UPC · Release
Philips And Decca Recordings 1961-1979
Dame Janet Baker
00028947516125
82 tracksReleased 2003-01-01
Last verified:
00028947516125 is the Universal Product Code (UPC barcode) for the release “Philips And Decca Recordings 1961-1979” by Dame Janet Baker, released 2003-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 82 tracks, each with its own ISRC. Tracks include NLA507711901, NLA507711902, NLA507711903.
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Credit Chain
UPCPhilips And Decca Recordings 1961-1979
ISRC82 recordings
ISWC8 works
IPI1 songwriter
Track List (82)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Caro mio ben | Dame Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2 | Amarilli mia bella | Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3 | Ragion sempre addita | Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4 | Sen corre l'agnelletta | Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5 | Intorno all'idol mio | Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6 | Pur dicesti, o bocca bella | Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7 | Spesso vibra per suo gioco | Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8 | Come raggio di sol | Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9 | L'honestà negli amori: Già il sole dal Gange | Dmitri Hvorostovsky, John Constable, Elizabeth Kenny, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 10 | Deh piu a me non v'ascondete | Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 11 | Danza fanciulla gentile | Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12 | Sento nel core | Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13 | Sebben crudele me fai languir' | Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14 | Selve amiche | Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 15 | Ogni pene piu spietata | Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16 | Plaisir d'amour | Dame Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner | T-101.112.665-9 | |
| 17 | O notte o dea del mistero | Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18 | Ne cor piu non mi sento | Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19 | La Calisto: "Ardo, sospiro e piango" | Dame Janet Baker, London Philharmonic Orchestra, Raymond Leppard | — | |
| 20 | La Calisto, Act 2: Ascender qui ved'io | Francesco Cavalli | — | |
| 2-1 | Lucrezia: O Numi eterni! | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 2-2 | Lucrezia: Gia superbo del mio affanno | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 2-3 | Lucrezia: Ma voi forse nel cielo | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 2-4 | Lucrezia: Il suol che preme | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 2-5 | Lucrezia: Ah! che ancor nell'abisso | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 2-6 | Lucrezia: Questi la disperata anima | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 2-7 | Lucrezia: A voi, a voi, padre, consorte | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 2-8 | Lucrezia: Gia nel seno comincia compir | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 2-9 | Lucrezia: Sento ch'il cor | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 2-10 | Rodelinda: Atto I. ""Pompe vane di morte!" / "Dove sei, amato bene?" | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 2-11 | Serse: Atto I. "Frondi tenere e belle" / "Ombra mai fù" | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 2-12 | Hercules: "Where shall I fly?" | Janet Baker, Raymond Leppard, English Chamber Orchestra | T-911.061.076-9 | |
| 2-13 | Atalanta: Atto I. "Care selve" | Janet Baker, Raymond Leppard, English Chamber Orchestra | T-900.231.958-6 | |
| 2-14 | Joshua: Act III. "O Had I Jubal's Lyre" | Janet Baker, Raymond Leppard, English Chamber Orchestra | T-900.230.391-5 | |
| 2-15 | Ariodante: Oh! felice mio core! – Con l'ali di costanza | Janet Baker, Leslie Pearson, English Chamber Orchestra, Raymond Leppard | — | |
| 2-16 | Ariodante: E vivo ancora? – Scherza infida in grembo al drudo | Janet Baker, Leslie Pearson, English Chamber Orchestra, Raymond Leppard | — | |
| 2-17 | Ariodante: Atto III. "Dopo notte" | Janet Baker, Raymond Leppard, English Chamber Orchestra | — | |
| 2-18 | "Vergnügte Ruh, beliebte Seelenlust", BWV 170: 1. Aria "Vergnügte Ruh, beliebte Seelenlust" | Dame Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-19 | Dido and Aeneas: But Death, alas! | Dame Janet Baker, St. Anthony Singers, English Chamber Orchestra, Sir Anthony Lewis | — | |
| 3-1 | Arianna a Naxos - Cantata, Hob.XXVIb/2 | Janet Baker, Raymond Leppard | T-902.863.695-5 | |
| 3-2 | Scena di Berenice 'Berenice, che fai?' (Hob XXIVa:10) | Janet Baker, English Chamber Orchestra, Raymond Leppard | — | |
| 3-3 | La clemenza di Tito: Atto I. No. 2 Aria “Deh se piacer mi vuoi” | Dame Janet Baker, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | — | |
| 3-4 | La clemenza di Tito: Atto II. No. 23 Rondo “Non più di fiori” | Dame Janet Baker, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | — | |
| 3-5 | Così fan tutte: Atto I. "Ah, scostati!" / "Smanie implacabili" | Janet Baker, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | — | |
| 3-6 | Ständchen, D. 920 | Janet Baker, Raymond Leppard | — | |
| 3-7 | Lazarus, Der Feier der Auferstehung, D689: So schlummert auf Rosen | Janet Baker, English Chamber Orchestra, Raymond Leppard | — | |
| 3-8 | Ah perfido!, op. 65 | Janet Baker, English Chamber Orchestra, Raymond Leppard | — | |
| 4-1 | Hippolyte et Aricie: Act 3: Prélude.."Cruelle mère des amours" | English Chamber Orchestra, Anthony Lewis | — | |
| 4-2 | Hippolyte et Aricie : « Quelle plainte en ces lieux m'appelle » | John McCarthy, Dame Janet Baker, St. Anthony Singers, English Chamber Orchestra, Sir Anthony Lewis | — | |
| 4-3 | Orfeo ed Euridice: Atto II. "Che faro senza Euridice" | Janet Baker, English Chamber Orchestra, Raymond Leppard | — | |
| 4-5 | Alceste: Divinités du Styx | Janet Baker, English Chamber Orchestra, Raymond Leppard | — | |
| 4-6 | La Mort de Cléopâtre - Scène lyrique, H. 36: 1. "C'en est donc fait" | Janet Baker, London Symphony Orchestra, Sir Colin Davis | — | |
| 4-7 | La Mort de Cléopâtre - Scène lyrique, H. 36: 2. "Ah! qu'ils sont loin" | Janet Baker, London Symphony Orchestra, Sir Colin Davis | — | |
| 4-8 | La Mort de Cléopâtre - Scène lyrique, H. 36: 3. Méditation: "Grands Pharaons" | Janet Baker, London Symphony Orchestra, Sir Colin Davis | — | |
| 4-9 | Herminie, H. 29: “Venez, venez, terribles armes !” | Dame Janet Baker, London Symphony Orchestra, Sir Colin Davis | — | |
| 4-10 | La Mort de Cléopâtre - Scène lyrique, H. 36: 5. "Dieux du Nil" | Janet Baker, London Symphony Orchestra, Sir Colin Davis | — | |
| 4-11 | Herminie, H. 29: I. Quel trouble te poursuit | Dame Janet Baker, London Symphony Orchestra, Sir Colin Davis | — | |
| 4-12 | Herminie, H. 29: II. “Ah ! Si de la tendresse” | Dame Janet Baker, London Symphony Orchestra, Sir Colin Davis | — | |
| 4-13 | Herminie, H. 29: III. “Que dis‐je ?” | Dame Janet Baker, London Symphony Orchestra, Sir Colin Davis | — | |
| 4-14 | Herminie, H. 29: IV. “Arrête ! Arrête ! Cher Tancrède” | Dame Janet Baker, London Symphony Orchestra, Sir Colin Davis | — | |
| 4-15 | Herminie, H. 29: “Que Clorinde est heureuse ! ” | Dame Janet Baker, London Symphony Orchestra, Sir Colin Davis | — | |
| 4-16 | Herminie, H. 29: V. “Venez, venez, terribles armes !” | Dame Janet Baker, London Symphony Orchestra, Sir Colin Davis | — | |
| 4-17 | Herminie, H. 29: VI. “Dieu des chrétiens !” | Dame Janet Baker, London Symphony Orchestra, Sir Colin Davis | — | |
| 4-18 | Herminie, H. 29: “Venez, venez, terribles armes !” | Dame Janet Baker, London Symphony Orchestra, Sir Colin Davis | — | |
| 4-19 | Béatrice et Bénédict : Acte II. Non ! Que viens-je d'entendre | London Symphony Orchestra, Sir Colin Davis | — | |
| 5-1 | Trois Poèmes de Stéphane Mallarmé : I. Soupir | Dame Janet Baker, Melos Ensemble, Bernard Keeffe | — | |
| 5-2 | Trois Poèmes de Stéphane Mallarmé : II. Placet futile | Dame Janet Baker, Melos Ensemble, Bernard Keeffe | T-004.021.909-7 | |
| 5-3 | Trois Poèmes de Stéphane Mallarmé : III. Surgi de la croupe et du bond | Dame Janet Baker, Melos Ensemble, Bernard Keeffe | T-004.024.669-2 | |
| 5-4 | Chansons madécasses : « Nahandove » | Dame Janet Baker, Melos Ensemble, Bernard Keeffe | — | |
| 5-5 | Chansons madécasses : « Aoua ! Aoua ! Méfiez-vous des blancs » | Dame Janet Baker, Melos Ensemble, Bernard Keeffe | — | |
| 5-6 | Chansons madécasses: « Il est doux de se coucher durant la chaleur » | Dame Janet Baker, Melos Ensemble, Bernard Keeffe | — | |
| 5-7 | Chanson perpétuelle, op. 37 | Dame Janet Baker, Melos Ensemble, Bernard Keeffe | — | |
| 5-8 | Quatre Poèmes hindous : Une belle (Madras) | Dame Janet Baker, Melos Ensemble, Bernard Keeffe | T-004.022.759-5 | |
| 5-9 | Quatre Poèmes hindous : Un sapin isolé (Lahore) | Dame Janet Baker, Melos Ensemble, Bernard Keeffe | T-004.022.759-5 | |
| 5-10 | Quatre Poèmes hindous : Naissance de Bouddha (Bénarès) | Dame Janet Baker, Melos Ensemble, Bernard Keeffe | T-004.022.759-5 | |
| 5-11 | Quatre Poèmes Hindous: 4. Si vous pensez (Jaipur) | Janet Baker, Melos Ensemble, Bernard Keeffe | — | |
| 5-12 | The Rape of Lucretia: Act II, Scene 2. "Lucretia! Lucretia!" | John Shirley-Quirk, Janet Baker, English Chamber Orchestra, Benjamin Britten | — | |
| 5-13 | The Rape of Lucretia: Act II, Scene 2. "Last night Tarquinius ravished me" | Janet Baker, John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | — | |
| 5-14 | Owen Wingrave, op. 85: Act 2. Ah, Owen, what shall I do? | Janet Baker, Benjamin Luxon, Nigel Douglas, English Chamber Orchestra, Benjamin Britten | — | |
| 5-15 | Phaedra, Op. 93: In May, in brilliant Athens | Janet Baker, English Chamber Orchestra, Steuart Bedford | — | |
| 5-16 | Phaedra, Op. 93: Oh Gods of wrath | Janet Baker, English Chamber Orchestra, Steuart Bedford | — | |
| 5-17 | Phaedra, Op. 93: My time's too short, your highness | Janet Baker, English Chamber Orchestra, Steuart Bedford | — |
Caro mio ben
Dame Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner
—
Amarilli mia bella
Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner
—
Ragion sempre addita
Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner
—
Sen corre l'agnelletta
Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner
—
Intorno all'idol mio
Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner
—
Pur dicesti, o bocca bella
Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner
—
Spesso vibra per suo gioco
Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner
—
Come raggio di sol
Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner
—
L'honestà negli amori: Già il sole dal Gange
Dmitri Hvorostovsky, John Constable, Elizabeth Kenny, Academy of St Martin in the Fields, Sir Neville Marriner
—
Deh piu a me non v'ascondete
Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner
—
Danza fanciulla gentile
Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner
—
Sento nel core
Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner
—
Sebben crudele me fai languir'
Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner
—
Selve amiche
Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner
—
Ogni pene piu spietata
Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner
—
Dame Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner
O notte o dea del mistero
Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner
—
Ne cor piu non mi sento
Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner
—
La Calisto: "Ardo, sospiro e piango"
Dame Janet Baker, London Philharmonic Orchestra, Raymond Leppard
—
La Calisto, Act 2: Ascender qui ved'io
Francesco Cavalli
—
Lucrezia: O Numi eterni!
Janet Baker, Raymond Leppard, English Chamber Orchestra
—
Lucrezia: Gia superbo del mio affanno
Janet Baker, Raymond Leppard, English Chamber Orchestra
—
Lucrezia: Ma voi forse nel cielo
Janet Baker, Raymond Leppard, English Chamber Orchestra
—
Lucrezia: Il suol che preme
Janet Baker, Raymond Leppard, English Chamber Orchestra
—
Lucrezia: Ah! che ancor nell'abisso
Janet Baker, Raymond Leppard, English Chamber Orchestra
—
Lucrezia: Questi la disperata anima
Janet Baker, Raymond Leppard, English Chamber Orchestra
—
Lucrezia: A voi, a voi, padre, consorte
Janet Baker, Raymond Leppard, English Chamber Orchestra
—
Lucrezia: Gia nel seno comincia compir
Janet Baker, Raymond Leppard, English Chamber Orchestra
—
Lucrezia: Sento ch'il cor
Janet Baker, Raymond Leppard, English Chamber Orchestra
—
Rodelinda: Atto I. ""Pompe vane di morte!" / "Dove sei, amato bene?"
Janet Baker, Raymond Leppard, English Chamber Orchestra
—
Serse: Atto I. "Frondi tenere e belle" / "Ombra mai fù"
Janet Baker, Raymond Leppard, English Chamber Orchestra
—
Janet Baker, Raymond Leppard, English Chamber Orchestra
Janet Baker, Raymond Leppard, English Chamber Orchestra
Janet Baker, Raymond Leppard, English Chamber Orchestra
Ariodante: Oh! felice mio core! – Con l'ali di costanza
Janet Baker, Leslie Pearson, English Chamber Orchestra, Raymond Leppard
—
Ariodante: E vivo ancora? – Scherza infida in grembo al drudo
Janet Baker, Leslie Pearson, English Chamber Orchestra, Raymond Leppard
—
Ariodante: Atto III. "Dopo notte"
Janet Baker, Raymond Leppard, English Chamber Orchestra
—
"Vergnügte Ruh, beliebte Seelenlust", BWV 170: 1. Aria "Vergnügte Ruh, beliebte Seelenlust"
Dame Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner
—
Dido and Aeneas: But Death, alas!
Dame Janet Baker, St. Anthony Singers, English Chamber Orchestra, Sir Anthony Lewis
—
Scena di Berenice 'Berenice, che fai?' (Hob XXIVa:10)
Janet Baker, English Chamber Orchestra, Raymond Leppard
—
La clemenza di Tito: Atto I. No. 2 Aria “Deh se piacer mi vuoi”
Dame Janet Baker, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
—
La clemenza di Tito: Atto II. No. 23 Rondo “Non più di fiori”
Dame Janet Baker, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
—
Così fan tutte: Atto I. "Ah, scostati!" / "Smanie implacabili"
Janet Baker, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
—
Ständchen, D. 920
Janet Baker, Raymond Leppard
—
Lazarus, Der Feier der Auferstehung, D689: So schlummert auf Rosen
Janet Baker, English Chamber Orchestra, Raymond Leppard
—
Ah perfido!, op. 65
Janet Baker, English Chamber Orchestra, Raymond Leppard
—
Hippolyte et Aricie: Act 3: Prélude.."Cruelle mère des amours"
English Chamber Orchestra, Anthony Lewis
—
Hippolyte et Aricie : « Quelle plainte en ces lieux m'appelle »
John McCarthy, Dame Janet Baker, St. Anthony Singers, English Chamber Orchestra, Sir Anthony Lewis
—
Orfeo ed Euridice: Atto II. "Che faro senza Euridice"
Janet Baker, English Chamber Orchestra, Raymond Leppard
—
Alceste: Divinités du Styx
Janet Baker, English Chamber Orchestra, Raymond Leppard
—
La Mort de Cléopâtre - Scène lyrique, H. 36: 1. "C'en est donc fait"
Janet Baker, London Symphony Orchestra, Sir Colin Davis
—
La Mort de Cléopâtre - Scène lyrique, H. 36: 2. "Ah! qu'ils sont loin"
Janet Baker, London Symphony Orchestra, Sir Colin Davis
—
La Mort de Cléopâtre - Scène lyrique, H. 36: 3. Méditation: "Grands Pharaons"
Janet Baker, London Symphony Orchestra, Sir Colin Davis
—
Herminie, H. 29: “Venez, venez, terribles armes !”
Dame Janet Baker, London Symphony Orchestra, Sir Colin Davis
—
La Mort de Cléopâtre - Scène lyrique, H. 36: 5. "Dieux du Nil"
Janet Baker, London Symphony Orchestra, Sir Colin Davis
—
Herminie, H. 29: I. Quel trouble te poursuit
Dame Janet Baker, London Symphony Orchestra, Sir Colin Davis
—
Herminie, H. 29: II. “Ah ! Si de la tendresse”
Dame Janet Baker, London Symphony Orchestra, Sir Colin Davis
—
Herminie, H. 29: III. “Que dis‐je ?”
Dame Janet Baker, London Symphony Orchestra, Sir Colin Davis
—
Herminie, H. 29: IV. “Arrête ! Arrête ! Cher Tancrède”
Dame Janet Baker, London Symphony Orchestra, Sir Colin Davis
—
Herminie, H. 29: “Que Clorinde est heureuse ! ”
Dame Janet Baker, London Symphony Orchestra, Sir Colin Davis
—
Herminie, H. 29: V. “Venez, venez, terribles armes !”
Dame Janet Baker, London Symphony Orchestra, Sir Colin Davis
—
Herminie, H. 29: VI. “Dieu des chrétiens !”
Dame Janet Baker, London Symphony Orchestra, Sir Colin Davis
—
Herminie, H. 29: “Venez, venez, terribles armes !”
Dame Janet Baker, London Symphony Orchestra, Sir Colin Davis
—
Béatrice et Bénédict : Acte II. Non ! Que viens-je d'entendre
London Symphony Orchestra, Sir Colin Davis
—
Trois Poèmes de Stéphane Mallarmé : I. Soupir
Dame Janet Baker, Melos Ensemble, Bernard Keeffe
—
Dame Janet Baker, Melos Ensemble, Bernard Keeffe
Dame Janet Baker, Melos Ensemble, Bernard Keeffe
Chansons madécasses : « Nahandove »
Dame Janet Baker, Melos Ensemble, Bernard Keeffe
—
Chansons madécasses : « Aoua ! Aoua ! Méfiez-vous des blancs »
Dame Janet Baker, Melos Ensemble, Bernard Keeffe
—
Chansons madécasses: « Il est doux de se coucher durant la chaleur »
Dame Janet Baker, Melos Ensemble, Bernard Keeffe
—
Chanson perpétuelle, op. 37
Dame Janet Baker, Melos Ensemble, Bernard Keeffe
—
Dame Janet Baker, Melos Ensemble, Bernard Keeffe
Dame Janet Baker, Melos Ensemble, Bernard Keeffe
Dame Janet Baker, Melos Ensemble, Bernard Keeffe
Quatre Poèmes Hindous: 4. Si vous pensez (Jaipur)
Janet Baker, Melos Ensemble, Bernard Keeffe
—
The Rape of Lucretia: Act II, Scene 2. "Lucretia! Lucretia!"
John Shirley-Quirk, Janet Baker, English Chamber Orchestra, Benjamin Britten
—
The Rape of Lucretia: Act II, Scene 2. "Last night Tarquinius ravished me"
Janet Baker, John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten
—
Owen Wingrave, op. 85: Act 2. Ah, Owen, what shall I do?
Janet Baker, Benjamin Luxon, Nigel Douglas, English Chamber Orchestra, Benjamin Britten
—
Phaedra, Op. 93: In May, in brilliant Athens
Janet Baker, English Chamber Orchestra, Steuart Bedford
—
Phaedra, Op. 93: Oh Gods of wrath
Janet Baker, English Chamber Orchestra, Steuart Bedford
—
Phaedra, Op. 93: My time's too short, your highness
Janet Baker, English Chamber Orchestra, Steuart Bedford
—
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Orfeo ed Euridice: Atto II. "Che puro ciel" | Janet Baker, English Chamber Orchestra, Raymond Leppard | — |
| Herminie, H. 29: “Venez, venez, terribles armes !” | Dame Janet Baker, London Symphony Orchestra, Sir Colin Davis | — |
Orfeo ed Euridice: Atto II. "Che puro ciel"
Janet Baker, English Chamber Orchestra, Raymond Leppard
—
Herminie, H. 29: “Venez, venez, terribles armes !”
Dame Janet Baker, London Symphony Orchestra, Sir Colin Davis
—
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What is UPC 00028947516125?
00028947516125 is a Universal Product Code (UPC) assigned to Philips And Decca Recordings 1961-1979 by Dame Janet Baker. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 82 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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