UPC · Release
London Symphony Orchestra, Antal Doráti
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The UPC for “The Mercury Masters: Antal Dorati in London – Volume 2” by London Symphony Orchestra, Antal Doráti is 00028948471065. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 201 tracks, each with its own ISRC. Tracks include NLA506201990, NLA506201561, NLA506201562.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Bluebeard's Castle, op. 11: Prologue – Opening Scene. Megérkeztünk | Imre Palló, Olga Szönyi, Mihály Székely, London Symphony Orchestra, Antal Doráti | — | |
| 2 | Bluebeard's Castle, op. 11: Door 1 | Mihály Székely, Olga Szönyi, London Symphony Orchestra, Antal Doráti | — | |
| 3 | Bluebeard's Castle, op. 11: Door 2 | Mihály Székely, Olga Szönyi, London Symphony Orchestra, Antal Doráti | — | |
| 4 | Bluebeard's Castle, op. 11: Door 3 | Mihály Székely, Olga Szönyi, London Symphony Orchestra, Antal Doráti | — | |
| 5 | Bluebeard's Castle, op. 11: Door 4 | Mihály Székely, Olga Szönyi, London Symphony Orchestra, Antal Doráti | — | |
| 6 | Bluebeard's Castle, op. 11: Door 5 | Mihály Székely, Olga Szönyi, London Symphony Orchestra, Antal Doráti | — | |
| 7 | Bluebeard's Castle, op. 11: Door 6 | Mihály Székely, Olga Szönyi, London Symphony Orchestra, Antal Doráti | — | |
| 8 | Bluebeard's Castle, op. 11: Door 7 | Mihály Székely, Olga Szönyi, London Symphony Orchestra, Antal Doráti | — | |
| 2-1 | Symphony no. 6 in B minor (“Pathétique”): 1. Adagio – Allegro non troppo | London Symphony Orchestra, Antal Doráti | — | |
| 2-2 | Symphony no. 6 in B minor (“Pathétique”): 2. Allegro con grazia | London Symphony Orchestra, Antal Doráti | — | |
| 2-3 | Symphony no. 6 in B minor (“Pathétique”): 3. Allegro molto vivace | London Symphony Orchestra, Antal Doráti | — | |
| 2-4 | Symphony no. 6 in B minor (“Pathétique”): 4. Adagio lamentoso – Andante | London Symphony Orchestra, Antal Doráti | — | |
| 3-6 | Five Pieces for Orchestra, Op. 10 | London Symphony Orchestra, Antal Doráti | — | |
| 3-7 | Three Pieces for Orchestra: I. Praeludium | London Symphony Orchestra, Antal Doráti | — | |
| 3-8 | Three Pieces for Orchestra: II. Reigen | London Symphony Orchestra, Antal Doráti | — | |
| 3-9 | Three Pieces for Orchestra: III. Marsch | London Symphony Orchestra, Antal Doráti | — | |
| 4-1 | Symphony no. 5 in C minor, op. 67: 1. Allegro con brio | London Symphony Orchestra, Antal Doráti | — | |
| 4-2 | Symphony no. 5 in C minor, op. 67: 2. Andante con moto | London Symphony Orchestra, Antal Doráti | — | |
| 4-3 | Symphony no. 5 in C minor, op. 67: 3. Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 4-4 | Symphony no. 5 in C minor, op. 67: 4. Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 4-5 | Egmont Overture, op. 84 | London Symphony Orchestra, Antal Doráti | — | |
| 4-6 | Consecration of the House Overture, op. 124 | London Symphony Orchestra, Antal Doráti | — | |
| 5-1 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo | — | ||
| 5-2 | Violin Concerto in D major, op. 61: II.Larghetto | — | ||
| 5-3 | Violin Concerto in D major, op. 61: III. Rondo. Allegro | — | ||
| 6-1 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | — | ||
| 6-2 | Piano Concerto no. 1 in E minor, op. 11: II. Romance. Larghetto | — | ||
| 6-3 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo. Vivace | — | ||
| 6-4 | Nocturne no. 7 in C‐sharp minor, op. 27 no. 1 | — | ||
| 6-5 | 12 Études, op. 25: No. 11 in A minor “Winter Wind” | — | ||
| 6-6 | 12 Études, op. 25: No. 1 in A‐flat major “Aeolian Harp” | — | ||
| 6-7 | 12 Études, op. 25: No. 12 in C minor “Ocean” | — | ||
| 7-1 | Hungarian Rhapsody no. 1 in F minor | London Symphony Orchestra, Antal Doráti | — | |
| 7-2 | Hungarian Rhapsody no. 4 in D minor | London Symphony Orchestra, Antal Doráti | T-304.255.693-0 | |
| 7-3 | Hungarian Rhapsody no. 6 in D major "Carnival in Pesth" | London Symphony Orchestra, Antal Doráti | — | |
| 7-4 | Hungarian Rhapsody no. 5 in E minor "Héroïde Élégiaque" | London Symphony Orchestra, Antal Doráti | T-306.229.955-8 | |
| 8-1 | Concerto for Orchestra: 1. Introduzione (Andante non troppo – Allegro vivace) | London Symphony Orchestra, Antal Doráti | — | |
| 8-2 | Concerto for Orchestra: 2. Giuoco delle coppie (Allegretto scherzando) | London Symphony Orchestra, Antal Doráti | — | |
| 8-3 | Concerto for Orchestra: 3. Elegia (Andante non troppo) | London Symphony Orchestra, Antal Doráti | — | |
| 8-4 | Concerto for Orchestra: 4. Intermezzo interrotto (Allegretto) | London Symphony Orchestra, Antal Doráti | — | |
| 8-5 | Concerto for Orchestra: 5. Finale (Presto) | London Symphony Orchestra, Antal Doráti | — | |
| 9-1 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | — | ||
| 9-2 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | — | ||
| 9-3 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | — | ||
| 9-4 | Piano Sonata no. 9 in E major, op. 14 no. 1: I. Allegro | — | ||
| 9-5 | Piano Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto | — | ||
| 9-6 | Piano Sonata no. 9 in E major, op. 14 no. 1: III. Rondo. Allegro comodo | — | ||
| 10-2 | Fireworks, Fantasy for Orchestra | London Symphony Orchestra, Antal Doráti | — | |
| 10-4 | Four Études for Orchestra: I. Danse | London Symphony Orchestra, Antal Doráti | T-070.061.111-5 | |
| 10-5 | Four Études for Orchestra: II. Excentrique | London Symphony Orchestra, Antal Doráti | T-070.061.111-5 | |
| 10-6 | Four Études for Orchestra: III. Cantique | London Symphony Orchestra, Antal Doráti | T-070.061.111-5 | |
| 10-7 | Four Études for Orchestra: IV. Madrid | London Symphony Orchestra, Antal Doráti | T-070.061.111-5 | |
| 10-8 | The Song of the Nightingale (Symphonic Poem): I. Introduction | London Symphony Orchestra, Antal Doráti | — | |
| 10-9 | The Song of the Nightingale (Symphonic Poem): II. Chinese March | London Symphony Orchestra, Antal Doráti | — | |
| 10-10 | The Song of the Nightingale (Symphonic Poem): III. Song of the Nightingale | London Symphony Orchestra, Antal Doráti | — | |
| 10-11 | The Song of the Nightingale (Symphonic Poem): IV. The Mechanical Nightingale's Game | London Symphony Orchestra, Antal Doráti | — | |
| 11-1 | Violin Concerto: I. Allegro con fermezza | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 11-2 | Violin Concerto: II. Andante sostenuto | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 11-3 | Violin Concerto: III. Allegro vivace | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 12-1 | Symphony no. 1 in G minor, op. 13 "Winter Daydreams": I. Allegro tranquillo (Dreams of a Winter Journey) | London Symphony Orchestra, Antal Doráti | — | |
| 12-2 | Symphony no. 1 in G minor, op. 13 "Winter Daydreams": II. Land of Desolation, Land of Mists: Andante cantabile ma non tanto | London Symphony Orchestra, Antal Doráti | — | |
| 12-3 | Symphony no. 1 in G minor, op. 13 "Winter Daydreams": III. Scherzo. Allegro scherzando giocoso | London Symphony Orchestra, Antal Doráti | — | |
| 12-4 | Symphony no. 1 in G minor, op. 13 "Winter Daydreams": IV. Finale. Andante lugubre - Allegro maestoso | London Symphony Orchestra, Antal Doráti | — | |
| 12-5 | Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto – Allegro vivo | London Symphony Orchestra, Antal Doráti | — | |
| 12-6 | Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato | London Symphony Orchestra, Antal Doráti | — | |
| 12-7 | Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo and Trio: Allegro molto vivace | London Symphony Orchestra, Antal Doráti | — | |
| 12-8 | Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai – Allegro vivo | London Symphony Orchestra, Antal Doráti | — | |
| 13-1 | Symphony no. 3 in D major, op. 29 "Polish": I. Introduzione e Allegro - Moderato assai - Allegro brillante | London Symphony Orchestra, Antal Doráti | — | |
| 13-2 | Symphony no. 3 in D major, op. 29 "Polish": II. Alla tedesca. Allegro moderato e semplice | London Symphony Orchestra, Antal Doráti | — | |
| 13-3 | Symphony no. 3 in D major, op. 29 "Polish": III. Andante elegiaco | London Symphony Orchestra, Antal Doráti | — | |
| 13-4 | Symphony no. 3 in D major, op. 29 "Polish": IV. Scherzo. Allegro vivo | London Symphony Orchestra, Antal Doráti | — | |
| 13-5 | Symphony no. 3 in D major, op. 29 "Polish": V. Finale. Allegro con fuoco – Tempo di Polacca | London Symphony Orchestra, Antal Doráti | — | |
| 14-1 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 14-2 | Violin Concerto in E minor, op. 64: II. Andante | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 14-3 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo – Allegro molto vivace | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 14-4 | Violin Concerto in D minor: I. In kräftigem, nicht zu schnellem Tempo | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 14-5 | Violin Concerto in D minor: II. Langsam | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 14-6 | Violin Concerto in D minor: III. Lebhaft, doch nicht schnell | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 15-1 | Variations on a Rococo Theme, op. 33 | János Starker, London Symphony Orchestra, Antal Doráti | — | |
| 15-2 | Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo | — | ||
| 15-3 | Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto | — | ||
| 15-4 | Cello Concerto no. 1 in A minor, op. 33: III. Un peu moins vite | — | ||
| 16-1 | The Miraculous Mandarin: Allegro (Introduction) | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-2 | The Miraculous Mandarin: The curtain rises on a shabby room in the slums... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-3 | The Miraculous Mandarin: First decoy game | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-4 | The Miraculous Mandarin: The shabby old rake enters... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-5 | The Miraculous Mandarin: Second decoy game | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-6 | The Miraculous Mandarin: The shy young man appears in the door... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-7 | The Miraculous Mandarin: Third decoy game | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-8 | The Miraculous Mandarin: Horrified, they see a weird figure in the street... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-9 | The Miraculous Mandarin: The Mandarin enters and stands immobilein the doorway... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-10 | The Miraculous Mandarin: General consternation... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-11 | The Miraculous Mandarin: At last she overcomes her reluctance... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-12 | The Miraculous Mandarin: The girl sinks down to embrace him... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-13 | The Miraculous Mandarin: She flees from him... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-14 | The Miraculous Mandarin: The Mandarin catches the girl, and they fight | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-15 | The Miraculous Mandarin: The tramps leap out... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-16 | The Miraculous Mandarin: "We must kill him..." | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-17 | The Miraculous Mandarin: They think he is dead... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-18 | The Miraculous Mandarin: At last the three tramps master their horror... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-19 | The Miraculous Mandarin: Suddenly he draws himself up... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-20 | The Miraculous Mandarin: They drag the resisting Mandarin to the center of the room... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-21 | The Miraculous Mandarin: The body of the Mandarin begins to glow with a greenish blue light... | BBC Symphony Chorus, BBC Symphony Orchestra, Antal Doráti | — | |
| 16-22 | The Miraculous Mandarin: At her insistence, the tramps take himdown... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-23 | The Miraculous Mandarin: The Mandarin's longing is now stilled... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-24 | Divertimento: I. Allegro non troppo | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-25 | Divertimento: II. Molto adagio | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-26 | Divertimento: III. Allegro assai | BBC Symphony Orchestra, Antal Doráti | — | |
| 17-1 | The Wooden Prince: Introduction: Molto moderato | London Symphony Orchestra, Antal Doráti | — | |
| 17-2 | The Wooden Prince: First Dance: Dance of the Princess in the Forest: Molto moderato | London Symphony Orchestra, Antal Doráti | — | |
| 17-3 | The Wooden Prince: Second Dance: Dance of the Trees: Assai moderato | London Symphony Orchestra, Antal Doráti | — | |
| 17-4 | The Wooden Prince: Third Dance: Dance of the Waves: Andante | London Symphony Orchestra, Antal Doráti | — | |
| 17-5 | The Wooden Prince: Fourth Dance: Dance of the Princess with the Wooden Doll: Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 17-6 | The Wooden Prince: Fifth Dance: The Princess Pulls and Tugs at the Wooden Prince and Tries to Make Him Dance: Meno mosso (subito) | London Symphony Orchestra, Antal Doráti | — | |
| 17-7 | The Wooden Prince: Sixth Dance: She Tries to Attract the Real Prince With Her Seductive Dancing | London Symphony Orchestra, Antal Doráti | — | |
| 17-8 | The Wooden Prince: Seventh Dance: Dismayed, the Princess Attempts to Hurry After the Prince, but the Forest Bars Her Way: Moderato | London Symphony Orchestra, Antal Doráti | — | |
| 18-1 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | — | ||
| 18-2 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 18-3 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 18-4 | Fantaisie in F minor, op. 49 | — | ||
| 19-1 | Le Bœuf sur le toit, op. 58 | — | ||
| 19-2 | Concertino in G major for Piano and Orchestra: I. Presto leggiero | — | ||
| 19-3 | Concertino in G major for Piano and Orchestra: II. Lent | — | ||
| 19-4 | Concertino in G major for Piano and Orchestra: III. Allegretto – IV. Rondeau. Allegretto vivo | — | ||
| 19-5 | Ouverture pour orchestra | — | ||
| 19-6 | Parade: Choral – Prélude du rideau rouge – Prestidigitateur chinois – Petite fille américaine – Acrobates – Final – Suite au “Prélude du rideau rouge” | — | ||
| 20-1 | Symphony no. 59 in A major, Hob. I:59 “Fire”: I. Presto | — | ||
| 20-2 | Symphony no. 59 in A major, Hob. I:59 “Fire”: II. Andante o più tosto allegretto | — | ||
| 20-3 | Symphony no. 59 in A major, Hob. I:59 “Fire”: III. Menuetto | — | ||
| 20-4 | Symphony no. 59 in A major, Hob. I:59 “Fire”: IV. Allegro assai | — | ||
| 20-5 | Symphony no. 81 in G major, Hob. I:81: I. Vivace | — | ||
| 20-6 | Symphony no. 81 in G major, Hob. I:81: II. Andante | — | ||
| 20-7 | Symphony no. 81 in G major, Hob. I:81: III. Menuetto – Allegro | — | ||
| 20-8 | Symphony no. 81 in G major, Hob. I:81: IV. Finale – Allegro ma non troppo | — | ||
| 21-1 | Lucio Silla, K. 135: Overture | — | ||
| 21-2 | Two Marches in D major, K335: no. 1 | Festival Chamber Orchestra, Antal Doráti | — | |
| 21-3 | Two Marches in D major, K335: no. 2 | Festival Chamber Orchestra, Antal Doráti | — | |
| 21-4 | Allegro in D major K. 121 | Festival Chamber Orchestra, Antal Doráti | — | |
| 21-5 | March in D major, K. 249 | Festival Chamber Orchestra, Antal Doráti | T-915.711.552-1 | |
| 21-6 | Minuet in C major, K. 409 | Festival Chamber Orchestra, Antal Doráti | — | |
| 21-7 | Three German Dances, K. 605: no. 1 | Festival Chamber Orchestra, Antal Doráti | — | |
| 21-8 | Three German Dances, K. 605: no. 2 | Festival Chamber Orchestra, Antal Doráti | — | |
| 21-9 | Three German Dances, K. 605: no. 3 | Festival Chamber Orchestra, Antal Doráti | — | |
| 21-10 | Le nozze di Figaro, K. 492: Overture | — | ||
| 22-1 | Symphony no. 3 in F, op. 90: Allegro con brio | London Symphony Orchestra, Antal Doráti | T-329.366.811-4 | |
| 22-2 | Symphony no. 3 in F, op. 90: Andante | London Symphony Orchestra, Antal Doráti | T-329.366.812-5 | |
| 22-3 | Symphony no. 3 in F, op. 90: Poco allegretto | London Symphony Orchestra, Antal Doráti | — | |
| 22-4 | Symphony no. 3 in F, op. 90: Allegro | London Symphony Orchestra, Antal Doráti | T-329.367.586-8 | |
| 22-5 | Symphony no. 4 in E minor, op. 98: Allegro non troppo | London Symphony Orchestra, Antal Doráti | T-902.764.002-4 | |
| 22-6 | Symphony no. 4 in E minor, op. 98: Andante moderato | London Symphony Orchestra, Antal Doráti | — | |
| 22-7 | Symphony no. 4 in E minor, op. 98: Allegro giocoso – Poco meno presto – Tempo I | London Symphony Orchestra, Antal Doráti | T-902.764.002-4 | |
| 22-8 | Symphony no. 4 in E minor, op. 98: Allegro energico e passionato – Piu allegro | London Symphony Orchestra, Antal Doráti | — | |
| 23-1 | Music for Strings, Percussion and Celesta: 1. Andante tranquillo | London Symphony Orchestra, Antal Doráti | — | |
| 23-2 | Music for Strings, Percussion and Celesta: 2. Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 23-3 | Music for Strings, Percussion and Celesta: 3. Adagio | London Symphony Orchestra, Antal Doráti | — | |
| 23-4 | Music for Strings, Percussion and Celesta: 4. Allegro molto | London Symphony Orchestra, Antal Doráti | — | |
| 23-5 | Sonata for Two Pianos and Percussion: 1. Assai lento | Géza Frid, Luctor Ponse, Members of the London Symphony Orchestra, Antal Doráti | — | |
| 23-6 | Sonata for Two Pianos and Percussion: 2. Lento, ma non troppo | Géza Frid, Luctor Ponse, Members of the London Symphony Orchestra, Antal Doráti | — | |
| 23-7 | Sonata for Two Pianos and Percussion: 3. Allegro non troppo | Géza Frid, Luctor Ponse, Members of the London Symphony Orchestra, Antal Doráti | — | |
| 24-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto. Vivace | London Symphony Orchestra, Antal Doráti | — | |
| 24-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | London Symphony Orchestra, Antal Doráti | T-314.638.300-4 | |
| 24-3 | Symphony no. 7 in A major, op. 92: III. Presto. Assai meno presto | London Symphony Orchestra, Antal Doráti | T-915.710.750-1 | |
| 24-4 | Symphony no. 7 in A major, op. 92: IV 4. Allegro con brio | London Symphony Orchestra, Antal Doráti | — | |
| 25-1 | Violin Concerto in D, op. 35: I. Allegro moderato | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 25-2 | Violin Concerto in D, op. 35: II. Canzonetta. Andante | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 25-3 | Violin Concerto in D, op. 35: III. Finale. Allegro vivacissimo | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 26-1 | Suite for Orchestra no. 1 in D minor, op. 43: I. Introduction and Fugue | — | ||
| 26-2 | Suite for Orchestra no. 1 in D minor, op. 43: II. Divertimento | — | ||
| 26-3 | Suite for Orchestra no. 1 in D minor, op. 43: III. Intermezzo | — | ||
| 26-4 | Suite for Orchestra no. 1 in D minor, op. 43: IV. Marche miniature | — | ||
| 26-5 | Suite for Orchestra no. 1 in D minor, op. 43: V. Scherzo | — | ||
| 26-6 | Suite for Orchestra no. 1 in D minor, op. 43: VI. Gavotte | — | ||
| 26-7 | Suite for Orchestra no. 2 in C major, op. 53: I. Jeu de sons | — | ||
| 26-8 | Suite for Orchestra no. 2 in C major, op. 53: II. Valse | — | ||
| 26-9 | Suite for Orchestra no. 2 in C major, op. 53: III. Scherzo burlesque | — | ||
| 26-10 | Suite for Orchestra no. 2 in C major, op. 53: IV. Rêves d’enfant | — | ||
| 26-11 | Suite for Orchestra no. 2 in C major, op. 53: V. Danse baroque | — | ||
| 27-1 | Suite for Orchestra no. 3 in G major, op. 55: I. Elégie. Andantino molto cantabile | New Philharmonia Orchestra, Antal Doráti | — | |
| 27-2 | Suite for Orchestra no. 3 in G major, op. 55: II. Valse melancolique. Allegro moderato | New Philharmonia Orchestra, Antal Doráti | — | |
| 27-3 | Suite for Orchestra no. 3 in G major, op. 55: III. Scherzo. Molto vivace | New Philharmonia Orchestra, Antal Doráti | — | |
| 27-4 | Suite for Orchestra no. 3 in G major, op. 55: IV. Tema con variazioni. Andante con moto | Hugh Bean, New Philharmonia Orchestra, Antal Doráti | — | |
| 27-5 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: I. Gigue, K574. Allegro | New Philharmonia Orchestra, Antal Doráti | — | |
| 27-6 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: II. Menuet, K355. Moderato | New Philharmonia Orchestra, Antal Doráti | — | |
| 27-7 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: III. Preghiera. Andante non tanto | New Philharmonia Orchestra, Antal Doráti | T-329.460.887-6 | |
| 27-8 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: IV. Thème et variations. Allegro giusto | Hugh Bean, Colin Bradbury, New Philharmonia Orchestra, Antal Doráti | — | |
| 28-1 | Concerto for Harpsichord, Flute, Oboe, Clarinet, Violin and Cello: I. Allegro | — | ||
| 28-2 | Concerto for Harpsichord, Flute, Oboe, Clarinet, Violin and Cello: II. Lento | — | ||
| 28-3 | Concerto for Harpsichord, Flute, Oboe, Clarinet, Violin and Cello: III. Vivace | — | ||
| 28-4 | Tres Cantigas del Rey: I. Cantiga 65: A creer devemos que todo pecado | — | ||
| 28-5 | Tres Cantigas del Rey: II. Cantiga 134: A Virgen que é toda santiadade | — | ||
| 28-6 | Tres Cantigas del Rey: III. Cantiga 133: Resugir pode et fazel os seus vivel | — | ||
| 28-7 | Partitas | — | ||
| 28-8 | Canzona a 4 (sopra Battaglia) | — | ||
| 28-9 | Quinto tiento de séptimo tono | — | ||
| 28-10 | Pieces from “Canzoni, Fantasie e Correnti”: Gagliarda a 2 | — | ||
| 28-11 | Pieces from “Canzoni, Fantasie e Correnti”: Canzona per soprano solo | — | ||
| 28-12 | Pieces from “Canzoni, Fantasie e Correnti”: Balletto a 2 e a 3 | — | ||
| 28-13 | Pieces from “Canzoni, Fantasie e Correnti”: Corrente a 3 | — | ||
| 28-14 | Pieces from “Canzoni, Fantasie e Correnti”: Corrente a 4 | — | ||
| 28-15 | Pieces from “Canzoni, Fantasie e Correnti”: Canzona a 3 (due tenori e basso) | — | ||
| 28-16 | Para quien crié yo cabellos | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Five Pieces for Orchestra: I. Vorgefuhle | London Symphony Orchestra, Antal Doráti | — |
| Five Pieces for Orchestra: II. Vergangenes | London Symphony Orchestra, Antal Doráti | — |
| Five Pieces for Orchestra: III. Sommermorgen an einem See | London Symphony Orchestra, Antal Doráti | — |
| Five Pieces for Orchestra: IV. Peripetie | London Symphony Orchestra, Antal Doráti | — |
| Five Pieces for Orchestra: V. Das obligate Rezitativ | London Symphony Orchestra, Antal Doráti | — |
| Scherzo a la Russe | London Symphony Orchestra, Antal Doráti | — |
| Tango | London Symphony Orchestra, Antal Doráti | T-070.178.048-4 |
Musical Works (ISWC)
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00028948471065 is a Universal Product Code (UPC) assigned to The Mercury Masters: Antal Dorati in London – Volume 2 by London Symphony Orchestra, Antal Doráti. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 201 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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The UPC for “The Mercury Masters: Antal Dorati in London – Volume 2” by London Symphony Orchestra, Antal Doráti is 00028948471065. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 201 tracks, each with its own ISRC. Tracks include NLA506201990, NLA506201561, NLA506201562.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Bluebeard's Castle, op. 11: Prologue – Opening Scene. Megérkeztünk | Imre Palló, Olga Szönyi, Mihály Székely, London Symphony Orchestra, Antal Doráti | — | |
| 2 | Bluebeard's Castle, op. 11: Door 1 | Mihály Székely, Olga Szönyi, London Symphony Orchestra, Antal Doráti | — | |
| 3 | Bluebeard's Castle, op. 11: Door 2 | Mihály Székely, Olga Szönyi, London Symphony Orchestra, Antal Doráti | — | |
| 4 | Bluebeard's Castle, op. 11: Door 3 | Mihály Székely, Olga Szönyi, London Symphony Orchestra, Antal Doráti | — | |
| 5 | Bluebeard's Castle, op. 11: Door 4 | Mihály Székely, Olga Szönyi, London Symphony Orchestra, Antal Doráti | — | |
| 6 | Bluebeard's Castle, op. 11: Door 5 | Mihály Székely, Olga Szönyi, London Symphony Orchestra, Antal Doráti | — | |
| 7 | Bluebeard's Castle, op. 11: Door 6 | Mihály Székely, Olga Szönyi, London Symphony Orchestra, Antal Doráti | — | |
| 8 | Bluebeard's Castle, op. 11: Door 7 | Mihály Székely, Olga Szönyi, London Symphony Orchestra, Antal Doráti | — | |
| 2-1 | Symphony no. 6 in B minor (“Pathétique”): 1. Adagio – Allegro non troppo | London Symphony Orchestra, Antal Doráti | — | |
| 2-2 | Symphony no. 6 in B minor (“Pathétique”): 2. Allegro con grazia | London Symphony Orchestra, Antal Doráti | — | |
| 2-3 | Symphony no. 6 in B minor (“Pathétique”): 3. Allegro molto vivace | London Symphony Orchestra, Antal Doráti | — | |
| 2-4 | Symphony no. 6 in B minor (“Pathétique”): 4. Adagio lamentoso – Andante | London Symphony Orchestra, Antal Doráti | — | |
| 3-6 | Five Pieces for Orchestra, Op. 10 | London Symphony Orchestra, Antal Doráti | — | |
| 3-7 | Three Pieces for Orchestra: I. Praeludium | London Symphony Orchestra, Antal Doráti | — | |
| 3-8 | Three Pieces for Orchestra: II. Reigen | London Symphony Orchestra, Antal Doráti | — | |
| 3-9 | Three Pieces for Orchestra: III. Marsch | London Symphony Orchestra, Antal Doráti | — | |
| 4-1 | Symphony no. 5 in C minor, op. 67: 1. Allegro con brio | London Symphony Orchestra, Antal Doráti | — | |
| 4-2 | Symphony no. 5 in C minor, op. 67: 2. Andante con moto | London Symphony Orchestra, Antal Doráti | — | |
| 4-3 | Symphony no. 5 in C minor, op. 67: 3. Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 4-4 | Symphony no. 5 in C minor, op. 67: 4. Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 4-5 | Egmont Overture, op. 84 | London Symphony Orchestra, Antal Doráti | — | |
| 4-6 | Consecration of the House Overture, op. 124 | London Symphony Orchestra, Antal Doráti | — | |
| 5-1 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo | — | ||
| 5-2 | Violin Concerto in D major, op. 61: II.Larghetto | — | ||
| 5-3 | Violin Concerto in D major, op. 61: III. Rondo. Allegro | — | ||
| 6-1 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | — | ||
| 6-2 | Piano Concerto no. 1 in E minor, op. 11: II. Romance. Larghetto | — | ||
| 6-3 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo. Vivace | — | ||
| 6-4 | Nocturne no. 7 in C‐sharp minor, op. 27 no. 1 | — | ||
| 6-5 | 12 Études, op. 25: No. 11 in A minor “Winter Wind” | — | ||
| 6-6 | 12 Études, op. 25: No. 1 in A‐flat major “Aeolian Harp” | — | ||
| 6-7 | 12 Études, op. 25: No. 12 in C minor “Ocean” | — | ||
| 7-1 | Hungarian Rhapsody no. 1 in F minor | London Symphony Orchestra, Antal Doráti | — | |
| 7-2 | Hungarian Rhapsody no. 4 in D minor | London Symphony Orchestra, Antal Doráti | T-304.255.693-0 | |
| 7-3 | Hungarian Rhapsody no. 6 in D major "Carnival in Pesth" | London Symphony Orchestra, Antal Doráti | — | |
| 7-4 | Hungarian Rhapsody no. 5 in E minor "Héroïde Élégiaque" | London Symphony Orchestra, Antal Doráti | T-306.229.955-8 | |
| 8-1 | Concerto for Orchestra: 1. Introduzione (Andante non troppo – Allegro vivace) | London Symphony Orchestra, Antal Doráti | — | |
| 8-2 | Concerto for Orchestra: 2. Giuoco delle coppie (Allegretto scherzando) | London Symphony Orchestra, Antal Doráti | — | |
| 8-3 | Concerto for Orchestra: 3. Elegia (Andante non troppo) | London Symphony Orchestra, Antal Doráti | — | |
| 8-4 | Concerto for Orchestra: 4. Intermezzo interrotto (Allegretto) | London Symphony Orchestra, Antal Doráti | — | |
| 8-5 | Concerto for Orchestra: 5. Finale (Presto) | London Symphony Orchestra, Antal Doráti | — | |
| 9-1 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | — | ||
| 9-2 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | — | ||
| 9-3 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | — | ||
| 9-4 | Piano Sonata no. 9 in E major, op. 14 no. 1: I. Allegro | — | ||
| 9-5 | Piano Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto | — | ||
| 9-6 | Piano Sonata no. 9 in E major, op. 14 no. 1: III. Rondo. Allegro comodo | — | ||
| 10-2 | Fireworks, Fantasy for Orchestra | London Symphony Orchestra, Antal Doráti | — | |
| 10-4 | Four Études for Orchestra: I. Danse | London Symphony Orchestra, Antal Doráti | T-070.061.111-5 | |
| 10-5 | Four Études for Orchestra: II. Excentrique | London Symphony Orchestra, Antal Doráti | T-070.061.111-5 | |
| 10-6 | Four Études for Orchestra: III. Cantique | London Symphony Orchestra, Antal Doráti | T-070.061.111-5 | |
| 10-7 | Four Études for Orchestra: IV. Madrid | London Symphony Orchestra, Antal Doráti | T-070.061.111-5 | |
| 10-8 | The Song of the Nightingale (Symphonic Poem): I. Introduction | London Symphony Orchestra, Antal Doráti | — | |
| 10-9 | The Song of the Nightingale (Symphonic Poem): II. Chinese March | London Symphony Orchestra, Antal Doráti | — | |
| 10-10 | The Song of the Nightingale (Symphonic Poem): III. Song of the Nightingale | London Symphony Orchestra, Antal Doráti | — | |
| 10-11 | The Song of the Nightingale (Symphonic Poem): IV. The Mechanical Nightingale's Game | London Symphony Orchestra, Antal Doráti | — | |
| 11-1 | Violin Concerto: I. Allegro con fermezza | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 11-2 | Violin Concerto: II. Andante sostenuto | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 11-3 | Violin Concerto: III. Allegro vivace | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 12-1 | Symphony no. 1 in G minor, op. 13 "Winter Daydreams": I. Allegro tranquillo (Dreams of a Winter Journey) | London Symphony Orchestra, Antal Doráti | — | |
| 12-2 | Symphony no. 1 in G minor, op. 13 "Winter Daydreams": II. Land of Desolation, Land of Mists: Andante cantabile ma non tanto | London Symphony Orchestra, Antal Doráti | — | |
| 12-3 | Symphony no. 1 in G minor, op. 13 "Winter Daydreams": III. Scherzo. Allegro scherzando giocoso | London Symphony Orchestra, Antal Doráti | — | |
| 12-4 | Symphony no. 1 in G minor, op. 13 "Winter Daydreams": IV. Finale. Andante lugubre - Allegro maestoso | London Symphony Orchestra, Antal Doráti | — | |
| 12-5 | Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto – Allegro vivo | London Symphony Orchestra, Antal Doráti | — | |
| 12-6 | Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato | London Symphony Orchestra, Antal Doráti | — | |
| 12-7 | Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo and Trio: Allegro molto vivace | London Symphony Orchestra, Antal Doráti | — | |
| 12-8 | Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai – Allegro vivo | London Symphony Orchestra, Antal Doráti | — | |
| 13-1 | Symphony no. 3 in D major, op. 29 "Polish": I. Introduzione e Allegro - Moderato assai - Allegro brillante | London Symphony Orchestra, Antal Doráti | — | |
| 13-2 | Symphony no. 3 in D major, op. 29 "Polish": II. Alla tedesca. Allegro moderato e semplice | London Symphony Orchestra, Antal Doráti | — | |
| 13-3 | Symphony no. 3 in D major, op. 29 "Polish": III. Andante elegiaco | London Symphony Orchestra, Antal Doráti | — | |
| 13-4 | Symphony no. 3 in D major, op. 29 "Polish": IV. Scherzo. Allegro vivo | London Symphony Orchestra, Antal Doráti | — | |
| 13-5 | Symphony no. 3 in D major, op. 29 "Polish": V. Finale. Allegro con fuoco – Tempo di Polacca | London Symphony Orchestra, Antal Doráti | — | |
| 14-1 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 14-2 | Violin Concerto in E minor, op. 64: II. Andante | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 14-3 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo – Allegro molto vivace | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 14-4 | Violin Concerto in D minor: I. In kräftigem, nicht zu schnellem Tempo | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 14-5 | Violin Concerto in D minor: II. Langsam | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 14-6 | Violin Concerto in D minor: III. Lebhaft, doch nicht schnell | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 15-1 | Variations on a Rococo Theme, op. 33 | János Starker, London Symphony Orchestra, Antal Doráti | — | |
| 15-2 | Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo | — | ||
| 15-3 | Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto | — | ||
| 15-4 | Cello Concerto no. 1 in A minor, op. 33: III. Un peu moins vite | — | ||
| 16-1 | The Miraculous Mandarin: Allegro (Introduction) | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-2 | The Miraculous Mandarin: The curtain rises on a shabby room in the slums... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-3 | The Miraculous Mandarin: First decoy game | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-4 | The Miraculous Mandarin: The shabby old rake enters... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-5 | The Miraculous Mandarin: Second decoy game | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-6 | The Miraculous Mandarin: The shy young man appears in the door... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-7 | The Miraculous Mandarin: Third decoy game | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-8 | The Miraculous Mandarin: Horrified, they see a weird figure in the street... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-9 | The Miraculous Mandarin: The Mandarin enters and stands immobilein the doorway... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-10 | The Miraculous Mandarin: General consternation... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-11 | The Miraculous Mandarin: At last she overcomes her reluctance... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-12 | The Miraculous Mandarin: The girl sinks down to embrace him... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-13 | The Miraculous Mandarin: She flees from him... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-14 | The Miraculous Mandarin: The Mandarin catches the girl, and they fight | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-15 | The Miraculous Mandarin: The tramps leap out... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-16 | The Miraculous Mandarin: "We must kill him..." | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-17 | The Miraculous Mandarin: They think he is dead... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-18 | The Miraculous Mandarin: At last the three tramps master their horror... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-19 | The Miraculous Mandarin: Suddenly he draws himself up... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-20 | The Miraculous Mandarin: They drag the resisting Mandarin to the center of the room... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-21 | The Miraculous Mandarin: The body of the Mandarin begins to glow with a greenish blue light... | BBC Symphony Chorus, BBC Symphony Orchestra, Antal Doráti | — | |
| 16-22 | The Miraculous Mandarin: At her insistence, the tramps take himdown... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-23 | The Miraculous Mandarin: The Mandarin's longing is now stilled... | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-24 | Divertimento: I. Allegro non troppo | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-25 | Divertimento: II. Molto adagio | BBC Symphony Orchestra, Antal Doráti | — | |
| 16-26 | Divertimento: III. Allegro assai | BBC Symphony Orchestra, Antal Doráti | — | |
| 17-1 | The Wooden Prince: Introduction: Molto moderato | London Symphony Orchestra, Antal Doráti | — | |
| 17-2 | The Wooden Prince: First Dance: Dance of the Princess in the Forest: Molto moderato | London Symphony Orchestra, Antal Doráti | — | |
| 17-3 | The Wooden Prince: Second Dance: Dance of the Trees: Assai moderato | London Symphony Orchestra, Antal Doráti | — | |
| 17-4 | The Wooden Prince: Third Dance: Dance of the Waves: Andante | London Symphony Orchestra, Antal Doráti | — | |
| 17-5 | The Wooden Prince: Fourth Dance: Dance of the Princess with the Wooden Doll: Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 17-6 | The Wooden Prince: Fifth Dance: The Princess Pulls and Tugs at the Wooden Prince and Tries to Make Him Dance: Meno mosso (subito) | London Symphony Orchestra, Antal Doráti | — | |
| 17-7 | The Wooden Prince: Sixth Dance: She Tries to Attract the Real Prince With Her Seductive Dancing | London Symphony Orchestra, Antal Doráti | — | |
| 17-8 | The Wooden Prince: Seventh Dance: Dismayed, the Princess Attempts to Hurry After the Prince, but the Forest Bars Her Way: Moderato | London Symphony Orchestra, Antal Doráti | — | |
| 18-1 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | — | ||
| 18-2 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 18-3 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 18-4 | Fantaisie in F minor, op. 49 | — | ||
| 19-1 | Le Bœuf sur le toit, op. 58 | — | ||
| 19-2 | Concertino in G major for Piano and Orchestra: I. Presto leggiero | — | ||
| 19-3 | Concertino in G major for Piano and Orchestra: II. Lent | — | ||
| 19-4 | Concertino in G major for Piano and Orchestra: III. Allegretto – IV. Rondeau. Allegretto vivo | — | ||
| 19-5 | Ouverture pour orchestra | — | ||
| 19-6 | Parade: Choral – Prélude du rideau rouge – Prestidigitateur chinois – Petite fille américaine – Acrobates – Final – Suite au “Prélude du rideau rouge” | — | ||
| 20-1 | Symphony no. 59 in A major, Hob. I:59 “Fire”: I. Presto | — | ||
| 20-2 | Symphony no. 59 in A major, Hob. I:59 “Fire”: II. Andante o più tosto allegretto | — | ||
| 20-3 | Symphony no. 59 in A major, Hob. I:59 “Fire”: III. Menuetto | — | ||
| 20-4 | Symphony no. 59 in A major, Hob. I:59 “Fire”: IV. Allegro assai | — | ||
| 20-5 | Symphony no. 81 in G major, Hob. I:81: I. Vivace | — | ||
| 20-6 | Symphony no. 81 in G major, Hob. I:81: II. Andante | — | ||
| 20-7 | Symphony no. 81 in G major, Hob. I:81: III. Menuetto – Allegro | — | ||
| 20-8 | Symphony no. 81 in G major, Hob. I:81: IV. Finale – Allegro ma non troppo | — | ||
| 21-1 | Lucio Silla, K. 135: Overture | — | ||
| 21-2 | Two Marches in D major, K335: no. 1 | Festival Chamber Orchestra, Antal Doráti | — | |
| 21-3 | Two Marches in D major, K335: no. 2 | Festival Chamber Orchestra, Antal Doráti | — | |
| 21-4 | Allegro in D major K. 121 | Festival Chamber Orchestra, Antal Doráti | — | |
| 21-5 | March in D major, K. 249 | Festival Chamber Orchestra, Antal Doráti | T-915.711.552-1 | |
| 21-6 | Minuet in C major, K. 409 | Festival Chamber Orchestra, Antal Doráti | — | |
| 21-7 | Three German Dances, K. 605: no. 1 | Festival Chamber Orchestra, Antal Doráti | — | |
| 21-8 | Three German Dances, K. 605: no. 2 | Festival Chamber Orchestra, Antal Doráti | — | |
| 21-9 | Three German Dances, K. 605: no. 3 | Festival Chamber Orchestra, Antal Doráti | — | |
| 21-10 | Le nozze di Figaro, K. 492: Overture | — | ||
| 22-1 | Symphony no. 3 in F, op. 90: Allegro con brio | London Symphony Orchestra, Antal Doráti | T-329.366.811-4 | |
| 22-2 | Symphony no. 3 in F, op. 90: Andante | London Symphony Orchestra, Antal Doráti | T-329.366.812-5 | |
| 22-3 | Symphony no. 3 in F, op. 90: Poco allegretto | London Symphony Orchestra, Antal Doráti | — | |
| 22-4 | Symphony no. 3 in F, op. 90: Allegro | London Symphony Orchestra, Antal Doráti | T-329.367.586-8 | |
| 22-5 | Symphony no. 4 in E minor, op. 98: Allegro non troppo | London Symphony Orchestra, Antal Doráti | T-902.764.002-4 | |
| 22-6 | Symphony no. 4 in E minor, op. 98: Andante moderato | London Symphony Orchestra, Antal Doráti | — | |
| 22-7 | Symphony no. 4 in E minor, op. 98: Allegro giocoso – Poco meno presto – Tempo I | London Symphony Orchestra, Antal Doráti | T-902.764.002-4 | |
| 22-8 | Symphony no. 4 in E minor, op. 98: Allegro energico e passionato – Piu allegro | London Symphony Orchestra, Antal Doráti | — | |
| 23-1 | Music for Strings, Percussion and Celesta: 1. Andante tranquillo | London Symphony Orchestra, Antal Doráti | — | |
| 23-2 | Music for Strings, Percussion and Celesta: 2. Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 23-3 | Music for Strings, Percussion and Celesta: 3. Adagio | London Symphony Orchestra, Antal Doráti | — | |
| 23-4 | Music for Strings, Percussion and Celesta: 4. Allegro molto | London Symphony Orchestra, Antal Doráti | — | |
| 23-5 | Sonata for Two Pianos and Percussion: 1. Assai lento | Géza Frid, Luctor Ponse, Members of the London Symphony Orchestra, Antal Doráti | — | |
| 23-6 | Sonata for Two Pianos and Percussion: 2. Lento, ma non troppo | Géza Frid, Luctor Ponse, Members of the London Symphony Orchestra, Antal Doráti | — | |
| 23-7 | Sonata for Two Pianos and Percussion: 3. Allegro non troppo | Géza Frid, Luctor Ponse, Members of the London Symphony Orchestra, Antal Doráti | — | |
| 24-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto. Vivace | London Symphony Orchestra, Antal Doráti | — | |
| 24-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | London Symphony Orchestra, Antal Doráti | T-314.638.300-4 | |
| 24-3 | Symphony no. 7 in A major, op. 92: III. Presto. Assai meno presto | London Symphony Orchestra, Antal Doráti | T-915.710.750-1 | |
| 24-4 | Symphony no. 7 in A major, op. 92: IV 4. Allegro con brio | London Symphony Orchestra, Antal Doráti | — | |
| 25-1 | Violin Concerto in D, op. 35: I. Allegro moderato | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 25-2 | Violin Concerto in D, op. 35: II. Canzonetta. Andante | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 25-3 | Violin Concerto in D, op. 35: III. Finale. Allegro vivacissimo | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 26-1 | Suite for Orchestra no. 1 in D minor, op. 43: I. Introduction and Fugue | — | ||
| 26-2 | Suite for Orchestra no. 1 in D minor, op. 43: II. Divertimento | — | ||
| 26-3 | Suite for Orchestra no. 1 in D minor, op. 43: III. Intermezzo | — | ||
| 26-4 | Suite for Orchestra no. 1 in D minor, op. 43: IV. Marche miniature | — | ||
| 26-5 | Suite for Orchestra no. 1 in D minor, op. 43: V. Scherzo | — | ||
| 26-6 | Suite for Orchestra no. 1 in D minor, op. 43: VI. Gavotte | — | ||
| 26-7 | Suite for Orchestra no. 2 in C major, op. 53: I. Jeu de sons | — | ||
| 26-8 | Suite for Orchestra no. 2 in C major, op. 53: II. Valse | — | ||
| 26-9 | Suite for Orchestra no. 2 in C major, op. 53: III. Scherzo burlesque | — | ||
| 26-10 | Suite for Orchestra no. 2 in C major, op. 53: IV. Rêves d’enfant | — | ||
| 26-11 | Suite for Orchestra no. 2 in C major, op. 53: V. Danse baroque | — | ||
| 27-1 | Suite for Orchestra no. 3 in G major, op. 55: I. Elégie. Andantino molto cantabile | New Philharmonia Orchestra, Antal Doráti | — | |
| 27-2 | Suite for Orchestra no. 3 in G major, op. 55: II. Valse melancolique. Allegro moderato | New Philharmonia Orchestra, Antal Doráti | — | |
| 27-3 | Suite for Orchestra no. 3 in G major, op. 55: III. Scherzo. Molto vivace | New Philharmonia Orchestra, Antal Doráti | — | |
| 27-4 | Suite for Orchestra no. 3 in G major, op. 55: IV. Tema con variazioni. Andante con moto | Hugh Bean, New Philharmonia Orchestra, Antal Doráti | — | |
| 27-5 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: I. Gigue, K574. Allegro | New Philharmonia Orchestra, Antal Doráti | — | |
| 27-6 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: II. Menuet, K355. Moderato | New Philharmonia Orchestra, Antal Doráti | — | |
| 27-7 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: III. Preghiera. Andante non tanto | New Philharmonia Orchestra, Antal Doráti | T-329.460.887-6 | |
| 27-8 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: IV. Thème et variations. Allegro giusto | Hugh Bean, Colin Bradbury, New Philharmonia Orchestra, Antal Doráti | — | |
| 28-1 | Concerto for Harpsichord, Flute, Oboe, Clarinet, Violin and Cello: I. Allegro | — | ||
| 28-2 | Concerto for Harpsichord, Flute, Oboe, Clarinet, Violin and Cello: II. Lento | — | ||
| 28-3 | Concerto for Harpsichord, Flute, Oboe, Clarinet, Violin and Cello: III. Vivace | — | ||
| 28-4 | Tres Cantigas del Rey: I. Cantiga 65: A creer devemos que todo pecado | — | ||
| 28-5 | Tres Cantigas del Rey: II. Cantiga 134: A Virgen que é toda santiadade | — | ||
| 28-6 | Tres Cantigas del Rey: III. Cantiga 133: Resugir pode et fazel os seus vivel | — | ||
| 28-7 | Partitas | — | ||
| 28-8 | Canzona a 4 (sopra Battaglia) | — | ||
| 28-9 | Quinto tiento de séptimo tono | — | ||
| 28-10 | Pieces from “Canzoni, Fantasie e Correnti”: Gagliarda a 2 | — | ||
| 28-11 | Pieces from “Canzoni, Fantasie e Correnti”: Canzona per soprano solo | — | ||
| 28-12 | Pieces from “Canzoni, Fantasie e Correnti”: Balletto a 2 e a 3 | — | ||
| 28-13 | Pieces from “Canzoni, Fantasie e Correnti”: Corrente a 3 | — | ||
| 28-14 | Pieces from “Canzoni, Fantasie e Correnti”: Corrente a 4 | — | ||
| 28-15 | Pieces from “Canzoni, Fantasie e Correnti”: Canzona a 3 (due tenori e basso) | — | ||
| 28-16 | Para quien crié yo cabellos | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Five Pieces for Orchestra: I. Vorgefuhle | London Symphony Orchestra, Antal Doráti | — |
| Five Pieces for Orchestra: II. Vergangenes | London Symphony Orchestra, Antal Doráti | — |
| Five Pieces for Orchestra: III. Sommermorgen an einem See | London Symphony Orchestra, Antal Doráti | — |
| Five Pieces for Orchestra: IV. Peripetie | London Symphony Orchestra, Antal Doráti | — |
| Five Pieces for Orchestra: V. Das obligate Rezitativ | London Symphony Orchestra, Antal Doráti | — |
| Scherzo a la Russe | London Symphony Orchestra, Antal Doráti | — |
| Tango | London Symphony Orchestra, Antal Doráti | T-070.178.048-4 |
