UPC · Release
Six Cantatas
Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields and 15 more
00028948297252
54 tracksReleased 2019-02-08
Last verified:
00028948297252 is the Universal Product Code (UPC barcode) for the release “Six Cantatas” by Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields, Júlia Várady, Dietrich Fischer-Dieskau, Timothy Brown, Susan Milan, Ian Watson, Denis Vigay, Raymond Koster, Aldo Baldin, John Shirley‐Quirk, St. Anthony Singers, Janet Baker, Robert Tear, Philip Ledger, Rachel Lord, George Malcolm, released 2019-02-08. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 54 tracks, each with its own ISRC. Tracks include GBF076610821, GBF076610822, GBF076610823.
Format
0Indicator
002GS1 prefix
8948Company prefix
29725Product
2Check digit
- Indicator:
- Packaging-level digit (0 = base item, 1-8 = larger packs).
- GS1 prefix:
- Country/region prefix assigned by GS1.
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit.
Credit Chain
UPCSix Cantatas
ISRC54 recordings
ISWC1 work
IPI1 songwriter
Track List (54)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | "Vergnügte Ruh, beliebte Seelenlust", BWV 170: 1. Aria "Vergnügte Ruh, beliebte Seelenlust" | Dame Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2 | "Vergnügte Ruh, beliebte Seelenlust", BWV 170: 2. Recitative: "Die Welt, das Sündenhaus" | Dame Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3 | "Vergnügte Ruh, beliebte Seelenlust", BWV 170: 3. Aria: "Wie jammern mich doch die verkehrten Herzen" | Dame Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4 | "Vergnügte Ruh, beliebte Seelenlust", BWV 170: 4. Recitative: "Wer sollte sich demnach" | Dame Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5 | "Vergnügte Ruh, beliebte Seelenlust", BWV 170: 5. Aria: "Mir ekelt mehr zu leben" | Dame Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6 | Cantata No. 82 "Ich habe genug": I. Aria: Ich habe genug, ich habe den Heiland | John Shirley-Quirk, Roger Lord, Kenneth Heath, George Malcolm, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 7 | Cantata No. 82 "Ich habe genug": II. Recitative: Ich habe genug! Mein Trost ist nur allein | John Shirley-Quirk, Kenneth Heath, George Malcolm, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 8 | Cantata No. 82 "Ich habe genug": III. Aria: Schlummert ein, ihr matten Augen | John Shirley-Quirk, Kenneth Heath, George Malcolm, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 9 | Cantata No. 82 "Ich habe genug": IV. Recitative: Mein Gott! Wann kommt das schöne: Nun! | John Shirley-Quirk, Kenneth Heath, George Malcolm, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 10 | Cantata No. 82 "Ich habe genug": V. Ich freue mich auf meinen Tod | John Shirley-Quirk, Roger Lord, Kenneth Heath, George Malcolm, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 11 | "Sehet, wir gehn hinauf gen Jerusalem", BWV 159: 1. Arioso & Recitative: "Sehet, wir gehn hinauf gen Jerusalem" | John Shirley-Quirk, Janet Baker, Philip Ledger, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12 | "Sehet, wir gehn hinauf gen Jerusalem", BWV 159: 2. Duet: "Ich folge dir nach" (Alto, Soprano) | Janet Baker, St. Anthony Singers, Philip Ledger, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 13 | "Sehet, wir gehn hinauf gen Jerusalem", BWV 159: 3. Recitative: "Nun will ich mich, mein Jesu" (Tenore) | Robert Tear, Philip Ledger, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 14 | "Sehet, wir gehn hinauf gen Jerusalem", BWV 159: 4. Aria: "Es ist vollbracht" (Basso) | John Shirley-Quirk, Philip Ledger, Roger Lord, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 15 | "Sehet, wir gehn hinauf gen Jerusalem", BWV 159: 5. Chorale: "Jesu, deine Passion ist mir lauter Freude" | St. Anthony Singers, Philip Ledger, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16 | Cantata 'Ich will den Kreuzstab gerne tragen': Aria: Ich will den Kreuzstab gerne tragen | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17 | Cantata 'Ich will den Kreuzstab gerne tragen': Recitative: Mein Wandel auf der Welt | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18 | Cantata 'Ich will den Kreuzstab gerne tragen': Aria: Endlich, endlich wird mein Joch | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19 | Cantata 'Ich will den Kreuzstab gerne tragen': Recitative: Ich stehe fertig und bereit | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 20 | Cantata 'Ich will den Kreuzstab gerne tragen': Chorus: Komm, o Tod, du Schlafes Bruder | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 21 | Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenore) "Schweigt stille, plaudert nicht" | Aldo Baldin, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 22 | Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Basso) "Hat man nicht mit seinen Kindern" | Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 23 | Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Basso, Soprano) "Du böses Kind, du loses Mädchen" | Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 24 | Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Soprano) "Ei, wie schmeckt der Coffee süße" | Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 25 | Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (Basso, Soprano) "Wenn du mir nicht den Coffee läßt" | Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 26 | Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (Basso) "Mädchen, die von harten Sinnen" | Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 27 | Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo (Basso, Soprano) "Nun folge, was dein Vater spricht" | Júlia Várady, Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 28 | Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Soprano) "Heute noch, lieber Vater, tut est doch" | Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 29 | Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (Tenore) "Nun geht und sucht der alte Schlendrian" | Aldo Baldin, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 30 | Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": X. Coro (Terzetto) "Die Katze läßt das Mausen nicht" | Aldo Baldin, Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": I. Ouverture | Academy of St Martin in the Fields, Sir Neville Marriner | T7026221036 | |
| 32 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Soprano, Basso) "Mer hahn en neue Oberkeet" | Dietrich Fischer-Dieskau, Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 33 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Soprano, Basso) "Nu, Mieke, gib dein Guschel immer her" | Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 34 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Soprano) "Ach, es schmeckt doch gar zu gut" | Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 35 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Basso) "Der Herr ist gut" | Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 36 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Basso) "Ach, Herr Schösser, geht nicht gar zu" | Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 37 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Soprano) "Es bleibt dabei, daß unser Herr der beste sei" | Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 38 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Soprano) "Unser trefflicher, lieber Kammerherr" | Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 39 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Basso, Soprano) "Er hilft uns allen, alt und jung" | Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 40 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Soprano) "Das ist galant" | Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 41 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Basso) "Und unsre gnädge Frau" | Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Basso) "Fünfzig Taler bares Geld" | Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Soprano) "Im Ernst ein Wort!" | Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 44 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Soprano) "Klein-Zschocher müsse so zart und süsse" | Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 45 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Basso) "Das ist zu klug vor dich" | Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 46 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Basso) "Es nehme zehntausend Dukaten" | Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 47 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Soprano) "Das klingt zu liederlich" | Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 48 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Soprano) "Gib, Schöne, viel Söhne" | Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 49 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Basso) "Du hast wohl recht" | Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 50 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Basso) "Dein Wachstum sei feste" | Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 51 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Soprano, Basso) "Und damit sei es auch genug" | Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 52 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Soprano) "Und daß ihr's alle wißt" | Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 53 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Basso, Soprano) "Mein Schatz, erraten!" | Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 54 | Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Duetto "Wir gehn nun, wo der Tudelsack" | Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner | — |
"Vergnügte Ruh, beliebte Seelenlust", BWV 170: 1. Aria "Vergnügte Ruh, beliebte Seelenlust"
Dame Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner
—
"Vergnügte Ruh, beliebte Seelenlust", BWV 170: 2. Recitative: "Die Welt, das Sündenhaus"
Dame Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner
—
"Vergnügte Ruh, beliebte Seelenlust", BWV 170: 3. Aria: "Wie jammern mich doch die verkehrten Herzen"
Dame Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner
—
"Vergnügte Ruh, beliebte Seelenlust", BWV 170: 4. Recitative: "Wer sollte sich demnach"
Dame Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner
—
"Vergnügte Ruh, beliebte Seelenlust", BWV 170: 5. Aria: "Mir ekelt mehr zu leben"
Dame Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner
—
Cantata No. 82 "Ich habe genug": I. Aria: Ich habe genug, ich habe den Heiland
John Shirley-Quirk, Roger Lord, Kenneth Heath, George Malcolm, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Cantata No. 82 "Ich habe genug": II. Recitative: Ich habe genug! Mein Trost ist nur allein
John Shirley-Quirk, Kenneth Heath, George Malcolm, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Cantata No. 82 "Ich habe genug": III. Aria: Schlummert ein, ihr matten Augen
John Shirley-Quirk, Kenneth Heath, George Malcolm, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Cantata No. 82 "Ich habe genug": IV. Recitative: Mein Gott! Wann kommt das schöne: Nun!
John Shirley-Quirk, Kenneth Heath, George Malcolm, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Cantata No. 82 "Ich habe genug": V. Ich freue mich auf meinen Tod
John Shirley-Quirk, Roger Lord, Kenneth Heath, George Malcolm, Academy of St. Martin in the Fields, Sir Neville Marriner
—
"Sehet, wir gehn hinauf gen Jerusalem", BWV 159: 1. Arioso & Recitative: "Sehet, wir gehn hinauf gen Jerusalem"
John Shirley-Quirk, Janet Baker, Philip Ledger, Academy of St Martin in the Fields, Sir Neville Marriner
—
"Sehet, wir gehn hinauf gen Jerusalem", BWV 159: 2. Duet: "Ich folge dir nach" (Alto, Soprano)
Janet Baker, St. Anthony Singers, Philip Ledger, Academy of St Martin in the Fields, Sir Neville Marriner
—
"Sehet, wir gehn hinauf gen Jerusalem", BWV 159: 3. Recitative: "Nun will ich mich, mein Jesu" (Tenore)
Robert Tear, Philip Ledger, Academy of St Martin in the Fields, Sir Neville Marriner
—
"Sehet, wir gehn hinauf gen Jerusalem", BWV 159: 4. Aria: "Es ist vollbracht" (Basso)
John Shirley-Quirk, Philip Ledger, Roger Lord, Academy of St Martin in the Fields, Sir Neville Marriner
—
"Sehet, wir gehn hinauf gen Jerusalem", BWV 159: 5. Chorale: "Jesu, deine Passion ist mir lauter Freude"
St. Anthony Singers, Philip Ledger, Academy of St Martin in the Fields, Sir Neville Marriner
—
Cantata 'Ich will den Kreuzstab gerne tragen': Aria: Ich will den Kreuzstab gerne tragen
Academy of St Martin in the Fields, Sir Neville Marriner
—
Cantata 'Ich will den Kreuzstab gerne tragen': Recitative: Mein Wandel auf der Welt
Academy of St Martin in the Fields, Sir Neville Marriner
—
Cantata 'Ich will den Kreuzstab gerne tragen': Aria: Endlich, endlich wird mein Joch
Academy of St Martin in the Fields, Sir Neville Marriner
—
Cantata 'Ich will den Kreuzstab gerne tragen': Recitative: Ich stehe fertig und bereit
Academy of St Martin in the Fields, Sir Neville Marriner
—
Cantata 'Ich will den Kreuzstab gerne tragen': Chorus: Komm, o Tod, du Schlafes Bruder
Academy of St Martin in the Fields, Sir Neville Marriner
—
Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenore) "Schweigt stille, plaudert nicht"
Aldo Baldin, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Basso) "Hat man nicht mit seinen Kindern"
Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner
—
Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Basso, Soprano) "Du böses Kind, du loses Mädchen"
Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner
—
Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Soprano) "Ei, wie schmeckt der Coffee süße"
Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (Basso, Soprano) "Wenn du mir nicht den Coffee läßt"
Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner
—
Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (Basso) "Mädchen, die von harten Sinnen"
Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner
—
Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo (Basso, Soprano) "Nun folge, was dein Vater spricht"
Júlia Várady, Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner
—
Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Soprano) "Heute noch, lieber Vater, tut est doch"
Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (Tenore) "Nun geht und sucht der alte Schlendrian"
Aldo Baldin, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": X. Coro (Terzetto) "Die Katze läßt das Mausen nicht"
Aldo Baldin, Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner
—
Academy of St Martin in the Fields, Sir Neville Marriner
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Soprano, Basso) "Mer hahn en neue Oberkeet"
Dietrich Fischer-Dieskau, Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Soprano, Basso) "Nu, Mieke, gib dein Guschel immer her"
Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Soprano) "Ach, es schmeckt doch gar zu gut"
Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Basso) "Der Herr ist gut"
Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Basso) "Ach, Herr Schösser, geht nicht gar zu"
Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Soprano) "Es bleibt dabei, daß unser Herr der beste sei"
Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Soprano) "Unser trefflicher, lieber Kammerherr"
Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Basso, Soprano) "Er hilft uns allen, alt und jung"
Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Soprano) "Das ist galant"
Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Basso) "Und unsre gnädge Frau"
Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Basso) "Fünfzig Taler bares Geld"
Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Soprano) "Im Ernst ein Wort!"
Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Soprano) "Klein-Zschocher müsse so zart und süsse"
Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Basso) "Das ist zu klug vor dich"
Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Basso) "Es nehme zehntausend Dukaten"
Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Soprano) "Das klingt zu liederlich"
Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Soprano) "Gib, Schöne, viel Söhne"
Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Basso) "Du hast wohl recht"
Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Basso) "Dein Wachstum sei feste"
Dietrich Fischer-Dieskau, Academy of St Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Soprano, Basso) "Und damit sei es auch genug"
Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Soprano) "Und daß ihr's alle wißt"
Júlia Várady, Academy of St. Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Basso, Soprano) "Mein Schatz, erraten!"
Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner
—
Cantate Burlesque, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Duetto "Wir gehn nun, wo der Tudelsack"
Dietrich Fischer-Dieskau, Júlia Várady, Academy of St Martin in the Fields, Sir Neville Marriner
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
SourcesMusicBrainz
Verified on
What is UPC 00028948297252?
00028948297252 is a Universal Product Code (UPC) assigned to Six Cantatas by Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields, Júlia Várady, Dietrich Fischer-Dieskau, Timothy Brown, Susan Milan, Ian Watson, Denis Vigay, Raymond Koster, Aldo Baldin, John Shirley‐Quirk, St. Anthony Singers, Janet Baker, Robert Tear, Philip Ledger, Rachel Lord, George Malcolm. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 54 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm