UPC · Release
Various Artists
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00028948286638 is the Universal Product Code (UPC barcode) for the release “Classica: The Platinum Collection” by Various Artists, released 2017-06-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 55 tracks, each with its own ISRC. Tracks include DEF059605891, DEF057400530, ITUM71600227.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Also sprach Zarathustra: Einleitung | Chicago Symphony Orchestra, Pierre Boulez | T0071634713 | |
| 2 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Wiener Philharmoniker, Karl Böhm | — | |
| 3 | Concerto for Violin and Strings in E, op. 8 no. 1, RV 269 "La Primavera": 1. Allegro | Sergej Krylov, Lithuanian Chamber Orchestra | T-911640004-5 | |
| 4 | Symphonie Nr. 5 c‐moll, op. 67: 3. Satz: Allegro | Wiener Philharmoniker, Carlos Kleiber | — | |
| 5 | Nocturne, op. 9 no. 2 in E-flat major | Pietro De Maria | T9061487976 | |
| 6 | Ouvertüre no. 2 h-mol, BWV 1067: VII. Badinerie | Aurèle Nicolet, Munich Bach Orchestra, Karl Richter | T0044400863 | |
| 7 | Rhapsody on a Theme of Paganini, op. 43: Variation 18. Andante cantabile | Daniil Trifonov, The Philadelphia Orchestra, Yannick Nézet-Séguin | T-902858745-3 | |
| 8 | La Moldau | Boston Symphony Orchestra, Rafael Kubelík | T1040806311 | |
| 9 | Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning | Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 10 | Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio | Narciso Yepes, Philharmonia Orchestra, Luis Antonio García Navarro | — | |
| 11 | Romeo & Juliet, op. 64: Act I, Scene II. No. 13 The knights’ dance (Juliet and Paris’s dance). Allegro pesante | Boston Symphony Orchestra, Seiji Ozawa | T-003506743-6 | |
| 12 | The Well-Tempered Clavier: Book 1, BWV 846-869: 1. Prelude and Fugue in C major BWV 846 | Ramin Bahrami | — | |
| 13 | Gayaneh : Danse du sabre | Leningrad Philharmonic Orchestra, Gennadi Rozhdestvensky | T-801025525-2 | |
| 14 | Thais: Méditation | Christer Thorvaldsson, Göteborgs Symfoniker, Neeme Järvi | T-001283021-5 | |
| 15 | Suite bergamesque, Clair de lune | Tamás Vásáry | — | |
| 16 | Swan Lake Suite: Scene (Act II) | Wiener Philharmoniker, Herbert von Karajan | — | |
| 17 | Adagio for Strings and Organ in G minor (excerpt) | Festival Strings Lucerne, Rudolf Baumgartner | T-005001197-6 | |
| 18 | Kinderszenen, op. 15: 7. Traumerei | Roberto Prosseda | — | |
| 19 | Messiah, HWV 56: Part II. Chorus: “Hallelujah” | The John Alldis Choir, London Philharmonic Orchestra, Karl Richter | — | |
| 20 | Carmina Burana: Blanziflor et Helena: Ave, formosissima | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | — | |
| 21 | Carmen Suite: Los Toréadors | Orchestre de l’Opéra Bastille, Myung-Whun Chung | T-308092565-7 | |
| 23 | Canon and Gigue in D major, T. 377: I. Canon | The English Concert, Trevor Pinnock | T-920151760-4 | |
| 24 | Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Saleem Ashkar | — | |
| 25 | Orchestral Suite no. 3 in D major, BWV 1068: Air | Adolf Scherbaum, Münchener Bach-Orchester, Karl Richter | T-914248874-2 | |
| 26 | Hungarian Dances, WoO 1: No. 5 in G minor: Allegro — Vivace | Wiener Philharmoniker, Claudio Abbado | — | |
| 27 | Cavalleria rusticana: Intermezzo sinfonico | Wolfgang Meyer, Berliner Philharmoniker, Herbert von Karajan | T-307525888-3 | |
| 28 | Liebesträume S.541/R.211: No. 3 (Nocturne) | Maurizio Baglini | — | |
| 29 | Le Carnaval des animaux, Le Cygne | Alfons Kontarsky, Aloys Kontarsky, Wolfgang Herzer, Wiener Philharmoniker, Karl Böhm | T-983162734-0 | |
| 30 | Quintette à cordes n°5 : "Menuet" | Orpheus Chamber Orchestra | T9181328041 | |
| 31 | Goldberg-Variationen BWV 988: 1. Aria | Ramin Bahrami | — | |
| 32 | Der Nußknacker, op. 71a: III. Valse des fleurs: Tempo di Valse | Berliner Philharmoniker, Herbert von Karajan | — | |
| 33 | Ballet Suite No. 1, Wq. 30: 2. Dance of the Blessed Spirits (Orfeo Ed Euridice) | Camerata Ducale, Guido Rimonda | — | |
| 34 | Bagatelle no. 25 in A minor “Für Elise”, WoO 59 | Roberto Prosseda | — | |
| 35 | Te Deum for Soloists, Chorus and Orchestra, H 146 (revised by Walter Kolneder): Prélude. Rondeau | Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | — | |
| 37 | Gymnopédie n° 1 | Roberto Prosseda | — | |
| 38 | Nabucco: “Va pensiero sull’ali dorate“ | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | — | |
| 39 | Toccata und Fuge D-moll, BWV 565: II. Fuge | Helmut Walcha | — | |
| 40 | Clarinet Concerto In A, K.622: II. Adagio | Fabrizio Meloni, Artkronos, Ezio Rojatti | — | |
| 41 | La Légende du tsar Saltan : "Le Vol du bourdon" | Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch | — | |
| 42 | Moments musicaux, D. 780 no. 3 in F minor. Allegro moderato | Wilhelm Kempff | — | |
| 43 | Les Contes d’Hoffmann : Acte III. Entr’acte | Orchestre de la Suisse Romande, Richard Bonynge | T-010186676-5 | |
| 44 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": 2. Adagio cantabile | Davide Cabassi | T3103332049 | |
| 45 | Bilder einer Ausstellung: Promenade | Chicago Symphony Orchestra, Carlo Maria Giulini | T-011301790-5 | |
| 46 | Messa da requiem : Dies irae | Ernst-Senff-Chor, Berliner Philharmoniker, Carlo Maria Giulini | — | |
| 47 | Slawische Tänze, op. 46: Nr. 1 C-dur. Presto | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | T3125270039 | |
| 48 | Porgy and Bess: Act 1: Summertime | Leontyne Price | T9091321663 | |
| 49 | Concerto pour violon et orchestre No. 2, Op. 7: Rondo (La Campanella) | Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit | — | |
| 50 | An der schönen blauen Donau, Walzer, op. 314 | Berliner Philharmoniker, Herbert von Karajan | T-916104233-7 | |
| 51 | Pavane (excerpt) | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | T9187040137 | |
| 52 | Romance aus "Jeux Interdits" | Narciso Yepes | T-929588677-0 | |
| 53 | Valse en ré bémol majeur, op. 64 no. 1 | Pietro De Maria | — | |
| 54 | Xerxes: Act I. Largo in F major | Edward Brewer, Randall Wolfgang, Orpheus Chamber Orchestra | T9050639775 | |
| 55 | Piano Sonata no. 11 in A, K. 331 "Alla Turca": 3. Rondò Alla Turca | Roberto Prosseda | — | |
| 56 | Violin Romance no. 2 in F major, op. 50 | David Oistrakh, Royal Philharmonic Orchestra, Eugene Goossens | — | |
| 57 | Boléro | Boston Symphony Orchestra, Seiji Ozawa | T-003006377-4 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Toccata und Fuge D-moll, BWV 565: I. Toccata | Helmut Walcha | T9094070072 |
| Carmina Burana: Fortuna imperatrix mundi: O Fortuna | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | T-800639771-4 |
| Serenade in G Major, K. 525 "Eine kleine Nachtmusik": 1. Allegro | Wiener Philharmoniker, Karl Böhm | — |
| Symphonie Nr. 5 c‐moll, op. 67: 1. Satz: Allegro con brio | Wiener Philharmoniker, Carlos Kleiber | — |
| Symphonie Nr. 40 g-Moll, KV 550: I. Molto allegro | Wiener Philharmoniker, Karl Böhm | T-312542381-2 |
| Messa da requiem : Dies irae | Ernst-Senff-Chor, Berliner Philharmoniker, Carlo Maria Giulini | T9109327573 |
| Les Contes d’Hoffmann : Acte III. Intermède‐Entr’acte (Barcarolle) | Orchestre de la Suisse Romande, Richard Bonynge | — |
| Die Walküre, WWV 86B: Ride of the Valkyries (Concert Version) | Wiener Philharmoniker, Sir Georg Solti | T-902771445-0 |
| Ouvertüre no. 2 h-mol, BWV 1067: VII. Badinerie | Aurèle Nicolet, Munich Bach Orchestra, Karl Richter | T0116544843 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
00028948286638 is a Universal Product Code (UPC) assigned to Classica: The Platinum Collection by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 55 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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