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  1. Home
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  3. T-902876200-7

ISWC · Musical Work

T-902876200-7

30 recordings

T-902876200-7 is the International Standard Musical Work Code (ISWC) for this musical composition. ISWCs are ISO 15707 identifiers managed by CISAC; they identify the underlying song — its melody, lyrics, and arrangement — rather than any single recording. One composition can have many recordings (ISRCs). This work has 30 known recordings (ISRCs) indexed on Credits.fm.

Format

TPrefix
902876200Work number
7Check digit
Prefix:
"T" = musical work; "W" = work in progress.
Work number:
9-digit unique work number assigned by CISAC.
Check digit:
ISO 7064 Mod 11-2 check digit that validates the rest of the code.

Credit Chain

ISRC30 recordings
ISWCT-902876200-7
SourcesCISAC

Verified on

  • CISAC ISWC registry search

Identifier Graph

ISWCT-902876200-7ISRCDEU920434301ISRCDEU920770705ISRCDEU920770708ISRCGBAYC2002576ISRCGBAYC2002577

People also ask

What is ISWC T-902876200-7?+
ISWC T-902876200-7 identifies a musical composition. ISWCs are defined by ISO 15707 and managed by CISAC to uniquely identify the underlying song — the melody, lyrics, and arrangement.
How many recordings use ISWC T-902876200-7?+
ISWC T-902876200-7 has 30 recordings (ISRCs) associated with it. Each recording is a distinct version — such as the original, a remix, a live performance, or a cover — that shares the same underlying composition.
How is an ISWC different from an ISRC?+
An ISWC identifies a musical work (the underlying composition — melody, lyrics, arrangement). An ISRC identifies a specific sound recording of that work. One ISWC can have many ISRCs — for example, the original recording, a remix, a live version, and a cover would each have their own ISRC but share the same ISWC.

What is ISWC T-902876200-7?

T-902876200-7 is an International Standard Musical Work Code (ISWC) that uniquely identifies this musical composition. ISWCs are defined by ISO 15707 and managed by CISAC. Unlike ISRCs which identify recordings, an ISWC identifies the underlying song — the melody, lyrics, and arrangement.

This work has 30 recordings (ISRCs) associated with it. Each recording represents a distinct version — such as the original, a remix, a live performance, or a cover — that shares the same underlying composition.

Learn more about ISWCs · Powered by Notes.fm

Recordings (30)

1

24 Préludes, op. 28: No. 24 in D minor. Allegro appassionato

Yundi

GBUM71503711

2

I. ZIEMLICH LANGSAM - LEBHAFT

Unknown Artist

DEU920770705

3

IV. LANGSAM - LEBHAFT

Unknown Artist

DEU920770708

4

RUMBA ALLEGRO (SYMPHONY NO.40)

Unknown Artist

GBPFW0700759

5

SHOSTAKOVICH: SYMPHONY NO. 5 IN D MINOR, OP. 47: II. ALLEGRETTO

Unknown Artist

GBAYC2002576

6

SHOSTAKOVICH: SYMPHONY NO. 5 IN D MINOR, OP. 47: III. LARGO

Unknown Artist

GBAYC2002577

7

SHOSTAKOVICH: SYMPHONY NO.5 IN D MINOR, OP.47 - 2. ALLEGRETTO

Unknown Artist

GBF078100252

8

SYMPHONY NO 5 IN D MINOR OP 47 IV ALLEGRETTO NON TROPPO

Unknown Artist

GBLWD8900204

9

SYMPHONY NO. 2 (1933): - ALLEGRO MOLTO

Unknown Artist

GBAYC9700827

10

Symphony no. 2 in D major, op. 43: IV. Finale (Allegro moderato)

Oslo-Filharmonien, Mariss Jansons

GBAYC9202181

11

Symphony no. 2, op. 9 "Antar": II. Allegro - Molto allegro - Meno mosso, allargando

L’Orchestre de la Suisse Romande, Ernest Ansermet

GBF075411292

12

Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio

London Symphony Orchestra, Peter Maag

GBF076010613

13

Symphony No. 3 in C, Op. 52: I. Allegro moderato

Utah Symphony, Maurice Abravanel

USX761113223

14

Symphony No. 3 in C, Op. 52: II. Andantino con moto, quasi allegretto

Utah Symphony, Maurice Abravanel

USX761113224

15

Symphony no. 34 in C, K. 338: III. Finale (Allegro vivace)

English Baroque Soloists, John Eliot Gardiner

NLA508543508

16

Symphony no. 36 “Linz”: III. Menuetto

Wiener Philharmoniker, Leonard Bernstein

GBF076610443

17

Symphony no. 40 in G minor with clarinets, K. 550: I. Allegro molto

Academy of St Martin-in-the-Fields, Sir Neville Marriner

NLA507000017

18

SYMPHONY NO. 40 IN G MINOR, K. 550 : I. MOLTO ALLEGRO

Unknown Artist

DEU920434301

19

Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto

Wiener Philharmoniker, Herbert von Karajan

GBF076010133

20

Symphony no. 5 in C minor, op. 67: I. Allegro con brio

Koninklijk Concertgebouworkest, Erich Kleiber

GBF075210031

21

Symphony no. 5 in D minor, op. 47: I. Moderato

Wiener Philharmoniker, Mariss Jansons

GBAYC9700815

22

SYMPHONY NO. 5 IN D MINOR, OP. 47: II. ALLEGRETTO

Unknown Artist

GBLWD8900202

23

Symphony no. 5 in D minor, op. 47: III. Largo

Wiener Philharmoniker, Mariss Jansons

GBAYC9700817

24

SYMPHONY NO. 5 IN D MINOR, OP. 47: III. LARGO

Unknown Artist

GBLWD8900203

25

Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo

Wiener Philharmoniker, Mariss Jansons

GBAYC9700818

26

SYMPHONY NO. 5, OP. 107: III. ANDANTE

Unknown Artist

QM6MZ1450657

27

SYMPHONY NO. 7 IN D MINOR, B.141: II. POCO ADAGIO

Unknown Artist

GBAYC9200050

28

SYMPHONY NO. 8 IN G, B.163: III. ALLEGRETTO GRAZIOSO - MOLTO VIVACE

Unknown Artist

GBAYC9201836

29

SYMPHONY NO. 8 IN G, B.163: IV. ALLEGRO, MA NON TROPPO

Unknown Artist

GBAYC9201837

30

To Be Certain of the Dawn: II. Remembrance. Hymn to the Eternal Flame (soprano, children’s chorus, chorus)

The Cathedral Choristers, Elizabeth Futral, The Minnesota Boychoir, Minnesota Chorale, The Basilica Cathedral Choir, Minnesota Orchestra, Osmo Vänskä

SEAER0826180

MLC Song Code

S9423A
Verify on MLC Portal →