UPC · Release
101 Film Classics
Various Artists
00028947836766
22 tracksReleased 2012-01-01
Last verified:
00028947836766 is the Universal Product Code (UPC barcode) for the release “101 Film Classics” by Various Artists, released 2012-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 22 tracks, each with its own ISRC. Tracks include GBF077710291, GBF077710292, GBF079910830.
Format
0Indicator
002GS1 prefix
8947Company prefix
83676Product
6Check digit
- Indicator:
- Packaging-level digit (0 = base item, 1-8 = larger packs).
- GS1 prefix:
- Country/region prefix assigned by GS1.
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit.
Credit Chain
UPC101 Film Classics
ISRC22 recordings
ISWC91 works
IPI47 songwriters
Track List (22)
Love Is All Around (Four Weddings and a Funeral)
Reg Presley
—
Cavatina (The Deer Hunter)
Stanley Myers
—
Janine Jansen, Royal Philharmonic Orchestra, Barry Wordsworth
Additional database matches (95)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Excalibur: Carmina Burana | Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | T8006397714 |
| Adagio for Strings, op. 11 | Academy of St Martin in the Fields, Sir Neville Marriner | T-070.000.199-5 |
| Symphony no. 7 in A major, op. 92: II. Allegretto | Wiener Philharmoniker, Herbert von Karajan | T0714818275 |
| Concerto for Clarinet in A major, K. 622: II. Adagio | Franklin Cohen, Cleveland Orchestra, Christoph von Dohnányi | — |
| Sarabande de la Suite no. 11 | Christopher Hogwood | T2103395236 |
| Concerto for Harpsichord, Strings, and Continuo no. 5 in F minor, BWV 1056: Largo | Thurston Dart, London Philharmonic Orchestra | — |
| Canon in D major | Stuttgart Chamber Orchestra, Karl Münchinger | T0417260435 |
| Bolero (Finale) | L’Orchestre de la Suisse Romande, Ernest Ansermet | T0030063774 |
| Suite no. 3 in D major, BWV 1068: II. Air | Stuttgarter Kammerorchester, Karl Münchinger | T-914.248.874-2 |
| String Quintet in C, D. 956: II. Adagio (excerpt) | Dietfried Gürtler, Weller Quartet | T-802445410-3 |
| Swan Lake: Act 2, No.10 Scène (Moderato) | Orchestre symphonique de Montréal, Charles Dutoit | T-320177456-9 |
| Suite for Variety Orchestra: VII. Waltz 2. Allegretto poco moderato | Royal Concertgebouw Orchestra, Riccardo Chailly | — |
| Suite bergamasque: III. Clair de lune | Eastman-Rochester Pops Orchestra, Frederick Fennell | T0117722027 |
| The Planets, op. 32: Saturn, the Bringer of Old Age | Berliner Philharmoniker, Sir Colin Davis | — |
| Le nozze di Figaro — Overture | London Philharmonic Orchestra, Sir Georg Solti | T-909574378-5 |
| Hallelujah Chorus (Messiah) | Academy of St Martin in the Fields Chorus, László Heltay, Academy of St Martin in the Fields, Sir Neville Marriner | T-060898099-9 |
| 2001: A Space Odyssey: Also sprach Zarathustra | Los Angeles Philharmonic, Zubin Mehta | T3059288465 |
| Symphony No. 9 in D minor, 'Choral' - IV. Presto - Allegro Assai (A Clockwork Orange) | Joan Sutherland, Marilyn Horne, James King, Martti Talvela, Wiener Staatsopernchor, Wiener Philharmoniker, Hans Schmidt-Isserstedt | T3063957864 |
| Symphony no. 5: IV. Adagietto: Sehr langsam | Chicago Symphony Orchestra, Sir Georg Solti | T8006524682 |
| Symphony no. 25 in G minor, K. 183: I. Allegro con brio | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Adagio | Alastair Ross, Simon Standage, Richard Hickox Orchestra, Richard Hickox | T0050011976 |
| Zadok the Priest | Choir of King’s College, Cambridge, English Chamber Orchestra, Sir David Willcocks | T9001387128 |
| Solomon, HWV 67: Act III. The Arrival of the Queen of Sheba | Academy of St Martin in the Fields, Sir Neville Marriner | T-011174209-6 |
| Cello Concerto, Op. 85: I. Adagio - Moderato (excerpt) | Julian Lloyd Webber, Royal Philharmonic Orchestra, Yehudi Menuhin | T9198604181 |
| La forza del destino: N°1. Preludio | Orchestra of the Mariinsky Theatre, Valery Gergiev | T0501948895 |
| Cavalleria rusticana: Intermezzo | National Philharmonic Orchestra, Gianandrea Gavazzeni | T-921418457-3 |
| Double Concerto in D minor for Two Violins and Strings, BWV 1043: II. Largo ma non tanto | Alison Bury, Mark Claudle, Graham Cracknell, Roy Goodman, Katherine Hart, Christopher Hirons, Christopher Hogwood, John Holloway, Monica Huggett, Trevor Jones, Keith Marjoram, Richard Webb, Academy of Ancient Music | — |
| Nulla in mundo pax sincera, RV 630 | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | T-060275065-1 |
| Eine kleine Nachtmusik, KV 525: I. Allegro | Academy of St Martin in the Fields, Neville Marriner | T-303555990-7 |
| Cello Sonata in G minor, BWV 1029: II. Adagio (excerpt) | György Sebök, János Starker | — |
| Symphony no. 3 in C minor, op. 78 "Organ Symphony": IIb. Maestoso - Allegro | Peter Hurford, Orchestre symphonique de Montréal, Charles Dutoit | — |
| Warsaw Concerto | Cristina Ortiz, Royal Philharmonic Orchestra, Moshe Atzmon | — |
| The Piano: The Heart Asks Pleasure First | Jean-Yves Thibaudet | T0102031797 |
| Piano Concerto no. 21 in C major, K. 467: II. Andante | Radu Lupu, English Chamber Orchestra, Uri Segal | — |
| Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Vladimir Ashkenazy | — |
| Piano Concerto no. 5 "Emperor": II. Adagio un poco mosso | Vladimir Ashkenazy, The Cleveland Orchestra | T9286356089 |
| Goldberg Variations in G major, BWV 988: I. Aria | András Schiff | T3057238725 |
| Nocturne no. 20 in C-sharp minor, B. 49 | Vladimir Ashkenazy | T9285436897 |
| Piano Trio in E‐flat, D. 929: II. Andante con moto | Beaux Arts Trio | — |
| Piano Concerto No. 2 in C minor, Op.18 - II. Adagio Sostenuto (Extract) (Brief Encounter) | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — |
| Gymnopédie no. 1 | Pascal Rogé | T-050018340-3 |
| The Dream of Olwen (While I live) | Wilhelm Davos, London Festival Orchestra, Laszlo Tábor | T0701779205 |
| Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto (excerpt) | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — |
| Sonata for Piano No. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto | András Schiff | T-900070786-8 |
| Hungarian Rhapsodies, S.244 : Liszt: Hungarian Rhapsodies, S.244 - No. 2 in C sharp minor | Misha Dichter | — |
| Die Walküre: The Ride of the Valkyries | Helga Dernesch, Brigitte Fassbaender, Claudia Hellmann, Berit Lindholm, Vera Schlosser, Marilyn Tyler, Helen Watts, Wiener Philharmoniker, Georg Solti | T-902771445-0 |
| La Wally: “Ebben? Ne andrò lontana” | Renata Tebaldi, Orchestre national de l'Opéra de Monte-Carlo, Fausto Cleva | — |
| Pagliacci: “Recitar!… Vesti la giubba” | Mario del Monaco, Orchestra dell’Accademia Nazionale di Santa Cecilia, Francesco Molinari-Pradelli | — |
| Gianni Schicchi: “O mio babbino caro” | Renata Tebaldi, Orchestra del Maggio Musicale Fiorentino, Lamberto Gardelli | T-901222501-3 |
| Norma: Act I. Cavatina "Casta Diva" (Norma) | Joan Sutherland, London Symphony Chorus, London Symphony Orchestra, Richard Bonynge | T9107606304 |
| Rigoletto: “Questa o quella” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | T-928635458-3 |
| Così fan tutte: “Soave sia il vento” | Lucia Popp, Brigitte Fassbaender, Tom Krause, Wiener Haydn-Orchester, István Kertész | T-902525648-8 |
| Les Contes d’Hoffmann : Acte II. Barcarolle « Belle nuit, ô nuit d’amour » | Joan Sutherland, Huguette Tourangeau, Chorale du Brassus, Chœur Pro Arte de Lausanne, Orchestre de la Suisse Romande, Richard Bonynge | T-071153499-4 |
| Madame Butterfly: “Un bel dì” | Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | T-070182950-6 |
| Rigoletto: Atto III. “La donna è mobile” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | T-912866624-0 |
| Carmen : Habanera « L'amour est un oiseau rebelle » | Marilyn Horne, Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper, Henry Lewis | T-926805123-6 |
| Le Nozze di Figaro, K. 492: Act III - Duettino "Che soave zeffiretto" | Kiri Te Kanawa, Lucia Popp, London Philharmonic Orchestra, Sir Georg Solti | T9028334205 |
| Lakmé : Acte I. « Viens, Mallika » … « Dôme épais le jasmin » (Lakmé) | Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge | T-004938007-5 |
| La bohème: Atto I. “Che gelida manina” (Rodolfo) | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| Les Pêcheurs de perles : Acte I. « Je crois entendre encore » (Nadir) | Léopold Simoneau, Orchestre Lamoureux, Jean Fournet | T7024245738 |
| O Silver Moon (Mesicku na nebi hlubokem) (Rusalka) | Pilar Lorengar, Orchestra dell’Accademia Nazionale di Santa Cecilia, Giuseppe Patanè | T0100552804 |
| Andrea Chénier: “La mamma morta” | Montserrat Caballé, National Philharmonic Orchestra, Riccardo Chailly | — |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | — |
| Opening Music (The Big Country) | Jerome Moross | — |
| Theme (The Magnificent Seven) | Elmer Bernstein | T0701077908 |
| Main Theme (Stagecoach) | Max Steiner | T0040183241 |
| Main Theme (Alamo) | Dimitri Tiomkin | T9007572669 |
| Casablanca (Casablanca) | Max Steiner, Herman Hupfeld, Claude-Joseph Rouget de l’Isle, Joseph Haydn | T0700019675 |
| Blood and Sand (Blood and Sand) | Alfred Newman | T9095140253 |
| Exodus - Ari’s Theme (Exodus) | Ernest Gold | — |
| Theme (Lawrence of Arabia) | Maurice Jarre | T0040183241 |
| Antony and Cleopatra's Theme (Cleopatra) | Alex North | T0700269051 |
| Main Title (Sea Hawk) | Erich Wolfgang Korngold | — |
| Main Theme (Patton, Lust for Glory) | Jerry Goldsmith | — |
| A Love Like This (For Whom the Bell Tolls) | Victor Young | — |
| March (Things to Come) | Arthur Bliss | T0100277448 |
| Main Title (North by Northwest) | London Philharmonic Orchestra | — |
| Theme (Spellbound) | Miklós Rózsa | T9000089021 |
| Music From the Motion Picture (Gone with the Wind) | Max Steiner | — |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | T-005000838-2 |
| Lakmé : Acte I. « Viens, Mallika » … « Dôme épais le jasmin » (Lakmé) | Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge | — |
| Rigoletto: Atto III. “La donna è mobile” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | T-922850296-3 |
| Les Contes d’Hoffmann : Acte III. Intermède‐Entr’acte (Barcarolle) | Orchestre de la Suisse Romande, Richard Bonynge | — |
| La Bohème: Atto I. “Che gelida manina” | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | T-306482666-6 |
| Double Concerto in D minor for Two Violins and Strings, BWV 1043: II. Largo ma non tanto | Alison Bury, Mark Claudle, Graham Cracknell, Roy Goodman, Katherine Hart, Christopher Hirons, Christopher Hogwood, John Holloway, Monica Huggett, Trevor Jones, Keith Marjoram, Richard Webb, Academy of Ancient Music | T1066771535 |
| Goldberg Variations in G major, BWV 988: I. Aria | András Schiff | — |
| Gianni Schicchi: “O mio babbino caro” | Renata Tebaldi, Orchestra del Maggio Musicale Fiorentino, Lamberto Gardelli | — |
| Rigoletto: “Questa o quella” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | — |
| La bohème: Atto I. “Che gelida manina” (Rodolfo) | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| Cello Sonata in G minor, BWV 1029: II. Adagio (excerpt) | György Sebök, János Starker | T3099013233 |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | — |
| Cavalleria rusticana: Intermezzo | National Philharmonic Orchestra, Gianandrea Gavazzeni | — |
| Suite no. 3 in D major, BWV 1068: II. Air | Stuttgarter Kammerorchester, Karl Münchinger | T-914248874-2 |
| Goldberg Variations in G major, BWV 988: I. Aria | András Schiff | T-305723872-5 |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | T-005000838-2 |
Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti
Academy of St Martin in the Fields, Sir Neville Marriner
Wiener Philharmoniker, Herbert von Karajan
Concerto for Clarinet in A major, K. 622: II. Adagio
Franklin Cohen, Cleveland Orchestra, Christoph von Dohnányi
—
Christopher Hogwood
Concerto for Harpsichord, Strings, and Continuo no. 5 in F minor, BWV 1056: Largo
Thurston Dart, London Philharmonic Orchestra
—
Stuttgart Chamber Orchestra, Karl Münchinger
L’Orchestre de la Suisse Romande, Ernest Ansermet
Stuttgarter Kammerorchester, Karl Münchinger
Dietfried Gürtler, Weller Quartet
Orchestre symphonique de Montréal, Charles Dutoit
Suite for Variety Orchestra: VII. Waltz 2. Allegretto poco moderato
Royal Concertgebouw Orchestra, Riccardo Chailly
—
Eastman-Rochester Pops Orchestra, Frederick Fennell
The Planets, op. 32: Saturn, the Bringer of Old Age
Berliner Philharmoniker, Sir Colin Davis
—
London Philharmonic Orchestra, Sir Georg Solti
Academy of St Martin in the Fields Chorus, László Heltay, Academy of St Martin in the Fields, Sir Neville Marriner
Los Angeles Philharmonic, Zubin Mehta
Joan Sutherland, Marilyn Horne, James King, Martti Talvela, Wiener Staatsopernchor, Wiener Philharmoniker, Hans Schmidt-Isserstedt
Chicago Symphony Orchestra, Sir Georg Solti
Symphony no. 25 in G minor, K. 183: I. Allegro con brio
Academy of St Martin in the Fields, Sir Neville Marriner
—
Alastair Ross, Simon Standage, Richard Hickox Orchestra, Richard Hickox
Choir of King’s College, Cambridge, English Chamber Orchestra, Sir David Willcocks
Academy of St Martin in the Fields, Sir Neville Marriner
Julian Lloyd Webber, Royal Philharmonic Orchestra, Yehudi Menuhin
Orchestra of the Mariinsky Theatre, Valery Gergiev
National Philharmonic Orchestra, Gianandrea Gavazzeni
Double Concerto in D minor for Two Violins and Strings, BWV 1043: II. Largo ma non tanto
Alison Bury, Mark Claudle, Graham Cracknell, Roy Goodman, Katherine Hart, Christopher Hirons, Christopher Hogwood, John Holloway, Monica Huggett, Trevor Jones, Keith Marjoram, Richard Webb, Academy of Ancient Music
—
Emma Kirkby, Academy of Ancient Music, Christopher Hogwood
Academy of St Martin in the Fields, Neville Marriner
Cello Sonata in G minor, BWV 1029: II. Adagio (excerpt)
György Sebök, János Starker
—
Symphony no. 3 in C minor, op. 78 "Organ Symphony": IIb. Maestoso - Allegro
Peter Hurford, Orchestre symphonique de Montréal, Charles Dutoit
—
Warsaw Concerto
Cristina Ortiz, Royal Philharmonic Orchestra, Moshe Atzmon
—
Jean-Yves Thibaudet
Piano Concerto no. 21 in C major, K. 467: II. Andante
Radu Lupu, English Chamber Orchestra, Uri Segal
—
Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto
Vladimir Ashkenazy
—
Vladimir Ashkenazy, The Cleveland Orchestra
Vladimir Ashkenazy
Piano Trio in E‐flat, D. 929: II. Andante con moto
Beaux Arts Trio
—
Piano Concerto No. 2 in C minor, Op.18 - II. Adagio Sostenuto (Extract) (Brief Encounter)
Vladimir Ashkenazy, London Symphony Orchestra, André Previn
—
Pascal Rogé
Wilhelm Davos, London Festival Orchestra, Laszlo Tábor
Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto (excerpt)
Vladimir Ashkenazy, London Symphony Orchestra, André Previn
—
András Schiff
Hungarian Rhapsodies, S.244 : Liszt: Hungarian Rhapsodies, S.244 - No. 2 in C sharp minor
Misha Dichter
—
Helga Dernesch, Brigitte Fassbaender, Claudia Hellmann, Berit Lindholm, Vera Schlosser, Marilyn Tyler, Helen Watts, Wiener Philharmoniker, Georg Solti
La Wally: “Ebben? Ne andrò lontana”
Renata Tebaldi, Orchestre national de l'Opéra de Monte-Carlo, Fausto Cleva
—
Pagliacci: “Recitar!… Vesti la giubba”
Mario del Monaco, Orchestra dell’Accademia Nazionale di Santa Cecilia, Francesco Molinari-Pradelli
—
Renata Tebaldi, Orchestra del Maggio Musicale Fiorentino, Lamberto Gardelli
Joan Sutherland, London Symphony Chorus, London Symphony Orchestra, Richard Bonynge
Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge
Lucia Popp, Brigitte Fassbaender, Tom Krause, Wiener Haydn-Orchester, István Kertész
Joan Sutherland, Huguette Tourangeau, Chorale du Brassus, Chœur Pro Arte de Lausanne, Orchestre de la Suisse Romande, Richard Bonynge
Mirella Freni, Wiener Philharmoniker, Herbert von Karajan
Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge
Marilyn Horne, Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper, Henry Lewis
Kiri Te Kanawa, Lucia Popp, London Philharmonic Orchestra, Sir Georg Solti
Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge
La bohème: Atto I. “Che gelida manina” (Rodolfo)
Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
—
Léopold Simoneau, Orchestre Lamoureux, Jean Fournet
Pilar Lorengar, Orchestra dell’Accademia Nazionale di Santa Cecilia, Giuseppe Patanè
Andrea Chénier: “La mamma morta”
Montserrat Caballé, National Philharmonic Orchestra, Riccardo Chailly
—
Turandot: “Nessun dorma”
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
—
Opening Music (The Big Country)
Jerome Moross
—
Elmer Bernstein
Max Steiner
Dimitri Tiomkin
Max Steiner, Herman Hupfeld, Claude-Joseph Rouget de l’Isle, Joseph Haydn
Alfred Newman
Exodus - Ari’s Theme (Exodus)
Ernest Gold
—
Maurice Jarre
Main Title (Sea Hawk)
Erich Wolfgang Korngold
—
Main Theme (Patton, Lust for Glory)
Jerry Goldsmith
—
A Love Like This (For Whom the Bell Tolls)
Victor Young
—
Arthur Bliss
Main Title (North by Northwest)
London Philharmonic Orchestra
—
Miklós Rózsa
Music From the Motion Picture (Gone with the Wind)
Max Steiner
—
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
Lakmé : Acte I. « Viens, Mallika » … « Dôme épais le jasmin » (Lakmé)
Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge
—
Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge
Les Contes d’Hoffmann : Acte III. Intermède‐Entr’acte (Barcarolle)
Orchestre de la Suisse Romande, Richard Bonynge
—
Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
Alison Bury, Mark Claudle, Graham Cracknell, Roy Goodman, Katherine Hart, Christopher Hirons, Christopher Hogwood, John Holloway, Monica Huggett, Trevor Jones, Keith Marjoram, Richard Webb, Academy of Ancient Music
Goldberg Variations in G major, BWV 988: I. Aria
András Schiff
—
Gianni Schicchi: “O mio babbino caro”
Renata Tebaldi, Orchestra del Maggio Musicale Fiorentino, Lamberto Gardelli
—
Rigoletto: “Questa o quella”
Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge
—
La bohème: Atto I. “Che gelida manina” (Rodolfo)
Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
—
György Sebök, János Starker
Turandot: “Nessun dorma”
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
—
Cavalleria rusticana: Intermezzo
National Philharmonic Orchestra, Gianandrea Gavazzeni
—
Stuttgarter Kammerorchester, Karl Münchinger
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
What other identifiers does this connect to?
Musical Works (ISWC)
T-005.002.184-5T-011.363.768-5T-011.478.222-7T-011478222-7T-042.107.751-1T-042107751-1T-042107756-6T-070.000.199-5T-070.111.569-6T-070.140.144-6
+81 more
T-070.181.385-5T-070.194.066-0T-070.202.129-1T-070.202.745-9T-070.919.097-5T-070.932.859-5T-070000199-5T-070248859-2T-070249713-9T-070919097-5T-070932859-5T-071.407.806-4T-071407806-4T-801632240-1T-901134571-4T-902144664-0T-909.207.175-5T-909207175-5T-914.248.874-2T-914248874-2T-915711225-9T0030063774T0040183241T0049380075T0050008382T0050011976T0100277448T0100552804T0102031797T0111742096T0117722027T0417260435T0500183403T0501948895T0602750651T0608980999T0700019675T0700269051T0700507409T0701077908T0701779205T0701829506T0702022910T0702478623T0702480463T0711534994T0714818275T1066771535T2103395236T3035559907T3057238725T3059288465T3063957864T3064826666T3099013233T3099320028T3201774569T7024245738T8006397714T8006524682T8024454103T9000089021T9000707868T9001387128T9007572669T9011326935T9012225013T9025256488T9027714450T9028334205T9095140253T9095743785T9107606304T9128666240T9198604181T9214184573T9228502963T9268051236T9285436897T9286354583T9286356089
Songwriters/Publishers (IPI)
00001916910000021986120000293222200004960599000066472950001181172700011811825000118120380001217802500012178123
+37 more
00013300159000146126180001516511800017084893000193130120002154512300021547901000215521280002191261400022278503000224367110002255859700023550710000248787580002488595900024901603000268374710002692309000027255689000295459600002976275500030676200000306763990003295119900033210048000332429120003341391100042308022000661008020008699341200130943691001587296290022070690000220707015002933500700045159484000581796403
Creative Contributors (ISNI)
0000000055171617000000005518373000000000593213790000000059342559000000006301973800000000630875890000000063105011000000007357852500000000735846340000000073662284
+40 more
000000008000635700000000800760210000000080837943000000008087005700000000812329540000000081371399000000008177300500000000818181460000000081818787000000008181927X0000000081870219000000008188387X00000000818983770000000082183963000000008352626X000000008359322700000000838237820000000085067570000000009649966X000000010670276500000001080705030000000108634436000000010863446000000001086536450000000108694084000000010871116300000001088022680000000108811383000000010890262100000001089643390000000109028462000000010906193200000001090696270000000109150417000000010920118100000001092088340000000109208842000000010937057500000001093759820000000109399984
Identifier Graph
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What is UPC 00028947836766?
00028947836766 is a Universal Product Code (UPC) assigned to 101 Film Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 22 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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