UPC · Release
Various Artists
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00028948200528 is the Universal Product Code (UPC barcode) for the release “111 Adagio! Classics for Relaxation” by Various Artists, released 2014-02-14. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 110 tracks, each with its own ISRC. Tracks include GBF076210121, DEF056701310, DEF057800560.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Spartacus: Adagio of Spartacus and Phrygia | Wiener Philharmoniker, Aram Khachaturian | — | |
| 2 | Meditation (Thais) | Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | T-306.705.438-6 | |
| 3 | Préludes, Livre I, L. 117: VIII. La fille aux cheveux de lin. Très calme et doucement expressif | Arturo Benedetti Michelangeli | — | |
| 4 | Pavane, op. 50 | John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | T-909.340.218-7 | |
| 5 | Oboe Concerto in D minor: II. Adagio | Heinz Holliger, I Musici | T-001.439.586-8 | |
| 6 | Concerto for Clarinet in A major, K. 622: II. Adagio | Charles Neidich, Orpheus Chamber Orchestra | — | |
| 7 | Impromptu in G-flat major, op. 90 no. 3, D. 899 no. 3. Andante | Andrej Gavrilov | — | |
| 8 | Spiegel im Spiegel | Nicola Benedetti, Alexei Grynyuk | T-800.638.693-3 | |
| 9 | Serenade for Strings, op. 48: III. Elégie | Chamber Orchestra of Europe, Gérard Korsten | — | |
| 10 | Le Carnaval des animaux: XIII. Le Cygne | Patricia Prattis Jennings, Anne Martindale Williams, Joseph Emil Villa | T-004.976.716-9 | |
| 11 | Canon in D | Edward Brewer, Orpheus Chamber Orchestra | T-900.057.914-6 | |
| 12 | Peer Gynt Suite no. 1, op. 46: I. Morning Mood | Berliner Philharmoniker, Herbert von Karajan | — | |
| 13 | Adagio for Strings, op. 11 | Academy of St Martin in the Fields, Sir Neville Marriner | T-070.000.199-5 | |
| 14 | Nocturne no. 2 in E‐flat major, op. 9 no. 2 | Daniel Barenboim | T-316.578.060-5 | |
| 15 | Orchestral Suite no. 3 in D major, BWV 1068: Air | Adolf Scherbaum, Münchener Bach-Orchester, Karl Richter | T-914.248.874-2 | |
| 16 | Brandenburg Concerto no. 5 in D, BWV 1050: 2. Affetuoso | Ian Watson, Marieke Blankestijn, Thierry Fischer, The Chamber Orchestra of Europe | — | |
| 17 | Recuerdos de la Alhambra | Miloš Karadaglić | — | |
| 18 | Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | — | |
| 19 | Cavalleria rusticana: Intermezzo sinfonico | Wolfgang Meyer, Berliner Philharmoniker, Herbert von Karajan | T-307.525.888-3 | |
| 20 | Trois Nocturnes: III. Sirènes | Le chœur des femmes de l’Orchestre Symphonique de Montréal, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 21 | Symphony no. 5 in C-sharp minor: IV. Adagietto, Sehr langsam | Berliner Philharmoniker, Herbert von Karajan | T-800.652.468-2 | |
| 22 | The Planets, op. 32: II. Venus, the Bringer of Peace. Adagio - Andante - Animato - Tempo I | Berliner Philharmoniker, Herbert von Karajan | — | |
| 23 | Prélude à l’après-midi d’un faune | Timothy Hutchins, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 24 | 4 Lieder: Horch, Horch die Lerch’ (Ständchen aus “Cymbeline”), D. 889 (trans. Liszt) | Yevgeny Kissin | — | |
| 25 | The Well-Tempered Clavier, Book I: Prelude & Fugue no. 1 in C major, BWV 846: Praeludium | Wilhelm Kempff | T-910.415.372-2 | |
| 26 | Klaviersonate Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondschein": I. Adagio sostenuto | Daniel Barenboim | — | |
| 27 | Orfeo Ed Euridice: Act II. Dance Of The Blessed Spirits | Karlheinz Zöller, Berliner Philharmoniker, Herbert von Karajan | — | |
| 28 | Romeo and Juliet, Fantasy Overture: Love Theme | Berliner Philharmoniker, Herbert von Karajan | — | |
| 29 | Pavane pour une infante défunte, version pour orchestre | Charles Kavaloski, Orchestre Symphonique de Boston, Seiji Ozawa | T-003.013.767-7 | |
| 30 | Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto | Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | — | |
| 31 | Arioso Cantata BWV 156 (arr. Julian Lloyd Webber) | Julian Lloyd Webber, John Lenehan | — | |
| 32 | Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: III. Minuetto. Allegretto & Trio | Berliner Philharmoniker, Herbert von Karajan | — | |
| 33 | Valse triste, op. 44 no. 1 | Berliner Philharmoniker, Herbert von Karajan | — | |
| 34 | Symphonie Nr. 3 F-Dur op. 90: 4. Allegro | Berliner Philharmoniker, Herbert von Karajan | — | |
| 35 | A Hymn to the Virgin | Gabrieli Consort, Paul McCreesh | T-900.010.952-4 | |
| 36 | Gianni Schicchi "O mio babbino caro" | Rita Streich, Orchester der Deutschen Oper Berlin, Reinhard Peters | T-901.222.501-3 | |
| 37 | Estampes: 1. Pagodes | Jean-Yves Thibaudet | — | |
| 38 | Suite for Cello Solo no. 1 in G major, BWV 1007: 1. Prélude | Pierre Fournier | — | |
| 39 | Vocalise | Berliner Philharmoniker, Lorin Maazel | T-900.222.366-7 | |
| 40 | Sospiri for Strings, Harp and Organ, op. 70 | Academy of St Martin in the Fields, Sir Neville Marriner | T-011.613.873-8 | |
| 41 | Gymnopédie no. 1 | Pascal Rogé | T-050.018.340-3 | |
| 42 | Gaîté parisienne: Barcarolle | Berliner Philharmoniker, Herbert von Karajan | T-312.210.925-1 | |
| 43 | Fantasia on "Greensleeves" | Orpheus Chamber Orchestra | — | |
| 44 | Kinderszenen, op. 15: VII. Träumerei | Martha Argerich | — | |
| 45 | Symphony no. 2 in E minor, op. 27: III. Adagio | Berliner Philharmoniker, Lorin Maazel | T-070.930.360-5 | |
| 46 | L'Arlésienne, Suite no. 1: II. Minuetto | Berliner Philharmoniker, Herbert von Karajan | — | |
| 47 | Frühlingsrauschen, op. 32 no. 3 | Joseph Cooper | — | |
| 48 | Ave verum corpus, K 618 | Choir of King’s College, Cambridge, James Vivian, Stephen Cleobury | — | |
| 49 | Pour le piano: Sarabande | Lilya Zilberstein | — | |
| 50 | Étude Op. 10, No. 3 "Tristesse" | Tamás Vásáry | T-039.190.232-1 | |
| 51 | Peer Gynt Suite no. 1, op. 46: II. "Åse's death" Andante doloroso | Berliner Philharmoniker, Herbert von Karajan | — | |
| 52 | The Swan of Tuonela, op. 22 no. 2 | Gerhard Stempnik, Berliner Philharmoniker, Herbert von Karajan | — | |
| 53 | Bagatelle in A minor, WoO 59 “Für Elise”: Poco moto | Anatol Ugorski | T-304.254.199-7 | |
| 54 | Deux Arabesques: Andantino con moto | Tamás Vásáry | T-329.530.213-1 | |
| 55 | Madama Butterfly: Atto II. Chorus “Coro a bocca chiusa” (Humming Chorus) | Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan | T-011.275.282-5 | |
| 56 | Lakmé : Acte I. « Viens, Mallika » … « Dôme épais le jasmin » (Lakmé) | Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge | T-004.938.007-5 | |
| 2-1 | Adagio for Strings and Organ in G minor: Adagio | Edward Brewer, Eriko Sato, Orpheus Chamber Orchestra | T-005.001.197-6 | |
| 2-3 | Peer Gynt Suite Nr. 2, op. 55: IV. Solvejgs Lied | Gothenburg Symphony Orchestra, Neeme Järvi | T-300.003.632-4 | |
| 2-4 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso | Wilhelm Kempff, Berliner Philharmoniker, Ferdinand Leitner | — | |
| 2-5 | Piano Concerto no. 23 in A, K. 488: II. Adagio | Rudolf Serkin, London Symphony Orchestra, Claudio Abbado | T-915.711.586-1 | |
| 2-6 | Goldberg Variations in G major, BWV 988: XXXII. Aria | András Schiff | T-801.806.984-7 | |
| 2-7 | Serenade for Strings, Op. 22: II. Menuetto | English Chamber Orchestra, Rafael Kubelík | — | |
| 2-8 | Consolations (Six Pensées poétiques), S. 172: No. 3 in D-flat major. Lento placido | Daniel Barenboim | T-306.229.968-3 | |
| 2-9 | Exhortation | The Sixteen, Harry Christophers | — | |
| 2-10 | Clair de lune (from ‘Suite bergamasque’) | Alexis Weissenberg | T-914.291.310-8 | |
| 2-11 | Ancient Airs and Dances, Suite III: Siciliana | Berliner Philharmoniker, Herbert von Karajan | T-200.859.740-5 | |
| 2-12 | Gnossienne no. 1 | Kaori Muraji | T-003.010.023-2 | |
| 2-13 | Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio | Narciso Yepes, Philharmonia Orchestra, Luis Antonio García Navarro | — | |
| 2-14 | String Quintet in C, D. 956: II. Adagio (excerpt) | Dietfried Gürtler, Weller Quartet | T-802.445.410-3 | |
| 2-15 | Lieder ohne Worte, op. 62 no. 6 “Frühlingslied”: Allegretto grazioso in A major | Daniel Barenboim | T-915.714.795-0 | |
| 2-16 | Konzert F-Dur für Oboe, Streicher und Basso continuo, BWV 1053: II. Siciliano | Douglas Boyd, The Chamber Orchestra of Europe | T-329.516.968-1 | |
| 2-17 | "Trout" Quintet: Andante (excerpt) | Sir Clifford Curzon, Willi Boskovsky, Günther Breitenbach, Nikolaus Hübner, Johann Krump | T-802.445.410-3 | |
| 2-18 | Etude, Op. 25 No. 1 in A-flat major | Vladimir Ashkenazy | — | |
| 2-19 | Symphony no. 3, op. 36: II. (excerpt) | Joanna Kozłowska, Orkiestra Symfoniczna Filharmonii Narodowej, Kazimierz Kord | — | |
| 2-20 | Fantasia on a Theme by Thomas Tallis | London Philharmonic Orchestra, Sir Roger Norrington | — | |
| 2-21 | String Quartet no. 2 in D major: III. Notturno | Borodin Quartet | T-927.211.282-0 | |
| 2-22 | Le Carnaval des animaux: VII. Aquarium | Joseph Emil Villa, Patricia Prattis Jennings, Pittsburgh Symphony Orchestra, André Previn | T-004.976.716-9 | |
| 2-23 | Jesu, Joy of Man's Desiring | Choir of King’s College, Cambridge, Nicholas Daniel, Robert Quinney, James Vivian, Stephen Cleobury | T-918.336.740-0 | |
| 2-24 | Sheep May Safely Graze (Cantata no. 208) | Stuttgart Chamber Orchestra, Karl Münchinger | — | |
| 2-25 | Symphony no. 6 in F, op. 68 "Pastoral": II. Szene am Bach: (Andante molto mosso) | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 2-26 | Elegy for Strings, op. 58 | Academy of St Martin in the Fields, Neville Marriner | — | |
| 2-27 | Piano Concerto no. 2 in F major, op. 102: II. Andante | Cristina Ortiz, Royal Philharmonic Orchestra, Vladimir Ashkenazy | — | |
| 2-28 | Capriol Suite: Pavane | Academy of St Martin in the Fields, Sir Neville Marriner | T-900.021.632-0 | |
| 2-29 | Kol Nidrei, op. 47 | Lynn Harrell, Philharmonia Orchestra, Vladimir Ashkenazy | — | |
| 2-30 | Totus Tuus, op. 60 | Gabrieli Consort, Paul McCreesh | — | |
| 2-31 | Élégie, op. 24 | Mischa Maisky, Orchestre de Paris, Semyon Bychkov | — | |
| 2-32 | Valse romantique, L. 71 | Daniel Ericourt | — | |
| 2-33 | Cantus in Memoriam Benjamin Britten | English Chamber Orchestra, Nigel Short | — | |
| 2-34 | Gymnopédies 1+2 | Orchestre symphonique de Montréal, Charles Dutoit | T-011.724.078-4 | |
| 2-35 | The Planets, op. 32: VII. Neptune, the Mystic. Andante - Allegretto | RIAS Kammerchor, Berliner Philharmoniker, Herbert von Karajan | T-010.115.432-8 | |
| 2-36 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | Berliner Philharmoniker, Herbert von Karajan | T-902.764.002-4 | |
| 2-37 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | Berliner Philharmoniker, Herbert von Karajan | T-902.764.002-4 | |
| 2-38 | I giorni (radio edit) | Daniel Hope, Jacques Ammon, Deutsches Kammerorchester Berlin, Simon Halsey | T-005.514.580-6 | |
| 2-39 | String Quintet in E, op. 13 no. 5: III. Minuet | I Musici | — | |
| 2-40 | Five Variants of 'Dives and Lazarus' | The New Queen's Hall Orchestra, Barry Wordsworth | — | |
| 2-41 | Concerto for Harp and Orchestra in B flat major Op. 4 No. 6: I. Andante allegro | Nicanor Zabaleta, Paul Kuentz Chamber Orchestra, Paul Kuentz | — | |
| 2-42 | The Gadfly, op. 97: III. Youth (Romance) | Erez Ofer, The Philadelphia Orchestra, Riccardo Chailly | — | |
| 2-43 | Violin Concerto no. 1 in G minor, op. 26: Adagio | Joshua Bell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-44 | Concerto for Flute, Harp and Orchestra in C, KV 299/297c: II. Andantino (cadenza: Carl Reinecke) | Irena Grafenauer, Maria Graf, Academy of St Martin in the Fields, Sir Neville Marriner | T-911.534.020-0 | |
| 2-45 | Miserere | Choir of Westminster Abbey, Simon Preston | T-900.079.512-0 | |
| 2-46 | Beau Soir | Mischa Maisky, Daria Hovora | — | |
| 2-47 | Dolly Suite, I. Berceuse: Allegretto moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-48 | Suite española no. 1, op. 47 no. 5: Asturias: Leyenda in G minor | Narciso Yepes | — | |
| 2-49 | Images 1: I. Reflets dans l'Eau. Andantino molto | Arturo Benedetti Michelangeli | — | |
| 2-50 | O salutaris hostia | Choir of New College Oxford, Edward Higginbottom | T-000.609.831-2 | |
| 2-51 | 24 Préludes, op. 28 no. 15 in D‐flat major: Sostenuto | Martha Argerich | T-306.229.926-3 | |
| 2-52 | Cantique de Jean Racine: for chorus and organ. op. 11 (1865) | Choir of St John’s College, Cambridge, Stephen Cleobury, George Guest | — | |
| 2-53 | Klaviersonate D-dur, KV 576: II. Adagio | Friedrich Gulda | — | |
| 2-54 | Rhapsody on a Theme of Paganini, op. 43: Variation XVIII. Andante cantabile | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | T-902.858.745-3 | |
| 2-55 | Requiem, op. 48: VII. In Paradisum “In Paradisum deducant angeli” | Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini | T-924.489.944-3 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto pour piano et orchestre No. 21, KV 467: Andante | Géza Anda, Camerata Academica des Salzburger Mozarteums | T-010.194.871-3 |
| Symphonie No. 3 F-Dur, Op. 90: III. Poco Allegretto | Berliner Philharmoniker, Herbert von Karajan | — |
| Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante | Berliner Philharmoniker, Herbert von Karajan | — |
| Concerto for Harp and Orchestra in B flat major Op. 4 No. 6: II. Larghetto | Nicanor Zabaleta, Paul Kuentz Chamber Orchestra, Paul Kuentz | — |
| Serenade for Strings, op. 22: I. Moderato | English Chamber Orchestra, Rafael Kubelík | T-902.685.630-4 |
| L'Arlésienne Suite no. 1: Adagietto | Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | T-800.652.468-2 |
| Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo | Eberhard Finke, Horst Göbel, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | T-911.640.005-6 |
| Tristan und Isolde: Isoldes Liebstod | Berliner Philharmoniker, Herbert von Karajan | T-101.030.037-3 |
| Klaviersonate Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondschein": I. Adagio sostenuto | Daniel Barenboim | T-925.881.218-9 |
| Lakmé : Acte I. « Viens, Mallika » … « Dôme épais le jasmin » (Lakmé) | Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge | — |
| Madama Butterfly: Atto II. Chorus “Coro a bocca chiusa” (Humming Chorus) | Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
00028948200528 is a Universal Product Code (UPC) assigned to 111 Adagio! Classics for Relaxation by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 110 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
00028948200528 is the Universal Product Code (UPC barcode) for the release “111 Adagio! Classics for Relaxation” by Various Artists, released 2014-02-14. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 110 tracks, each with its own ISRC. Tracks include GBF076210121, DEF056701310, DEF057800560.
