UPC · Release
Classic Gold (multipack)
Various Artists
00028948036394
57 tracks
Last verified:
00028948036394 is the Universal Product Code (UPC barcode) for the release “Classic Gold (multipack)” by Various Artists. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 57 tracks, each with its own ISRC. Tracks include DEF056730100, DEF059102221, DEF057400530.
Format
0Indicator
002GS1 prefix
8948Company prefix
03639Product
4Check digit
- Indicator:
- Packaging-level digit (0 = base item, 1-8 = larger packs).
- GS1 prefix:
- Country/region prefix assigned by GS1.
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
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- Check digit:
- Modulo-10 check digit.
Credit Chain
UPCClassic Gold (multipack)
ISRC57 recordings
ISWC30 works
IPI2 songwriters
Track List (57)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Carmina Burana: Blanziflor et Helena: Ave, formosissima | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | — | |
| 2 | Carmen Suite: Los Toréadors | Orchestre de l’Opéra Bastille, Myung-Whun Chung | T-308.092.565-7 | |
| 3 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Wiener Philharmoniker, Karl Böhm | — | |
| 4 | Concerto for Violin and Strings in E major, op. 8 no. 1, RV 269 "La Primavera": II. Largo | Isaac Stern, Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 5 | Adagio dalla sonata, op. 27 no. 2 "Al chiaro di luna" | Roberto Prosseda | — | |
| 6 | Orchestral Suite no. 3 in D major, BWV 1068: Air | Adolf Scherbaum, Münchener Bach-Orchester, Karl Richter | T-914.248.874-2 | |
| 7 | Hungarian Dances nos. 1 - 21, WoO 1: No. 5 in G minor | Berliner Philharmoniker, Paul van Kempen | — | |
| 8 | Cavalleria rusticana: Intermezzo sinfonico | Wolfgang Meyer, Berliner Philharmoniker, Herbert von Karajan | T-307.525.888-3 | |
| 9 | Liebestraum no. 3 | Roberto Prosseda | — | |
| 10 | La Moldau | Boston Symphony Orchestra, Rafael Kubelík | T-104.080.631-1 | |
| 11 | Quintette à cordes n°5 : "Menuet" | Orpheus Chamber Orchestra | T-918.132.804-1 | |
| 12 | Der Nußknacker, op. 71a: III. Valse des fleurs: Tempo di Valse | Berliner Philharmoniker, Herbert von Karajan | — | |
| 13 | Variazioni Goldberg BWV 988 - Aria | Ottavio Dantone | — | |
| 14 | Polovtsian Dances: Moderato alla breve | Berliner Philharmoniker, Herbert von Karajan | — | |
| 15 | Concerto pour violon et orchestre No. 2, Op. 7: Rondo (La Campanella) | Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit | — | |
| 16 | Bagatelle no. 25 in A minor “Für Elise”, WoO 59 | Roberto Prosseda | — | |
| 17 | Suite española, op. 47: Asturias (Leyenda) (excerpt) | Narciso Yepes | — | |
| 19 | Gymnopédie n° 1 | Roberto Prosseda | — | |
| 20 | Nabucco: “Va pensiero sull’ali dorate“ | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | — | |
| 2-1 | Also sprach Zarathustra, op. 30, TrV 176: Einleitung | Wiener Philharmoniker, Lorin Maazel | T-007.163.471-3 | |
| 2-2 | Adagio for Strings and Organ in G minor (excerpt) | Festival Strings Lucerne, Rudolf Baumgartner | T-005.001.197-6 | |
| 2-3 | Symphonie Nr. 40 g-Moll, KV 550: I. Molto allegro | Wiener Philharmoniker, Karl Böhm | T-312.542.381-2 | |
| 2-4 | Swan Lake Suite: Scene (Act II) | Wiener Philharmoniker, Herbert von Karajan | — | |
| 2-5 | Canon and Gigue in D major, T. 377: I. Canon | The English Concert, Trevor Pinnock | T-920.151.760-4 | |
| 2-6 | Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio | Narciso Yepes, Philharmonia Orchestra, Luis Antonio García Navarro | — | |
| 2-7 | Nocturne, op. 9 no. 2 in E-flat major | Pietro De Maria | T-906.148.797-6 | |
| 2-8 | Ouvertüre no. 2 h-mol, BWV 1067: VII. Badinerie | Aurèle Nicolet, Munich Bach Orchestra, Karl Richter | T-004.440.086-3 | |
| 2-9 | Te Deum for Soloists, Chorus and Orchestra, H 146 (revised by Walter Kolneder): Prélude. Rondeau | Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | — | |
| 2-10 | Symphonie Nr. 5 c-moll, op. 67: Allegro con brio | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-11 | Le Carnaval des animaux, Le Cygne | Alfons Kontarsky, Aloys Kontarsky, Wolfgang Herzer, Wiener Philharmoniker, Karl Böhm | T-983.162.734-0 | |
| 2-12 | Moments musicaux, D. 780 no. 3 in F minor. Allegro moderato | Wilhelm Kempff | — | |
| 2-13 | Porgy and Bess: Act 1: Summertime | Leontyne Price | T-909.132.166-3 | |
| 2-14 | Preludio in Do Maggiore (Dal Clavicembalo Ben Temperato Libro I), BWV 846 | Roberto Prosseda | T-910.415.372-2 | |
| 2-15 | Gayaneh : Danse du sabre | Leningrad Philharmonic Orchestra, Gennadi Rozhdestvensky | T-801.025.525-2 | |
| 2-16 | Thais: Méditation | Christer Thorvaldsson, Göteborgs Symfoniker, Neeme Järvi | T-001.283.021-5 | |
| 2-17 | Suite bergamesque, Clair de lune | Tamás Vásáry | — | |
| 2-18 | El amor brujo (ballet By G. Martinez Sierra): Danza ritual del fuego, para ahuyentar los malos espíritos | London Symphony Orchestra, García Navarro | T-041.489.063-3 | |
| 2-19 | Kinderszenen, op. 15: 7. Traumerei | Roberto Prosseda | — | |
| 2-20 | Messiah, HWV 56: Part II. Chorus: “Hallelujah” | The John Alldis Choir, London Philharmonic Orchestra, Karl Richter | — | |
| 3-1 | Toccata und Fuge D-moll, BWV 565: II. Fuge | Helmut Walcha | — | |
| 3-2 | Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | — | |
| 3-3 | La Légende du tsar Saltan : "Le Vol du bourdon" | Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch | — | |
| 3-4 | Les Contes d’Hoffmann : Acte III. Entr’acte | Orchestre de la Suisse Romande, Richard Bonynge | T-010.186.676-5 | |
| 3-5 | Pavane (excerpt) | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | T-918.704.013-7 | |
| 3-6 | Bilder einer Ausstellung: Promenade | Chicago Symphony Orchestra, Carlo Maria Giulini | T-011.301.790-5 | |
| 3-7 | Messa da requiem : Dies irae | Ernst-Senff-Chor, Berliner Philharmoniker, Carlo Maria Giulini | — | |
| 3-8 | Slawische Tänze, op. 46: Nr. 1 C-dur. Presto | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | T-312.527.003-9 | |
| 3-9 | An der schönen blauen Donau, Walzer, op. 314 | Berliner Philharmoniker, Herbert von Karajan | T-916.104.233-7 | |
| 3-10 | Minuetto In Sol Maggiore (Dal Libro Di Anna Magdalena), BWV Anh. 114 | Roberto Prosseda | — | |
| 3-11 | Romance aus "Jeux Interdits" | Narciso Yepes | T-929.588.677-0 | |
| 3-12 | Valse en ré bémol majeur, op. 64 no. 1 | Pietro De Maria | — | |
| 3-13 | Xerxes: Act I. Largo in F major | Edward Brewer, Randall Wolfgang, Orpheus Chamber Orchestra | T-905.063.977-5 | |
| 3-14 | Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning | Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 3-15 | Piano Sonata no. 11 in A, K. 331 "Alla Turca": 3. Rondò Alla Turca | Roberto Prosseda | — | |
| 3-16 | Romeo & Juliet, op. 64: Act I, Scene II. No. 13 The knights’ dance (Juliet and Paris’s dance). Allegro pesante | Boston Symphony Orchestra, Seiji Ozawa | T-003.506.743-6 | |
| 3-17 | Violin Romance no. 2 in F major, op. 50 | David Oistrakh, Royal Philharmonic Orchestra, Eugene Goossens | — | |
| 3-18 | Boléro | Boston Symphony Orchestra, Seiji Ozawa | T-003.006.377-4 |
Carmina Burana: Blanziflor et Helena: Ave, formosissima
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum
—
Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro
Wiener Philharmoniker, Karl Böhm
—
Concerto for Violin and Strings in E major, op. 8 no. 1, RV 269 "La Primavera": II. Largo
Isaac Stern, Israel Philharmonic Orchestra, Zubin Mehta
—
Adagio dalla sonata, op. 27 no. 2 "Al chiaro di luna"
Roberto Prosseda
—
Adolf Scherbaum, Münchener Bach-Orchester, Karl Richter
Hungarian Dances nos. 1 - 21, WoO 1: No. 5 in G minor
Berliner Philharmoniker, Paul van Kempen
—
Wolfgang Meyer, Berliner Philharmoniker, Herbert von Karajan
Liebestraum no. 3
Roberto Prosseda
—
Der Nußknacker, op. 71a: III. Valse des fleurs: Tempo di Valse
Berliner Philharmoniker, Herbert von Karajan
—
Variazioni Goldberg BWV 988 - Aria
Ottavio Dantone
—
Polovtsian Dances: Moderato alla breve
Berliner Philharmoniker, Herbert von Karajan
—
Concerto pour violon et orchestre No. 2, Op. 7: Rondo (La Campanella)
Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit
—
Bagatelle no. 25 in A minor “Für Elise”, WoO 59
Roberto Prosseda
—
Suite española, op. 47: Asturias (Leyenda) (excerpt)
Narciso Yepes
—
Gymnopédie n° 1
Roberto Prosseda
—
Nabucco: “Va pensiero sull’ali dorate“
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli
—
Wiener Philharmoniker, Lorin Maazel
Festival Strings Lucerne, Rudolf Baumgartner
Swan Lake Suite: Scene (Act II)
Wiener Philharmoniker, Herbert von Karajan
—
Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio
Narciso Yepes, Philharmonia Orchestra, Luis Antonio García Navarro
—
Aurèle Nicolet, Munich Bach Orchestra, Karl Richter
Te Deum for Soloists, Chorus and Orchestra, H 146 (revised by Walter Kolneder): Prélude. Rondeau
Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung
—
Symphonie Nr. 5 c-moll, op. 67: Allegro con brio
Berliner Philharmoniker, Herbert von Karajan
—
Alfons Kontarsky, Aloys Kontarsky, Wolfgang Herzer, Wiener Philharmoniker, Karl Böhm
Moments musicaux, D. 780 no. 3 in F minor. Allegro moderato
Wilhelm Kempff
—
Suite bergamesque, Clair de lune
Tamás Vásáry
—
London Symphony Orchestra, García Navarro
Kinderszenen, op. 15: 7. Traumerei
Roberto Prosseda
—
Messiah, HWV 56: Part II. Chorus: “Hallelujah”
The John Alldis Choir, London Philharmonic Orchestra, Karl Richter
—
Toccata und Fuge D-moll, BWV 565: II. Fuge
Helmut Walcha
—
Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai
Géza Anda, Camerata Academica des Salzburger Mozarteums
—
La Légende du tsar Saltan : "Le Vol du bourdon"
Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch
—
Orchestre de la Suisse Romande, Richard Bonynge
Messa da requiem : Dies irae
Ernst-Senff-Chor, Berliner Philharmoniker, Carlo Maria Giulini
—
Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
Berliner Philharmoniker, Herbert von Karajan
Minuetto In Sol Maggiore (Dal Libro Di Anna Magdalena), BWV Anh. 114
Roberto Prosseda
—
Valse en ré bémol majeur, op. 64 no. 1
Pietro De Maria
—
Edward Brewer, Randall Wolfgang, Orpheus Chamber Orchestra
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
Gothenburg Symphony Orchestra, Neeme Järvi
—
Piano Sonata no. 11 in A, K. 331 "Alla Turca": 3. Rondò Alla Turca
Roberto Prosseda
—
Boston Symphony Orchestra, Seiji Ozawa
Violin Romance no. 2 in F major, op. 50
David Oistrakh, Royal Philharmonic Orchestra, Eugene Goossens
—
Additional database matches (10)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Toccata und Fuge D-moll, BWV 565: I. Toccata | Helmut Walcha | T-909.407.007-2 |
| Concerto pour piano et orchestre No. 21, KV 467: Andante | Géza Anda, Camerata Academica des Salzburger Mozarteums | T-010.194.871-3 |
| Carmina Burana: Fortuna imperatrix mundi: O Fortuna | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | T-800.639.771-4 |
| Polovtsian Dances: Allegro | Berliner Philharmoniker, Herbert von Karajan | T-902.804.388-1 |
| Serenade in G Major, K. 525 "Eine kleine Nachtmusik": 1. Allegro | Wiener Philharmoniker, Karl Böhm | — |
| Les Quatre saisons, Concerto Op. 8, No. 1 "Le Printemps": Allegro | Isaac Stern, Israel Philharmonic Orchestra, Zubin Mehta | T-306.395.786-4 |
| Messa da requiem : Dies irae | Ernst-Senff-Chor, Berliner Philharmoniker, Carlo Maria Giulini | T-910.932.757-3 |
| Les Contes d’Hoffmann : Acte III. Intermède‐Entr’acte (Barcarolle) | Orchestre de la Suisse Romande, Richard Bonynge | — |
| Die Walküre, WWV 86B: Ride of the Valkyries (Concert Version) | Wiener Philharmoniker, Sir Georg Solti | T-902.771.445-0 |
| Ouvertüre no. 2 h-mol, BWV 1067: VII. Badinerie | Aurèle Nicolet, Munich Bach Orchestra, Karl Richter | T-011.654.484-3 |
Géza Anda, Camerata Academica des Salzburger Mozarteums
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum
Berliner Philharmoniker, Herbert von Karajan
Serenade in G Major, K. 525 "Eine kleine Nachtmusik": 1. Allegro
Wiener Philharmoniker, Karl Böhm
—
Isaac Stern, Israel Philharmonic Orchestra, Zubin Mehta
Ernst-Senff-Chor, Berliner Philharmoniker, Carlo Maria Giulini
Les Contes d’Hoffmann : Acte III. Intermède‐Entr’acte (Barcarolle)
Orchestre de la Suisse Romande, Richard Bonynge
—
Wiener Philharmoniker, Sir Georg Solti
Aurèle Nicolet, Munich Bach Orchestra, Karl Richter
What other identifiers does this connect to?
Musical Works (ISWC)
T-001.283.021-5T-003.006.377-4T-003.506.743-6T-005.001.197-6T-007.163.471-3T-010.186.676-5T-011.301.790-5T-041.489.063-3T-306.395.786-4T-307.525.888-3
+20 more
T-308.092.565-7T-312.542.381-2T-800.639.771-4T-801.025.525-2T-801.025.525-2T-902.771.445-0T-910.415.372-2T-910.415.372-2T-914.248.874-2T-914.248.874-2T-914.729.240-8T-915.711.225-9T-916.104.233-7T-920.151.760-4T-929.588.677-0T-983.162.734-0T-001.283.021-5T-003.006.377-4T-003.506.743-6T-004.440.086-3
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055191757000000005519539500000000551965580000000081333149000000008176969800000000841494000000000108634479000000010863595700000001087856050000000108823501
+20 more
0000000108886588000000010909486500000001091108880000000109160981000000010917819600000001093004890000000109358672000000010938684100000001094053870000000109416801000000010943829300000001094475600000000109465312000000011020391800000001103633560000000110552763000000011082322800000001109128370000000110928740000000011443908X
Identifier Graph
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What is UPC 00028948036394?
00028948036394 is a Universal Product Code (UPC) assigned to Classic Gold (multipack) by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 57 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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