UPC · Release
Complete Beethoven Recordings
Beethoven, John Eliot Gardiner
028948372690
136 tracksReleased 2019-01-01Archiv Produktion
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028948372690 is the Universal Product Code (UPC barcode) for the release “Complete Beethoven Recordings” by Beethoven, John Eliot Gardiner, released 2019-01-01 on Archiv Produktion. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 136 tracks, each with its own ISRC. Tracks include DEF059303381, DEF059303382, DEF059303383.
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UPCComplete Beethoven Recordings
ISRC39 recordings
ISWC14 works
IPI1 songwriter
Track List (136)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-915.714.772-3 | |
| 2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 4 | Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-318.676.528-2 | |
| 5 | Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-915.714.772-3 | |
| 6 | Symphony no. 2 in D major, op. 36: II. Larghetto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 7 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 8 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 2-1 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 2-2 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 2-3 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 2-4 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 2-5 | Symphony no. 4 in B‐flat major, op. 60: I. Adagio - Allegro vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-001.444.317-4 | |
| 2-6 | Symphony no. 4 in B‐flat major, op. 60: II. Adagio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-001.444.317-4 | |
| 2-7 | Symphony no. 4 in B‐flat major, op. 60: III. Allegro vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-001.444.317-4 | |
| 2-8 | Symphony no. 4 in B‐flat major, op. 60: IV. Allegro ma non troppo | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-001.444.317-4 | |
| 3-1 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 3-2 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 3-3 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 3-4 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 3-5 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 3-6 | Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach: Andante molto mosso | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 3-7 | Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute: Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 3-8 | Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm: Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 3-9 | Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang: Frohe und dankbare Gefühle nach dem Sturm: Allegretto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 4-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 4-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-314.638.300-4 | |
| 4-3 | Symphony no. 7 in A major, op. 92: III. Presto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-931.717.518-1 | |
| 4-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 4-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 4-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-909.821.799-3 | |
| 4-7 | Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-909.821.799-3 | |
| 4-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-909.821.799-3 | |
| 5-1 | Symphony no. 9 in D minor, op. 125: Allegro ma non troppo, un poco maestoso | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 5-2 | Symphony no. 9 in D minor, op. 125: Molto vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-909.876.841-3 | |
| 5-3 | Symphony no. 9 in D minor, op. 125: Adagio molto e cantabile | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-912.747.871-1 | |
| 5-4 | Symphony no. 9 in D minor, op. 125: Presto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 5-5 | Symphony no. 9 in D minor, op. 125: Presto: “O Freunde, nicht diese Töne!” Allegro assai | Gilles Cachemaille, Monteverdi Choir, Ľuba Orgonášová, Anne Sofie von Otter, Anthony Rolfe Johnson, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 6-1 | Concerto for Piano and Orchestra No. 2 in B-flat major, op. 19: I. Allegro con brio | — | ||
| 6-2 | Concerto for Piano and Orchestra No. 2 in B-flat major, op. 19: II. Adagio | — | ||
| 6-3 | Concerto for Piano and Orchestra No. 2 in B-flat major, op. 19: III. Rondo. Allegro molto | — | ||
| 6-4 | Rondo for Piano and Orchestra in B-flat major.. WoO 6: Allegro - Andante - (Tempo I) | — | ||
| 6-5 | Concerto for Piano and Orchestra No. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 6-6 | Concerto for Piano and Orchestra No. 1 in C major, op. 15: II. Largo | — | ||
| 6-7 | Concerto for Piano and Orchestra No. 1 in C major, op. 15: III. Rondo. Allegro | — | ||
| 7-1 | Concerto for Piano and Orchestra No. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 7-2 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo | Robert Levin, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 7-3 | Concerto for Piano and Orchestra No. 3 in C minor, op. 37: III. Rondo. Allegro | — | ||
| 7-4 | Concerto for Piano and Orchestra No. 4 in G major, op. 58: I. Allegro moderato | — | ||
| 7-5 | Concerto for Piano and Orchestra No. 4 in G major, op. 58: II. Andante con moto - attacca | — | ||
| 7-6 | Concerto for Piano and Orchestra No. 4 in G major, op. 58: III. Rondo. Vivace | — | ||
| 8-1 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | — | ||
| 8-2 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco moto | — | ||
| 8-3 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo: Allegro a non troppo | — | ||
| 8-4 | Fantasy for Piano, Chorus and Orchestra in C minor, op. 80: Adagio | — | ||
| 8-5 | Fantasy for Piano, Chorus and Orchestra in C minor, op. 80: Finale: Allegro - Meno allegro (Allegretto) - Allegro molto - Adagio ma non troppo - Marcia assai vivace - Allegro - Allegretto ma non troppo quasi con moto - Presto | — | ||
| 8-6 | Choral Fantasy, op. 80 (alternative improvised introduction no. 1) | — | ||
| 8-7 | Choral Fantasy, op. 80 (alternative improvised introduction no. 2) | — | ||
| 10-1 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo (cadenza: Ottavio Dantone) | — | ||
| 10-2 | Violin Concerto in D major, op. 61: II. Larghetto | — | ||
| 10-3 | Violin Concerto in D major, op. 61: III. Rondo (cadenza: Ottavio Dantone) | — | ||
| 11-1 | Missa Solemnis, op. 123: I. Kyrie - Assai sostenuto | — | ||
| 11-2 | Missa Solemnis, op. 123: II. Gloria - Allegro vivace | — | ||
| 11-3 | Missa Solemnis, op. 123: III. Credo - Allegro ma non troppo | — | ||
| 11-4 | Missa Solemnis, op. 123: IV. Sanctus - Adagio | — | ||
| 11-5 | Missa Solemnis, op. 123: V. Agnus Dei - Adagio | — | ||
| 12-1 | Ah! perfido - Per pietà, Op. 65 | — | ||
| 12-2 | Meeresstille und glückliche Fahrt, Op. 112 | — | ||
| 12-3 | Mass in C major, op. 86: Kyrie | — | ||
| 12-4 | Mass in C major, op. 86: Gloria | — | ||
| 12-5 | Mass in C major, op. 86: Credo | — | ||
| 12-6 | Mass in C major, op. 86: Sanctus (Benedictus) | — | ||
| 12-7 | Mass in C major, op. 86: Agnus Dei | — | ||
| 13-1 | Leonore, Hess 109: Ouvertüre “Leonore II” | — | ||
| 13-2 | Leonore, Hess 109: …Twas in truth | — | ||
| 13-3 | Leonore, Hess 109: O wär’ ich schon mit dir vereint | — | ||
| 13-4 | Leonore, Hess 109: Beharrlich bleibt auf dem Liebespfad | — | ||
| 13-5 | Leonore, Hess 109: Jetzt Schätzchen, jetzt sind wir allein | — | ||
| 13-6 | Leonore, Hess 109: Der Kerkermeister, Rocco, der Vater | — | ||
| 13-7 | Leonore, Hess 109: Ein Mann ist bald genommen | — | ||
| 13-8 | Leonore, Hess 109: Fidelio kam - und niemand weiß woher | — | ||
| 13-9 | Leonore, Hess 109: Mir ist so wunderbar | — | ||
| 13-10 | Leonore, Hess 109: Gefühl ist gut, doch Geld ist besser | — | ||
| 13-11 | Leonore, Hess 109: Hat man nicht auch Gold beineben | — | ||
| 13-12 | Leonore, Hess 109: Unantastbar klar birgt Leonores Brust | — | ||
| 13-13 | Leonore, Hess 109: Gut, Söhnchen, gut | — | ||
| 13-14 | Leonore, Hess 109: Einleitung D‐dur | — | ||
| 13-15 | Leonore, Hess 109: Der Gouverneur ist da | — | ||
| 13-16 | Leonore, Hess 109: Ha! Welch ein Augenblick! | — | ||
| 13-17 | Leonore, Hess 109: Postiert eine Trompete auf dem Wachturm! | — | ||
| 13-18 | Leonore, Hess 109: Jetzt, Alter, hat es Eile! | — | ||
| 13-19 | Leonore, Hess 109: Und Leonore begegnet Marzelline | — | ||
| 13-20 | Leonore, Hess 109: Um in der Ehe froh zu leben | — | ||
| 13-21 | Leonore, Hess 109: Die ernsten Steine des dumpfen Gemäuers | — | ||
| 13-22 | Leonore, Hess 109: Ach, brich noch nicht, du mattes Herz! - Komm, Hoffnung | — | ||
| 14-1 | Leonore, Hess 109: O welche Lust, in freier Luft | — | ||
| 14-2 | Leonore, Hess 109: Entfernt euch jetzt! Nun, könnt ihr eilen?/Nun sprecht, wie ging’s? | — | ||
| 14-3 | Leonore, Hess 109: Wir müssen gleich zu Werke schreiten - Ach Vater, eilt! | — | ||
| 14-4 | Leonore, Hess 109: Auf euch nur will ich bauen | — | ||
| 14-5 | Leonore, Hess 109: Florestans Not im Dunkel tauber Einsamkeit | — | ||
| 14-6 | Leonore, Hess 109: Gott! Welch Dunkel hier! - In des Lebens Frühlingstagen | — | ||
| 14-7 | Leonore, Hess 109: Wie kalt ist es in diesem unterirdischen Gewölbe! | — | ||
| 14-8 | Leonore, Hess 109: Nur hurtig fort, nur frisch gegraben | — | ||
| 14-9 | Leonore, Hess 109: Dort, in der Tiefe | — | ||
| 14-10 | Leonore, Hess 109: Euch werde Lohn in bessern Welten | — | ||
| 14-11 | Leonore, Hess 109: Und Rocco eilt | — | ||
| 14-12 | Leonore, Hess 109: Er sterbe! Doch er soll erst wissen | — | ||
| 14-13 | Leonore, Hess 109: Oh Leonore! Alles was dein Mut gewagt - verloren! | — | ||
| 14-14 | Leonore, Hess 109: Ich kann mich noch nicht fassen - O namenlose Freude! | — | ||
| 14-15 | Leonore, Hess 109: Zur Rache! Zur Rache! | — | ||
| 14-16 | Leonore, Hess 109: O Gott! O welch ein Augenblick! | — | ||
| 14-17 | Leonore, Hess 109: So müssen endlich Aufgeklärte | — | ||
| 14-18 | Leonore, Hess 109: Doch höre erst, du Bösewicht | — | ||
| 14-19 | Leonore, Hess 109: Dann herrscht allgemeine Freiheit und Gleichheit der Geister | — | ||
| 14-20 | Leonore, Hess 109: Nein, nein, nein! Er ist noch zu gering bestraft! | — | ||
| 14-21 | Leonore, Hess 109: Ein höherer Geist, vom Himmel gesandt | — | ||
| 14-22 | Leonore, Hess 109: Der König wird dein Richter sein! | — | ||
| 14-23 | Leonore, Hess 109: Wer ein holdes Weib errungen | — | ||
| 15-1 | Historical influences on Beethoven | — | ||
| 15-2 | The technical demands made of instrumentalists | — | ||
| 15-3 | Using period instruments | — | ||
| 15-4 | Beethoven's tempo markings | — | ||
| 15-5 | The political dimension of Beethoven's music | — | ||
| 15-6 | Summing up | — | ||
| 15-7 | Historischer Einfluss auf Beethoven | — | ||
| 15-8 | Technische Anforderungen an Instrumentalisten | — | ||
| 15-9 | Über den Einsatz historischer Instrumente | — | ||
| 15-10 | Beethovens Tempobezeichnungen | — | ||
| 15-11 | Politische Dimension in der Musik Beethovens | — | ||
| 15-12 | Zum Schluss | — | ||
| 15-13 | Influence historique sur Beethoven | — | ||
| 15-14 | Conditions pour les instrumentistes | — | ||
| 15-15 | Utilisation d'instruments historiques | — | ||
| 15-16 | Les marques de tempo de Beethoven | — | ||
| 15-17 | Dimension politique dans la musique de Beethoven | — | ||
| 15-18 | Les symphonies de Beethoven | — |
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Symphony no. 2 in D major, op. 36: II. Larghetto
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Symphony no. 2 in D major, op. 36: IV. Allegro molto
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach: Andante molto mosso
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute: Allegro
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm: Allegro
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang: Frohe und dankbare Gefühle nach dem Sturm: Allegretto
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Symphony no. 7 in A major, op. 92: IV. Allegro con brio
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Symphony no. 9 in D minor, op. 125: Allegro ma non troppo, un poco maestoso
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Symphony no. 9 in D minor, op. 125: Presto
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Symphony no. 9 in D minor, op. 125: Presto: “O Freunde, nicht diese Töne!” Allegro assai
Gilles Cachemaille, Monteverdi Choir, Ľuba Orgonášová, Anne Sofie von Otter, Anthony Rolfe Johnson, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Concerto for Piano and Orchestra No. 2 in B-flat major, op. 19: I. Allegro con brio
—
Concerto for Piano and Orchestra No. 2 in B-flat major, op. 19: II. Adagio
—
Concerto for Piano and Orchestra No. 2 in B-flat major, op. 19: III. Rondo. Allegro molto
—
Rondo for Piano and Orchestra in B-flat major.. WoO 6: Allegro - Andante - (Tempo I)
—
Concerto for Piano and Orchestra No. 1 in C major, op. 15: I. Allegro con brio
—
Concerto for Piano and Orchestra No. 1 in C major, op. 15: II. Largo
—
Concerto for Piano and Orchestra No. 1 in C major, op. 15: III. Rondo. Allegro
—
Concerto for Piano and Orchestra No. 3 in C minor, op. 37: I. Allegro con brio
—
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo
Robert Levin, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Concerto for Piano and Orchestra No. 3 in C minor, op. 37: III. Rondo. Allegro
—
Concerto for Piano and Orchestra No. 4 in G major, op. 58: I. Allegro moderato
—
Concerto for Piano and Orchestra No. 4 in G major, op. 58: II. Andante con moto - attacca
—
Concerto for Piano and Orchestra No. 4 in G major, op. 58: III. Rondo. Vivace
—
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro
—
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco moto
—
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo: Allegro a non troppo
—
Fantasy for Piano, Chorus and Orchestra in C minor, op. 80: Adagio
—
Fantasy for Piano, Chorus and Orchestra in C minor, op. 80: Finale: Allegro - Meno allegro (Allegretto) - Allegro molto - Adagio ma non troppo - Marcia assai vivace - Allegro - Allegretto ma non troppo quasi con moto - Presto
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Choral Fantasy, op. 80 (alternative improvised introduction no. 1)
—
Choral Fantasy, op. 80 (alternative improvised introduction no. 2)
—
Violin Concerto in D major, op. 61: I. Allegro ma non troppo (cadenza: Ottavio Dantone)
—
Violin Concerto in D major, op. 61: II. Larghetto
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Violin Concerto in D major, op. 61: III. Rondo (cadenza: Ottavio Dantone)
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Missa Solemnis, op. 123: I. Kyrie - Assai sostenuto
—
Missa Solemnis, op. 123: II. Gloria - Allegro vivace
—
Missa Solemnis, op. 123: III. Credo - Allegro ma non troppo
—
Missa Solemnis, op. 123: IV. Sanctus - Adagio
—
Missa Solemnis, op. 123: V. Agnus Dei - Adagio
—
Ah! perfido - Per pietà, Op. 65
—
Meeresstille und glückliche Fahrt, Op. 112
—
Mass in C major, op. 86: Kyrie
—
Mass in C major, op. 86: Gloria
—
Mass in C major, op. 86: Credo
—
Mass in C major, op. 86: Sanctus (Benedictus)
—
Mass in C major, op. 86: Agnus Dei
—
Leonore, Hess 109: Ouvertüre “Leonore II”
—
Leonore, Hess 109: …Twas in truth
—
Leonore, Hess 109: O wär’ ich schon mit dir vereint
—
Leonore, Hess 109: Beharrlich bleibt auf dem Liebespfad
—
Leonore, Hess 109: Jetzt Schätzchen, jetzt sind wir allein
—
Leonore, Hess 109: Der Kerkermeister, Rocco, der Vater
—
Leonore, Hess 109: Ein Mann ist bald genommen
—
Leonore, Hess 109: Fidelio kam - und niemand weiß woher
—
Leonore, Hess 109: Mir ist so wunderbar
—
Leonore, Hess 109: Gefühl ist gut, doch Geld ist besser
—
Leonore, Hess 109: Hat man nicht auch Gold beineben
—
Leonore, Hess 109: Unantastbar klar birgt Leonores Brust
—
Leonore, Hess 109: Gut, Söhnchen, gut
—
Leonore, Hess 109: Einleitung D‐dur
—
Leonore, Hess 109: Der Gouverneur ist da
—
Leonore, Hess 109: Ha! Welch ein Augenblick!
—
Leonore, Hess 109: Postiert eine Trompete auf dem Wachturm!
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Leonore, Hess 109: Jetzt, Alter, hat es Eile!
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Leonore, Hess 109: Und Leonore begegnet Marzelline
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Leonore, Hess 109: Um in der Ehe froh zu leben
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Leonore, Hess 109: Die ernsten Steine des dumpfen Gemäuers
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Leonore, Hess 109: Ach, brich noch nicht, du mattes Herz! - Komm, Hoffnung
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Leonore, Hess 109: O welche Lust, in freier Luft
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Leonore, Hess 109: Entfernt euch jetzt! Nun, könnt ihr eilen?/Nun sprecht, wie ging’s?
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Leonore, Hess 109: Wir müssen gleich zu Werke schreiten - Ach Vater, eilt!
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Leonore, Hess 109: Auf euch nur will ich bauen
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Leonore, Hess 109: Florestans Not im Dunkel tauber Einsamkeit
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Leonore, Hess 109: Gott! Welch Dunkel hier! - In des Lebens Frühlingstagen
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Leonore, Hess 109: Wie kalt ist es in diesem unterirdischen Gewölbe!
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Leonore, Hess 109: Nur hurtig fort, nur frisch gegraben
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Leonore, Hess 109: Dort, in der Tiefe
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Leonore, Hess 109: Euch werde Lohn in bessern Welten
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Leonore, Hess 109: Und Rocco eilt
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Leonore, Hess 109: Er sterbe! Doch er soll erst wissen
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Leonore, Hess 109: Oh Leonore! Alles was dein Mut gewagt - verloren!
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Leonore, Hess 109: Ich kann mich noch nicht fassen - O namenlose Freude!
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Leonore, Hess 109: Zur Rache! Zur Rache!
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Leonore, Hess 109: O Gott! O welch ein Augenblick!
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Leonore, Hess 109: So müssen endlich Aufgeklärte
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Leonore, Hess 109: Doch höre erst, du Bösewicht
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Leonore, Hess 109: Dann herrscht allgemeine Freiheit und Gleichheit der Geister
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Leonore, Hess 109: Nein, nein, nein! Er ist noch zu gering bestraft!
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Leonore, Hess 109: Ein höherer Geist, vom Himmel gesandt
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Leonore, Hess 109: Der König wird dein Richter sein!
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Leonore, Hess 109: Wer ein holdes Weib errungen
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Historical influences on Beethoven
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The technical demands made of instrumentalists
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Using period instruments
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Beethoven's tempo markings
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The political dimension of Beethoven's music
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Summing up
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Historischer Einfluss auf Beethoven
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Technische Anforderungen an Instrumentalisten
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Über den Einsatz historischer Instrumente
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Beethovens Tempobezeichnungen
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Politische Dimension in der Musik Beethovens
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Zum Schluss
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Influence historique sur Beethoven
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Conditions pour les instrumentistes
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Utilisation d'instruments historiques
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Les marques de tempo de Beethoven
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Dimension politique dans la musique de Beethoven
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Les symphonies de Beethoven
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Additional database matches (8)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-700.095.171-5 |
| Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — |
| Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — |
| Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-318.676.528-2 |
| Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-902.876.200-7 |
| Symphony no. 5 in C minor, op. 67: II. Andante con moto | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-902.876.200-7 |
| Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-902.876.200-7 |
| Symphony no. 5 in C minor, op. 67: IV. Allegro | Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-312.542.381-2 |
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
—
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
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What is UPC 028948372690?
028948372690 is a Universal Product Code (UPC) assigned to Complete Beethoven Recordings by Beethoven, John Eliot Gardiner. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 136 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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