UPC · Release
The Chopin Masters
Frédéric Chopin
Last verified:
00028948606276 is the Universal Product Code (UPC barcode) for the release “The Chopin Masters” by Frédéric Chopin, released 2021-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 30 tracks, each with its own ISRC. Tracks include PLC701552401, PLC701552402, PLC701552403.
Format
- Indicator:
- Packaging-level digit (0 = base item, 1-8 = larger packs).
- GS1 prefix:
- Country/region prefix assigned by GS1.
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit.
Credit Chain
Track List (30)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 12-1 | Préludes op. 28: No. 1 in C major | Seong-Jin Cho | — | |
| 12-2 | Préludes op. 28: No. 2 in A minor | Seong-Jin Cho | — | |
| 12-3 | Préludes op. 28: No. 3 in G Major | Seong-Jin Cho | T9028145020 | |
| 12-4 | Préludes op. 28: No. 4 in E minor | Seong-Jin Cho | — | |
| 12-5 | Préludes op. 28: No. 5 in D major | Seong-Jin Cho | — | |
| 12-6 | Préludes op. 28: No. 6 in B minor | Seong-Jin Cho | T9050290374 | |
| 12-7 | Préludes op. 28: No. 7 in A major | Seong-Jin Cho | — | |
| 12-8 | Préludes op. 28: No. 8 in F sharp minor | Seong-Jin Cho | T9053863700 | |
| 12-9 | Préludes op. 28: No. 9 in E major | Seong-Jin Cho | T9061487976 | |
| 12-10 | Préludes op. 28: No. 10 in C sharp minor | Seong-Jin Cho | T9159810501 | |
| 12-11 | Préludes op. 28: No. 11 in B major | Seong-Jin Cho | — | |
| 12-12 | Préludes op. 28: No. 12 in G sharp minor | Seong-Jin Cho | T7028841092 | |
| 12-13 | Préludes op. 28: No. 13 in F sharp major | Seong-Jin Cho | — | |
| 12-14 | Préludes op. 28: No. 14 in E flat minor | Seong-Jin Cho | T9138290365 | |
| 12-15 | Préludes op. 28: No. 15 in D-flat major | Seong-Jin Cho | — | |
| 12-16 | Préludes op. 28: No. 16 in B flat minor | Seong-Jin Cho | T9053863700 | |
| 12-17 | Préludes op. 28: No. 17 in A flat major | Seong-Jin Cho | T9030602507 | |
| 12-18 | Préludes op. 28: No. 18 in F minor | Seong-Jin Cho | — | |
| 12-19 | Préludes op. 28: No. 19 in E flat major | Seong-Jin Cho | T9061487976 | |
| 12-20 | Préludes op. 28: No. 20 in C minor | Seong-Jin Cho | — | |
| 12-21 | Préludes op. 28: No. 21 in B flat major | Seong-Jin Cho | — | |
| 12-22 | Préludes op. 28: No. 22 in G minor | Seong-Jin Cho | — | |
| 12-23 | Préludes op. 28: No. 23 in F major | Seong-Jin Cho | — | |
| 12-24 | Préludes op. 28: No. 24 in D minor | Seong-Jin Cho | — | |
| 12-25 | Nocturne in C minor op. 48/1 | Seong-Jin Cho | — | |
| 12-26 | Piano Sonata No. 2 in B flat minor op. 35: 1. Grave - Doppio movimento | Seong-Jin Cho | — | |
| 12-27 | Piano Sonata No. 2 in B flat minor op. 35: 2. Scherzo | Seong-Jin Cho | — | |
| 12-28 | Piano Sonata No. 2 in B flat minor op. 35: 3. Marche funébre - Lento | Seong-Jin Cho | T9157121965 | |
| 12-29 | Piano Sonata No. 2 in B flat minor op. 35: 4. Finale. Presto | Seong-Jin Cho | — | |
| 12-30 | Polonaise in A flat major op. 53 | Seong-Jin Cho | T-309554584-5 |
Additional database matches (157)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Ballade no. 1 in G minor, op. 23 | Adam Harasiewicz, Krystian Zimerman | T9171414474 |
| Polonaise no. 6 en la bémol majeur, op. 53 | Géza Anda | T0602746304 |
| Prelude no. 2 en la mineur : Lento | Géza Anda | — |
| Prelude no. 3 en sol majeur : Vivace | Géza Anda | — |
| Prelude no. 4 en mi mineur : Largo | Géza Anda | T-921530967-4 |
| Prelude no. 5 en ré mineur : Allegro molto | Géza Anda | — |
| Prelude no. 6 en si mineur : Lento assai | Géza Anda | T9050290374 |
| Prelude no. 7 en la majeur : Andantino | Géza Anda | — |
| Prelude no. 8 en fa dièse mineur : Molto agitato | Géza Anda | T9180638011 |
| Prelude no. 9 en mi majeur : Largo | Géza Anda | — |
| Prelude no. 10 en ut dièse mineur : Allegro molto | Géza Anda | — |
| Prelude no. 11 en si majeur : Vivace | Géza Anda | — |
| Prelude no. 12 en sol dièse mineur : Presto | Géza Anda | T7028841092 |
| Prelude no. 13 en fa dièse mineur : Lento | Géza Anda | — |
| Prelude no. 14 en mi bémol mineur : Allegro | Géza Anda | — |
| Prelude no. 15 en ré bémol mineur : sostenuto | Géza Anda | — |
| Prelude no. 16 en si bémol mineur : Presto con fuoco | Géza Anda | — |
| Prelude no. 17 en la bémol majeur : Allegretto | Géza Anda | — |
| Prelude no. 18 en fa mineur : Allegro molto | Géza Anda | — |
| Prelude no. 19 en mi bémol majeur : Vivace | Géza Anda | T9061487976 |
| Prelude no. 20 en ut mineur : Largo | Géza Anda | T3107661423 |
| Prelude no. 21 en si bémol : Cantabile | Géza Anda | — |
| Prelude no. 22 en sol mineur : Molto agitato | Géza Anda | — |
| Prelude no. 23 en fa majeur : Moderato | Géza Anda | — |
| Prelude no. 24 en ré mineur : Allegro appassionato | Géza Anda | — |
| Prelude no. 1 en ut majeur : Agitato | Géza Anda | — |
| Mazurka in D major, B. 4 | Tamás Vásáry | T0316822088 |
| Mazurka No. 44 in C major, Op. 67 No. 3 | Tamás Vásáry | — |
| Mazurka No. 47 in A minor, Op. 68 No. 2 | Tamás Vásáry | T-031612538-8 |
| Mazurka No. 5 in B flat major, Op. 7 No. 1 | Tamás Vásáry | T1066484931 |
| Waltz for piano No. 1 in E flat major, Op. 18, CT. 207 | Tamás Vásáry | T0030728110 |
| Waltz No. 2 in A-flat major, Op. 34 No. 1 | Tamás Vásáry | T1066484931 |
| Waltz no. 3 in A minor, op. 34 no. 2 | Tamás Vásáry | T0316125388 |
| Waltz No. 4 in F major, Op. 34 No. 3 | Tamás Vásáry | T1066484931 |
| Waltz No. 5 in A-flat major, Op. 42 "Grande Valse" | Tamás Vásáry | — |
| Waltz for piano No. 6 in D flat major ("Minute"), Op. 64/1, CT. 212 | Tamás Vásáry | T-911517582-1 |
| Waltz no. 7 in C-sharp minor, op. 64 no. 2 | Tamás Vásáry | — |
| Waltz No. 8 in A-flat major, Op. 64 No. 3 | Tamás Vásáry | — |
| Waltz no. 9 in A-flat major, op. 69 no. 1 "L'adieu" | Tamás Vásáry | — |
| Waltz no. 10 in B minor, op. 69 no. 2 | Tamás Vásáry | — |
| Waltz No. 11 in G-flat major, Op. 70 No. 1 | Tamás Vásáry | T9115175821 |
| Waltz No. 12 in F minor, Op. 70 No. 2 | Tamás Vásáry | T3042532770 |
| Waltz No. 13 in D-flat major, Op. 70 No. 3 | Tamás Vásáry | — |
| Waltz No. 14 in E minor, B. 56 | Tamás Vásáry | T1066484931 |
| Waltz No. 15 in E major, B. 44 | Tamás Vásáry | — |
| Waltz No. 16 in A-flat major, B. 21 | Tamás Vásáry | T9180193195 |
| Waltz No. 17 in E-flat major, B. 46 | Tamás Vásáry | T9180193195 |
| Polonaise No. 6 in A flat major "Héroique", Op. 53 | Tamás Vásáry | T9223322745 |
| Polonaise cis-Moll op. 26 No. 1 | Shura Cherkassky | — |
| Polonaise es-Moll op. 26 No. 2 | Shura Cherkassky | — |
| Polonaise A-Dur op. 40 No. 1 | Shura Cherkassky | — |
| Polonaise c-Moll op. 40 No. 2 | Shura Cherkassky | — |
| Polonaise fis-Moll op. 44 | Shura Cherkassky | T9180193195 |
| Polonaise As-Dur op. 53 | Shura Cherkassky | T9223322745 |
| Polonaise-Fantaisie As-Dur op. 61 | Shura Cherkassky | — |
| Mazurka, op. 67 no. 2: Cantabile | Arturo Benedetti Michelangeli | T0317660426 |
| Mazurka, op. 56 no. 2: Vivace | Arturo Benedetti Michelangeli | T1066484931 |
| Mazurka, op. 67 no. 4: Moderato animato | Arturo Benedetti Michelangeli | — |
| Mazurka, op. 68 no. 2: Lento | Arturo Benedetti Michelangeli | T-031612538-8 |
| Mazurka, op. 68 no. 1: Vivace | Arturo Benedetti Michelangeli | T1066484931 |
| Mazurka, op. 33 no. 1: Mesto | Arturo Benedetti Michelangeli | — |
| Mazurka, op. 30 no. 3: Allegro non troppo, Risoluto | Arturo Benedetti Michelangeli | T0316822088 |
| Mazurka, op. 30 no. 2: Allegretto | Arturo Benedetti Michelangeli | T9045589933 |
| Mazurka, op. 33 no. 4: Mesto | Arturo Benedetti Michelangeli | T9243356674 |
| Mazurka, op. 68 no. 4: Andantino | Arturo Benedetti Michelangeli | — |
| Prelude cis-moll, op. 45: Sostenuto | Arturo Benedetti Michelangeli | — |
| Ballade g-moll, op. 23: Largo - Moderato - Con fuoco | Arturo Benedetti Michelangeli | T-905386370-0 |
| Scherzo b-moll, op. 31: Presto: Sostenuto | Arturo Benedetti Michelangeli | — |
| Études op. 10: No. 1 in C major: Allegro | Maurizio Pollini | T-329456966-3 |
| Études op. 10: No. 2 in A minor “Chromatique”: Allegro | Maurizio Pollini | T-329458384-5 |
| Études op. 10: No. 3 in E major “Tristesse”: Lento, ma non troppo | Maurizio Pollini | T-329459340-7 |
| Études op. 10: No. 4 in C‐sharp minor: Presto | Maurizio Pollini | T-915981383-9 |
| Études op. 10: No. 5 in G‐flat major “Black Keys”: Vivace | Maurizio Pollini | T3294535341 |
| Études op. 10: No. 6 in E‐flat minor: Andante | Maurizio Pollini | T-329458108-7 |
| Études op. 10: No. 7 in C major: Vivace | Maurizio Pollini | T-329457242-8 |
| Études op. 10: No. 8 in F major: Allegro | Maurizio Pollini | T-329458487-1 |
| Études op. 10: No. 9 in F minor: Allegro, molto agitato | Maurizio Pollini | T-329456945-8 |
| Études op. 10: No. 10 in A‐flat major: Vivace assai | Maurizio Pollini | T-329454326-9 |
| Études, op. 10: No. 11 in E‐flat major: Allegretto | Maurizio Pollini | T3294566879 |
| Études, op. 10: No. 12 in C minor “Revolutionary”: Allegro con fuoco | Maurizio Pollini | T-915981383-9 |
| 12 Études, Op. 25: No. 1 in A‐Flat Major “Harp Study” | Maurizio Pollini | — |
| Études, op. 25: No. 2 in F minor: Presto | Maurizio Pollini | T-329456945-8 |
| Études, op. 25: No. 3 in F major: Allegro | Maurizio Pollini | T-329456945-8 |
| Études, op. 25: No. 4 in A minor: Agitato | Maurizio Pollini | T-329457500-7 |
| Études, op. 25: No. 5 in E minor: Vivace | Maurizio Pollini | T-329458108-7 |
| Études, op. 25: No. 6 in G sharp minor: Allegro | Maurizio Pollini | T-915981383-9 |
| Etude no. 19 in C‐sharp minor, op. 25 no. 7 | Maurizio Pollini | T9159813839 |
| Études, op. 25: No. 8 in D flat major: Vivace | Maurizio Pollini | — |
| 12 Études, Op. 25: No. 9 in G‐Flat Major “Butterfly Wings” | Maurizio Pollini | — |
| 12 Études, Op. 25: No. 10 in B Minor “Octave” | Maurizio Pollini | T3083846559 |
| 12 Études, Op. 25: No. 11 in A Minor “Winter Wind” | Maurizio Pollini | T-308381369-4 |
| 12 Études, Op. 25: No. 12 in C Minor “Ocean” | Maurizio Pollini | T-310766142-3 |
| Piano Sonata no. 2 in B‐flat minor, op. 35: Marche funèbre: Lento | Martha Argerich | T-321421851-2 |
| Piano Sonata no. 2 in B‐flat minor, op. 35: Grave – Doppio movimento | Martha Argerich | — |
| Piano Sonata no. 2 in B‐flat minor, op. 35: Scherzo | Martha Argerich | — |
| Piano Sonata no. 2 in B‐flat minor, op. 35: Finale: Presto | Martha Argerich | T3095545787 |
| 24 Préludes, op. 28 no. 1 in C major: Agitato | Martha Argerich | — |
| 24 Préludes, Op. 28: No. 1 in C Major | Martha Argerich | — |
| 24 Préludes, op. 28 no. 3 in G major: Vivace | Martha Argerich | — |
| 24 Préludes, op. 28 no. 4 in E minor: Largo | Martha Argerich | — |
| 24 Préludes, Op. 28: No. 4 in E Minor | Martha Argerich | T9027640024 |
| 24 Préludes, Op. 28: No. 5 in D Major | Martha Argerich | — |
| 24 Préludes, Op. 28: No. 6 in B Minor: Lento assai | Martha Argerich | T-308384655-9 |
| 24 Préludes, Op. 28: No. 7 in A Major | Martha Argerich | T-915710750-1 |
| 24 Préludes, op. 28 no. 9 in E major: Largo | Martha Argerich | T-909573827-5 |
| 24 Préludes, op. 28 no. 9 in E major: Largo | Martha Argerich | T-906148797-6 |
| 24 Préludes, op. 28 no. 10 in C‐sharp minor: Allegro molto | Martha Argerich | T9180638011 |
| 24 Préludes, op. 28 no. 12 in G‐sharp minor: Presto | Martha Argerich | — |
| 24 Préludes, Op. 28: No. 12. in G‐Sharp Minor | Martha Argerich | T-702884109-2 |
| 24 Préludes, op. 28 no. 14 in E‐flat minor: Allegro | Martha Argerich | T-918063801-1 |
| 24 Préludes, op. 28 no. 14 in E‐flat minor: Allegro | Martha Argerich | — |
| 24 Préludes, op. 28 no. 15 in D‐flat major: Sostenuto | Martha Argerich | T-306229926-3 |
| 24 Préludes, op. 28 no. 16 in B‐flat minor: Presto con fuoco | Martha Argerich | — |
| 24 Préludes, op. 28 no. 17 in A‐flat major: Allegretto | Martha Argerich | T-903060250-7 |
| 24 Préludes, op. 28 no. 18 in F minor: Allegro molto | Martha Argerich | T9180638011 |
| 24 Préludes, op. 28 no. 19 in E‐flat major: Vivace | Martha Argerich | T-906148797-6 |
| 24 Préludes, op. 28 no. 20 in C minor: Largo | Martha Argerich | T-310766142-3 |
| 24 Préludes, op. 28 no. 22 in G minor: Molto agitato | Martha Argerich | — |
| 24 Préludes, op. 28 no. 23 in F major: Moderato | Martha Argerich | T9171414474 |
| 24 Préludes, op. 28 no. 23 in F major: Moderato | Martha Argerich | — |
| Prelude in D minor, Op. 28 No. 24 | Martha Argerich | T-902876200-7 |
| Prélude in C‐sharp minor, op. 45: Sostenuto | Martha Argerich | — |
| Prélude in A‐flat major, op. posth.: Presto con leggierezza | Martha Argerich | — |
| Polonaise in A major, Op. 40 No. 1 "Military" | Emil Gilels | — |
| Klaviersonate Nr. 2 b-moll, op. 35: I. Grave - Doppio movimento | Ivo Pogorelich | — |
| Klaviersonate Nr. 2 b-moll, op. 35: II. Scherzo | Ivo Pogorelich | — |
| Klaviersonate Nr. 2 b-moll, op. 35: III. Marche funèbre. Lento - | Ivo Pogorelich | T9157121965 |
| Klaviersonate Nr. 2 b-moll, op. 35: IV. Finale. Presto | Ivo Pogorelich | T-318676528-2 |
| Prélude cis-moll, op. 45 | Ivo Pogorelich | — |
| Scherzo cis-moll, op. 39 | Ivo Pogorelich | T-918063801-1 |
| Nocturne Es-dur, op. 55 no. 2 | Ivo Pogorelich | T-906148797-6 |
| Etude F-dur, op. 10 no. 8 | Ivo Pogorelich | T-329458487-1 |
| Etude As-dur, op. 10 no. 10 | Ivo Pogorelich | T-329454326-9 |
| Étude in G-sharp minor, op. 25 no. 6 | Ivo Pogorelich | — |
| Nocturne in F-sharp major, op. 15 no. 2 | Daniel Barenboim | T-306230833-8 |
| Nocturne no. 15 in F minor, op. 55 no. 1: Andante | Daniel Barenboim | T-321286787-9 |
| Nocturne no. 18 in E major, op. 62 no. 2: Lento | Daniel Barenboim | T9061487976 |
| Nocturne no. 19 in E minor, op. 72 no. 1: Andante | Daniel Barenboim | T9050401586 |
| Ecossaise no. 1 in D major, op. 72 no. 3: Vivace | Stanislav Bunin | T-106648493-1 |
| Ballade no. 2 in F major, op. 38 | Krystian Zimerman | — |
| Ballade no. 3 in A‐flat major, op. 47 | Krystian Zimerman | T-913821070-5 |
| Ballade no. 4 in F minor, op. 52 | Krystian Zimerman | — |
| Barcarolle in F‐sharp major, op. 60 | Krystian Zimerman | T-905382146-8 |
| Fantaisie in F minor, op. 49 | Krystian Zimerman | — |
| Nocturne no. 1 in B-flat minor, op. 9 no. 1: Larghetto | Maria João Pires | T-321286786-8 |
| Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante | Maria João Pires | T-316578060-5 |
| Nocturne no. 5 in F-sharp major, op. 15 no. 2: Larghetto | Maria João Pires | T-306230833-8 |
| Nocturne no. 8 in D-flat major, op. 27 no. 2: Lento sostenuto | Maria João Pires | T-306230835-0 |
| Impromptu no. 4 in C-sharp minor, op. Posth. 66 | Li Yundi | T-304253199-3 |
| Concerto for Piano and Orchestra No. 1 in E minor, Op. 11: I. Allegro maestoso | Rafał Blechacz, Koninklijk Concertgebouworkest, Jerzy Semkow | — |
| Concerto for Piano and Orchestra No. 1 in E minor, Op. 11: II. Romance. Larghetto | Rafał Blechacz, Koninklijk Concertgebouworkest, Jerzy Semkow | T-308381369-4 |
| Concerto for Piano and Orchestra No. 1 in E minor, Op. 11: III. Rondo. Vivace | Rafał Blechacz, Koninklijk Concertgebouworkest, Jerzy Semkow | — |
| Concerto for Piano and Orchestra No. 2 in F minor, Op. 21: I. Maestoso | Rafał Blechacz, Koninklijk Concertgebouworkest, Jerzy Semkow | — |
| Concerto for Piano and Orchestra No. 2 in F minor, Op. 21: II. Larghetto | Rafał Blechacz, Koninklijk Concertgebouworkest, Jerzy Semkow | — |
| Concerto for Piano and Orchestra No. 2 in F minor, Op. 21: III. Allegro vivace | Rafał Blechacz, Koninklijk Concertgebouworkest, Jerzy Semkow | T-902804388-1 |
| 24 Préludes, op. 28 no. 16 in B‐flat minor: Presto con fuoco | Martha Argerich | — |
| Ballade no. 1 in G minor, op. 23 | Krystian Zimerman | T-917141447-4 |
What other identifiers does this connect to?
Musical Works (ISWC)
+48 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+22 more
Identifier Graph
People also ask
Verified on
What is UPC 00028948606276?
00028948606276 is a Universal Product Code (UPC) assigned to The Chopin Masters by Frédéric Chopin. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 30 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm