: No. 23. Air alto: He was despised" | Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner | — |
Academy of St Martin in the Fields, Sir Neville Marriner
Messiah, Part 1: Nos. 2-3. Recitative & Air Tenor. "Comfort ye my people... Every valley shall be exalted"
Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner
—
Messiah, Part 1: No. 4. Chorus. "And the glory of the Lord"
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
—
Messiah, Part 1: Nos. 5-6. Recitative & Air bass. "Thus saith the Lord... But who may abide"
Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner
—
Messiah, Part 1: No. 7. Chorus. "And he shall purify"
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
—
Messiah, Part 1: Nos. 8-9. Recitative & Air alto & Chorus. "Behold, a virgin shall conceive... O thou That tellest good tidings to Zion"
Academy of St. Martin in the Fields Chorus, Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner
—
Messiah, Part 1: Nos. 10-11. Recitative & Air bass. "For behold, darkness shall cover the earth... The people that walked in darkness"
Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner
—
Messiah: Part 1: No. 12. Chorus. "For unto us a child is born"
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
—
Messiah, Part 1: No. 13. Pifa
Academy of St Martin in the Fields, Sir Neville Marriner
—
Messiah, Part 1: Nos. 14-16. Recitative soprano. "There were shepherds, abiding in the field... And lo! the angel of the Lord come upon them... And the angel said unto them... And suddenly there was with the angel"
Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner
—
Messiah, Part 1: No. 17. Chorus. "Glory to God in the highest"
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
—
Messiah, Part 1: No. 18. Air soprano. "Rejoice greatly, O daughter of Zion"
Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner
—
Messiah, Part 1: Nos. 19-20. Recitative and Aria alto. "Then shall the eyes... He shall feed is flock"
Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner
—
Messiah, Part 1: No. 21. Chorus. "His yoke is easy"
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
—
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
Messiah, Part 2: No. 23. Air alto: He was despised"
Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner
—
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What is UPC 00028944482423?
00028944482423 is a Universal Product Code (UPC) assigned to Messiah by George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 21 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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