UPC · Release
100 Ultimate Classical Music Masterpieces by Classic FM
Various Artists
00028948071340
100 tracks
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00028948071340 is the Universal Product Code (UPC barcode) for the release “100 Ultimate Classical Music Masterpieces by Classic FM” by Various Artists. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GBF078100091, GBF078411022, GBF078610184.
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UPC100 Ultimate Classical Music Masterpieces by Classic FM
ISRC100 recordings
ISWC30 works
IPI7 songwriters
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony No.5 in C minor, Op.67 - 1. Allegro con brio | Philharmonia Orchestra | T-914.876.369-3 | |
| 2 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 3 | The Planets: Jupiter | Orchestre symphonique de Montréal, Charles Dutoit | T-101.257.909-6 | |
| 4 | Excalibur: Carmina Burana | Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | T-800.639.771-4 | |
| 5 | Die Walküre: The Ride of the Walkyres | National Symphony Orchestra, Antal Doráti | T-001.148.492-6 | |
| 6 | Gloria in D major, RV 589: Gloria in excelsis Deo | Choir of St John’s College, Cambridge, The Wren Orchestra, George Guest | — | |
| 7 | Russlan and Ludmilla: Overtüre | Kirov Orchestra, Valery Gergeiv | T-909.762.448-1 | |
| 8 | Adagio for Strings, op. 11 | Baltimore Symphony Orchestra, David Zinman | T-070.000.199-5 | |
| 9 | Cavalleria rusticana: Intermezzo | National Philharmonic Orchestra, Gianandrea Gavazzeni | T-921.418.457-3 | |
| 10 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 11 | The Lark Ascending | Janine Jansen, Royal Philharmonic Orchestra, Barry Wordsworth | — | |
| 12 | Piano Concerto No.4 in G, Op.58 - 3. Rondo (Vivace) | Stephen Kovacevich | — | |
| 13 | Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio | Emma Johnson, English Chamber Orchestra, Raymond Leppard | T-901.134.571-4 | |
| 14 | Enigma Variations, op. 36: IX. Nimrod: Adagio | Royal Philharmonic Orchestra, Charles Mackerras | T-010.115.427-1 | |
| 15 | Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo. Allegro | Academy of St Martin in the Fields, Neville Marriner | — | |
| 16 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | David Bell, Berliner Philharmoniker, Herbert von Karajan | T-914.248.874-2 | |
| 17 | Vier letzte Lieder, AV 150 TrV 296: Frühling | Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti | — | |
| 18 | Gabriel's Oboe | Prague Philharmonia, Nick Ingman | T-005.002.184-5 | |
| 19 | Anvil Chorus | Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Franci | — | |
| 20 | Le Beau Danube bleu, valse (excerpt) | Berliner Philharmoniker, Herbert von Karajan | T-060.096.554-5 | |
| 2-1 | Adagio for Strings and Organ in G minor | Maria Teresa Garatti, I Musici | T-005.001.197-6 | |
| 2-2 | Ave verum corpus, K 618 | Choir of King’s College, Cambridge, James Vivian, Stephen Cleobury | — | |
| 2-3 | Symphony of Sorrowful Songs (2nd Movement) | Joanna Kozłowska, Warsaw Philharmonic Orchestra, Kazimierz Kord | — | |
| 2-4 | Zadok the Priest (Coronation Anthem No.1, HWV 258) | Winchester Cathedral Choir, The Brandenburg Consort, David Hill | T-900.962.637-3 | |
| 2-5 | Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043:: II. Largo, ma non tanto | Arthur Grumiaux, Herman Krebbers, Les Solistes Romands, Arpad Gérecz | T-106.677.153-5 | |
| 2-6 | Spiegel im Spiegel | Nicola Benedetti, Alexei Grynyuk | T-800.638.693-3 | |
| 2-7 | The Hebrides, op. 26: Overture (Fingal's Cave) | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 2-8 | Suite bergamesque, Clair de lune | Tamás Vásáry | — | |
| 2-9 | A Gaelic Blessing | Ex Cathedra, Jeffrey Skidmore | T-900.017.851-8 | |
| 2-10 | Quanta Qualia | Hayley Westenra | — | |
| 2-11 | Fantasia on a Theme by Thomas Tallis | Iona Brown, Trevor Connah, Kenneth Heath, Stephen Shingles, Academy of St Martin in the Fields, Neville Marriner | — | |
| 2-12 | Crown Imperial (Coronation March) | London Philharmonic Orchestra, Roger Norrington | — | |
| 2-13 | See the Conquering Hero Comes | Handel Opera Society Chorus, Handel Opera Society Orchestra, Charles Farncombe | T-031.804.185-8 | |
| 2-14 | Bailero | Kiri Te Kanawa, English Chamber Orchestra, Jeffrey Tate | T-004.013.305-8 | |
| 2-15 | Fanfare for the Common Man | Los Angeles Philharmonic Orchestra, Zubin Mehta | T-070.054.000-6 | |
| 2-16 | Jerusalem | Waynflete Singers | T-011.632.761-7 | |
| 2-17 | Overture | Gewandhausorchester Leipzig | — | |
| 2-18 | Symphony No.40 in G minor, K.550 - 1. Molto allegro | Staatskapelle Dresden | T-003.035.132-6 | |
| 2-19 | Rusalka: 1. Jednání. “Měsíčku na nebi hlubokém” (Rusalka) | Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 2-20 | Cockaigne (In London Town), Concert Overture, op. 40 | London Symphony Orchestra, Sir Charles Mackerras | T-010.035.109-4 | |
| 3-1 | Pavane, op. 50 | Rotterdams Philharmonisch Orkest, Jean Fournet | T-909.340.218-7 | |
| 3-2 | Night on the Bare Mountain (arr. Rimsky-Korsakov) | Wiener Philharmoniker, Valery Gergiev | — | |
| 3-3 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Vladimir Ashkenazy | — | |
| 3-4 | Ave Maria, Op. 52:6 | Kiri Te Kanawa, Thelma Owen | T-071.470.430-9 | |
| 3-5 | Nutcracker Suite, Op.71a - 3. Waltz of the Flowers | London Philharmonic Orchestra | — | |
| 3-6 | Turandot: Nessun dorma | The Three Tenors, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro dell’Opera di Roma, Zubin Mehta | T-005.000.838-2 | |
| 3-7 | Pictures at an Exhibition (orch. Ravel): Promenade | Wiener Philharmoniker, Valery Gergiev | T-920.064.650-0 | |
| 3-8 | Violin Concerto in E minor, op. 64: II. Andante | Kyung Wha Chung, Orchestre symphonique de Montréal, Charles Dutoit | T-070.126.537-3 | |
| 3-9 | Piano Sonata No.11 in A, K.331 - | Claudio Arrau | T-912.655.618-1 | |
| 3-10 | Chanson de Matin, Op.15, No.2 | BBC Concert Orchestra | — | |
| 3-11 | Symphonie fantastique, Op.14 - 4. Marche au supplice (Allegretto non troppo) | Orchestre symphonique de Montréal | — | |
| 3-12 | Nulla in mundo pax, R.630 - 1. Nulla in mundo pax (Larghetto) | Elly Ameling | — | |
| 3-13 | Recuerdos de la Alhambra | Eduardo Fernández | — | |
| 3-14 | Adagio from Spartacus: Onedin Line theme | Симфонический оркестр Мариинского театра | T-900.012.827-8 | |
| 3-15 | Boléro | Orchestre symphonique de Montréal, Charles Dutoit | T-003.006.377-4 | |
| 3-16 | Canon and Gigue in D major (arr. Max Seiffert): Canon | Frank Maus, Berliner Philharmoniker, Herbert von Karajan | T-917.337.090-6 | |
| 3-17 | Ouvertüre no. 2 h-mol, BWV 1067: VII. Badinerie | Aurèle Nicolet, Munich Bach Orchestra, Karl Richter | T-004.440.086-3 | |
| 3-18 | Messiah, HWV 56: Part II, Scene 7, no. 44 “Hallelujah” (Chorus) | London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | T-071.071.619-0 | |
| 3-19 | Jesu, Joy of Man's Desiring | Choir of King’s College, Cambridge, Nicholas Daniel, Robert Quinney, James Vivian, Stephen Cleobury | T-918.336.740-0 | |
| 3-20 | Water Music Suite No.2 in D, HWV 349 - Alla Hornpipe | Koninklijk Concertgebouworkest | T-306.036.936-6 | |
| 4-1 | Le Carnaval des Animaux - Le Cygne | Martha Argerich | — | |
| 4-2 | Carmen Suite No.1 - Les toréadors | Orchestre symphonique de Montréal | T-308.092.565-7 | |
| 4-3 | Toccata and Fugue in D minor, BWV 565 | Peter Hurford | — | |
| 4-4 | Gayaneh-Suite: Sabre dance | Wiener Philharmoniker, Aram Khachaturian | T-801.025.525-2 | |
| 4-5 | Peer Gynt, Incidental Music, op. 23: In the Hall of the Mountain King | London Symphony Orchestra, Øivin Fjeldstad | — | |
| 4-6 | Rhapsody in Blue | André Previn, Pittsburgh Symphony Orchestra | T-010.244.926-2 | |
| 4-7 | Bagatelle for Piano in A minor, WoO 59 "Für Elise". Poco moto | Vladimir Ashkenazy | T-902.795.527-7 | |
| 4-8 | Solomon HWV 67 - Act 3 - The Arrival of the Queen of Sheba | Academy of Ancient Music | T-011.174.209-6 | |
| 4-9 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-306.395.786-4 | |
| 4-10 | Rigoletto - original version - Act 3 - | Luciano Pavarotti | — | |
| 4-11 | Cello Concerto in E minor, op. 85: 3. Adagio | Julian Lloyd Webber, Royal Philharmonic Orchestra, Yehudi Menuhin | T-010.115.155-6 | |
| 4-12 | Mass in B minor, BWV 232 - Kyrie - Kyrie Eleison | Chicago Symphony Chorus | — | |
| 4-13 | Tristan und Isolde: Mild und leise wie er lächelt | Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | — | |
| 4-14 | Requiem, op. 48: V. Agnus Dei | Academy of St Martin in the Fields, Academy of St. Martin in the Fields Chorus, Sir Neville Marriner, Sylvia McNair, Thomas Allen | T-926.356.677-4 | |
| 4-15 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. | André Bernard, Heinz Holliger, Michala Petri, Henryk Szeryng, Academy of St Martin in the Fields, Neville Marriner | T-801.411.105-9 | |
| 4-16 | Die Meistersinger von Nürnberg: Prelude, Act I | Chicago Symphony Orchestra, Sir Georg Solti | T-050.071.427-1 | |
| 4-17 | Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam | Royal Concertgebouw Orchestra, Riccardo Chailly | T-800.652.468-2 | |
| 4-18 | William Tell - Overture | National Philharmonic Orchestra | T-900.248.424-4 | |
| 4-19 | Requiem in D minor, K. 626: 3. Sequentia: Dies irae | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-20 | Les Contes d’Hoffmann: Entr’acte (Barcarolle) | Gothenburg Symphony Orchestra, Neeme Järvi | T-010.248.557-3 | |
| 5-1 | La Damnation de Faust, Op.24 / Part 1 - Marche hongroise | Orchestre symphonique de Montréal | — | |
| 5-2 | Kinderszenen | Vladimir Ashkenazy | — | |
| 5-3 | Piano Quintet in A major, Op. 114, D 667, "The Trout": IV. Theme and Variations | András Schiff, Lukas Hagen, Veronika Hagen, Clemens Hagen, Alois Posch | T-912.869.950-3 | |
| 5-4 | 8 Slavonic Dances, Op.46 - No.8 in G minor (Presto) | Koninklijk Concertgebouworkest | — | |
| 5-5 | Má Vlast (My Country) - 2. Vltava (The Moldau) | Koninklijk Concertgebouworkest | T-910.005.581-0 | |
| 5-6 | Horn Concerto No. 4 in E Flat Major | Barry Tuckwell, London Symphony Orchestra, Peter Maag | — | |
| 5-7 | Fantasia on Greensleeves | William Bennett, Academy of St Martin in the Fields, Neville Marriner | — | |
| 5-8 | Miserere mei | Saul Quirke, Westminster Cathedral Choir, Stephen Cleobury | T-900.079.512-0 | |
| 5-9 | Concierto de Aranjuez: II. Adagio | Carlos Bonell, Orchestre symphonique de Montréal, Charles Dutoit | T-041.489.061-1 | |
| 5-10 | Organ Concerto no. 13 in F major, HWV 295 "The Cuckoo and the Nightingale": III. Organo ad libitum | George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-11 | St. Matthew Passion, BWV 244: Erbarme dich, mein Gott | Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | T-312.438.860-5 | |
| 5-12 | Vesperae solennes de Dominica: “Laudate Dominum” | Felicity Palmer, Choir of St John’s College, Cambridge, The Wren Orchestra, George Guest | — | |
| 5-13 | Introduction and Allegro for Strings, Op.47 | Academy of St Martin in the Fields | — | |
| 5-14 | I Was Glad | Waynflete Singers, Choir of Winchester Cathedral, Timothy Byram-Wigfield, Bournemouth Symphony Orchestra, David Hill | T-071.000.879-9 | |
| 5-15 | The Nutcracker, Op.71 / Act 2 - No. 13 Waltz of the Flowers | National Philharmonic Orchestra | T-918.336.772-8 | |
| 5-16 | Pavane pour une infante défunte - Orchestral version | John Zirbel | T-003.013.767-7 | |
| 5-17 | Cantique de Jean Racine: for chorus and organ. op. 11 (1865) | Choir of St John’s College, Cambridge, Stephen Cleobury, George Guest | — | |
| 5-18 | Rhapsody on a Theme by Paganini: 18th Variation (excerpt) | Bella Davidovich, Concertgebouw Orchestra Amsterdam, Neeme Järvi | T-902.858.745-3 | |
| 5-19 | Trois Nocturnes: II. Fêtes | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 5-20 | Waltz no. 6 in D-flat, op. 64 no. 1 | Nikita Magaloff | — |
Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo
The Cleveland Orchestra, Christoph von Dohnányi
—
Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti
Gloria in D major, RV 589: Gloria in excelsis Deo
Choir of St John’s College, Cambridge, The Wren Orchestra, George Guest
—
National Philharmonic Orchestra, Gianandrea Gavazzeni
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Vladimir Ashkenazy, London Symphony Orchestra, André Previn
—
The Lark Ascending
Janine Jansen, Royal Philharmonic Orchestra, Barry Wordsworth
—
Piano Concerto No.4 in G, Op.58 - 3. Rondo (Vivace)
Stephen Kovacevich
—
Emma Johnson, English Chamber Orchestra, Raymond Leppard
Royal Philharmonic Orchestra, Charles Mackerras
Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo. Allegro
Academy of St Martin in the Fields, Neville Marriner
—
David Bell, Berliner Philharmoniker, Herbert von Karajan
Vier letzte Lieder, AV 150 TrV 296: Frühling
Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti
—
Anvil Chorus
Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Franci
—
Ave verum corpus, K 618
Choir of King’s College, Cambridge, James Vivian, Stephen Cleobury
—
Symphony of Sorrowful Songs (2nd Movement)
Joanna Kozłowska, Warsaw Philharmonic Orchestra, Kazimierz Kord
—
Winchester Cathedral Choir, The Brandenburg Consort, David Hill
Arthur Grumiaux, Herman Krebbers, Les Solistes Romands, Arpad Gérecz
The Hebrides, op. 26: Overture (Fingal's Cave)
Wiener Philharmoniker, Christoph von Dohnányi
—
Suite bergamesque, Clair de lune
Tamás Vásáry
—
Quanta Qualia
Hayley Westenra
—
Fantasia on a Theme by Thomas Tallis
Iona Brown, Trevor Connah, Kenneth Heath, Stephen Shingles, Academy of St Martin in the Fields, Neville Marriner
—
Crown Imperial (Coronation March)
London Philharmonic Orchestra, Roger Norrington
—
Handel Opera Society Chorus, Handel Opera Society Orchestra, Charles Farncombe
Overture
Gewandhausorchester Leipzig
—
Rusalka: 1. Jednání. “Měsíčku na nebi hlubokém” (Rusalka)
Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras
—
London Symphony Orchestra, Sir Charles Mackerras
Night on the Bare Mountain (arr. Rimsky-Korsakov)
Wiener Philharmoniker, Valery Gergiev
—
Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto
Vladimir Ashkenazy
—
Nutcracker Suite, Op.71a - 3. Waltz of the Flowers
London Philharmonic Orchestra
—
The Three Tenors, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro dell’Opera di Roma, Zubin Mehta
Wiener Philharmoniker, Valery Gergiev
Kyung Wha Chung, Orchestre symphonique de Montréal, Charles Dutoit
Chanson de Matin, Op.15, No.2
BBC Concert Orchestra
—
Symphonie fantastique, Op.14 - 4. Marche au supplice (Allegretto non troppo)
Orchestre symphonique de Montréal
—
Nulla in mundo pax, R.630 - 1. Nulla in mundo pax (Larghetto)
Elly Ameling
—
Recuerdos de la Alhambra
Eduardo Fernández
—
Frank Maus, Berliner Philharmoniker, Herbert von Karajan
Aurèle Nicolet, Munich Bach Orchestra, Karl Richter
London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
Choir of King’s College, Cambridge, Nicholas Daniel, Robert Quinney, James Vivian, Stephen Cleobury
Le Carnaval des Animaux - Le Cygne
Martha Argerich
—
Toccata and Fugue in D minor, BWV 565
Peter Hurford
—
Peer Gynt, Incidental Music, op. 23: In the Hall of the Mountain King
London Symphony Orchestra, Øivin Fjeldstad
—
Trevor Pinnock, Simon Standage, The English Concert
Rigoletto - original version - Act 3 -
Luciano Pavarotti
—
Julian Lloyd Webber, Royal Philharmonic Orchestra, Yehudi Menuhin
Mass in B minor, BWV 232 - Kyrie - Kyrie Eleison
Chicago Symphony Chorus
—
Tristan und Isolde: Mild und leise wie er lächelt
Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge
—
Academy of St Martin in the Fields, Academy of St. Martin in the Fields Chorus, Sir Neville Marriner, Sylvia McNair, Thomas Allen
André Bernard, Heinz Holliger, Michala Petri, Henryk Szeryng, Academy of St Martin in the Fields, Neville Marriner
Chicago Symphony Orchestra, Sir Georg Solti
Royal Concertgebouw Orchestra, Riccardo Chailly
Requiem in D minor, K. 626: 3. Sequentia: Dies irae
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
—
Gothenburg Symphony Orchestra, Neeme Järvi
La Damnation de Faust, Op.24 / Part 1 - Marche hongroise
Orchestre symphonique de Montréal
—
Kinderszenen
Vladimir Ashkenazy
—
András Schiff, Lukas Hagen, Veronika Hagen, Clemens Hagen, Alois Posch
8 Slavonic Dances, Op.46 - No.8 in G minor (Presto)
Koninklijk Concertgebouworkest
—
Horn Concerto No. 4 in E Flat Major
Barry Tuckwell, London Symphony Orchestra, Peter Maag
—
Fantasia on Greensleeves
William Bennett, Academy of St Martin in the Fields, Neville Marriner
—
Carlos Bonell, Orchestre symphonique de Montréal, Charles Dutoit
Organ Concerto no. 13 in F major, HWV 295 "The Cuckoo and the Nightingale": III. Organo ad libitum
George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner
—
Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti
Vesperae solennes de Dominica: “Laudate Dominum”
Felicity Palmer, Choir of St John’s College, Cambridge, The Wren Orchestra, George Guest
—
Introduction and Allegro for Strings, Op.47
Academy of St Martin in the Fields
—
Waynflete Singers, Choir of Winchester Cathedral, Timothy Byram-Wigfield, Bournemouth Symphony Orchestra, David Hill
National Philharmonic Orchestra
Cantique de Jean Racine: for chorus and organ. op. 11 (1865)
Choir of St John’s College, Cambridge, Stephen Cleobury, George Guest
—
Bella Davidovich, Concertgebouw Orchestra Amsterdam, Neeme Järvi
Trois Nocturnes: II. Fêtes
Orchestre symphonique de Montréal, Charles Dutoit
—
Waltz no. 6 in D-flat, op. 64 no. 1
Nikita Magaloff
—
Additional database matches (6)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro | Trevor Pinnock, Simon Standage, The English Concert | — |
| Night on the Bare Mountain (arr. Rimsky-Korsakov) | Wiener Philharmoniker, Valery Gergiev | — |
| Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — |
| Fantasia on Greensleeves | William Bennett, Academy of St Martin in the Fields, Neville Marriner | — |
| Bagatelle for Piano in A minor, WoO 59 "Für Elise". Poco moto | Vladimir Ashkenazy | — |
| Ouvertüre no. 2 h-mol, BWV 1067: VII. Badinerie | Aurèle Nicolet, Munich Bach Orchestra, Karl Richter | T-011.654.484-3 |
Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro
Trevor Pinnock, Simon Standage, The English Concert
—
Night on the Bare Mountain (arr. Rimsky-Korsakov)
Wiener Philharmoniker, Valery Gergiev
—
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Vladimir Ashkenazy, London Symphony Orchestra, André Previn
—
Fantasia on Greensleeves
William Bennett, Academy of St Martin in the Fields, Neville Marriner
—
Bagatelle for Piano in A minor, WoO 59 "Für Elise". Poco moto
Vladimir Ashkenazy
—
Aurèle Nicolet, Munich Bach Orchestra, Karl Richter
What other identifiers does this connect to?
Musical Works (ISWC)
T-003.013.767-7T-003.035.132-6T-005.002.184-5T-005.000.838-2T-005.002.184-5T-010.035.109-4T-010.115.155-6T-010.115.427-1T-010.244.926-2T-010.035.109-4
+20 more
T-010.115.427-1T-010.244.926-2T-010.248.557-3T-041.489.061-1T-060.096.554-5T-070.000.199-5T-070.054.000-6T-070.000.199-5T-070.054.000-6T-070.126.537-3T-071.470.430-9T-101.257.909-6T-308.092.565-7T-312.438.860-5T-800.638.693-3T-800.652.468-2T-801.025.525-2T-801.025.525-2T-801.411.105-9T-900.017.851-8
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000551446940000000055147924000000005519080X00000000554582040000000055524558000000006097350X0000000063041943000000007247550800000000735853970000000076893803
+20 more
00000000782662210000000078381414000000007839301X00000000796217660000000080006357000000008169243200000000817194980000000081818146000000008359322700000000838103750000000084133759000000008413565800000000848264670000000092125089000000009755370100000001002642580000000106702765000000010674956300000001072106150000000107213701
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What is UPC 00028948071340?
00028948071340 is a Universal Product Code (UPC) assigned to 100 Ultimate Classical Music Masterpieces by Classic FM by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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