UPC · Release
Archiv Produktion 1947-2013
Various Artists
028947910459
1000 tracksReleased 2013-01-01Archiv Produktion
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028947910459 is the Universal Product Code (UPC barcode) for the release “Archiv Produktion 1947-2013” by Various Artists, released 2013-01-01 on Archiv Produktion. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 1000 tracks, each with its own ISRC. Tracks include DEF054702021, DEF054702022, DEF054702023.
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28947Manufacturer
91045Product
9Check digit
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Credit Chain
UPCArchiv Produktion 1947-2013
ISRC997 recordings
ISWC30 works
IPI5 songwriters
Track List (1000)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Trio Sonata no. 1 in E-flat major, BWV 525: 1. [without tempo indication] | — | ||
| 2 | Trio Sonata no. 1 in E-flat major, BWV 525: 2. Adagio | — | ||
| 3 | Trio Sonata no. 1 in E-flat major, BWV 525: 3. Allegro | — | ||
| 4 | Six Chorales of Diverse Kinds, "Schübler Chorales": Wachet auf, ruft uns die Stimme, BWV 645 | — | ||
| 5 | Six Chorales of Diverse Kinds, "Schübler Chorales": Wo soll ich fliehen hin, oder: Auf meinen lieben Gott, BWV 646 | — | ||
| 6 | Six Chorales of Diverse Kinds, "Schübler Chorales": Wer nur den lieben Gott lässt walten, BWV 647 | — | ||
| 7 | Six Chorales of Diverse Kinds, "Schübler Chorales": Meine Seele erhebet den Herrn, BWV 648 | — | ||
| 8 | Six Chorales of Diverse Kinds, "Schübler Chorales": Ach bleib bei uns, Herr Jesu Christ, BWV 649 | — | ||
| 9 | Six Chorales of Diverse Kinds, "Schübler Chorales": Kommst du nun, Jesu, vom Himmel herunter, BWV 650 | — | ||
| 10 | Partite diverse sopra: Sei gegrüßet, Jesu gütig, BWV 768 | — | ||
| 11 | Trio Sonata no. 6 in G major, BWV 530: 1. Vivace | — | ||
| 12 | Trio Sonata no. 6 in G major, BWV 530: 2. Lento | — | ||
| 13 | Trio Sonata no. 6 in G major, BWV 530: 3. Allegro | — | ||
| 14 | Toccata and Fugue in D minor, BWV 565 | — | ||
| 15 | Fugue in E-flat major, BWV 552 | — | ||
| 2-1 | Cantata for the 19th Sunday after Trinity, BWV 56 "Ich will den Kreuzstab gerne tragen": 1. Aria: Ich will den Kreuzstab gerne tragen | — | ||
| 2-2 | Cantata for the 19th Sunday after Trinity, BWV 56 "Ich will den Kreuzstab gerne tragen": 2. Recitative: Mein Wandel auf der Welt | — | ||
| 2-3 | Cantata for the 19th Sunday after Trinity, BWV 56 "Ich will den Kreuzstab gerne tragen": 3. Aria: Endlich, endlich wird mein Joch | — | ||
| 2-4 | Cantata for the 19th Sunday after Trinity, BWV 56 "Ich will den Kreuzstab gerne tragen": 4. Recitative and Arioso: Ich stehe fertig und bereit | — | ||
| 2-5 | Cantata for the 19th Sunday after Trinity, BWV 56 "Ich will den Kreuzstab gerne tragen": 5. Chorale: Komm, o Tod, du Schlafes Bruder | — | ||
| 2-6 | Cantata for the Feast of the Purification of Mary, BWV 82 "Ich habe genug": 1. Aria: Ich habe genug | — | ||
| 2-7 | Cantata for the Feast of the Purification of Mary, BWV 82 "Ich habe genug": 2. Recitative: Ich habe genug. Mein Trost ist nur allein | — | ||
| 2-8 | Cantata for the Feast of the Purification of Mary, BWV 82 "Ich habe genug": 3. Aria: Schlummert ein, ihr matten Augen | — | ||
| 2-9 | Cantata for the Feast of the Purification of Mary, BWV 82 "Ich habe genug": 4. Recitative: Mein Gott, wann kommt das schöne: Nun! | — | ||
| 2-10 | Cantata for the Feast of the Purification of Mary, BWV 82 "Ich habe genug": 5. Aria: Ich freue mich auf meinen Tod | — | ||
| 2-11 | Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Sinfonia | — | ||
| 2-12 | Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 1 (Chorus): Christ iag in Todesbanden | — | ||
| 2-13 | Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 2 (Chorus: Soprano/Contralto): Den Tod niemand zwingen kunnt | — | ||
| 2-14 | Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 3 (Chorus: Tenor): Jesus Christus, Gottes Sohn | — | ||
| 2-15 | Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 4 (Chorus): Es war ein wunderlicher Krieg | — | ||
| 2-16 | Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 5 (Bass): Hier ist das rechte Osterlamm | — | ||
| 2-17 | Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 6 (Chorus: Soprano/Tenor): So feiern wir das hohe Fest | — | ||
| 2-18 | Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 7 (Chorale): Wir essen und wir leben wohl | — | ||
| 3-1 | Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 1. Sinfonia | — | ||
| 3-2 | Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 2. Chorus: Ich hatte viel Bekümmernis | — | ||
| 3-3 | Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 3. Aria (Soprano): Seufzer, Tränen | — | ||
| 3-4 | Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 4. Recitative: Wie hast du dich | — | ||
| 3-5 | Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 5. Aria (Tenor): Bäche von gesalznen Zähren | — | ||
| 3-6 | Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 6. Chorus: Was betrübst du dich | — | ||
| 3-7 | Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 7. Recitative: Ach Jesu, meine Ruh | — | ||
| 3-8 | Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 8. Duet (Soprano and Bass): Komm, mein Jesu | — | ||
| 3-9 | Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 9. Chorus: Sei nun wieder zufrieden | — | ||
| 3-10 | Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 10. Aria (Tenor): Erfreue dich, Seele | — | ||
| 3-11 | Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 11. Chorus: Das Lamm | — | ||
| 3-12 | Cantata for the Feast of St Michael, BWV 19 "Es erhub sich ein Streit": 1. Chorus: Es erhub sich ein Streit | — | ||
| 3-13 | Cantata for the Feast of St Michael, BWV 19 "Es erhub sich ein Streit": 2. Recitative: Gottlob! der Drache liegt | — | ||
| 3-14 | Cantata for the Feast of St Michael, BWV 19 "Es erhub sich ein Streit": 3. Aria (Soprano): Gott schickt uns | — | ||
| 3-15 | Cantata for the Feast of St Michael, BWV 19 "Es erhub sich ein Streit": 4. Recitative: Lasst uns das Angesicht | — | ||
| 3-16 | Cantata for the Feast of St Michael, BWV 19 "Es erhub sich ein Streit": 5. Aria (Tenor): Bleibt ihr Engel | — | ||
| 3-17 | Cantata for the Feast of St Michael, BWV 19 "Es erhub sich ein Streit": 6. Recitative: Lasst uns das Angesicht | — | ||
| 3-18 | Cantata for the Feast of St Michael, BWV 19 "Es erhub sich ein Streit": 7. Chorus: Lass dein Engel mit mir fahren | — | ||
| 3-19 | Cantata for the Feast of the Reformation, BWV 79 "Gott, der Herr, ist Sonn' und Schild": Part I - Chorus: Gott der Herr ist Sonn' und Schild | — | ||
| 3-20 | Cantata for the Feast of the Reformation, BWV 79 "Gott, der Herr, ist Sonn' und Schild": Part I - Aria (Contralto): Gott ist unsere Sonn' | — | ||
| 3-21 | Cantata for the Feast of the Reformation, BWV 79 "Gott, der Herr, ist Sonn' und Schild": Part I - Chorale: Nun danket alle Gott | — | ||
| 3-22 | Cantata for the Feast of the Reformation, BWV 79 "Gott, der Herr, ist Sonn' und Schild": Part II - Recitative: Gott Lob, wir wissen | — | ||
| 3-23 | Cantata for the Feast of the Reformation, BWV 79 "Gott, der Herr, ist Sonn' und Schild": Part II - Duet (Soprano and Bass): Gott, ach Gott, verlass die Deinen nimmermehr | — | ||
| 3-24 | Cantata for the Feast of the Reformation, BWV 79 "Gott, der Herr, ist Sonn' und Schild": Part II - Chorale: Erhalt uns in der Wahrheit | — | ||
| 4-1 | Primae vesperae in nativitate Domini nostri Jesu Christi: V. Deus in adiutorum | — | ||
| 4-2 | Primae vesperae in nativitate Domini nostri Jesu Christi: Antiphona 1: Rex pacificus - Psalm 109: Dixit Dominus | — | ||
| 4-3 | Primae vesperae in nativitate Domini nostri Jesu Christi: Antiphona 2: Magnificatus es Rex pacificus - Psalm 110: Confitebor tib | — | ||
| 4-4 | Primae vesperae in nativitate Domini nostri Jesu Christi: Antiphona 3: Scitote - Psalm 111: Beatus vir | — | ||
| 4-5 | Primae vesperae in nativitate Domini nostri Jesu Christi: Antiphona 4: Levate capita - Psalm 112: Laudate, pueri | — | ||
| 4-6 | Primae vesperae in nativitate Domini nostri Jesu Christi: Capitulum: Apparuit benignitas | — | ||
| 4-7 | Primae vesperae in nativitate Domini nostri Jesu Christi: Responsorium breve: Hodie scietis | — | ||
| 4-8 | Primae vesperae in nativitate Domini nostri Jesu Christi: Hymnus: Christe Redemptor omnium | — | ||
| 4-9 | Primae vesperae in nativitate Domini nostri Jesu Christi: V. Crastina die | — | ||
| 4-10 | Primae vesperae in nativitate Domini nostri Jesu Christi: Antiphona: Cum ortus fuerit - Magnificat | — | ||
| 4-11 | Primae vesperae in nativitate Domini nostri Jesu Christi: V. Kyrie eleison - Pater noster | — | ||
| 4-12 | Primae vesperae in nativitate Domini nostri Jesu Christi: V. Dominus vobiscum - Oratio: Oremus: concede | — | ||
| 4-13 | Primae vesperae in nativitate Domini nostri Jesu Christi: V. Dominus vobiscum - Benedicamus Domino | — | ||
| 4-14 | Primae vesperae in nativitate Domini nostri Jesu Christi: V. Dominus vobiscum - Antiphona BMV: Alma Redemptoris Virginis | — | ||
| 4-15 | Primae vesperae in nativitate Domini nostri Jesu Christi: V. Post partum - Oremus: Deus qui salutis - V. Divinum auxilium | — | ||
| 4-16 | Prima missa in commemoratione omnium fidelium defunctorum: Introitus: Requiem aeternam | — | ||
| 4-17 | Prima missa in commemoratione omnium fidelium defunctorum: Kyrie | — | ||
| 4-18 | Prima missa in commemoratione omnium fidelium defunctorum: Oratio: Fidelium Deus omnium | — | ||
| 4-19 | Prima missa in commemoratione omnium fidelium defunctorum: Epistola (1 Corinthians 15, 51-57) | — | ||
| 4-20 | Prima missa in commemoratione omnium fidelium defunctorum: Graduale: Requiem aeternam | — | ||
| 4-21 | Prima missa in commemoratione omnium fidelium defunctorum: Tractus: Absolve, Domine | — | ||
| 4-22 | Prima missa in commemoratione omnium fidelium defunctorum: Sequentia: Dies irae | — | ||
| 4-23 | Prima missa in commemoratione omnium fidelium defunctorum: Evangelium (John 5, 25-30) | — | ||
| 4-24 | Prima missa in commemoratione omnium fidelium defunctorum: Offertorium: Domine Jesu Christe | — | ||
| 4-25 | Prima missa in commemoratione omnium fidelium defunctorum: Praefatio Defunctorum | — | ||
| 4-26 | Prima missa in commemoratione omnium fidelium defunctorum: Sanctus | — | ||
| 4-27 | Prima missa in commemoratione omnium fidelium defunctorum: Pater noster | — | ||
| 4-28 | Prima missa in commemoratione omnium fidelium defunctorum: Agnus | — | ||
| 4-29 | Prima missa in commemoratione omnium fidelium defunctorum: Communio: Lux aeterna | — | ||
| 4-30 | Prima missa in commemoratione omnium fidelium defunctorum: Postcommunio: Animabus quaesumus | — | ||
| 4-31 | Prima missa in commemoratione omnium fidelium defunctorum: Requiescant in pace | — | ||
| 5-1 | Le Jeu de Robin et de Marion | — | ||
| 5-2 | 13 Rondeaux: Li dous regars | — | ||
| 5-3 | 13 Rondeaux: Je muir | — | ||
| 5-4 | 13 Rondeaux: A jointes mains | — | ||
| 5-5 | 13 Rondeaux: Ballade: Dieus soit en cheste maison | — | ||
| 5-6 | 13 Rondeaux: Hé, Diex | — | ||
| 5-7 | 13 Rondeaux: Or est Baiars | — | ||
| 5-8 | 13 Rondeaux: Motet: A Dieu comant amouretes | — | ||
| 5-9 | 13 Rondeaux: Bonne amourete | — | ||
| 5-10 | 13 Rondeaux: Dame or suis trais | — | ||
| 5-11 | 13 Rondeaux: Fi maris | — | ||
| 5-12 | 13 Rondeaux: Trop désir | — | ||
| 5-13 | 13 Rondeaux: Diex comment porroie | — | ||
| 5-14 | 13 Rondeaux: Virelai: Fines amouretes | — | ||
| 5-15 | Dances of the 13th & 14th Centuries: La Septime Estampie réale | — | ||
| 5-16 | Dances of the 13th & 14th Centuries: Stantipes I | — | ||
| 5-17 | Dances of the 13th & 14th Centuries: Ronde: C'ést lá-gieus | — | ||
| 5-18 | Dances of the 13th & 14th Centuries: C'ést desoz l'olive | — | ||
| 5-19 | Dances of the 13th & 14th Centuries: Nota | — | ||
| 5-20 | Dances of the 13th & 14th Centuries: La Quarte Estampie réale | — | ||
| 5-21 | Dances of the 13th & 14th Centuries: Estampida: Kalenda maya | — | ||
| 5-22 | Dances of the 13th & 14th Centuries: Stantipes II | — | ||
| 5-23 | Dances of the 13th & 14th Centuries: Danse | — | ||
| 5-24 | Dances of the 13th & 14th Centuries: Rondeau: Prendés-y garde | — | ||
| 5-25 | Dances of the 13th & 14th Centuries: Saltarello | — | ||
| 5-26 | Dances of the 13th & 14th Centuries: Lamento di Tristano | — | ||
| 5-27 | Dances of the 13th & 14th Centuries: La Ballette de la Reine d'Avril: A l'entrade del temps clar | — | ||
| 5-28 | Dances of the 13th & 14th Centuries: Trotto | — | ||
| 5-29 | Dances of the 13th & 14th Centuries: Ronde: Ainsi doit entrer en ville | — | ||
| 5-30 | Dances of the 13th & 14th Centuries: Ronde: Main se levoit Aëlis | — | ||
| 5-31 | Dances of the 13th & 14th Centuries: La Rotta | — | ||
| 6-1 | Brandenburg Concerto no. 1 in F major, BWV 1046: 1. [without tempo indication] | — | ||
| 6-2 | Brandenburg Concerto no. 1 in F major, BWV 1046: 2. Adagio | — | ||
| 6-3 | Brandenburg Concerto no. 1 in F major, BWV 1046: 3. Allegro | — | ||
| 6-4 | Brandenburg Concerto no. 1 in F major, BWV 1046: 4. Menuetto - Trio I - Polacca - Trio II | — | ||
| 6-5 | Brandenburg Concerto no. 4 in G major, BWV 1049: 1. Allegro | — | ||
| 6-6 | Brandenburg Concerto no. 4 in G major, BWV 1049: 2. Andante | — | ||
| 6-7 | Brandenburg Concerto no. 4 in G major, BWV 1049: 3. Presto | — | ||
| 6-8 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: 1. [without tempo indication] | — | ||
| 6-9 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: 2. Adagio ma non tanto | — | ||
| 6-10 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: 3. Allegro | — | ||
| 6-11 | Sonata for Viola da gamba and Harpsichord no. 1 in G major, BWV 1027: 1. Adagio | — | ||
| 6-12 | Sonata for Viola da gamba and Harpsichord no. 1 in G major, BWV 1027: 2. Allegro ma non tanto | — | ||
| 6-13 | Sonata for Viola da gamba and Harpsichord no. 1 in G major, BWV 1027: 3. Andante | — | ||
| 6-14 | Sonata for Viola da gamba and Harpsichord no. 1 in G major, BWV 1027: 4. Allegro moderato | — | ||
| 7-1 | Brandenburg Concerto no. 2 in F major, BWV 1047: 1. [without tempo indication] | — | ||
| 7-2 | Brandenburg Concerto no. 2 in F major, BWV 1047: 2. Andante | — | ||
| 7-3 | Brandenburg Concerto no. 2 in F major, BWV 1047: 3. Allegro assai | — | ||
| 7-4 | Brandenburg Concerto no. 3 in G major, BWV 1048: 1. [without tempo indication] | — | ||
| 7-5 | Brandenburg Concerto no. 3 in G major, BWV 1048: 2. Adagio | — | ||
| 7-6 | Brandenburg Concerto no. 3 in G major, BWV 1048: 3. Allegro | — | ||
| 7-7 | Brandenburg Concerto no. 5 in D major, BWV 1050: 1. [without tempo indication] | — | ||
| 7-8 | Brandenburg Concerto no. 5 in D major, BWV 1050: 2. Adagio | — | ||
| 7-9 | Brandenburg Concerto no. 5 in D major, BWV 1050: 3. Allegro | — | ||
| 7-10 | Sonata for Viola da gamba and Harpsichord no. 2 in D major, BWV 1028: 1. Adagio | — | ||
| 7-11 | Sonata for Viola da gamba and Harpsichord no. 2 in D major, BWV 1028: 2. Allegro | — | ||
| 7-12 | Sonata for Viola da gamba and Harpsichord no. 2 in D major, BWV 1028: 3. Andante | — | ||
| 7-13 | Sonata for Viola da gamba and Harpsichord no. 2 in D major, BWV 1028: 4. Allegro | — | ||
| 7-14 | Sonata for Viola da gamba and Harpsichord no. 3 in G minor, BWV 1029: 1. Vivace | — | ||
| 7-15 | Sonata for Viola da gamba and Harpsichord no. 3 in G minor, BWV 1029: 2. Adagio | — | ||
| 7-16 | Sonata for Viola da gamba and Harpsichord no. 3 in G minor, BWV 1029: 3. Allegro | — | ||
| 8-1 | Anthem a 5: O Lord, I lift my heart to Thee | — | ||
| 8-2 | Hymn a 4: Thus angels sung | — | ||
| 8-3 | Fantasia I a 3 | — | ||
| 8-4 | Anthem a 4: Almighty and everlasting God | — | ||
| 8-5 | Hymn a 4: O my love, how comely now | — | ||
| 8-6 | Fantasia "In nomine" a 5 | — | ||
| 8-7 | Anthem a 4: O Lord, increase my faith | — | ||
| 8-8 | Anthem a 5; treble viol, alto viol, tenor viol (2), bass viol: This is the record of John | — | ||
| 8-9 | Madrigal a 5; treble viol, alto viol, tenor viol (2), bass viol: What is our life? | — | ||
| 8-10 | Fantasia II a 3 | — | ||
| 8-11 | Madrigal a 5: The silver swan | — | ||
| 8-12 | Fantasia a 4 | — | ||
| 8-13 | Consort song a 5 "The Cries of London": God give you good morrow | — | ||
| 8-14 | Consort song a 5 "The Cries of London": A good Sausage, a good | — | ||
| 8-15 | Canzonet a 6: Good love, then fly thou to her | — | ||
| 8-16 | Canzonet a 3: Farewell, disdainful | — | ||
| 8-17 | Madrigal a 4: Hark, jolly shepherds, hark | — | ||
| 8-18 | Madrigal a 4: Now is the gentle season / The fields abroad | — | ||
| 8-19 | Ballett a 5: My lovely wanton jewel | — | ||
| 8-20 | Canzonet a 2: Sweet nymph, come to thy lover | — | ||
| 8-21 | Canzonet a 6: Stay, heart, run not so fast | — | ||
| 8-22 | Canzonet a 5: O grief, even on the bud | — | ||
| 9-1 | St Matthew Passion, BWV 244: Part I - 1. Chorus: Kommt, ihr Töchter, helft mir klagen / Chorale (boys' choir): O Lamm Gottes, unschuldig | — | ||
| 9-2 | St Matthew Passion, BWV 244: Part I - 2. Evangelist, Jesus: Da Jesus diese Rede vollendet hatte | — | ||
| 9-3 | St Matthew Passion, BWV 244: Part I - 3. Chorale: Herzliebster Jesu, was hast du verbrochen | — | ||
| 9-4 | St Matthew Passion, BWV 244: Part I - 4. Evengelist: Da versammelter sich die Hohepriester | — | ||
| 9-5 | St Matthew Passion, BWV 244: Part I - 5. Chorus: Ja nicht auf das Fest | — | ||
| 9-6 | St Matthew Passion, BWV 244: Part I - 6. Evangelist: Da nun Jesus war zu Bethanien | — | ||
| 9-7 | St Matthew Passion, BWV 244: Part I - 7. Chorus: Wozu dienet dieser Unrat | — | ||
| 9-8 | St Matthew Passion, BWV 244: Part I - 8. Evengelist, Jesus: Da das Jesus merkete | — | ||
| 9-9 | St Matthew Passion, BWV 244: Part I - 9. Recitative (Contralto): Du lieber Heiland du | — | ||
| 9-10 | St Matthew Passion, BWV 244: Part I - 10. Aria (Contralto): Buß und Reu | — | ||
| 9-11 | St Matthew Passion, BWV 244: Part I - 11. Evangelist, Judas: Da ging hin der Zwölfen einer | — | ||
| 9-12 | St Matthew Passion, BWV 244: Part I - 12. Aria (Soprano): Blute nur, du liebes Herz | — | ||
| 9-13 | St Matthew Passion, BWV 244: Part I - 13. Evangelist: Aber am ersten Tage der süßen Brot | — | ||
| 9-14 | St Matthew Passion, BWV 244: Part I - 14. Chorus: Wo willst du, dass wir dir bereiten | — | ||
| 9-15 | St Matthew Passion, BWV 244: Part I - 15. Evangelist, Judas: Gehet hin in die Stadt | — | ||
| 9-16 | St Matthew Passion, BWV 244: Part I - 16. Chorale: Ich bin's, ich sollte büßen | — | ||
| 9-17 | St Matthew Passion, BWV 244: Part I - 17. Evangelist, Jesus, Judas: Er antwortete und sprach | — | ||
| 9-18 | St Matthew Passion, BWV 244: Part I - 18. Recitative (Soprano): Wiewohl mein Herz in Tränen schwimmt | — | ||
| 9-19 | St Matthew Passion, BWV 244: Part I - 19. Aria (Soprano): Ich will dir mein Herze schenken | — | ||
| 9-20 | St Matthew Passion, BWV 244: Part I - 20. Evangelist, Jesus: Und da sie den Lobgesang gesprochen hatten | — | ||
| 9-21 | St Matthew Passion, BWV 244: Part I - 21. Chorale: Erkenne mich, mein Hüter | — | ||
| 9-22 | St Matthew Passion, BWV 244: Part I - 22. Evangelist, Petrus, Jesus: Petrus aber antwortete und sprach zu ihm | — | ||
| 9-23 | St Matthew Passion, BWV 244: Part I - 23. Chorale: Ich will hier bei dir stehen | — | ||
| 9-24 | St Matthew Passion, BWV 244: Part I - 24. Evangelist, Jesus: Da kam Jesus mit ihnen zu einem Hofe | — | ||
| 9-25 | St Matthew Passion, BWV 244: Part I - 25. Recitative (Tenor): O Schmerz! Hier zittert das gequälte Herz | — | ||
| 9-26 | St Matthew Passion, BWV 244: Part I - 26. Aria (Tenor): Ich will bei meinem Jesu wachen | — | ||
| 9-27 | St Matthew Passion, BWV 244: Part I - 27. Evangelist, Jesus: Und ging hin ein wenig | — | ||
| 9-28 | St Matthew Passion, BWV 244: Part I - 28. Recitative (Bass): Der Heiland fällt vor seinem Vater nieder | — | ||
| 9-29 | St Matthew Passion, BWV 244: Part I - 29. Aria (Bass): Gerne will ich mich bequemen | — | ||
| 10-1 | St Matthew Passion, BWV 244: Part I - 30. Evangelist, Jesus: Und er kam zu seinen Jüngern | — | ||
| 10-2 | St Matthew Passion, BWV 244: Part I - 31. Chorale: Was mein Gott will, das g'scheh allzeit | — | ||
| 10-3 | St Matthew Passion, BWV 244: Part I - 32. Evangelist, Jesus, Judas: Und er kam und fand sie aber schlafend | — | ||
| 10-4 | St Matthew Passion, BWV 244: Part I - 33. Aria (Soprano, Contralto): So ist mein Jesus nun gefangen / Chorus: Sind Blitze, sind Donner in Wolken verschwunden? | — | ||
| 10-5 | St Matthew Passion, BWV 244: Part I - 34. Evangelist, Jesus: Und siehe, einer aus denen, die mit Jesu waren | — | ||
| 10-6 | St Matthew Passion, BWV 244: Part I - 35. Chorale: O Mensch, bewein dein Sünde groß | — | ||
| 10-7 | St Matthew Passion, BWV 244: Part II - 36. Aria (Contralto): Ach, nun ist mein Jesus hin | — | ||
| 10-8 | St Matthew Passion, BWV 244: Part II - 37. Evangelist: Die aber Jesum gegriffen hatten | — | ||
| 10-9 | St Matthew Passion, BWV 244: Part II - 38. Chorale: Mir hat die Welt trüglich gericht' | — | ||
| 10-10 | St Matthew Passion, BWV 244: Part II - 39. Evangelist, Pontifex: Und wiewohl viel falsche Zeugen herzutraten | — | ||
| 10-11 | St Matthew Passion, BWV 244: Part II - 40. Recitative (Tenor): Mein Jesus schweigt zu falschen Lügen stille | — | ||
| 10-12 | St Matthew Passion, BWV 244: Part II - 41. Aria (Tenor): Geduld! Wenn mich falsche Zungen stechen | — | ||
| 10-13 | St Matthew Passion, BWV 244: Part II - 42. Evangelist, Pontifex, Jesus: Und der Hohepriester antwortete | — | ||
| 10-14 | St Matthew Passion, BWV 244: Part II - 43. Evangelist: Da speieten sie aus | — | ||
| 10-15 | St Matthew Passion, BWV 244: Part II - 44. Chorale: Wer hat dich so geschlagen | — | ||
| 10-16 | St Matthew Passion, BWV 244: Part II - 45. Evangelist, Magd I & II, Petrus: Petrus aber saß draußen im Palast | — | ||
| 10-17 | St Matthew Passion, BWV 244: Part II - 46. Chorus: Wahrlich, du bist auch einer von denen | — | ||
| 10-18 | St Matthew Passion, BWV 244: Part II - 47. Aria (Contralto): Erbarme dich, mein Gott | — | ||
| 10-19 | St Matthew Passion, BWV 244: Part II - 48. Chorale: Bin ich gleich von dir gewichen | — | ||
| 10-20 | St Matthew Passion, BWV 244: Part II - 49. Evangelist, Judas: Des Morgens aber hielten alle Hohepriester | — | ||
| 10-21 | St Matthew Passion, BWV 244: Part II - 50. Evangelist, Pontifices: Und er warf die Silberlinge in den Tempel | — | ||
| 10-22 | St Matthew Passion, BWV 244: Part II - 51. Aria (Bass): Gebt mir meinen Jesum wieder | — | ||
| 10-23 | St Matthew Passion, BWV 244: Part II - 52. Evangelist, Pilatus, Jesus: Sie hielten aber einen Rat | — | ||
| 10-24 | St Matthew Passion, BWV 244: Part II - 53. Chorale: Befiehl du deine Wege | — | ||
| 10-25 | St Matthew Passion, BWV 244: Part II - 54. Evangelist, Pilatus, Pilati' Weib: Auf das Fest aber hatte der Landpfleger Gewohnheit | — | ||
| 10-26 | St Matthew Passion, BWV 244: Part II - 55. Chorale: Wie wunderbarlich ist doch diese Strafe | — | ||
| 10-27 | St Matthew Passion, BWV 244: Part II - 56. Evangelist, Pilatus: Der Landpfleger sagte | — | ||
| 10-28 | St Matthew Passion, BWV 244: Part II - 57. Recitative (Soprano): Er hat uns allen wohlgetan | — | ||
| 11-1 | St Matthew Passion, BWV 244: Part II - 58. Aria (Soprano): Aus Liebe will mein Heiland sterben | — | ||
| 11-2 | St Matthew Passion, BWV 244: Part II - 59. Evangelist, Pilatus: Sie schrieen aber noch mehr | — | ||
| 11-3 | St Matthew Passion, BWV 244: Part II - 60. Recitative (Contralto): Erbarm es Gott! | — | ||
| 11-4 | St Matthew Passion, BWV 244: Part II - 61. Aria (Contalto): Können Tränen meiner Wangen | — | ||
| 11-5 | St Matthew Passion, BWV 244: Part II - 62. Evangelist: Da nahmen die Kriegsknechte | — | ||
| 11-6 | St Matthew Passion, BWV 244: Part II - 63. Chorale: O Haupt voll Blut und Wunden | — | ||
| 11-7 | St Matthew Passion, BWV 244: Part II - 64. Evangelist: Und da sie ihn verspottet hatten | — | ||
| 11-8 | St Matthew Passion, BWV 244: Part II - 65. Recitative (Bass): Ja freilich will in uns das Fleisch und Blut | — | ||
| 11-9 | St Matthew Passion, BWV 244: Part II - 66. Aria (Bass): Komm, süßes Kreuz | — | ||
| 11-10 | St Matthew Passion, BWV 244: Part II - 67. Evangelist: Und da sie an die Stätte kamen | — | ||
| 11-11 | St Matthew Passion, BWV 244: Part II - 68. Evangelist: Desgleichen schmäheten sie auch die Mörder | — | ||
| 11-12 | St Matthew Passion, BWV 244: Part II - 69. Recitative (Contralto): Ach, Golgatha | — | ||
| 11-13 | St Matthew Passion, BWV 244: Part II - 70. (Contralto): Sehet, Jesus hat die Hand | — | ||
| 11-14 | St Matthew Passion, BWV 244: Part II - 71. Evangelist, JesusL Und von der sechsten Stunde an | — | ||
| 11-15 | St Matthew Passion, BWV 244: Part II - 72. Chorale: Wenn ich einmal soll scheiden | — | ||
| 11-16 | St Matthew Passion, BWV 244: Part II - 73a. Evangelist: Und siehe da, der Vorhang im Tempel zerriss | — | ||
| 11-17 | St Matthew Passion, BWV 244: Part II - 73b. Evangelist: Und es waren viel Weiber da | — | ||
| 11-18 | St Matthew Passion, BWV 244: Part II - 74. Recitative (Bass): Am Abend, da es kühle war | — | ||
| 11-19 | St Matthew Passion, BWV 244: Part II - 75. Aria (Bass): Mache dich, mein Herze, rein | — | ||
| 11-20 | St Matthew Passion, BWV 244: Part II - 76. Evangelist, Pilatus: Und Joseph nahm den Leib | — | ||
| 11-21 | St Matthew Passion, BWV 244: Part II - 77. Recitative (Soprano, Contralto, Tenor, Bass): Nun ist der Herr zur Ruh gebracht | — | ||
| 11-22 | St Matthew Passion, BWV 244: Part II - 78. Chorus: Wir setzen uns mit Tränen nieder | — | ||
| 12-1 | Cantata for the 16th Sunday after Trinity, BWV 8 "Liebster Gott, wann werd' ich sterben": 1. Chorus: Liebster Gott, wann werd' ich sterben? | — | ||
| 12-2 | Cantata for the 16th Sunday after Trinity, BWV 8 "Liebster Gott, wann werd' ich sterben": 2. Aria (Tenor): Was willst du dich, mein Geist, entsetzen | — | ||
| 12-3 | Cantata for the 16th Sunday after Trinity, BWV 8 "Liebster Gott, wann werd' ich sterben": 3. Recitative (Contralto): Zwar fühlt mein schwaches Herz | — | ||
| 12-4 | Cantata for the 16th Sunday after Trinity, BWV 8 "Liebster Gott, wann werd' ich sterben": 4. Aria (Bass): Doch weichet, ihr tollen, vergeblichen Sorgen! | — | ||
| 12-5 | Cantata for the 16th Sunday after Trinity, BWV 8 "Liebster Gott, wann werd' ich sterben": 5. Recitative (Soprano): Behalte nur, o Welt, das Meine! | — | ||
| 12-6 | Cantata for the 16th Sunday after Trinity, BWV 8 "Liebster Gott, wann werd' ich sterben": 6. Chorale: Herrscher über Tod und Leben | — | ||
| 12-7 | Cantata for the 8th Sunday after Trinity, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": 1. Chorus: Es ist dir gesagt, Mensch, was gut ist | — | ||
| 12-8 | Cantata for the 8th Sunday after Trinity, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": 2. Recitative (Tenor): Der Höchste lässt mich seinen Willen wissen | — | ||
| 12-9 | Cantata for the 8th Sunday after Trinity, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": 3. Aria (Tenor): Weiß ich Gottes Rechte | — | ||
| 12-10 | Cantata for the 8th Sunday after Trinity, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": 4. Arioso (Bass): Es weden viele zu mir sagen | — | ||
| 12-11 | Cantata for the 8th Sunday after Trinity, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": 5. Aria (Contralto): Wer Gott bekennt aus wahrem Herzensgrund | — | ||
| 12-12 | Cantata for the 8th Sunday after Trinity, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": 6. Recitative (Contralto): So wird denn Herz und Mund | — | ||
| 12-13 | Cantata for the 8th Sunday after Trinity, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": 7. Chorale: Gib, dass ich tu' mit Fleiß | — | ||
| 12-14 | Cantata for the 14th Sunday after Trinity, BWV 78 "Jesu, der du meine Seele": 1. Chorus: Jesu, der du meine Seele | — | ||
| 12-15 | Cantata for the 14th Sunday after Trinity, BWV 78 "Jesu, der du meine Seele": 2. Aria (Soprano, Contralto): Wir eilen mit schwachen, doch emsigen Schritten | — | ||
| 12-16 | Cantata for the 14th Sunday after Trinity, BWV 78 "Jesu, der du meine Seele": 3. Recitative (Tenor): Ach, ich bin ein Kind der Sünden | — | ||
| 12-17 | Cantata for the 14th Sunday after Trinity, BWV 78 "Jesu, der du meine Seele": 4. Aria (Tenor): Das Blut, das meine Schuld durchstreicht | — | ||
| 12-18 | Cantata for the 14th Sunday after Trinity, BWV 78 "Jesu, der du meine Seele": 5. Recitative (Bass): Die Wunden, Nägel, Kron und Grab | — | ||
| 12-19 | Cantata for the 14th Sunday after Trinity, BWV 78 "Jesu, der du meine Seele": 6. Aria (Bass): Nun du wirst mein Gewissen stillen | — | ||
| 12-20 | Cantata for the 14th Sunday after Trinity, BWV 78 "Jesu, der du meine Seele": 7. Chorale: Herr, ich glaube, hilf mir Schwachen | — | ||
| 13-1 | Six Dances from Terpsichore, musarum aoniarum quinta (1612): Entrée - Courante CLXXXIII/CXVII | — | ||
| 13-2 | Six Dances from Terpsichore, musarum aoniarum quinta (1612): Gavotte I, 1-3, 6 | — | ||
| 13-3 | Six Dances from Terpsichore, musarum aoniarum quinta (1612): Spagnoletta XXVIII | — | ||
| 13-4 | Six Dances from Terpsichore, musarum aoniarum quinta (1612): La Bouree XXXII, 1/2 | — | ||
| 13-5 | Six Dances from Terpsichore, musarum aoniarum quinta (1612): Ballet CCLXVIII | — | ||
| 13-6 | Six Dances from Terpsichore, musarum aoniarum quinta (1612): Volte CCI/CCX | — | ||
| 13-7 | Dances and Galliards from Musikalischer Tugendspiegel (1613): Sophia (no. 13) / Anna (no. 4) | — | ||
| 13-8 | Dances and Galliards from Musikalischer Tugendspiegel (1613): Clara (no. 16) | — | ||
| 13-9 | Dances and Galliards from Musikalischer Tugendspiegel (1613): Magdalena (no. 3) | — | ||
| 13-10 | Dances and Galliards from Musikalischer Tugendspiegel (1613): Agatha (no. 15) | — | ||
| 13-11 | Dances and Galliards from Musikalischer Tugendspiegel (1613): Regina (no. 12) | — | ||
| 13-12 | Three Suites from Banchetto Musicale (1617) - Suite no. 4 in D major: 1. Pavane | — | ||
| 13-13 | Three Suites from Banchetto Musicale (1617) - Suite no. 4 in D major: 2. Galliarde | — | ||
| 13-14 | Three Suites from Banchetto Musicale (1617) - Suite no. 4 in D major: 3. Courante | — | ||
| 13-15 | Three Suites from Banchetto Musicale (1617) - Suite no. 4 in D major: 4. Allemande - Tripla | — | ||
| 13-16 | Three Suites from Banchetto Musicale (1617) - Suite no. 5 in G major: 1. Pavane | — | ||
| 13-17 | Three Suites from Banchetto Musicale (1617) - Suite no. 5 in G major: 2. Galliarde | — | ||
| 13-18 | Three Suites from Banchetto Musicale (1617) - Suite no. 5 in G major: 3. Courante | — | ||
| 13-19 | Three Suites from Banchetto Musicale (1617) - Suite no. 5 in G major: 4. Allemande - Tripla | — | ||
| 13-20 | Three Suites from Banchetto Musicale (1617) - Suite no. 3 in A major: 1. Pavane | — | ||
| 13-21 | Three Suites from Banchetto Musicale (1617) - Suite no. 3 in A major: 2. Galliarde | — | ||
| 13-22 | Three Suites from Banchetto Musicale (1617) - Suite no. 3 in A major: 3. Courante | — | ||
| 13-23 | Three Suites from Banchetto Musicale (1617) - Suite no. 3 in A major: 4. Allemande - Tripla | — | ||
| 14-1 | Simphonies pour les soupers du Roy - Quatrième Suitte: 1. Simphonie du Te Deum | — | ||
| 14-2 | Simphonies pour les soupers du Roy - Quatrième Suitte: 2. 2e Air du « Concert de trompettes pour les festes sur le Canal de Versailles » | — | ||
| 14-3 | Simphonies pour les soupers du Roy - Quatrième Suitte: 3. 1er Air du Concert de trompettes / 3e Air pour les mêmes | — | ||
| 14-4 | Simphonies pour les soupers du Roy - Quatrième Suitte: 4. 1er Menuet pour les trompettes | — | ||
| 14-5 | Simphonies pour les soupers du Roy - Quatrième Suitte: 5. 2e Menuet | — | ||
| 14-6 | Simphonies pour les soupers du Roy - Quatrième Suitte: 6. Fanfare 0 Aur en écho | — | ||
| 14-7 | Simphonies pour les soupers du Roy - Quatrième Suitte: 7. Air grave de « L'Amour fléchy par la Constance » (1697) | — | ||
| 14-8 | Simphonies pour les soupers du Roy - Quatrième Suitte: 8. Sarabande | — | ||
| 14-9 | Simphonies pour les soupers du Roy - Quatrième Suitte: 9. Légèrement | — | ||
| 14-10 | Simphonies pour les soupers du Roy - Quatrième Suitte: 10. « Chantons ce héros ». Gayement | — | ||
| 14-11 | Simphonies pour les soupers du Roy - Quatrième Suitte: 11. Sarabande de « Cardenio » (1720) / Doucement. « Quitte icy tes ailes » (Soprano) | — | ||
| 14-12 | Simphonies pour les soupers du Roy - Quatrième Suitte: 12. Gay. Air du « Ballet de Mélicerte » à Fontainebleau au Mariage de M. de Lorraine (1698) | — | ||
| 14-13 | Simphonies pour les soupers du Roy - Quatrième Suitte: 13. Musette du « Ballet de L'Inconnue » (1720) | — | ||
| 14-14 | Simphonies pour les soupers du Roy - Quatrième Suitte: 14. Air. Gay | — | ||
| 14-15 | Simphonies pour les soupers du Roy - Quatrième Suitte: 15. Rondeau du « Ballet des Cléments » (1721) | — | ||
| 14-16 | Simphonies pour les soupers du Roy - Quatrième Suitte: 16. Rondeau du « Ballet de Cardenio » | — | ||
| 14-17 | Simphonies pour les soupers du Roy - Quatrième Suitte: 17. Doucement et pesamment | — | ||
| 14-18 | Simphonies pour les soupers du Roy - Quatrième Suitte: 18. « La Pagode ». Doucement et pesamment | — | ||
| 14-19 | Simphonies pour les soupers du Roy - Quatrième Suitte: 19. 7e Air du « Ballet de la Paix » (1713) | — | ||
| 14-20 | Simphonies pour les soupers du Roy - Quatrième Suitte: 20. Chaconne en écho avec les trompettes | — | ||
| 14-21 | Fanfares: Première Suitte: 1. [without tempo indication] | — | ||
| 14-22 | Fanfares: Première Suitte: 2. Gracieusement, sans lenteur | — | ||
| 14-23 | Fanfares: Première Suitte: 3. Allegro | — | ||
| 14-24 | Fanfares: Première Suitte: 4. Gay | — | ||
| 14-25 | Simphonies: Seconde Suitte: 1. Air ou Prélude | — | ||
| 14-26 | Simphonies: Seconde Suitte: 2. Allegro | — | ||
| 14-27 | Simphonies: Seconde Suitte: 3. Gracieusement | — | ||
| 14-28 | Simphonies: Seconde Suitte: 4. Première Gavotte I - Deuxième Gavotte | — | ||
| 14-29 | Simphonies: Seconde Suitte: 5. Fanfare - Air | — | ||
| 14-30 | Simphonies: Seconde Suitte: 6. Premier Menuet - Second Menuet | — | ||
| 14-31 | Simphonies: Seconde Suitte: 7. Allegro | — | ||
| 15-1 | Suite VIII: Indissolubilis amicitia in E major, from Florilegium II (1698): 1. Ouverture | — | ||
| 15-2 | Suite VIII: Indissolubilis amicitia in E major, from Florilegium II (1698): 2. Les Courtisans | — | ||
| 15-3 | Suite VIII: Indissolubilis amicitia in E major, from Florilegium II (1698): 3. Rondeau | — | ||
| 15-4 | Suite VIII: Indissolubilis amicitia in E major, from Florilegium II (1698): 4. Les Gendarmes | — | ||
| 15-5 | Suite VIII: Indissolubilis amicitia in E major, from Florilegium II (1698): 5. Les Bossus | — | ||
| 15-6 | Suite VIII: Indissolubilis amicitia in E major, from Florilegium II (1698): 6. Gavotte | — | ||
| 15-7 | Suite VIII: Indissolubilis amicitia in E major, from Florilegium II (1698): 7. Sarabande pour le Génie de l'Amitié | — | ||
| 15-8 | Suite VIII: Indissolubilis amicitia in E major, from Florilegium II (1698): 8. Gigue | — | ||
| 15-9 | Suite VIII: Indissolubilis amicitia in E major, from Florilegium II (1698): 9. Menuet | — | ||
| 15-10 | Concerto I: Bona nova in D minor, from Exquisitioris harmoniae instrumentalis gravi jucundae (1689): 1. Sonata. Grave - Allegro | — | ||
| 15-11 | Concerto I: Bona nova in D minor, from Exquisitioris harmoniae instrumentalis gravi jucundae (1689): 2. Ballo. Allegro | — | ||
| 15-12 | Concerto I: Bona nova in D minor, from Exquisitioris harmoniae instrumentalis gravi jucundae (1689): 3. Grave | — | ||
| 15-13 | Concerto I: Bona nova in D minor, from Exquisitioris harmoniae instrumentalis gravi jucundae (1689): 4. Aria | — | ||
| 15-14 | Concerto I: Bona nova in D minor, from Exquisitioris harmoniae instrumentalis gravi jucundae (1689): 5. Giga | — | ||
| 15-15 | Sonata a 6 »die Pauern Kirchfahrt genandt« in B-flat major: 1. Sonata. Adagio - Presto | — | ||
| 15-16 | Sonata a 6 »die Pauern Kirchfahrt genandt« in B-flat major: 2. Die Pauern Kirchfahrt - Adagio | — | ||
| 15-17 | Sonata a 6 »die Pauern Kirchfahrt genandt« in B-flat major: 3. Aria | — | ||
| 15-18 | Sonata a 2 violini, trombone, violone in D minor: 1. [Allegro non troppo] | — | ||
| 15-19 | Sonata a 2 violini, trombone, violone in D minor: 2. [Poco allegro] | — | ||
| 15-20 | Sonata a 2 violini, trombone, violone in D minor: 3. [Adagio] | — | ||
| 15-21 | Sonata a 2 violini, trombone, violone in D minor: 4. [Allegro] | — | ||
| 15-22 | Sonata a 2 violini, trombone, violone in D minor: 5. [Adagio] | — | ||
| 15-23 | Sonata a 2 violini, trombone, violone in D minor: 6. [Poco allegro] | — | ||
| 15-24 | Sonata a 2 violini, trombone, violone in D minor: 7. [Adagio] | — | ||
| 15-25 | Sonata a 2 violini, trombone, violone in D minor: 8. [Allegro] | — | ||
| 15-26 | Sonata a 2 violini, trombone, violone in D minor: 9. [Allegro] | — | ||
| 15-27 | Sonata VIII in B-flat major, from Fidicinium sacro-profanum: 1. Allegro | — | ||
| 15-28 | Sonata VIII in B-flat major, from Fidicinium sacro-profanum: 2. [Presto] | — | ||
| 15-29 | Sonata VIII in B-flat major, from Fidicinium sacro-profanum: 3. Presto - Adagio | — | ||
| 15-30 | Battalia a 10 in D major: 1. Sonata. Allegro | — | ||
| 15-31 | Battalia a 10 in D major: 2. Allegro. Die liederliche Gesellschaft von allerley Humor | — | ||
| 15-32 | Battalia a 10 in D major: 3. Presto | — | ||
| 15-33 | Battalia a 10 in D major: 4. Der Mars | — | ||
| 15-34 | Battalia a 10 in D major: 5. Presto | — | ||
| 15-35 | Battalia a 10 in D major: 6. Aria | — | ||
| 15-36 | Battalia a 10 in D major: 7. Die Schlacht | — | ||
| 15-37 | Battalia a 10 in D major: 8. Adagio: Lamento der verwundeten Musquetierer | — | ||
| 16-1 | Musique de table - Tafelmusik, Production I, Quartet in G major for Flute, Oboe, Violin and Basso continuo, TWV 43:G2: 1. Largo - Allegro - Largo | — | ||
| 16-2 | Musique de table - Tafelmusik, Production I, Quartet in G major for Flute, Oboe, Violin and Basso continuo, TWV 43:G2: 2. Vivace - Moderato - Vivaceğ | — | ||
| 16-3 | Musique de table - Tafelmusik, Production I, Quartet in G major for Flute, Oboe, Violin and Basso continuo, TWV 43:G2: 3. Grave | — | ||
| 16-4 | Musique de table - Tafelmusik, Production I, Quartet in G major for Flute, Oboe, Violin and Basso continuo, TWV 43:G2: 4. Vivace | — | ||
| 16-5 | Musique de table - Tafelmusik, Production I, Concerto in A major for Flute, Violin, Violoncello, Strings and Basso continuo, TWV 53:A2: 1. Largo | — | ||
| 16-6 | Musique de table - Tafelmusik, Production I, Concerto in A major for Flute, Violin, Violoncello, Strings and Basso continuo, TWV 53:A2: 2. Allegro | — | ||
| 16-7 | Musique de table - Tafelmusik, Production I, Concerto in A major for Flute, Violin, Violoncello, Strings and Basso continuo, TWV 53:A2: 3. Gratioso | — | ||
| 16-8 | Musique de table - Tafelmusik, Production I, Concerto in A major for Flute, Violin, Violoncello, Strings and Basso continuo, TWV 53:A2: 4. Allegro | — | ||
| 16-9 | Musique de table - Tafelmusik, Production II, Ouverture - Suite in D major for Oboe, Trumpet, Strings and Basso continuo, TWV 55:D1: 1. Ouverture. Lentement - Vite - Lentement | — | ||
| 16-10 | Musique de table - Tafelmusik, Production II, Ouverture - Suite in D major for Oboe, Trumpet, Strings and Basso continuo, TWV 55:D1: 2. Air. Tempo giusto | — | ||
| 16-11 | Musique de table - Tafelmusik, Production II, Ouverture - Suite in D major for Oboe, Trumpet, Strings and Basso continuo, TWV 55:D1: 3. Air. Vivace | — | ||
| 16-12 | Musique de table - Tafelmusik, Production II, Ouverture - Suite in D major for Oboe, Trumpet, Strings and Basso continuo, TWV 55:D1: 4. Air. Presto | — | ||
| 16-13 | Musique de table - Tafelmusik, Production II, Ouverture - Suite in D major for Oboe, Trumpet, Strings and Basso continuo, TWV 55:D1: 5. Air. Allegro | — | ||
| 16-14 | Musique de table - Tafelmusik, Production II, Conclusion in D major for Oboe, Trumpet, Strings and Basso continuo, TWV 50:9: Allegro - Adagio - Allegro | — | ||
| 17-1 | Orchestral Sinfonia no. 1 in D major, Wq. 183: 1. Allegro di molto | — | ||
| 17-2 | Orchestral Sinfonia no. 1 in D major, Wq. 183: 2. Largo | — | ||
| 17-3 | Orchestral Sinfonia no. 1 in D major, Wq. 183: 3. Presto | — | ||
| 17-4 | Orchestral Sinfonia no. 2 in E-flat major, Wq. 183: 1. Allegro di molto | — | ||
| 17-5 | Orchestral Sinfonia no. 2 in E-flat major, Wq. 183: 2. Larghetto | — | ||
| 17-6 | Orchestral Sinfonia no. 2 in E-flat major, Wq. 183: 3. Allegretto | — | ||
| 17-7 | Orchestral Sinfonia no. 3 in F major, Wq. 183: 1. Allegro di molto | — | ||
| 17-8 | Orchestral Sinfonia no. 3 in F major, Wq. 183: 2. Larghetto | — | ||
| 17-9 | Orchestral Sinfonia no. 3 in F major, Wq. 183: 3. Presto | — | ||
| 17-10 | Orchestral Sinfonia no. 4 in G major, Wq. 183: 1. Allegro assai | — | ||
| 17-11 | Orchestral Sinfonia no. 4 in G major, Wq. 183: 2. Poco andante | — | ||
| 17-12 | Orchestral Sinfonia no. 4 in G major, Wq. 183: 3. Presto | — | ||
| 17-13 | Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044: 1. Allegro | — | ||
| 17-14 | Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044: 2. Adagio, ma non tanto, e dolce | — | ||
| 17-15 | Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044: 3. Allabreve | — | ||
| 17-16 | Concerto for Oboe d'amore, Strings and Basso continuo in A major (Reconstruction after Harpsichord Concerto, BWV 1055): 1. [without tempo indication] | — | ||
| 17-17 | Concerto for Oboe d'amore, Strings and Basso continuo in A major (Reconstruction after Harpsichord Concerto, BWV 1055): 2. Larghetto | — | ||
| 17-18 | Concerto for Oboe d'amore, Strings and Basso continuo in A major (Reconstruction after Harpsichord Concerto, BWV 1055): 3. Allegro ma non tanto | — | ||
| 18-1 | Israel in Egypt, HWV 54: Overture [taken from Solomon] | — | ||
| 18-2 | Israel in Egypt, HWV 54, Part I - Exodus: 1. Recitative (Tenor): Now there arose a new king over Egypt | — | ||
| 18-3 | Israel in Egypt, HWV 54, Part I - Exodus: 2. Solo (Countertenor) and Chorus: And the children of Israel sigh'd | — | ||
| 18-4 | Israel in Egypt, HWV 54, Part I - Exodus: 3. Recitative (Tenor): Then sent He Moses | — | ||
| 18-5 | Israel in Egypt, HWV 54, Part I - Exodus: 4. Chorus: They loathed to drink of the river | — | ||
| 18-6 | Israel in Egypt, HWV 54, Part I - Exodus: 5. Air (Countertenor): Their land brought forth frogs | — | ||
| 18-7 | Israel in Egypt, HWV 54, Part I - Exodus: 6. Chorus: He spake the word | — | ||
| 18-8 | Israel in Egypt, HWV 54, Part I - Exodus: 7. Chorus: He gave them hailstones for rain | — | ||
| 18-9 | Israel in Egypt, HWV 54, Part I - Exodus: 8. Chorus: He sent a thick darkness | — | ||
| 18-10 | Israel in Egypt, HWV 54, Part I - Exodus: 9. Chorus: He smote all the first-born of Egypt | — | ||
| 18-11 | Israel in Egypt, HWV 54, Part I - Exodus: 10. Chorus: But as for His people | — | ||
| 18-12 | Israel in Egypt, HWV 54, Part I - Exodus: 11. Chorus: Egypt was glad when they departed | — | ||
| 18-13 | Israel in Egypt, HWV 54, Part I - Exodus: 12. Chorus: He rebuked the Red Sea | — | ||
| 18-14 | Israel in Egypt, HWV 54, Part I - Exodus: 13. Chorus: And Israel saw the great work | — | ||
| 18-15 | Israel in Egypt, HWV 54, Part II - Moses' Song: 14. Introitus (Chorus): Moses and the children of Israel | — | ||
| 18-16 | Israel in Egypt, HWV 54, Part II - Moses' Song: 15. Duet (Soprano I & II): The Lord is my strength and my song | — | ||
| 18-17 | Israel in Egypt, HWV 54, Part II - Moses' Song: 16. Chorus: He is my God | — | ||
| 18-18 | Israel in Egypt, HWV 54, Part II - Moses' Song: 17. Duet (Bass I & II): The Lord is a man of war | — | ||
| 18-19 | Israel in Egypt, HWV 54, Part II - Moses' Song: 18. Chorus: The depths have covered them | — | ||
| 18-20 | Israel in Egypt, HWV 54, Part II - Moses' Song: 19. Chorus: Thy right hand, O Lord | — | ||
| 18-21 | Israel in Egypt, HWV 54, Part II - Moses' Song: 20. Chorus: And with the blast of Thy nostrils | — | ||
| 18-22 | Israel in Egypt, HWV 54, Part II - Moses' Song: 21. Air (Tenor): The enemy said: "I will pursue" | — | ||
| 18-23 | Israel in Egypt, HWV 54, Part II - Moses' Song: 22. Air (Soprano): Thou didst blow with the wind | — | ||
| 18-24 | Israel in Egypt, HWV 54, Part II - Moses' Song: 23. Chorus: Who is like unto Thee | — | ||
| 19-1 | Israel in Egypt, HWV 54, Part II - Moses' Song: 24. Duet (Countertenor & Tenor): Thou in Thy mercy | — | ||
| 19-2 | Israel in Egypt, HWV 54, Part II - Moses' Song: 25. Chorus: The people shall hear | — | ||
| 19-3 | Israel in Egypt, HWV 54, Part II - Moses' Song: 26. Air (Countertenor): Thou shalt bring them in | — | ||
| 19-4 | Israel in Egypt, HWV 54, Part II - Moses' Song: 27a. Chorus: The Lord shall reign | — | ||
| 19-5 | Israel in Egypt, HWV 54, Part II - Moses' Song: 28. Recitative (Tenor): For the horse of Pharaoh | — | ||
| 19-6 | Israel in Egypt, HWV 54, Part II - Moses' Song: 27b. Chorus: The Lord shall reign | — | ||
| 19-7 | Israel in Egypt, HWV 54, Part II - Moses' Song: 29. Recitative (Tenor): And Miriam, the prophetess | — | ||
| 19-8 | Israel in Egypt, HWV 54, Part II - Moses' Song: 30. Soprano Solo and Chorus: Sing ye to the Lord | — | ||
| 19-9 | Ode for St Cecilia's Day (1692), Z. 328: Overture - Canzona | — | ||
| 19-10 | Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia! (Bass I) | — | ||
| 19-11 | Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia! (Chorus with solos) | — | ||
| 19-12 | Ode for St Cecilia's Day (1692), Z. 328: Hark, hark, each tree its silence breaks (Treble, Bass II) | — | ||
| 19-13 | Ode for St Cecilia's Day (1692), Z. 328: 'Tis Nature's voice (Countertenor I) | — | ||
| 19-14 | Ode for St Cecilia's Day (1692), Z. 328: Soul of the world (Chorus) | — | ||
| 19-15 | Ode for St Cecilia's Day (1692), Z. 328: Thou tun'st this world below, the spheres above (Treble, Chorus) | — | ||
| 19-16 | Ode for St Cecilia's Day (1692), Z. 328: With that sublime celestial lay (Countertenor I & II, Bass) | — | ||
| 19-17 | Ode for St Cecilia's Day (1692), Z. 328: Woundrous machine! (Bass II) | — | ||
| 19-18 | Ode for St Cecilia's Day (1692), Z. 328: The airy violin (Countertenor I) | — | ||
| 19-19 | Ode for St Cecilia's Day (1692), Z. 328: In vain the am'rous flute and soft guitar (Countertenor I, Tenor) | — | ||
| 19-20 | Ode for St Cecilia's Day (1692), Z. 328: The fife and all the harmony of war (Countertenor I) | — | ||
| 19-21 | Ode for St Cecilia's Day (1692), Z. 328: Let these amongst themselves contest (Bass I & II) | — | ||
| 19-22 | Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia, hail to thee! (Chorus) | — | ||
| 19-23 | Ode for St Cecilia's Day (1692), Z. 328: With rapture of delight (Countertenor I & II, Tenor, Bass I) | — | ||
| 19-24 | Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia, hail to thee! (Chorus) | — | ||
| 20-1 | Sonata in G minor, K. 347: Moderato e cantabile | — | ||
| 20-2 | Sonata in G major, K. 348: Prestissimo | — | ||
| 20-3 | Sonata in D minor, K. 213: Andante | — | ||
| 20-4 | Sonata in D minor, K. 214: Allegro vivo | — | ||
| 20-5 | Sonata in F-sharp major, K. 318: Andante | — | ||
| 20-6 | Sonata in F-sharp major, K. 319: Allegro | — | ||
| 20-7 | Sonata in E major, K. 380: Andante comodo | — | ||
| 20-8 | Sonata in E major, K. 381: Allegro | — | ||
| 20-9 | Sonata in C major, K. 356: Con spirito andante | — | ||
| 20-10 | Sonata in C major, K. 357: Allegro | — | ||
| 20-11 | Sonata in C minor, K. 526: Allegro comodo | — | ||
| 20-12 | Sonata in C major, K. 527: Allegro assai | — | ||
| 20-13 | Sonata in D major, K. 478: Andante e cantabile | — | ||
| 20-14 | Sonata in D major, K. 479: Allegrissimo | — | ||
| 20-15 | Sonata in F major, K. 524: Allegro | — | ||
| 20-16 | Sonata in F major, K. 525: Allegro | — | ||
| 20-17 | Sonata in G major, K. 454: Andante spiritoso | — | ||
| 20-18 | Sonata in G major, K. 455: Allegro | — | ||
| 20-19 | Sonata in B-flat major, K. 248: Allegro | — | ||
| 20-20 | Sonata in B-flat major, K. 249: Allegro | — | ||
| 20-21 | Sonata in D major, K. 436: Allegro | — | ||
| 21-1 | Se vittorie sì belle | — | ||
| 21-2 | Non voglio amare | — | ||
| 21-3 | Vaga su spina ascosa | — | ||
| 21-4 | O mio bene, o mia vita | — | ||
| 21-5 | Zefire torna e di soavi accenti (Ciaccona) | — | ||
| 21-6 | Mentre vaga Angioletta | — | ||
| 21-7 | Perfidissimo volto | — | ||
| 21-8 | Belle rose porporine | — | ||
| 21-9 | Cruda amarilli | — | ||
| 21-10 | Intenerite voi, lagrime mie, quel duro core | — | ||
| 21-11 | lo moro, ecco ch'io moro | — | ||
| 21-12 | Deh, come invan chiedete | — | ||
| 21-13 | Quest'amore, quest'arsura | — | ||
| 21-14 | O durezza di ferro e di diamante | — | ||
| 21-15 | Tra le donne onde s'onora | — | ||
| 21-16 | Udite, udite amanti | — | ||
| 21-17 | Amarilli mia bella | — | ||
| 21-18 | Valli profonde, al sol nemiche rupi | — | ||
| 21-19 | Giovinetta vezzosetta | — | ||
| 21-20 | Da te parto, cor mio | — | ||
| 21-21 | Bellissima regina | — | ||
| 21-22 | Indarno Febo il suo bell'oro eterno | — | ||
| 21-23 | Occhi belli e sia ver che in lungo pianto | — | ||
| 21-24 | Damigella tutta bella | — | ||
| 22-1 | Missa pro defunctis: 1. Introitus | — | ||
| 22-2 | Missa pro defunctis: 2. Kyrie | — | ||
| 22-3 | Missa pro defunctis: 3. Graduale | — | ||
| 22-4 | Missa pro defunctis: 4. Tractus | — | ||
| 22-5 | Missa pro defunctis: 5. Offertorium | — | ||
| 22-6 | Nymphes des bois (La Déploration de Johannes Ockeghem) | — | ||
| 22-7 | Huc me sydereo / Plangent eum | — | ||
| 22-8 | Motet: Salve, regina | — | ||
| 22-9 | Motet: Beata es, Maria | — | ||
| 22-10 | Motet: Salve crux, arbor vitae | — | ||
| 23-1 | Violin Sonata in D major, op. 5 no. 1: 1. Grave - Allegro | — | ||
| 23-2 | Violin Sonata in D major, op. 5 no. 1: 2. Allegro | — | ||
| 23-3 | Violin Sonata in D major, op. 5 no. 1: 3. Allegro | — | ||
| 23-4 | Violin Sonata in D major, op. 5 no. 1: 4. Adagio | — | ||
| 23-5 | Violin Sonata in D major, op. 5 no. 1: 5. Allegro | — | ||
| 23-6 | Violin Sonata in B-flat major, op. 5 no. 2: 1. Grave | — | ||
| 23-7 | Violin Sonata in B-flat major, op. 5 no. 2: 2. Allegro | — | ||
| 23-8 | Violin Sonata in B-flat major, op. 5 no. 2: 3. Vivace | — | ||
| 23-9 | Violin Sonata in B-flat major, op. 5 no. 2: 4. Adagio | — | ||
| 23-10 | Violin Sonata in B-flat major, op. 5 no. 2: 5. Vivace | — | ||
| 23-11 | Violin Sonata in C major, op. 5 no. 3: 1. Adagio | — | ||
| 23-12 | Violin Sonata in C major, op. 5 no. 3: 2. Allegro | — | ||
| 23-13 | Violin Sonata in C major, op. 5 no. 3: 3. Adagio | — | ||
| 23-14 | Violin Sonata in C major, op. 5 no. 3: 4. Allegro | — | ||
| 23-15 | Violin Sonata in C major, op. 5 no. 3: 5. Giga | — | ||
| 23-16 | Violin Sonata in D minor, op. 5 no. 7: 1. Preludio. Vivace | — | ||
| 23-17 | Violin Sonata in D minor, op. 5 no. 7: 2. Corrente. Allegro | — | ||
| 23-18 | Violin Sonata in D minor, op. 5 no. 7: 3. Sarabanda | — | ||
| 23-19 | Violin Sonata in D minor, op. 5 no. 7: 4. Giga. Allegro | — | ||
| 23-20 | Violin Sonata in E minor, op. 5 no. 8: 1. Preludio. Largo | — | ||
| 23-21 | Violin Sonata in E minor, op. 5 no. 8: 2. Allemanda. Allegro | — | ||
| 23-22 | Violin Sonata in E minor, op. 5 no. 8: 3. Sarabanda. Largo | — | ||
| 23-23 | Violin Sonata in E minor, op. 5 no. 8: 4. Giga. Allegro | — | ||
| 23-24 | Violin Sonata in A major, op. 5 no. 9: 1. Preludio. Largo | — | ||
| 23-25 | Violin Sonata in A major, op. 5 no. 9: 2. Giga. Allegro | — | ||
| 23-26 | Violin Sonata in A major, op. 5 no. 9: 3. Adagio | — | ||
| 23-27 | Violin Sonata in A major, op. 5 no. 9: 4. Tempo di Gavotta. Allegro | — | ||
| 23-28 | Violin Sonata in E major, op. 5 no. 11: 1. Prelude. Adagio | — | ||
| 23-29 | Violin Sonata in E major, op. 5 no. 11: 2. Allegro | — | ||
| 23-30 | Violin Sonata in E major, op. 5 no. 11: 3. Adagio | — | ||
| 23-31 | Violin Sonata in E major, op. 5 no. 11: 4. Vivace | — | ||
| 23-32 | Violin Sonata in E major, op. 5 no. 11: 5. Gavotta. Allegro | — | ||
| 23-33 | Violin Sonata in D minor, op 5 no. 12 "La Follia": Adagio - Allegro - Adagio - Vivace - Allegro - Andante - Allegro - Adagio - Allegro | — | ||
| 24-1 | Notre Dame Period (c.1160-c.1250), Organa: Viderunt omnes | — | ||
| 24-2 | Notre Dame Period (c.1160-c.1250), Organa: Viderunt omnes | — | ||
| 24-3 | Ars antique (c.1250-c.1320), Motetti: Alle, psallite cum luya | — | ||
| 24-4 | Ars antique (c.1250-c.1320), Motetti: Amor potest | — | ||
| 24-5 | Ars antique (c.1250-c.1320), Motetti: S'on me regarde | — | ||
| 24-6 | Ars antique (c.1250-c.1320), Motetti: In mari miserie | — | ||
| 24-7 | Ars antique (c.1250-c.1320), Motetti: O mitissima | — | ||
| 24-8 | Ars antique (c.1250-c.1320), Motetti: Aucun ont trouvé | — | ||
| 24-9 | Ars antique (c.1250-c.1320), Motetti: De ma dame vient | — | ||
| 24-10 | Ars antique (c.1250-c.1320), Motetti: J'os bien a m'amie parler | — | ||
| 24-11 | Ars nova (c.1320-c.1380), Motetti: La mesnie fauveline | — | ||
| 24-12 | Ars nova (c.1320-c.1380), Motetti: Impudenter circumivi | — | ||
| 24-13 | Ars nova (c.1320-c.1380), Motetti: Cum statua | — | ||
| 24-14 | Ars nova (c.1320-c.1380), Motetti: Clap, clap, par un matin | — | ||
| 24-15 | Ars nova (c.1320-c.1380), Motetti: Febus mundo oriens | — | ||
| 24-16 | Ars nova (c.1320-c.1380), Motetti: Qui es promesses | — | ||
| 24-17 | Ars nova (c.1320-c.1380), Motetti: Lasse ! comment oublieray | — | ||
| 24-18 | Ars nova (c.1320-c.1380), Motetti: Inter densas deserti meditans | — | ||
| 24-19 | Ars nova (c.1320-c.1380), Motetti: Hoquetus David | — | ||
| 25-1 | Pièces de Clavecin (1724): Le Rappel des oiseaux | — | ||
| 25-2 | Pièces de Clavecin (1724): La Villageoise (Rondeau) | — | ||
| 25-3 | Pièces de Clavecin (1724): Les Tendres Plaintes (Rondeau) | — | ||
| 25-4 | Pièces de Clavecin (1724): Les Niais de Sologne - Doubles des Niais (I & II) | — | ||
| 25-5 | Pièces de Clavecin (1724): La Follette (Rondeau) | — | ||
| 25-6 | Pièces de Clavecin (1724): L'Entretien des Muses | — | ||
| 25-7 | Pièces de Clavecin (1724): Les Tourbillons (Rondeau) | — | ||
| 25-8 | Pièces de Clavecin (1724): Les Cyclopes (Rondeau) | — | ||
| 25-9 | Nouvelles Suites de Pièces de Clavecin (1728): Sarabande | — | ||
| 25-10 | Nouvelles Suites de Pièces de Clavecin (1728): Les Trois Mains | — | ||
| 25-11 | Nouvelles Suites de Pièces de Clavecin (1728): Fanfarinette | — | ||
| 25-12 | Nouvelles Suites de Pièces de Clavecin (1728): Gavotte - Doubles de la Gavotte (I-VII) | — | ||
| 25-13 | Nouvelles Suites de Pièces de Clavecin (1728): La Poule | — | ||
| 25-14 | Nouvelles Suites de Pièces de Clavecin (1728): Les Sauvages | — | ||
| 25-15 | Nouvelles Suites de Pièces de Clavecin (1728): L'Enharmonique | — | ||
| 25-16 | Nouvelles Suites de Pièces de Clavecin (1728): L'Égyptienne | — | ||
| 26-1 | Sinfonia a 8 concertanti in A minor: 1. [Allegro] | — | ||
| 26-2 | Sinfonia a 8 concertanti in A minor: 2. Andante | — | ||
| 26-3 | Sinfonia a 8 concertanti in A minor: 3. Capriccio. Tempo di Gavotta | — | ||
| 26-4 | Sinfonia a 8 concertanti in A minor: 4. Aria da Capriccio. Andante - Allegro - Andante - Allegro | — | ||
| 26-5 | Sinfonia a 8 concertanti in A minor: 5. Minuetto I - II - I | — | ||
| 26-6 | Hipocondrie a 7 concertanti in A minor: 1. [Adagio] - Allegro - Lentement | — | ||
| 26-7 | Ouverture a 7 concertanti in F major: 1. [Grave - Allegro - Grave] | — | ||
| 26-8 | Ouverture a 7 concertanti in F major: 2. Aria | — | ||
| 26-9 | Ouverture a 7 concertanti in F major: 3. Minuetto I - II - I | — | ||
| 26-10 | Ouverture a 7 concertanti in F major: 4. Sicilliano | — | ||
| 26-11 | Ouverture a 7 concertanti in F major: 5. Folia | — | ||
| 26-12 | Trio Sonata no. 4 in G minor: 1. Andante | — | ||
| 26-13 | Trio Sonata no. 4 in G minor: 2. Allegro | — | ||
| 26-14 | Trio Sonata no. 4 in G minor: 3. Adagio | — | ||
| 26-15 | Trio Sonata no. 4 in G minor: 4. Adagio | — | ||
| 27-1 | Aria | — | ||
| 27-2 | Variatio 1. a 1 Clav. | — | ||
| 27-3 | Variatio 2. a 1 Clav. | — | ||
| 27-4 | Variatio 3. Canone all'Unisono. a 1 Clav. | — | ||
| 27-5 | Variatio 4. a 1 Clav. | — | ||
| 27-6 | Variatio 5. a 1 ovvero 2 Clav. | — | ||
| 27-7 | Variatio 6. Canone alla Seconda. a 1 Clav. | — | ||
| 27-8 | Variatio 7. a 1 ovvero 2 Clav. al tempo di Giga | — | ||
| 27-9 | Variatio 8. a 2 Clav. | — | ||
| 27-10 | Variatio 9. Canone alla Terza. a 1 Clav. | — | ||
| 27-11 | Variatio 10. Fughetta. a 1 Clav. | — | ||
| 27-12 | Variatio 11. a 2 Clav. | — | ||
| 27-13 | Variatio 12. Canone alla Quarta. a 1 Clav. | — | ||
| 27-14 | Variatio 13. a 2 Clav. | — | ||
| 27-15 | Variatio 14. a 2 Clav. | — | ||
| 27-16 | Variatio 15. Canone alla Quinta. a 1 Clav. andante | — | ||
| 27-17 | Variatio 16. Ouverture. a 1 Clav. | — | ||
| 27-18 | Variatio 17. a 2 Clav. | — | ||
| 27-19 | Variatio 18. Canone alla Sexta. a 1 Clav. (Sesta) | — | ||
| 27-20 | Variatio 19. a 1 Clav. | — | ||
| 27-21 | Variatio 20. a 2 Clav. | — | ||
| 27-22 | Variatio 21. Canone alla Settima. a 1 Clav. | — | ||
| 27-23 | Variatio 22. a 1 Clav. (Alla breve) | — | ||
| 27-24 | Variatio 23. a 2 Clav. | — | ||
| 27-25 | Variatio 24. Canone all'Ottava. a 1 Clav. | — | ||
| 27-26 | Variatio 25. a 2 Clav. adagio | — | ||
| 27-27 | Variatio 26. a 2 Clav. | — | ||
| 27-28 | Variatio 27. Canone alla Nona. a 2 Clav. | — | ||
| 27-29 | Variatio 28. a 2 Clav. | — | ||
| 27-30 | Variatio 29. a 1 ovvero 2 Clav. | — | ||
| 27-31 | Variatio 30. Quodlibet. a 1 Clav. | — | ||
| 27-32 | Aria da capo | — | ||
| 28-1 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": 1. Allegro: Giunt'è la Primavera - Canto degl'uccelli - Scorrono i fonti - Tuoni - Canto d'uccelli | — | ||
| 28-2 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": 2. Largo e pianissimo sempre: Il Capraro che dorme (violino principale) - Mormorio di fronde e piante (violini) - Il cane che grida (viola) | — | ||
| 28-3 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": 3. Danza pastorale. Allegro | — | ||
| 28-4 | Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": 1. Allegro non molto: Languidezza per il caldo - Il Cucco - La Tortorella - Il Gardellino - Zeffiretti dolci - Venti diversi - Vento Borea - Il pianto del Villanello | — | ||
| 28-5 | Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": 2. Adagio - Presto: Mosche e mosconi | — | ||
| 28-6 | Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": 3. Presto: Tempo impetuoso d'estate | — | ||
| 28-7 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": 1. Allegro: Ballo e canto de' Villanelli - L'ubriaco - L'ubriaco che dorme | — | ||
| 28-8 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": 2. Adagio: Dormienti ubriachi | — | ||
| 28-9 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": 3. Allegro: Lac caccia - La fiera che fugge - Schioppi e cani - La fiera fuggendo muore | — | ||
| 28-10 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": 1. Allegro non molto: Agghiacciato tremar tra nevi algenti - Orrido Vento - Correre e battere i piedi per il freddo - Venti - Battere i denti | — | ||
| 28-11 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": 2. Largo: La pioggia | — | ||
| 28-12 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": 3. Allegro: Camminar sopra il ghiaccio - Camminar piano e con timore - Cader a terra - Correr forte - Il vento Siroco - Il vento Borea e tutti i venti | — | ||
| 28-13 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: 1. Ouverture. Allegro | — | ||
| 28-14 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: 2. Aur. Lentement | — | ||
| 28-15 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: 3. Allegro | — | ||
| 28-16 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: 4. Allegro | — | ||
| 28-17 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: 5. Allegro moderato | — | ||
| 28-18 | Concerto grosso in A major, op. 6 no. 11, HWV 329: 1. Andante larghetto e staccato | — | ||
| 28-19 | Concerto grosso in A major, op. 6 no. 11, HWV 329: 2. Allegro | — | ||
| 28-20 | Concerto grosso in A major, op. 6 no. 11, HWV 329: 3. Largo e staccato | — | ||
| 28-21 | Concerto grosso in A major, op. 6 no. 11, HWV 329: 4. Andante | — | ||
| 28-22 | Concerto grosso in A major, op. 6 no. 11, HWV 329: 5. Allegro | — | ||
| 28-23 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: 1. Largo | — | ||
| 28-24 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: 2. Allegro | — | ||
| 28-25 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: 3. Aria. Larghetto e piano | — | ||
| 28-26 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: 4. Largo | — | ||
| 28-27 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: 5. Allegro | — | ||
| 29-1 | Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 1. Ouverture | — | ||
| 29-2 | Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 2. Sarabande. Die schlafende Thetis | — | ||
| 29-3 | Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 3. Bourrée. Die erwachende Thetis | — | ||
| 29-4 | Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 4. Loure. Der verliebte Neptunus | — | ||
| 29-5 | Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 5. Gavotte. Die spielenden Najaden | — | ||
| 29-6 | Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 6. Harlequinade. Der scherzende Tritonus | — | ||
| 29-7 | Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 7. Der stürmende Aeolus | — | ||
| 29-8 | Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 8. Menuet. Der angenehme Zephir | — | ||
| 29-9 | Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 9. Gigue. Ebbe und Flut | — | ||
| 29-10 | Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 10. Canarie. Die lustigen Bootsleute | — | ||
| 29-11 | Concerto in B-flat major for 2 Recorders, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 54:B2: 1. Andante | — | ||
| 29-12 | Concerto in B-flat major for 2 Recorders, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 54:B2: 2. Presto | — | ||
| 29-13 | Concerto in B-flat major for 2 Recorders, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 54:B2: 3. Cantabile | — | ||
| 29-14 | Concerto in B-flat major for 2 Recorders, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 54:B2: 4. Allegro | — | ||
| 29-15 | Concerto à 7 in F major for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:41: 1. Grave | — | ||
| 29-16 | Concerto à 7 in F major for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:41: 2. Vivace - attacca: | — | ||
| 29-17 | Concerto à 7 in F major for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:41: 3. Adagio | — | ||
| 29-18 | Concerto à 7 in F major for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:41: 4. Allegro | — | ||
| 29-19 | Concerto in A minor for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:42: 1. Adagio | — | ||
| 29-20 | Concerto in A minor for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:42: 2. Allegro | — | ||
| 29-21 | Concerto in A minor for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:42: 3. Affettuoso | — | ||
| 29-22 | Concerto in A minor for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:42: 4. Allegro | — | ||
| 29-23 | Concerto in B-flat major for 3 Oboes, 3 Violins and Basso continuo, TWV 44:43: 1. Allegro | — | ||
| 29-24 | Concerto in B-flat major for 3 Oboes, 3 Violins and Basso continuo, TWV 44:43: 2. Largo | — | ||
| 29-25 | Concerto in B-flat major for 3 Oboes, 3 Violins and Basso continuo, TWV 44:43: 3. Allegro | — | ||
| 29-26 | Concerto in D minor for 2 Chalumeaux, Strings and Basso continuo, TWV 52:d1: 1. Largo | — | ||
| 29-27 | Concerto in D minor for 2 Chalumeaux, Strings and Basso continuo, TWV 52:d1: 2. Allegro | — | ||
| 29-28 | Concerto in D minor for 2 Chalumeaux, Strings and Basso continuo, TWV 52:d1: 3. Adagio | — | ||
| 29-29 | Concerto in D minor for 2 Chalumeaux, Strings and Basso continuo, TWV 52:d1: 4. [Vivace] | — | ||
| 30-1 | Mass in B minor, BWV 232, Kyrie: 1. Chorus: Kyrie eleison | — | ||
| 30-2 | Mass in B minor, BWV 232, Kyrie: 2. Duet: Christe eleison | — | ||
| 30-3 | Mass in B minor, BWV 232, Kyrie: 3. Chorus: Kyrie eleison | — | ||
| 30-4 | Mass in B minor, BWV 232, Gloria: 4. Chorus: Gloria in excelsis | — | ||
| 30-5 | Mass in B minor, BWV 232, Gloria: 5. Chorus: Et in terra pax | — | ||
| 30-6 | Mass in B minor, BWV 232, Gloria: 6. Aria: Laudamus te | — | ||
| 30-7 | Mass in B minor, BWV 232, Gloria: 7. Crhous: Gratias agimus tibi | — | ||
| 30-8 | Mass in B minor, BWV 232, Gloria: 8. Duet: Domine Deus | — | ||
| 30-9 | Mass in B minor, BWV 232, Gloria: 9. Chorus: Qui tollis peccata mundi | — | ||
| 30-10 | Mass in B minor, BWV 232, Gloria: 10. Aria: Qui sedes ad dextram Patris | — | ||
| 30-11 | Mass in B minor, BWV 232, Gloria: 11. Aria: Quoniam tu solus Sanctus | — | ||
| 30-12 | Mass in B minor, BWV 232, Gloria: 12. Chorus: Cum Sancto Spiritu | — | ||
| 31-1 | Mass in B minor, BWV 232, Credo: 13. Chorus: Credo in unum Deum | — | ||
| 31-2 | Mass in B minor, BWV 232, Credo: 14. Chorus: Credo in unum Deum, Patrem omnipotentem | — | ||
| 31-3 | Mass in B minor, BWV 232, Credo: 15. Duet: Et in unum Dominum | — | ||
| 31-4 | Mass in B minor, BWV 232, Credo: 16. Chorus: Et incarnatus est | — | ||
| 31-5 | Mass in B minor, BWV 232, Credo: 17. Chorus: Crucifixus | — | ||
| 31-6 | Mass in B minor, BWV 232, Credo: 18. Chorus: Et resurrexit | — | ||
| 31-7 | Mass in B minor, BWV 232, Credo: 19. Aria: Et in Spiritum Sanctum | — | ||
| 31-8 | Mass in B minor, BWV 232, Credo: 20. Chorus: Confiteor | — | ||
| 31-9 | Mass in B minor, BWV 232, Credo: 21. Chorus: Et exspecto resurrectionem | — | ||
| 31-10 | Mass in B minor, BWV 232, Sanctus: 22. Chorus: Sanctus | — | ||
| 31-11 | Mass in B minor, BWV 232, Sanctus: 23. Chorus I & II: Osanna in excelsis | — | ||
| 31-12 | Mass in B minor, BWV 232, Sanctus: 24. Aria: Benedictus, qui venit | — | ||
| 31-13 | Mass in B minor, BWV 232, Sanctus: 25: Chorus I & II: Osanna in excelsis | — | ||
| 31-14 | Mass in B minor, BWV 232, Agnus Dei: 26. Aria: Agnus Dei | — | ||
| 31-15 | Mass in B minor, BWV 232, Agnus Dei: 27. Chorus I & II: Osanna in excelsis | — | ||
| 32-1 | Missa Papae Marcelli: Kyrie | — | ||
| 32-2 | Missa Papae Marcelli: Gloria | — | ||
| 32-3 | Missa Papae Marcelli: Credo | — | ||
| 32-4 | Missa Papae Marcelli: Sanctus | — | ||
| 32-5 | Missa Papae Marcelli: Benedictus | — | ||
| 32-6 | Missa Papae Marcelli: Agnus Dei I & II | — | ||
| 32-7 | Tu es Petrus | — | ||
| 32-8 | Miserere | — | ||
| 32-9 | Venite ad me omnes | — | ||
| 32-10 | Haec dies | — | ||
| 32-11 | Jubilate Deo | — | ||
| 33-1 | Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: 1. Allegro vivace | — | ||
| 33-2 | Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: 2. Andante un poco sostenuto | — | ||
| 33-3 | Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: 3. Allegro vivace | — | ||
| 33-4 | Concerto for Piano and Orchestra no. 19 in F major, K. 459: 1. Allegro | — | ||
| 33-5 | Concerto for Piano and Orchestra no. 19 in F major, K. 459: 2. Allegretto | — | ||
| 33-6 | Concerto for Piano and Orchestra no. 19 in F major, K. 459: 3. Allegro assai | — | ||
| 34-1 | Vespro della Beata Vergine (1610): 1. Deus in adiutorium - Domine ad adiuvandum (Sex vocibus et sex instrumentis) | — | ||
| 34-2 | Vespro della Beata Vergine (1610): 2. Dixit Dominus (Sex vocibus et sex instrumentis) | — | ||
| 34-3 | Vespro della Beata Vergine (1610): 3. Nigra sum (Motetto ad una voce) | — | ||
| 34-4 | Vespro della Beata Vergine (1610): 4. Laudate pueri (a 8 voci sole nel organo) | — | ||
| 34-5 | Vespro della Beata Vergine (1610): 5. Pulchra es (a due voci) | — | ||
| 34-6 | Vespro della Beata Vergine (1610): 6. Laetatus sum (a sei voci) | — | ||
| 34-7 | Vespro della Beata Vergine (1610): 7. Duo Seraphim (a due voci / a tre voci) | — | ||
| 34-8 | Vespro della Beata Vergine (1610): 8. Nisi Dominus (a dieci voci) | — | ||
| 34-9 | Vespro della Beata Vergine (1610): 9. Audi coelum (Prima ad una voce sola, poi nella fine a 6 voci) | — | ||
| 34-10 | Vespro della Beata Vergine (1610): 10. Lauda Jerusalem (a sette voci) | — | ||
| 35-1 | Vespro della Beata Vergine (1610): 11. Sonata sopra Sancta Maria (a 8) | — | ||
| 35-2 | Vespro della Beata Vergine (1610): 12. Ave maris stella (a 8) | — | ||
| 35-3 | Vespro della Beata Vergine (1610): 13a. Magnificat a 7 (a sette voci & sei instrumenti) | — | ||
| 35-4 | Vespro della Beata Vergine (1610): 13b. Magnificat a 6 | — | ||
| 36-1 | Symphony no. 39 in G minor, Hob. I: 39: 1. Allegro assai | — | ||
| 36-2 | Symphony no. 39 in G minor, Hob. I: 39: 2. Andante | — | ||
| 36-3 | Symphony no. 39 in G minor, Hob. I: 39: 3. Menuet | — | ||
| 36-4 | Symphony no. 39 in G minor, Hob. I: 39: 4. Finale. Allegro di molto | — | ||
| 36-5 | Symphony no. 41 in C major, Hob. I: 41: 1. Allegro con spirito | — | ||
| 36-6 | Symphony no. 41 in C major, Hob. I: 41: 2. Un poco Andante | — | ||
| 36-7 | Symphony no. 41 in C major, Hob. I: 41: 3. Menuet | — | ||
| 36-8 | Symphony no. 41 in C major, Hob. I: 41: 4. Finale. Presto | — | ||
| 36-9 | Symphony no. 48 in C major, Hob. I: 48 "Maria Theresia": 1. Allegro | — | ||
| 36-10 | Symphony no. 48 in C major, Hob. I: 48 "Maria Theresia": 2. Adagio | — | ||
| 36-11 | Symphony no. 48 in C major, Hob. I: 48 "Maria Theresia": 3. Menuet. Allegretto | — | ||
| 36-12 | Symphony no. 48 in C major, Hob. I: 48 "Maria Theresia": 4. Finale. Allegro | — | ||
| 36-13 | Symphony no. 65 in A major, Hob. I: 65: 1. Vivace e con spirito | — | ||
| 36-14 | Symphony no. 65 in A major, Hob. I: 65: 2. Andante | — | ||
| 36-15 | Symphony no. 65 in A major, Hob. I: 65: 3. Menuetto | — | ||
| 36-16 | Symphony no. 65 in A major, Hob. I: 65: 4. Finale. Presto | — | ||
| 37-1 | Symphony no. 5 in C minor, op. 67: 1. Allegro con brio | — | ||
| 37-2 | Symphony no. 5 in C minor, op. 67: 2. Andante con moto | — | ||
| 37-3 | Symphony no. 5 in C minor, op. 67: 3. Allegro | — | ||
| 37-4 | Symphony no. 5 in C minor, op. 67: 4. Allegro | — | ||
| 37-5 | Symphony no. 6 in F major, op. 68 "Pastoral": 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | — | ||
| 37-6 | Symphony no. 6 in F major, op. 68 "Pastoral": 2. Szene am Bach: Andante molto mosso | — | ||
| 37-7 | Symphony no. 6 in F major, op. 68 "Pastoral": 3. Lustiges Zusammensein der Landleute: Allegro | — | ||
| 37-8 | Symphony no. 6 in F major, op. 68 "Pastoral": 4. Gewitter - Sturm: Allegro | — | ||
| 37-9 | Symphony no. 6 in F major, op. 68 "Pastoral": 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto | — | ||
| 38-1 | Suite pour ochestre, "Les Elémens": 1. Le Cahos | — | ||
| 38-2 | Suite pour ochestre, "Les Elémens": 2. Air pour les violons (La terre et l'eau) | — | ||
| 38-3 | Suite pour ochestre, "Les Elémens": 3. Chaconne (Le feu) | — | ||
| 38-4 | Suite pour ochestre, "Les Elémens": 4. Air. Ramage | — | ||
| 38-5 | Suite pour ochestre, "Les Elémens": 5. Rossignois | — | ||
| 38-6 | Suite pour ochestre, "Les Elémens": 9. Rondeau. Air pour l'Amour | — | ||
| 38-7 | Suite pour ochestre, "Les Elémens": 6. Loure | — | ||
| 38-8 | Suite pour ochestre, "Les Elémens": 8. Sicilienne | — | ||
| 38-9 | Suite pour ochestre, "Les Elémens": 10. Caprice | — | ||
| 38-10 | Suite pour ochestre, "Les Elémens": 7. Tambourins I & II | — | ||
| 38-11 | Sonata in E minor: 1. Gravement | — | ||
| 38-12 | Sonata in E minor: 2. Allabreve | — | ||
| 38-13 | Sonata in E minor: 3. Air | — | ||
| 38-14 | Sonata in E minor: 4. Tendrement | — | ||
| 38-15 | Sonata in E minor: 5. Gay | — | ||
| 38-16 | Balletto, "Alessandro (Les Amours d'Alexandre et de Roxane)": Ballo. Sinfonia | — | ||
| 38-17 | Balletto, "Alessandro (Les Amours d'Alexandre et de Roxane)": 1. Marche | — | ||
| 38-18 | Balletto, "Alessandro (Les Amours d'Alexandre et de Roxane)": 2. Andantino | — | ||
| 38-19 | Balletto, "Alessandro (Les Amours d'Alexandre et de Roxane)": 3. Allegretto | — | ||
| 38-20 | Balletto, "Alessandro (Les Amours d'Alexandre et de Roxane)": 4. Moderato | — | ||
| 38-21 | Balletto, "Alessandro (Les Amours d'Alexandre et de Roxane)": 5. Menuetto - (Trio) - Menuetto | — | ||
| 38-22 | Balletto, "Alessandro (Les Amours d'Alexandre et de Roxane)": 6. Antipoisino | — | ||
| 38-23 | Balletto, "Alessandro (Les Amours d'Alexandre et de Roxane)": 7. Chaconne | — | ||
| 39-1 | La Resurrezione, HWV 47: Part I. Sonata | — | ||
| 39-2 | La Resurrezione, HWV 47: Part I. Aria: Disserratevi, o porte d'Averno (Angelo) | — | ||
| 39-3 | La Resurrezione, HWV 47: Part I. Recitative: Qual'insolita luce (Lucifero) | — | ||
| 39-4 | La Resurrezione, HWV 47: Part I. Aria: Caddi, è ver, ma nel cadere (Lucifero) | — | ||
| 39-5 | La Resurrezione, HWV 47: Part I. Recitative: Ma, che veggio? (Lucifero, Angelo) | — | ||
| 39-6 | La Resurrezione, HWV 47: Part I. Recitative: Che sei? Chi è questo rè (Lucifero, Angelo) | — | ||
| 39-7 | La Resurrezione, HWV 47: Part I. Aria: D'amor fu consiglio (Angelo) | — | ||
| 39-8 | La Resurrezione, HWV 47: Part I. Recitative: E ben, questo tuo Nume (Lucifero, Angelo) | — | ||
| 39-9 | La Resurrezione, HWV 47: Part I. Aria: O voi, dell'Erebo (Lucifero) | — | ||
| 39-10 | La Resurrezione, HWV 47: Part I. Recitative: Notte, notte funesta (Maddalena) | — | ||
| 39-11 | La Resurrezione, HWV 47: Part I. Aria: Ferma l'ali, e sui miei lumi (Maddalena) | — | ||
| 39-12 | La Resurrezione, HWV 47: Part I. Recitative: Concedi, o Maddalena (Cleofe, Maddalena) | — | ||
| 39-13 | La Resurrezione, HWV 47: Part I. Aria: Piangete, si, piangete (Cleofe) | — | ||
| 39-14 | La Resurrezione, HWV 47: Part I. Recitative: Ahi, dolce mio Signore (Maddalena, Cleofe) | — | ||
| 39-15 | La Resurrezione, HWV 47: Part I. Aria: Dolci chiodi, amate spine (Maddalena, Cleofe) | — | ||
| 39-16 | La Resurrezione, HWV 47: Part I. Recitative: O Cleofe, o Maddalena (San Giovanni, Maddalena) | — | ||
| 39-17 | La Resurrezione, HWV 47: Part I. Aria: Quando è parto dell'affetto (San Giovanni) | — | ||
| 39-18 | La Resurrezione, HWV 47: Part I. Recitative: Ma dinne, e sarà vero (Cleofe, San Giovanni, Maddalena) | — | ||
| 39-19 | La Resurrezione, HWV 47: Part I. Aria: Naufragando va per l'onde (Cleofe) | — | ||
| 39-20 | La Resurrezione, HWV 47: Part I. Recitative: Itene pure, o fide (San Giovanni, Maddalena) | — | ||
| 39-21 | La Resurrezione, HWV 47: Part I. Aria: Così la tortorella (San Giovanni) | — | ||
| 39-22 | La Resurrezione, HWV 47: Part I. Recitative: Se Maria dunque spera (Maddalena) | — | ||
| 39-23 | La Resurrezione, HWV 47: Part I. Aria: Ho un non so che nel cor (Maddalena) | — | ||
| 39-24 | La Resurrezione, HWV 47: Part I. Recitative: Uscite pur, uscite (Angelo) | — | ||
| 39-25 | La Resurrezione, HWV 47: Part I. Coro: Il Nume vuncitor (Angelo, Coro di Angeli) | — | ||
| 40-1 | La Resurrezione, HWV 47: Part II. Introduction - Einleitung | — | ||
| 40-2 | La Resurrezione, HWV 47: Part II. Recitative: Di quai nuovi portenti (San Giovanni) | — | ||
| 40-3 | La Resurrezione, HWV 47: Part II. Aria: Ecco il sol, ch'esce dal mar (San Giovanni) | — | ||
| 40-4 | La Resurrezione, HWV 47: Part II. Recitative: Ma ove Maria dimora (San Giovanni) | — | ||
| 40-5 | La Resurrezione, HWV 47: Part II. Aria: Risorga il mondo (Angelo) | — | ||
| 40-6 | La Resurrezione, HWV 47: Part II. Recitative: Di rabbia indarno freme (Angelo) | — | ||
| 40-7 | La Resurrezione, HWV 47: Part II. Recitative: Misero! ho pure udito? (Lucifero, Angelo) | — | ||
| 40-8 | La Resurrezione, HWV 47: Part II. Aria: Per celare il nuovo scorno (Lucifero) | — | ||
| 40-9 | La Resurrezione, HWV 47: Part II. Recitative: O come cieco il tuo furor delira! (Angelo) | — | ||
| 40-10 | La Resurrezione, HWV 47: Part II. Aria: Impedirlo io saprò (Lucifero, Angelo) | — | ||
| 40-11 | La Resurrezione, HWV 47: Part II. Recitative: Amica, troppo tardo (Maddalena, Cleofe) | — | ||
| 40-12 | La Resurrezione, HWV 47: Part II. Aria: Per me già di morire (Maddalena) | — | ||
| 40-13 | La Resurrezione, HWV 47: Part II. Recitative: Ahi, abborrito nome (Lucifero) | — | ||
| 40-14 | La Resurrezione, HWV 47: Part II. Aria: Vedo il Ciel che più sereno (Cleofe) | — | ||
| 40-15 | La Resurrezione, HWV 47: Part II. Recitative: Cleofe, siam giunte al luogo (Maddalena, Cleofe, Angelo) | — | ||
| 40-16 | La Resurrezione, HWV 47: Part II. Aria: Se per colpa di donna infelice (Angelo) | — | ||
| 40-17 | La Resurrezione, HWV 47: Part II. Recitative: Mio Gesù, mio Signore (Maddalena) | — | ||
| 40-18 | La Resurrezione, HWV 47: Part II. Aria: Del ciglio dolente (Maddalena) | — | ||
| 40-19 | La Resurrezione, HWV 47: Part II. Recitative: Sì, sì, cerchiamo pure (Cleofe) | — | ||
| 40-20 | La Resurrezione, HWV 47: Part II. Aria: Augelletti, ruscelletti (Cleofe) | — | ||
| 40-21 | La Resurrezione, HWV 47: Part II. Recitative: Dove sì frettolosi (San Giovanni, Cleofe) | — | ||
| 40-22 | La Resurrezione, HWV 47: Part II. Aria: Caro Figlio! (San Giovanni) | — | ||
| 40-23 | La Resurrezione, HWV 47: Part II. Recitative: Cleofe, Giovanni, udite (Maddalena, San Giovanni, Cleofe) | — | ||
| 40-24 | La Resurrezione, HWV 47: Part II. Aria: Se impassibile, immortale (Maddalena) | — | ||
| 40-25 | La Resurrezione, HWV 47: Part II. Recitative: Sì, sì, col Redentore (San Giovanni, Cleofe, Maddalena) | — | ||
| 40-26 | La Resurrezione, HWV 47: Part II. Coro: Diasi lode in Cielo, in terra | — | ||
| 41-1 | Music for San Rocco (1608): Toccata a 4 (C237) | — | ||
| 41-2 | Music for San Rocco (1608): In ecclesiis a 14 (C78) | — | ||
| 41-3 | Music for San Rocco (1608): Sonata no. 19 a 15 (C212) | — | ||
| 41-4 | Music for San Rocco (1608): Suscipe, clementissime Deus a 12 (C70) | — | ||
| 41-5 | Music for San Rocco (1608): Canzona no. 14 a 10 (C207) | — | ||
| 41-6 | Music for San Rocco (1608): Buccinate in neomenia tuba a 19 (C84) | — | ||
| 41-7 | Music for San Rocco (1608): Intonazione del nono tono (C247) trasportato alla quinta bassa | — | ||
| 41-8 | Music for San Rocco (1608): Domine Deus meus a 6 (C127) | — | ||
| 41-9 | Audi, dulcis amica mea | — | ||
| 41-10 | Sonata no. 21 con tre violini (C224) | — | ||
| 41-11 | Ardens est cor meum | — | ||
| 41-12 | Timor et tremor a 6 (C142) | — | ||
| 41-13 | Intonazione duodecimo tono (C250) trasportato alla quinta bassa | — | ||
| 41-14 | Jubilate Deo a 10 (C65) | — | ||
| 41-15 | Sonata no. 18 a 14 (C211) | — | ||
| 41-16 | Misericordia tua, Domine a 12 (C69) | — | ||
| 41-17 | Sonata no. 20 a 22 (C213) | — | ||
| 41-18 | Magnificat a 33 (C151; arr. Hugh Keyte) | — | ||
| 42-1 | Messiah, HWV 56: Part I. Sinfony (Grave - Allegro moderato) | — | ||
| 42-2 | Messiah, HWV 56: Part I. Recitative, accompanied (Tenor): Confort ye, comfort ye my people | — | ||
| 42-3 | Messiah, HWV 56: Part I. Song (Tenor): Ev'ry valley shall be exalted | — | ||
| 42-4 | Messiah, HWV 56: Part I. Chorus: And the glory of the Lord shall be revealed | — | ||
| 42-5 | Messiah, HWV 56: Part I. Recitative, accompanied (Bass): Thus saith the Lord of hosts | — | ||
| 42-6 | Messiah, HWV 56: Part I. Song (Soprano II): But who may abide the day of his coming? | — | ||
| 42-7 | Messiah, HWV 56: Part I. Chorus: And He shall purify the sons of Levi | — | ||
| 42-8 | Messiah, HWV 56: Part I. Recitative (Contralto): Behold, a virgin shall conceive | — | ||
| 42-9 | Messiah, HWV 56: Part I. Song (Contralto) & Chorus: O thou that tellest good tidings to Zion | — | ||
| 42-10 | Messiah, HWV 56: Part I. Recitative, accompanied (Bass): For behold, darkness shall cover the earth | — | ||
| 42-11 | Messiah, HWV 56: Part I. Song (Bass): The people that walked in darkness | — | ||
| 42-12 | Messiah, HWV 56: Part I. Chorus: For unto us a Child is born | — | ||
| 42-13 | Messiah, HWV 56: Part I. Pifa (Pastoral Symphony) | — | ||
| 42-14 | Messiah, HWV 56: Part I. Recitative (Soprano I): There were shepherds abiding in the field / Recitative (Soprano I): And lo, the angel of the Lord came upon them / Recitative (Soprano I): And the angel said unto them / Recitative (Soprano I): And suddenly there was with the angel | — | ||
| 42-15 | Messiah, HWV 56: Part I. Chorus: Glory to God in the highest | — | ||
| 42-16 | Messiah, HWV 56: Part I. Song (Soprano I): Rejoice greatly, O daughter of Zion | — | ||
| 42-17 | Messiah, HWV 56: Part I. Recitative (Soprano II): Then shall the eyes of the blind be open'd | — | ||
| 42-18 | Messiah, HWV 56: Part I. Song (Soprano II): He shall feed his flock | — | ||
| 42-19 | Messiah, HWV 56: Part I. Chorus: His yoke is easy, his burden is light | — | ||
| 42-20 | Messiah, HWV 56: Part II. Chorus: Behold the Lamb of God | — | ||
| 42-21 | Messiah, HWV 56: Part II. Song (Contralto): He was despised | — | ||
| 42-22 | Messiah, HWV 56: Part II. Chorus: Surely he hath borne our griefs | — | ||
| 42-23 | Messiah, HWV 56: Part II. Chorus: And with his stripes we are healed | — | ||
| 42-24 | Messiah, HWV 56: Part II. Chorus: All we, like sheep, have gone astray | — | ||
| 42-25 | Messiah, HWV 56: Part II. Recitative (Tenor): All they that see him laugh him to scorn | — | ||
| 42-26 | Messiah, HWV 56: Part II. Chorus: He trusted in God | — | ||
| 42-27 | Messiah, HWV 56: Part II. Recitative (Tenor): Thy rebuke hath broken his heart | — | ||
| 42-28 | Messiah, HWV 56: Part II. Song (Tenor): Behold, and see, if there be any sorrow | — | ||
| 42-29 | Messiah, HWV 56: Part II. Recitative (Soprano II): He was cut off out of the land | — | ||
| 42-30 | Messiah, HWV 56: Part II. Song (Soprano II): But thou didst not leave his soul in hell | — | ||
| 43-1 | Messiah, HWV 56: Part II. Chorus: Lift up your heads, O ye gates | — | ||
| 43-2 | Messiah, HWV 56: Part II. Recitative (Tenor): Unto which of the angels said he at any time | — | ||
| 43-3 | Messiah, HWV 56: Part II. Chorus: Let all the angels of God worship him | — | ||
| 43-4 | Messiah, HWV 56: Part II. Song (Soprano I): Thou art gone up on high | — | ||
| 43-5 | Messiah, HWV 56: Part II. Chorus: The Lord gave the word | — | ||
| 43-6 | Messiah, HWV 56: Part II. Song (Soprano II): How beautiful are the feet | — | ||
| 43-7 | Messiah, HWV 56: Part II. Chorus: Their sound is gone out into all lands | — | ||
| 43-8 | Messiah, HWV 56: Part II. Song (Bass): Why do the nations so furiously rage together | — | ||
| 43-9 | Messiah, HWV 56: Part II. Chorus: Let us break their bonds asunder | — | ||
| 43-10 | Messiah, HWV 56: Part II. Recitative (Tenor): He that dwelleth in heaven / Song (Tenor): Thou shalt break them with a rod of iron | — | ||
| 43-11 | Messiah, HWV 56: Part II. Hallelujah | — | ||
| 43-12 | Messiah, HWV 56: Part III. Song (Soprano II): I know that my Redeemer liveth | — | ||
| 43-13 | Messiah, HWV 56: Part III. Chorus: Since by man came death | — | ||
| 43-14 | Messiah, HWV 56: Part III. Recitative (Bass): Behold, I tell you a mystery | — | ||
| 43-15 | Messiah, HWV 56: Part III. Song (Bass): The trumpet shall sound | — | ||
| 43-16 | Messiah, HWV 56: Part III. Recitative (Contralto): Then shall be brought to pass | — | ||
| 43-17 | Messiah, HWV 56: Part III. Duet (Contralto & Tenor): O death, where is thy sting? | — | ||
| 43-18 | Messiah, HWV 56: Part III. Chorus: But thanks be to God | — | ||
| 43-19 | Messiah, HWV 56: Part III. Song (Soprano I): If God is for us | — | ||
| 43-20 | Messiah, HWV 56: Part III. Chorus: Worthy is the Lamb that was slain - Amen | — | ||
| 44-1 | Con che soavità | — | ||
| 44-2 | Lamento della Regina d'Inghilterra | — | ||
| 44-3 | Il ballo del Gran Duca, op. 16: Corrente Nona | — | ||
| 44-4 | Cessate, omai cessate, RV 684 | — | ||
| 44-5 | Lamento d'Arianna | — | ||
| 44-6 | Incassum, Lesbia, rogas, Z. 383 | — | ||
| 44-7 | Ciaccona | — | ||
| 44-8 | Oh solitude! Z. 406 | — | ||
| 45-1 | Anonymous Flemish Melodies (late 15th and early 16th century): T'andernaken - Laet ons mit hartzen - Hoboekentanz - Laet ons mit hartzen - Ihesus is een kyndekyn cleyn - Laet ons mit hartzen | — | ||
| 45-2 | Ave regina caelorum | — | ||
| 45-3 | Pourquoy non | — | ||
| 45-4 | Passe et medio & reprise | — | ||
| 45-5 | Gaillarde - Gaillarde - Gaillarde | — | ||
| 45-6 | Ls Morisque | — | ||
| 45-7 | J'ay pris amours I | — | ||
| 45-8 | J'ay pris amours II | — | ||
| 45-9 | Crions Noel | — | ||
| 45-10 | T'andernaken | — | ||
| 45-11 | Laet u ghenoughen, liever Johan | — | ||
| 45-12 | Entre du fol | — | ||
| 45-13 | Mon désir | — | ||
| 45-14 | Je loe amours | — | ||
| 45-15 | T'andernaken | — | ||
| 45-16 | [Untitled duo] | — | ||
| 45-17 | De tous biens playne | — | ||
| 45-18 | Pavane & Gaillarde "La dona" | — | ||
| 45-19 | Wij sheyt edel vrouwe | — | ||
| 45-20 | Allemaigne | — | ||
| 45-21 | 4 Bransles | — | ||
| 45-22 | Bergerette | — | ||
| 45-23 | O Crux benedicta | — | ||
| 45-24 | Ave mundi spes Maria | — | ||
| 45-25 | T'andernaken al op den Rijn | — | ||
| 45-26 | Les larmes | — | ||
| 45-27 | Fortis cum quevis actio | — | ||
| 45-28 | Die winter is verganghen | — | ||
| 46-1 | Inviolata, integra, et casta es Maria à 5 | — | ||
| 46-2 | Ut Phoebi radiis à 4 | — | ||
| 46-3 | De profundis clamavi à 5 | — | ||
| 46-4 | Christe Fili Dei - J'ay pris amours à 4 | — | ||
| 46-5 | O Virgo virginum à 6 | — | ||
| 46-6 | Vultum tuum deprecabuntur à 4: Vultum tuum deprecabuntur | — | ||
| 46-7 | Vultum tuum deprecabuntur à 4: Ave Maria, gratia plena | — | ||
| 46-8 | Vultum tuum deprecabuntur à 4: Sancta Dei genitrix | — | ||
| 46-9 | Vultum tuum deprecabuntur à 4: O intemerata Virgo | — | ||
| 46-10 | Vultum tuum deprecabuntur à 4: O Maria, nullam tam gravem | — | ||
| 46-11 | Vultum tuum deprecabuntur à 4: Mente tota tibi supplicamus | — | ||
| 46-12 | Vultum tuum deprecabuntur à 4: Ora pro nobis | — | ||
| 46-13 | La Déploration de Johannes Ockeghem: Nymphes des bois à 5 | — | ||
| 46-14 | O bone et dulcis Domine Jesus - Pater noster - Ave Maria à 4 | — | ||
| 46-15 | Huc me sydereo / Plangent eum à 5 | — | ||
| 46-16 | O Virgo prudentissima / Beata Mater à 6 | — | ||
| 47-1 | Delirio amoroso, HWV 99: Introduzione | — | ||
| 47-2 | Delirio amoroso, HWV 99: Recitative: Da quel giorno fatale | — | ||
| 47-3 | Delirio amoroso, HWV 99: Aria: Un pensiero voli in ciel | — | ||
| 47-4 | Delirio amoroso, HWV 99: Recitative: Ma fermati pensier | — | ||
| 47-5 | Delirio amoroso, HWV 99: Aria: Per te lasciai la luce | — | ||
| 47-6 | Delirio amoroso, HWV 99: Recitative: Non ti bastava, ingrato | — | ||
| 47-7 | Delirio amoroso, HWV 99: Aria: Lascia omai le brune vele / Recitative: Ma siamo giunti in Lete | — | ||
| 47-8 | Delirio amoroso, HWV 99: Entrée | — | ||
| 47-9 | Delirio amoroso, HWV 99: Arietta e Recitativo: In queste amenge piagge serene (Minuet) / Si, disse Clori (Recitative) / Minuet | — | ||
| 47-10 | La Lucrezia, HWV 145: Recitative: O Numi eterni! | — | ||
| 47-11 | La Lucrezia, HWV 145: Aria: Già superbo del mio affanno | — | ||
| 47-12 | La Lucrezia, HWV 145: Recitative: Ma voi forse nel cielo | — | ||
| 47-13 | La Lucrezia, HWV 145: Aria: Il suol che preme | — | ||
| 47-14 | La Lucrezia, HWV 145: Recitative: Ah! che ancor nell'abisso / Furioso: Questi la disperata anima mia | — | ||
| 47-15 | La Lucrezia, HWV 145: Aria: Alla salma infedel porga la pena | — | ||
| 47-16 | La Lucrezia, HWV 145: Recitative: A voi, a voi, padre, consorte | — | ||
| 47-17 | La Lucrezia, HWV 145: Arioso: Già nel seno comincia a compir / Furioso: Ma se qui non m'è dato | — | ||
| 47-18 | Tra le fiamme, HWV 170: Aria: Tra le fiamme tu scherzi / Recitative: Dedalo già ke fortunate penne | — | ||
| 47-19 | Tra le fiamme, HWV 170: Aria: Pien di nuovo e bel diletto / Recitative: Si, si, pur troppo è vero | — | ||
| 47-20 | Tra le fiamme, HWV 170: Aria: Voli per l'aria chi può volare / Recitative: L'uomo, che nacque per salire al cielo | — | ||
| 47-21 | Tra le fiamme, HWV 170: Da capo: Tra le fiamme tu scherzi | — | ||
| 48-1 | Zaïs: Ouverture qui peint le debrouillement de Cahos et le choc des Elemens lorsqu'ils sont séparés | — | ||
| 48-2 | Castor et Pollux: Acte II. Scène 2. Scène funèbre | — | ||
| 48-3 | Les Fêtes d'Hébé: Scène 5. Air tendre | — | ||
| 48-4 | Dardanus: Prologue. Tambourins I & II | — | ||
| 48-5 | Le Temple de la Gloire: Acte I. Air tendre pour les Muses | — | ||
| 48-6 | Les Boréades: Acte I. Scène 4. Contredanse en Rondeau | — | ||
| 48-7 | La Naissance d'Osiris: Air gracieux | — | ||
| 48-8 | Les Boréades: Acte IV. Scène 4. Gavottes I & II pour les Heures et les Zéphirs | — | ||
| 48-9 | Platée: Acte I. Scène 6. Orage | — | ||
| 48-10 | Les Boréades: Acte V. Scène 1. Prélude | — | ||
| 48-11 | Concert no. 6: La Poule | — | ||
| 48-12 | Les Fêtes d'Hébé: Musette en Rondeau (Danse de Terpsichore) - Tambourin en Rondeau (Troisième Entrée: La Danse) | — | ||
| 48-13 | Hippolyte et Aricie: Acte III. Ritournelle | — | ||
| 48-14 | Naïs: Prologue. Rigaudons I & II | — | ||
| 48-15 | Les Indes galantes: Danse des Saubages - Rondeau (Quartrième Entrée: Les Sauvages) | — | ||
| 48-16 | Les Boréades: Acte IV. Scène 4. Entrée de Polymnie | — | ||
| 48-17 | Les Indes galantes: Chaconne (Quartrième Entrée: Les Sauvages) | — | ||
| 49-1 | Overture in A major for 2 Horns, 2 Oboes, 2 Violins, 2 Violas and Bass: 1. Allegro con brio | — | ||
| 49-2 | Overture in A major for 2 Horns, 2 Oboes, 2 Violins, 2 Violas and Bass: 2. Andante | — | ||
| 49-3 | Overture in A major for 2 Horns, 2 Oboes, 2 Violins, 2 Violas and Bass: 3. Allegro | — | ||
| 49-4 | Symphony in F major for 2 Horns, 2 Oboes and Strings: 1. Allegro assai | — | ||
| 49-5 | Symphony in F major for 2 Horns, 2 Oboes and Strings: 2. Andante | — | ||
| 49-6 | Symphony in F major for 2 Horns, 2 Oboes and Strings: 3. Tempo di Menuetto | — | ||
| 49-7 | Symphony in C major for 2 Horns, 2 Transverse Flutes, 2 Boboes, 2 Violins, 2 Violas and Bass: 1. Allegro assai | — | ||
| 49-8 | Symphony in C major for 2 Horns, 2 Transverse Flutes, 2 Boboes, 2 Violins, 2 Violas and Bass: 2. Allegretto | — | ||
| 49-9 | Symphony in C major for 2 Horns, 2 Transverse Flutes, 2 Boboes, 2 Violins, 2 Violas and Bass: 3. Prestissimo | — | ||
| 49-10 | Symphony in G major for 2 Horns, 2 Oboes and Strings: 1. Allegro | — | ||
| 49-14 | Symphony in E-flat major for 2 Horns, 2 Oboes and Strings: 2. Andantino | — | ||
| 49-15 | Symphony in E-flat major for 2 Horns, 2 Oboes and Strings: 3. Presto | — | ||
| 49-16 | Symphony in C major for 2 Violins, 2 Violas and Bass: 1. Larghetto | — | ||
| 49-17 | Symphony in C major for 2 Violins, 2 Violas and Bass: 2. Allegro | — | ||
| 49-18 | Symphony in C major for 2 Violins, 2 Violas and Bass: 3. Presto | — | ||
| 49-19 | Concertino in E-flat major for 2 Horns, 2 Transverse Flutes, 2 Clarinets, Bassoon and Strings: 1. Allegro | — | ||
| 49-20 | Concertino in E-flat major for 2 Horns, 2 Transverse Flutes, 2 Clarinets, Bassoon and Strings: 2. Largo | — | ||
| 49-21 | Concertino in E-flat major for 2 Horns, 2 Transverse Flutes, 2 Clarinets, Bassoon and Strings: 3. Presto assai | — |
Trio Sonata no. 1 in E-flat major, BWV 525: 1. [without tempo indication]
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Trio Sonata no. 1 in E-flat major, BWV 525: 2. Adagio
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Trio Sonata no. 1 in E-flat major, BWV 525: 3. Allegro
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Six Chorales of Diverse Kinds, "Schübler Chorales": Wachet auf, ruft uns die Stimme, BWV 645
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Six Chorales of Diverse Kinds, "Schübler Chorales": Wo soll ich fliehen hin, oder: Auf meinen lieben Gott, BWV 646
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Six Chorales of Diverse Kinds, "Schübler Chorales": Wer nur den lieben Gott lässt walten, BWV 647
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Six Chorales of Diverse Kinds, "Schübler Chorales": Meine Seele erhebet den Herrn, BWV 648
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Six Chorales of Diverse Kinds, "Schübler Chorales": Ach bleib bei uns, Herr Jesu Christ, BWV 649
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Six Chorales of Diverse Kinds, "Schübler Chorales": Kommst du nun, Jesu, vom Himmel herunter, BWV 650
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Partite diverse sopra: Sei gegrüßet, Jesu gütig, BWV 768
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Trio Sonata no. 6 in G major, BWV 530: 1. Vivace
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Trio Sonata no. 6 in G major, BWV 530: 2. Lento
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Trio Sonata no. 6 in G major, BWV 530: 3. Allegro
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Toccata and Fugue in D minor, BWV 565
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Fugue in E-flat major, BWV 552
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Cantata for the 19th Sunday after Trinity, BWV 56 "Ich will den Kreuzstab gerne tragen": 1. Aria: Ich will den Kreuzstab gerne tragen
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Cantata for the 19th Sunday after Trinity, BWV 56 "Ich will den Kreuzstab gerne tragen": 2. Recitative: Mein Wandel auf der Welt
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Cantata for the 19th Sunday after Trinity, BWV 56 "Ich will den Kreuzstab gerne tragen": 3. Aria: Endlich, endlich wird mein Joch
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Cantata for the 19th Sunday after Trinity, BWV 56 "Ich will den Kreuzstab gerne tragen": 4. Recitative and Arioso: Ich stehe fertig und bereit
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Cantata for the 19th Sunday after Trinity, BWV 56 "Ich will den Kreuzstab gerne tragen": 5. Chorale: Komm, o Tod, du Schlafes Bruder
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Cantata for the Feast of the Purification of Mary, BWV 82 "Ich habe genug": 1. Aria: Ich habe genug
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Cantata for the Feast of the Purification of Mary, BWV 82 "Ich habe genug": 2. Recitative: Ich habe genug. Mein Trost ist nur allein
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Cantata for the Feast of the Purification of Mary, BWV 82 "Ich habe genug": 3. Aria: Schlummert ein, ihr matten Augen
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Cantata for the Feast of the Purification of Mary, BWV 82 "Ich habe genug": 4. Recitative: Mein Gott, wann kommt das schöne: Nun!
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Cantata for the Feast of the Purification of Mary, BWV 82 "Ich habe genug": 5. Aria: Ich freue mich auf meinen Tod
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Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Sinfonia
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Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 1 (Chorus): Christ iag in Todesbanden
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Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 2 (Chorus: Soprano/Contralto): Den Tod niemand zwingen kunnt
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Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 3 (Chorus: Tenor): Jesus Christus, Gottes Sohn
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Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 4 (Chorus): Es war ein wunderlicher Krieg
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Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 5 (Bass): Hier ist das rechte Osterlamm
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Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 6 (Chorus: Soprano/Tenor): So feiern wir das hohe Fest
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Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 7 (Chorale): Wir essen und wir leben wohl
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Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 1. Sinfonia
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Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 2. Chorus: Ich hatte viel Bekümmernis
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Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 3. Aria (Soprano): Seufzer, Tränen
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Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 4. Recitative: Wie hast du dich
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Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 5. Aria (Tenor): Bäche von gesalznen Zähren
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Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 6. Chorus: Was betrübst du dich
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Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 7. Recitative: Ach Jesu, meine Ruh
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Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 8. Duet (Soprano and Bass): Komm, mein Jesu
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Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 9. Chorus: Sei nun wieder zufrieden
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Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 10. Aria (Tenor): Erfreue dich, Seele
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Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 11. Chorus: Das Lamm
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Cantata for the Feast of St Michael, BWV 19 "Es erhub sich ein Streit": 1. Chorus: Es erhub sich ein Streit
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Cantata for the Feast of St Michael, BWV 19 "Es erhub sich ein Streit": 2. Recitative: Gottlob! der Drache liegt
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Cantata for the Feast of St Michael, BWV 19 "Es erhub sich ein Streit": 3. Aria (Soprano): Gott schickt uns
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Cantata for the Feast of St Michael, BWV 19 "Es erhub sich ein Streit": 4. Recitative: Lasst uns das Angesicht
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Cantata for the Feast of St Michael, BWV 19 "Es erhub sich ein Streit": 5. Aria (Tenor): Bleibt ihr Engel
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Cantata for the Feast of St Michael, BWV 19 "Es erhub sich ein Streit": 6. Recitative: Lasst uns das Angesicht
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Cantata for the Feast of St Michael, BWV 19 "Es erhub sich ein Streit": 7. Chorus: Lass dein Engel mit mir fahren
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Cantata for the Feast of the Reformation, BWV 79 "Gott, der Herr, ist Sonn' und Schild": Part I - Chorus: Gott der Herr ist Sonn' und Schild
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Cantata for the Feast of the Reformation, BWV 79 "Gott, der Herr, ist Sonn' und Schild": Part I - Aria (Contralto): Gott ist unsere Sonn'
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Cantata for the Feast of the Reformation, BWV 79 "Gott, der Herr, ist Sonn' und Schild": Part I - Chorale: Nun danket alle Gott
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Cantata for the Feast of the Reformation, BWV 79 "Gott, der Herr, ist Sonn' und Schild": Part II - Recitative: Gott Lob, wir wissen
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Cantata for the Feast of the Reformation, BWV 79 "Gott, der Herr, ist Sonn' und Schild": Part II - Duet (Soprano and Bass): Gott, ach Gott, verlass die Deinen nimmermehr
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Cantata for the Feast of the Reformation, BWV 79 "Gott, der Herr, ist Sonn' und Schild": Part II - Chorale: Erhalt uns in der Wahrheit
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Primae vesperae in nativitate Domini nostri Jesu Christi: V. Deus in adiutorum
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Primae vesperae in nativitate Domini nostri Jesu Christi: Antiphona 1: Rex pacificus - Psalm 109: Dixit Dominus
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Primae vesperae in nativitate Domini nostri Jesu Christi: Antiphona 2: Magnificatus es Rex pacificus - Psalm 110: Confitebor tib
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Primae vesperae in nativitate Domini nostri Jesu Christi: Antiphona 3: Scitote - Psalm 111: Beatus vir
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Primae vesperae in nativitate Domini nostri Jesu Christi: Antiphona 4: Levate capita - Psalm 112: Laudate, pueri
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Primae vesperae in nativitate Domini nostri Jesu Christi: Capitulum: Apparuit benignitas
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Primae vesperae in nativitate Domini nostri Jesu Christi: Responsorium breve: Hodie scietis
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Primae vesperae in nativitate Domini nostri Jesu Christi: Hymnus: Christe Redemptor omnium
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Primae vesperae in nativitate Domini nostri Jesu Christi: V. Crastina die
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Primae vesperae in nativitate Domini nostri Jesu Christi: Antiphona: Cum ortus fuerit - Magnificat
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Primae vesperae in nativitate Domini nostri Jesu Christi: V. Kyrie eleison - Pater noster
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Primae vesperae in nativitate Domini nostri Jesu Christi: V. Dominus vobiscum - Oratio: Oremus: concede
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Primae vesperae in nativitate Domini nostri Jesu Christi: V. Dominus vobiscum - Benedicamus Domino
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Primae vesperae in nativitate Domini nostri Jesu Christi: V. Dominus vobiscum - Antiphona BMV: Alma Redemptoris Virginis
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Primae vesperae in nativitate Domini nostri Jesu Christi: V. Post partum - Oremus: Deus qui salutis - V. Divinum auxilium
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Prima missa in commemoratione omnium fidelium defunctorum: Introitus: Requiem aeternam
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Prima missa in commemoratione omnium fidelium defunctorum: Kyrie
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Prima missa in commemoratione omnium fidelium defunctorum: Oratio: Fidelium Deus omnium
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Prima missa in commemoratione omnium fidelium defunctorum: Epistola (1 Corinthians 15, 51-57)
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Prima missa in commemoratione omnium fidelium defunctorum: Graduale: Requiem aeternam
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Prima missa in commemoratione omnium fidelium defunctorum: Tractus: Absolve, Domine
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Prima missa in commemoratione omnium fidelium defunctorum: Sequentia: Dies irae
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Prima missa in commemoratione omnium fidelium defunctorum: Evangelium (John 5, 25-30)
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Prima missa in commemoratione omnium fidelium defunctorum: Offertorium: Domine Jesu Christe
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Prima missa in commemoratione omnium fidelium defunctorum: Praefatio Defunctorum
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Prima missa in commemoratione omnium fidelium defunctorum: Sanctus
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Prima missa in commemoratione omnium fidelium defunctorum: Pater noster
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Prima missa in commemoratione omnium fidelium defunctorum: Agnus
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Prima missa in commemoratione omnium fidelium defunctorum: Communio: Lux aeterna
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Prima missa in commemoratione omnium fidelium defunctorum: Postcommunio: Animabus quaesumus
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Prima missa in commemoratione omnium fidelium defunctorum: Requiescant in pace
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Le Jeu de Robin et de Marion
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13 Rondeaux: Li dous regars
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13 Rondeaux: Je muir
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13 Rondeaux: A jointes mains
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13 Rondeaux: Ballade: Dieus soit en cheste maison
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13 Rondeaux: Hé, Diex
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13 Rondeaux: Or est Baiars
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13 Rondeaux: Motet: A Dieu comant amouretes
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13 Rondeaux: Bonne amourete
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13 Rondeaux: Dame or suis trais
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13 Rondeaux: Fi maris
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13 Rondeaux: Trop désir
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13 Rondeaux: Diex comment porroie
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13 Rondeaux: Virelai: Fines amouretes
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Dances of the 13th & 14th Centuries: La Septime Estampie réale
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Dances of the 13th & 14th Centuries: Stantipes I
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Dances of the 13th & 14th Centuries: Ronde: C'ést lá-gieus
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Dances of the 13th & 14th Centuries: C'ést desoz l'olive
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Dances of the 13th & 14th Centuries: Nota
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Dances of the 13th & 14th Centuries: La Quarte Estampie réale
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Dances of the 13th & 14th Centuries: Estampida: Kalenda maya
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Dances of the 13th & 14th Centuries: Stantipes II
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Dances of the 13th & 14th Centuries: Danse
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Dances of the 13th & 14th Centuries: Rondeau: Prendés-y garde
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Dances of the 13th & 14th Centuries: Saltarello
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Dances of the 13th & 14th Centuries: Lamento di Tristano
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Dances of the 13th & 14th Centuries: La Ballette de la Reine d'Avril: A l'entrade del temps clar
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Dances of the 13th & 14th Centuries: Trotto
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Dances of the 13th & 14th Centuries: Ronde: Ainsi doit entrer en ville
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Dances of the 13th & 14th Centuries: Ronde: Main se levoit Aëlis
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Dances of the 13th & 14th Centuries: La Rotta
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Brandenburg Concerto no. 1 in F major, BWV 1046: 1. [without tempo indication]
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Brandenburg Concerto no. 1 in F major, BWV 1046: 2. Adagio
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Brandenburg Concerto no. 1 in F major, BWV 1046: 3. Allegro
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Brandenburg Concerto no. 1 in F major, BWV 1046: 4. Menuetto - Trio I - Polacca - Trio II
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Brandenburg Concerto no. 4 in G major, BWV 1049: 1. Allegro
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Brandenburg Concerto no. 4 in G major, BWV 1049: 2. Andante
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Brandenburg Concerto no. 4 in G major, BWV 1049: 3. Presto
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Brandenburg Concerto no. 6 in B-flat major, BWV 1051: 1. [without tempo indication]
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Brandenburg Concerto no. 6 in B-flat major, BWV 1051: 2. Adagio ma non tanto
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Brandenburg Concerto no. 6 in B-flat major, BWV 1051: 3. Allegro
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Sonata for Viola da gamba and Harpsichord no. 1 in G major, BWV 1027: 1. Adagio
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Sonata for Viola da gamba and Harpsichord no. 1 in G major, BWV 1027: 2. Allegro ma non tanto
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Sonata for Viola da gamba and Harpsichord no. 1 in G major, BWV 1027: 3. Andante
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Sonata for Viola da gamba and Harpsichord no. 1 in G major, BWV 1027: 4. Allegro moderato
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Brandenburg Concerto no. 2 in F major, BWV 1047: 1. [without tempo indication]
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Brandenburg Concerto no. 2 in F major, BWV 1047: 2. Andante
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Brandenburg Concerto no. 2 in F major, BWV 1047: 3. Allegro assai
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Brandenburg Concerto no. 3 in G major, BWV 1048: 1. [without tempo indication]
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Brandenburg Concerto no. 3 in G major, BWV 1048: 2. Adagio
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Brandenburg Concerto no. 3 in G major, BWV 1048: 3. Allegro
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Brandenburg Concerto no. 5 in D major, BWV 1050: 1. [without tempo indication]
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Brandenburg Concerto no. 5 in D major, BWV 1050: 2. Adagio
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Brandenburg Concerto no. 5 in D major, BWV 1050: 3. Allegro
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Sonata for Viola da gamba and Harpsichord no. 2 in D major, BWV 1028: 1. Adagio
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Sonata for Viola da gamba and Harpsichord no. 2 in D major, BWV 1028: 2. Allegro
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Sonata for Viola da gamba and Harpsichord no. 2 in D major, BWV 1028: 3. Andante
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Sonata for Viola da gamba and Harpsichord no. 2 in D major, BWV 1028: 4. Allegro
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Sonata for Viola da gamba and Harpsichord no. 3 in G minor, BWV 1029: 1. Vivace
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Sonata for Viola da gamba and Harpsichord no. 3 in G minor, BWV 1029: 2. Adagio
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Sonata for Viola da gamba and Harpsichord no. 3 in G minor, BWV 1029: 3. Allegro
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Anthem a 5: O Lord, I lift my heart to Thee
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Hymn a 4: Thus angels sung
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Fantasia I a 3
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Anthem a 4: Almighty and everlasting God
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Hymn a 4: O my love, how comely now
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Fantasia "In nomine" a 5
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Anthem a 4: O Lord, increase my faith
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Anthem a 5; treble viol, alto viol, tenor viol (2), bass viol: This is the record of John
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Madrigal a 5; treble viol, alto viol, tenor viol (2), bass viol: What is our life?
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Fantasia II a 3
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Madrigal a 5: The silver swan
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Fantasia a 4
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Consort song a 5 "The Cries of London": God give you good morrow
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Consort song a 5 "The Cries of London": A good Sausage, a good
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Canzonet a 6: Good love, then fly thou to her
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Canzonet a 3: Farewell, disdainful
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Madrigal a 4: Hark, jolly shepherds, hark
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Madrigal a 4: Now is the gentle season / The fields abroad
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Ballett a 5: My lovely wanton jewel
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Canzonet a 2: Sweet nymph, come to thy lover
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Canzonet a 6: Stay, heart, run not so fast
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Canzonet a 5: O grief, even on the bud
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St Matthew Passion, BWV 244: Part I - 1. Chorus: Kommt, ihr Töchter, helft mir klagen / Chorale (boys' choir): O Lamm Gottes, unschuldig
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St Matthew Passion, BWV 244: Part I - 2. Evangelist, Jesus: Da Jesus diese Rede vollendet hatte
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St Matthew Passion, BWV 244: Part I - 3. Chorale: Herzliebster Jesu, was hast du verbrochen
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St Matthew Passion, BWV 244: Part I - 4. Evengelist: Da versammelter sich die Hohepriester
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St Matthew Passion, BWV 244: Part I - 5. Chorus: Ja nicht auf das Fest
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St Matthew Passion, BWV 244: Part I - 6. Evangelist: Da nun Jesus war zu Bethanien
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St Matthew Passion, BWV 244: Part I - 7. Chorus: Wozu dienet dieser Unrat
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St Matthew Passion, BWV 244: Part I - 8. Evengelist, Jesus: Da das Jesus merkete
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St Matthew Passion, BWV 244: Part I - 9. Recitative (Contralto): Du lieber Heiland du
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St Matthew Passion, BWV 244: Part I - 10. Aria (Contralto): Buß und Reu
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St Matthew Passion, BWV 244: Part I - 11. Evangelist, Judas: Da ging hin der Zwölfen einer
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St Matthew Passion, BWV 244: Part I - 12. Aria (Soprano): Blute nur, du liebes Herz
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St Matthew Passion, BWV 244: Part I - 13. Evangelist: Aber am ersten Tage der süßen Brot
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St Matthew Passion, BWV 244: Part I - 14. Chorus: Wo willst du, dass wir dir bereiten
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St Matthew Passion, BWV 244: Part I - 15. Evangelist, Judas: Gehet hin in die Stadt
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St Matthew Passion, BWV 244: Part I - 16. Chorale: Ich bin's, ich sollte büßen
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St Matthew Passion, BWV 244: Part I - 17. Evangelist, Jesus, Judas: Er antwortete und sprach
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St Matthew Passion, BWV 244: Part I - 18. Recitative (Soprano): Wiewohl mein Herz in Tränen schwimmt
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St Matthew Passion, BWV 244: Part I - 19. Aria (Soprano): Ich will dir mein Herze schenken
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St Matthew Passion, BWV 244: Part I - 20. Evangelist, Jesus: Und da sie den Lobgesang gesprochen hatten
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St Matthew Passion, BWV 244: Part I - 21. Chorale: Erkenne mich, mein Hüter
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St Matthew Passion, BWV 244: Part I - 22. Evangelist, Petrus, Jesus: Petrus aber antwortete und sprach zu ihm
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St Matthew Passion, BWV 244: Part I - 23. Chorale: Ich will hier bei dir stehen
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St Matthew Passion, BWV 244: Part I - 24. Evangelist, Jesus: Da kam Jesus mit ihnen zu einem Hofe
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St Matthew Passion, BWV 244: Part I - 25. Recitative (Tenor): O Schmerz! Hier zittert das gequälte Herz
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St Matthew Passion, BWV 244: Part I - 26. Aria (Tenor): Ich will bei meinem Jesu wachen
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St Matthew Passion, BWV 244: Part I - 27. Evangelist, Jesus: Und ging hin ein wenig
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St Matthew Passion, BWV 244: Part I - 28. Recitative (Bass): Der Heiland fällt vor seinem Vater nieder
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St Matthew Passion, BWV 244: Part I - 29. Aria (Bass): Gerne will ich mich bequemen
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St Matthew Passion, BWV 244: Part I - 30. Evangelist, Jesus: Und er kam zu seinen Jüngern
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St Matthew Passion, BWV 244: Part I - 31. Chorale: Was mein Gott will, das g'scheh allzeit
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St Matthew Passion, BWV 244: Part I - 32. Evangelist, Jesus, Judas: Und er kam und fand sie aber schlafend
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St Matthew Passion, BWV 244: Part I - 33. Aria (Soprano, Contralto): So ist mein Jesus nun gefangen / Chorus: Sind Blitze, sind Donner in Wolken verschwunden?
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St Matthew Passion, BWV 244: Part I - 34. Evangelist, Jesus: Und siehe, einer aus denen, die mit Jesu waren
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St Matthew Passion, BWV 244: Part I - 35. Chorale: O Mensch, bewein dein Sünde groß
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St Matthew Passion, BWV 244: Part II - 36. Aria (Contralto): Ach, nun ist mein Jesus hin
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St Matthew Passion, BWV 244: Part II - 37. Evangelist: Die aber Jesum gegriffen hatten
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St Matthew Passion, BWV 244: Part II - 38. Chorale: Mir hat die Welt trüglich gericht'
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St Matthew Passion, BWV 244: Part II - 39. Evangelist, Pontifex: Und wiewohl viel falsche Zeugen herzutraten
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St Matthew Passion, BWV 244: Part II - 40. Recitative (Tenor): Mein Jesus schweigt zu falschen Lügen stille
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St Matthew Passion, BWV 244: Part II - 41. Aria (Tenor): Geduld! Wenn mich falsche Zungen stechen
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St Matthew Passion, BWV 244: Part II - 42. Evangelist, Pontifex, Jesus: Und der Hohepriester antwortete
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St Matthew Passion, BWV 244: Part II - 43. Evangelist: Da speieten sie aus
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St Matthew Passion, BWV 244: Part II - 44. Chorale: Wer hat dich so geschlagen
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St Matthew Passion, BWV 244: Part II - 45. Evangelist, Magd I & II, Petrus: Petrus aber saß draußen im Palast
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St Matthew Passion, BWV 244: Part II - 46. Chorus: Wahrlich, du bist auch einer von denen
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St Matthew Passion, BWV 244: Part II - 47. Aria (Contralto): Erbarme dich, mein Gott
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St Matthew Passion, BWV 244: Part II - 48. Chorale: Bin ich gleich von dir gewichen
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St Matthew Passion, BWV 244: Part II - 49. Evangelist, Judas: Des Morgens aber hielten alle Hohepriester
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St Matthew Passion, BWV 244: Part II - 50. Evangelist, Pontifices: Und er warf die Silberlinge in den Tempel
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St Matthew Passion, BWV 244: Part II - 51. Aria (Bass): Gebt mir meinen Jesum wieder
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St Matthew Passion, BWV 244: Part II - 52. Evangelist, Pilatus, Jesus: Sie hielten aber einen Rat
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St Matthew Passion, BWV 244: Part II - 53. Chorale: Befiehl du deine Wege
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St Matthew Passion, BWV 244: Part II - 54. Evangelist, Pilatus, Pilati' Weib: Auf das Fest aber hatte der Landpfleger Gewohnheit
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St Matthew Passion, BWV 244: Part II - 55. Chorale: Wie wunderbarlich ist doch diese Strafe
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St Matthew Passion, BWV 244: Part II - 56. Evangelist, Pilatus: Der Landpfleger sagte
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St Matthew Passion, BWV 244: Part II - 57. Recitative (Soprano): Er hat uns allen wohlgetan
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St Matthew Passion, BWV 244: Part II - 58. Aria (Soprano): Aus Liebe will mein Heiland sterben
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St Matthew Passion, BWV 244: Part II - 59. Evangelist, Pilatus: Sie schrieen aber noch mehr
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St Matthew Passion, BWV 244: Part II - 60. Recitative (Contralto): Erbarm es Gott!
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St Matthew Passion, BWV 244: Part II - 61. Aria (Contalto): Können Tränen meiner Wangen
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St Matthew Passion, BWV 244: Part II - 62. Evangelist: Da nahmen die Kriegsknechte
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St Matthew Passion, BWV 244: Part II - 63. Chorale: O Haupt voll Blut und Wunden
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St Matthew Passion, BWV 244: Part II - 64. Evangelist: Und da sie ihn verspottet hatten
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St Matthew Passion, BWV 244: Part II - 65. Recitative (Bass): Ja freilich will in uns das Fleisch und Blut
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St Matthew Passion, BWV 244: Part II - 66. Aria (Bass): Komm, süßes Kreuz
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St Matthew Passion, BWV 244: Part II - 67. Evangelist: Und da sie an die Stätte kamen
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St Matthew Passion, BWV 244: Part II - 68. Evangelist: Desgleichen schmäheten sie auch die Mörder
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St Matthew Passion, BWV 244: Part II - 69. Recitative (Contralto): Ach, Golgatha
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St Matthew Passion, BWV 244: Part II - 70. (Contralto): Sehet, Jesus hat die Hand
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St Matthew Passion, BWV 244: Part II - 71. Evangelist, JesusL Und von der sechsten Stunde an
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St Matthew Passion, BWV 244: Part II - 72. Chorale: Wenn ich einmal soll scheiden
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St Matthew Passion, BWV 244: Part II - 73a. Evangelist: Und siehe da, der Vorhang im Tempel zerriss
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St Matthew Passion, BWV 244: Part II - 73b. Evangelist: Und es waren viel Weiber da
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St Matthew Passion, BWV 244: Part II - 74. Recitative (Bass): Am Abend, da es kühle war
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St Matthew Passion, BWV 244: Part II - 75. Aria (Bass): Mache dich, mein Herze, rein
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St Matthew Passion, BWV 244: Part II - 76. Evangelist, Pilatus: Und Joseph nahm den Leib
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St Matthew Passion, BWV 244: Part II - 77. Recitative (Soprano, Contralto, Tenor, Bass): Nun ist der Herr zur Ruh gebracht
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St Matthew Passion, BWV 244: Part II - 78. Chorus: Wir setzen uns mit Tränen nieder
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Cantata for the 16th Sunday after Trinity, BWV 8 "Liebster Gott, wann werd' ich sterben": 1. Chorus: Liebster Gott, wann werd' ich sterben?
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Cantata for the 16th Sunday after Trinity, BWV 8 "Liebster Gott, wann werd' ich sterben": 2. Aria (Tenor): Was willst du dich, mein Geist, entsetzen
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Cantata for the 16th Sunday after Trinity, BWV 8 "Liebster Gott, wann werd' ich sterben": 3. Recitative (Contralto): Zwar fühlt mein schwaches Herz
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Cantata for the 16th Sunday after Trinity, BWV 8 "Liebster Gott, wann werd' ich sterben": 4. Aria (Bass): Doch weichet, ihr tollen, vergeblichen Sorgen!
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Cantata for the 16th Sunday after Trinity, BWV 8 "Liebster Gott, wann werd' ich sterben": 5. Recitative (Soprano): Behalte nur, o Welt, das Meine!
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Cantata for the 16th Sunday after Trinity, BWV 8 "Liebster Gott, wann werd' ich sterben": 6. Chorale: Herrscher über Tod und Leben
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Cantata for the 8th Sunday after Trinity, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": 1. Chorus: Es ist dir gesagt, Mensch, was gut ist
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Cantata for the 8th Sunday after Trinity, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": 2. Recitative (Tenor): Der Höchste lässt mich seinen Willen wissen
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Cantata for the 8th Sunday after Trinity, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": 3. Aria (Tenor): Weiß ich Gottes Rechte
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Cantata for the 8th Sunday after Trinity, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": 4. Arioso (Bass): Es weden viele zu mir sagen
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Cantata for the 8th Sunday after Trinity, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": 5. Aria (Contralto): Wer Gott bekennt aus wahrem Herzensgrund
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Cantata for the 8th Sunday after Trinity, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": 6. Recitative (Contralto): So wird denn Herz und Mund
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Cantata for the 8th Sunday after Trinity, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": 7. Chorale: Gib, dass ich tu' mit Fleiß
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Cantata for the 14th Sunday after Trinity, BWV 78 "Jesu, der du meine Seele": 1. Chorus: Jesu, der du meine Seele
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Cantata for the 14th Sunday after Trinity, BWV 78 "Jesu, der du meine Seele": 2. Aria (Soprano, Contralto): Wir eilen mit schwachen, doch emsigen Schritten
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Cantata for the 14th Sunday after Trinity, BWV 78 "Jesu, der du meine Seele": 3. Recitative (Tenor): Ach, ich bin ein Kind der Sünden
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Cantata for the 14th Sunday after Trinity, BWV 78 "Jesu, der du meine Seele": 4. Aria (Tenor): Das Blut, das meine Schuld durchstreicht
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Cantata for the 14th Sunday after Trinity, BWV 78 "Jesu, der du meine Seele": 5. Recitative (Bass): Die Wunden, Nägel, Kron und Grab
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Cantata for the 14th Sunday after Trinity, BWV 78 "Jesu, der du meine Seele": 6. Aria (Bass): Nun du wirst mein Gewissen stillen
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Cantata for the 14th Sunday after Trinity, BWV 78 "Jesu, der du meine Seele": 7. Chorale: Herr, ich glaube, hilf mir Schwachen
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Six Dances from Terpsichore, musarum aoniarum quinta (1612): Entrée - Courante CLXXXIII/CXVII
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Six Dances from Terpsichore, musarum aoniarum quinta (1612): Gavotte I, 1-3, 6
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Six Dances from Terpsichore, musarum aoniarum quinta (1612): Spagnoletta XXVIII
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Six Dances from Terpsichore, musarum aoniarum quinta (1612): La Bouree XXXII, 1/2
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Six Dances from Terpsichore, musarum aoniarum quinta (1612): Ballet CCLXVIII
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Six Dances from Terpsichore, musarum aoniarum quinta (1612): Volte CCI/CCX
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Dances and Galliards from Musikalischer Tugendspiegel (1613): Sophia (no. 13) / Anna (no. 4)
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Dances and Galliards from Musikalischer Tugendspiegel (1613): Clara (no. 16)
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Dances and Galliards from Musikalischer Tugendspiegel (1613): Magdalena (no. 3)
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Dances and Galliards from Musikalischer Tugendspiegel (1613): Agatha (no. 15)
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Dances and Galliards from Musikalischer Tugendspiegel (1613): Regina (no. 12)
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Three Suites from Banchetto Musicale (1617) - Suite no. 4 in D major: 1. Pavane
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Three Suites from Banchetto Musicale (1617) - Suite no. 4 in D major: 2. Galliarde
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Three Suites from Banchetto Musicale (1617) - Suite no. 4 in D major: 3. Courante
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Three Suites from Banchetto Musicale (1617) - Suite no. 4 in D major: 4. Allemande - Tripla
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Three Suites from Banchetto Musicale (1617) - Suite no. 5 in G major: 1. Pavane
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Three Suites from Banchetto Musicale (1617) - Suite no. 5 in G major: 2. Galliarde
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Three Suites from Banchetto Musicale (1617) - Suite no. 5 in G major: 3. Courante
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Three Suites from Banchetto Musicale (1617) - Suite no. 5 in G major: 4. Allemande - Tripla
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Three Suites from Banchetto Musicale (1617) - Suite no. 3 in A major: 1. Pavane
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Three Suites from Banchetto Musicale (1617) - Suite no. 3 in A major: 2. Galliarde
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Three Suites from Banchetto Musicale (1617) - Suite no. 3 in A major: 3. Courante
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Three Suites from Banchetto Musicale (1617) - Suite no. 3 in A major: 4. Allemande - Tripla
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Simphonies pour les soupers du Roy - Quatrième Suitte: 1. Simphonie du Te Deum
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Simphonies pour les soupers du Roy - Quatrième Suitte: 2. 2e Air du « Concert de trompettes pour les festes sur le Canal de Versailles »
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Simphonies pour les soupers du Roy - Quatrième Suitte: 3. 1er Air du Concert de trompettes / 3e Air pour les mêmes
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Simphonies pour les soupers du Roy - Quatrième Suitte: 4. 1er Menuet pour les trompettes
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Simphonies pour les soupers du Roy - Quatrième Suitte: 5. 2e Menuet
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Simphonies pour les soupers du Roy - Quatrième Suitte: 6. Fanfare 0 Aur en écho
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Simphonies pour les soupers du Roy - Quatrième Suitte: 7. Air grave de « L'Amour fléchy par la Constance » (1697)
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Simphonies pour les soupers du Roy - Quatrième Suitte: 8. Sarabande
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Simphonies pour les soupers du Roy - Quatrième Suitte: 9. Légèrement
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Simphonies pour les soupers du Roy - Quatrième Suitte: 10. « Chantons ce héros ». Gayement
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Simphonies pour les soupers du Roy - Quatrième Suitte: 11. Sarabande de « Cardenio » (1720) / Doucement. « Quitte icy tes ailes » (Soprano)
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Simphonies pour les soupers du Roy - Quatrième Suitte: 12. Gay. Air du « Ballet de Mélicerte » à Fontainebleau au Mariage de M. de Lorraine (1698)
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Simphonies pour les soupers du Roy - Quatrième Suitte: 13. Musette du « Ballet de L'Inconnue » (1720)
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Simphonies pour les soupers du Roy - Quatrième Suitte: 14. Air. Gay
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Simphonies pour les soupers du Roy - Quatrième Suitte: 15. Rondeau du « Ballet des Cléments » (1721)
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Simphonies pour les soupers du Roy - Quatrième Suitte: 16. Rondeau du « Ballet de Cardenio »
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Simphonies pour les soupers du Roy - Quatrième Suitte: 17. Doucement et pesamment
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Simphonies pour les soupers du Roy - Quatrième Suitte: 18. « La Pagode ». Doucement et pesamment
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Simphonies pour les soupers du Roy - Quatrième Suitte: 19. 7e Air du « Ballet de la Paix » (1713)
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Simphonies pour les soupers du Roy - Quatrième Suitte: 20. Chaconne en écho avec les trompettes
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Fanfares: Première Suitte: 1. [without tempo indication]
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Fanfares: Première Suitte: 2. Gracieusement, sans lenteur
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Fanfares: Première Suitte: 3. Allegro
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Fanfares: Première Suitte: 4. Gay
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Simphonies: Seconde Suitte: 1. Air ou Prélude
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Simphonies: Seconde Suitte: 2. Allegro
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Simphonies: Seconde Suitte: 3. Gracieusement
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Simphonies: Seconde Suitte: 4. Première Gavotte I - Deuxième Gavotte
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Simphonies: Seconde Suitte: 5. Fanfare - Air
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Simphonies: Seconde Suitte: 6. Premier Menuet - Second Menuet
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Simphonies: Seconde Suitte: 7. Allegro
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Suite VIII: Indissolubilis amicitia in E major, from Florilegium II (1698): 1. Ouverture
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Suite VIII: Indissolubilis amicitia in E major, from Florilegium II (1698): 2. Les Courtisans
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Suite VIII: Indissolubilis amicitia in E major, from Florilegium II (1698): 3. Rondeau
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Suite VIII: Indissolubilis amicitia in E major, from Florilegium II (1698): 4. Les Gendarmes
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Suite VIII: Indissolubilis amicitia in E major, from Florilegium II (1698): 5. Les Bossus
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Suite VIII: Indissolubilis amicitia in E major, from Florilegium II (1698): 6. Gavotte
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Suite VIII: Indissolubilis amicitia in E major, from Florilegium II (1698): 7. Sarabande pour le Génie de l'Amitié
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Suite VIII: Indissolubilis amicitia in E major, from Florilegium II (1698): 8. Gigue
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Suite VIII: Indissolubilis amicitia in E major, from Florilegium II (1698): 9. Menuet
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Concerto I: Bona nova in D minor, from Exquisitioris harmoniae instrumentalis gravi jucundae (1689): 1. Sonata. Grave - Allegro
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Concerto I: Bona nova in D minor, from Exquisitioris harmoniae instrumentalis gravi jucundae (1689): 2. Ballo. Allegro
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Concerto I: Bona nova in D minor, from Exquisitioris harmoniae instrumentalis gravi jucundae (1689): 3. Grave
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Concerto I: Bona nova in D minor, from Exquisitioris harmoniae instrumentalis gravi jucundae (1689): 4. Aria
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Concerto I: Bona nova in D minor, from Exquisitioris harmoniae instrumentalis gravi jucundae (1689): 5. Giga
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Sonata a 6 »die Pauern Kirchfahrt genandt« in B-flat major: 1. Sonata. Adagio - Presto
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Sonata a 6 »die Pauern Kirchfahrt genandt« in B-flat major: 2. Die Pauern Kirchfahrt - Adagio
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Sonata a 6 »die Pauern Kirchfahrt genandt« in B-flat major: 3. Aria
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Sonata a 2 violini, trombone, violone in D minor: 1. [Allegro non troppo]
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Sonata a 2 violini, trombone, violone in D minor: 2. [Poco allegro]
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Sonata a 2 violini, trombone, violone in D minor: 3. [Adagio]
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Sonata a 2 violini, trombone, violone in D minor: 4. [Allegro]
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Sonata a 2 violini, trombone, violone in D minor: 5. [Adagio]
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Sonata a 2 violini, trombone, violone in D minor: 6. [Poco allegro]
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Sonata a 2 violini, trombone, violone in D minor: 7. [Adagio]
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Sonata a 2 violini, trombone, violone in D minor: 8. [Allegro]
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Sonata a 2 violini, trombone, violone in D minor: 9. [Allegro]
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Sonata VIII in B-flat major, from Fidicinium sacro-profanum: 1. Allegro
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Sonata VIII in B-flat major, from Fidicinium sacro-profanum: 2. [Presto]
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Sonata VIII in B-flat major, from Fidicinium sacro-profanum: 3. Presto - Adagio
—
Battalia a 10 in D major: 1. Sonata. Allegro
—
Battalia a 10 in D major: 2. Allegro. Die liederliche Gesellschaft von allerley Humor
—
Battalia a 10 in D major: 3. Presto
—
Battalia a 10 in D major: 4. Der Mars
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Battalia a 10 in D major: 5. Presto
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Battalia a 10 in D major: 6. Aria
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Battalia a 10 in D major: 7. Die Schlacht
—
Battalia a 10 in D major: 8. Adagio: Lamento der verwundeten Musquetierer
—
Musique de table - Tafelmusik, Production I, Quartet in G major for Flute, Oboe, Violin and Basso continuo, TWV 43:G2: 1. Largo - Allegro - Largo
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Musique de table - Tafelmusik, Production I, Quartet in G major for Flute, Oboe, Violin and Basso continuo, TWV 43:G2: 2. Vivace - Moderato - Vivaceğ
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Musique de table - Tafelmusik, Production I, Quartet in G major for Flute, Oboe, Violin and Basso continuo, TWV 43:G2: 3. Grave
—
Musique de table - Tafelmusik, Production I, Quartet in G major for Flute, Oboe, Violin and Basso continuo, TWV 43:G2: 4. Vivace
—
Musique de table - Tafelmusik, Production I, Concerto in A major for Flute, Violin, Violoncello, Strings and Basso continuo, TWV 53:A2: 1. Largo
—
Musique de table - Tafelmusik, Production I, Concerto in A major for Flute, Violin, Violoncello, Strings and Basso continuo, TWV 53:A2: 2. Allegro
—
Musique de table - Tafelmusik, Production I, Concerto in A major for Flute, Violin, Violoncello, Strings and Basso continuo, TWV 53:A2: 3. Gratioso
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Musique de table - Tafelmusik, Production I, Concerto in A major for Flute, Violin, Violoncello, Strings and Basso continuo, TWV 53:A2: 4. Allegro
—
Musique de table - Tafelmusik, Production II, Ouverture - Suite in D major for Oboe, Trumpet, Strings and Basso continuo, TWV 55:D1: 1. Ouverture. Lentement - Vite - Lentement
—
Musique de table - Tafelmusik, Production II, Ouverture - Suite in D major for Oboe, Trumpet, Strings and Basso continuo, TWV 55:D1: 2. Air. Tempo giusto
—
Musique de table - Tafelmusik, Production II, Ouverture - Suite in D major for Oboe, Trumpet, Strings and Basso continuo, TWV 55:D1: 3. Air. Vivace
—
Musique de table - Tafelmusik, Production II, Ouverture - Suite in D major for Oboe, Trumpet, Strings and Basso continuo, TWV 55:D1: 4. Air. Presto
—
Musique de table - Tafelmusik, Production II, Ouverture - Suite in D major for Oboe, Trumpet, Strings and Basso continuo, TWV 55:D1: 5. Air. Allegro
—
Musique de table - Tafelmusik, Production II, Conclusion in D major for Oboe, Trumpet, Strings and Basso continuo, TWV 50:9: Allegro - Adagio - Allegro
—
Orchestral Sinfonia no. 1 in D major, Wq. 183: 1. Allegro di molto
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Orchestral Sinfonia no. 1 in D major, Wq. 183: 2. Largo
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Orchestral Sinfonia no. 1 in D major, Wq. 183: 3. Presto
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Orchestral Sinfonia no. 2 in E-flat major, Wq. 183: 1. Allegro di molto
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Orchestral Sinfonia no. 2 in E-flat major, Wq. 183: 2. Larghetto
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Orchestral Sinfonia no. 2 in E-flat major, Wq. 183: 3. Allegretto
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Orchestral Sinfonia no. 3 in F major, Wq. 183: 1. Allegro di molto
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Orchestral Sinfonia no. 3 in F major, Wq. 183: 2. Larghetto
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Orchestral Sinfonia no. 3 in F major, Wq. 183: 3. Presto
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Orchestral Sinfonia no. 4 in G major, Wq. 183: 1. Allegro assai
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Orchestral Sinfonia no. 4 in G major, Wq. 183: 2. Poco andante
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Orchestral Sinfonia no. 4 in G major, Wq. 183: 3. Presto
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Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044: 1. Allegro
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Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044: 2. Adagio, ma non tanto, e dolce
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Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044: 3. Allabreve
—
Concerto for Oboe d'amore, Strings and Basso continuo in A major (Reconstruction after Harpsichord Concerto, BWV 1055): 1. [without tempo indication]
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Concerto for Oboe d'amore, Strings and Basso continuo in A major (Reconstruction after Harpsichord Concerto, BWV 1055): 2. Larghetto
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Concerto for Oboe d'amore, Strings and Basso continuo in A major (Reconstruction after Harpsichord Concerto, BWV 1055): 3. Allegro ma non tanto
—
Israel in Egypt, HWV 54: Overture [taken from Solomon]
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Israel in Egypt, HWV 54, Part I - Exodus: 1. Recitative (Tenor): Now there arose a new king over Egypt
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Israel in Egypt, HWV 54, Part I - Exodus: 2. Solo (Countertenor) and Chorus: And the children of Israel sigh'd
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Israel in Egypt, HWV 54, Part I - Exodus: 3. Recitative (Tenor): Then sent He Moses
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Israel in Egypt, HWV 54, Part I - Exodus: 4. Chorus: They loathed to drink of the river
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Israel in Egypt, HWV 54, Part I - Exodus: 5. Air (Countertenor): Their land brought forth frogs
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Israel in Egypt, HWV 54, Part I - Exodus: 6. Chorus: He spake the word
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Israel in Egypt, HWV 54, Part I - Exodus: 7. Chorus: He gave them hailstones for rain
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Israel in Egypt, HWV 54, Part I - Exodus: 8. Chorus: He sent a thick darkness
—
Israel in Egypt, HWV 54, Part I - Exodus: 9. Chorus: He smote all the first-born of Egypt
—
Israel in Egypt, HWV 54, Part I - Exodus: 10. Chorus: But as for His people
—
Israel in Egypt, HWV 54, Part I - Exodus: 11. Chorus: Egypt was glad when they departed
—
Israel in Egypt, HWV 54, Part I - Exodus: 12. Chorus: He rebuked the Red Sea
—
Israel in Egypt, HWV 54, Part I - Exodus: 13. Chorus: And Israel saw the great work
—
Israel in Egypt, HWV 54, Part II - Moses' Song: 14. Introitus (Chorus): Moses and the children of Israel
—
Israel in Egypt, HWV 54, Part II - Moses' Song: 15. Duet (Soprano I & II): The Lord is my strength and my song
—
Israel in Egypt, HWV 54, Part II - Moses' Song: 16. Chorus: He is my God
—
Israel in Egypt, HWV 54, Part II - Moses' Song: 17. Duet (Bass I & II): The Lord is a man of war
—
Israel in Egypt, HWV 54, Part II - Moses' Song: 18. Chorus: The depths have covered them
—
Israel in Egypt, HWV 54, Part II - Moses' Song: 19. Chorus: Thy right hand, O Lord
—
Israel in Egypt, HWV 54, Part II - Moses' Song: 20. Chorus: And with the blast of Thy nostrils
—
Israel in Egypt, HWV 54, Part II - Moses' Song: 21. Air (Tenor): The enemy said: "I will pursue"
—
Israel in Egypt, HWV 54, Part II - Moses' Song: 22. Air (Soprano): Thou didst blow with the wind
—
Israel in Egypt, HWV 54, Part II - Moses' Song: 23. Chorus: Who is like unto Thee
—
Israel in Egypt, HWV 54, Part II - Moses' Song: 24. Duet (Countertenor & Tenor): Thou in Thy mercy
—
Israel in Egypt, HWV 54, Part II - Moses' Song: 25. Chorus: The people shall hear
—
Israel in Egypt, HWV 54, Part II - Moses' Song: 26. Air (Countertenor): Thou shalt bring them in
—
Israel in Egypt, HWV 54, Part II - Moses' Song: 27a. Chorus: The Lord shall reign
—
Israel in Egypt, HWV 54, Part II - Moses' Song: 28. Recitative (Tenor): For the horse of Pharaoh
—
Israel in Egypt, HWV 54, Part II - Moses' Song: 27b. Chorus: The Lord shall reign
—
Israel in Egypt, HWV 54, Part II - Moses' Song: 29. Recitative (Tenor): And Miriam, the prophetess
—
Israel in Egypt, HWV 54, Part II - Moses' Song: 30. Soprano Solo and Chorus: Sing ye to the Lord
—
Ode for St Cecilia's Day (1692), Z. 328: Overture - Canzona
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Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia! (Bass I)
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Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia! (Chorus with solos)
—
Ode for St Cecilia's Day (1692), Z. 328: Hark, hark, each tree its silence breaks (Treble, Bass II)
—
Ode for St Cecilia's Day (1692), Z. 328: 'Tis Nature's voice (Countertenor I)
—
Ode for St Cecilia's Day (1692), Z. 328: Soul of the world (Chorus)
—
Ode for St Cecilia's Day (1692), Z. 328: Thou tun'st this world below, the spheres above (Treble, Chorus)
—
Ode for St Cecilia's Day (1692), Z. 328: With that sublime celestial lay (Countertenor I & II, Bass)
—
Ode for St Cecilia's Day (1692), Z. 328: Woundrous machine! (Bass II)
—
Ode for St Cecilia's Day (1692), Z. 328: The airy violin (Countertenor I)
—
Ode for St Cecilia's Day (1692), Z. 328: In vain the am'rous flute and soft guitar (Countertenor I, Tenor)
—
Ode for St Cecilia's Day (1692), Z. 328: The fife and all the harmony of war (Countertenor I)
—
Ode for St Cecilia's Day (1692), Z. 328: Let these amongst themselves contest (Bass I & II)
—
Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia, hail to thee! (Chorus)
—
Ode for St Cecilia's Day (1692), Z. 328: With rapture of delight (Countertenor I & II, Tenor, Bass I)
—
Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia, hail to thee! (Chorus)
—
Sonata in G minor, K. 347: Moderato e cantabile
—
Sonata in G major, K. 348: Prestissimo
—
Sonata in D minor, K. 213: Andante
—
Sonata in D minor, K. 214: Allegro vivo
—
Sonata in F-sharp major, K. 318: Andante
—
Sonata in F-sharp major, K. 319: Allegro
—
Sonata in E major, K. 380: Andante comodo
—
Sonata in E major, K. 381: Allegro
—
Sonata in C major, K. 356: Con spirito andante
—
Sonata in C major, K. 357: Allegro
—
Sonata in C minor, K. 526: Allegro comodo
—
Sonata in C major, K. 527: Allegro assai
—
Sonata in D major, K. 478: Andante e cantabile
—
Sonata in D major, K. 479: Allegrissimo
—
Sonata in F major, K. 524: Allegro
—
Sonata in F major, K. 525: Allegro
—
Sonata in G major, K. 454: Andante spiritoso
—
Sonata in G major, K. 455: Allegro
—
Sonata in B-flat major, K. 248: Allegro
—
Sonata in B-flat major, K. 249: Allegro
—
Sonata in D major, K. 436: Allegro
—
Se vittorie sì belle
—
Non voglio amare
—
Vaga su spina ascosa
—
O mio bene, o mia vita
—
Zefire torna e di soavi accenti (Ciaccona)
—
Mentre vaga Angioletta
—
Perfidissimo volto
—
Belle rose porporine
—
Cruda amarilli
—
Intenerite voi, lagrime mie, quel duro core
—
lo moro, ecco ch'io moro
—
Deh, come invan chiedete
—
Quest'amore, quest'arsura
—
O durezza di ferro e di diamante
—
Tra le donne onde s'onora
—
Udite, udite amanti
—
Amarilli mia bella
—
Valli profonde, al sol nemiche rupi
—
Giovinetta vezzosetta
—
Da te parto, cor mio
—
Bellissima regina
—
Indarno Febo il suo bell'oro eterno
—
Occhi belli e sia ver che in lungo pianto
—
Damigella tutta bella
—
Missa pro defunctis: 1. Introitus
—
Missa pro defunctis: 2. Kyrie
—
Missa pro defunctis: 3. Graduale
—
Missa pro defunctis: 4. Tractus
—
Missa pro defunctis: 5. Offertorium
—
Nymphes des bois (La Déploration de Johannes Ockeghem)
—
Huc me sydereo / Plangent eum
—
Motet: Salve, regina
—
Motet: Beata es, Maria
—
Motet: Salve crux, arbor vitae
—
Violin Sonata in D major, op. 5 no. 1: 1. Grave - Allegro
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Violin Sonata in D major, op. 5 no. 1: 2. Allegro
—
Violin Sonata in D major, op. 5 no. 1: 3. Allegro
—
Violin Sonata in D major, op. 5 no. 1: 4. Adagio
—
Violin Sonata in D major, op. 5 no. 1: 5. Allegro
—
Violin Sonata in B-flat major, op. 5 no. 2: 1. Grave
—
Violin Sonata in B-flat major, op. 5 no. 2: 2. Allegro
—
Violin Sonata in B-flat major, op. 5 no. 2: 3. Vivace
—
Violin Sonata in B-flat major, op. 5 no. 2: 4. Adagio
—
Violin Sonata in B-flat major, op. 5 no. 2: 5. Vivace
—
Violin Sonata in C major, op. 5 no. 3: 1. Adagio
—
Violin Sonata in C major, op. 5 no. 3: 2. Allegro
—
Violin Sonata in C major, op. 5 no. 3: 3. Adagio
—
Violin Sonata in C major, op. 5 no. 3: 4. Allegro
—
Violin Sonata in C major, op. 5 no. 3: 5. Giga
—
Violin Sonata in D minor, op. 5 no. 7: 1. Preludio. Vivace
—
Violin Sonata in D minor, op. 5 no. 7: 2. Corrente. Allegro
—
Violin Sonata in D minor, op. 5 no. 7: 3. Sarabanda
—
Violin Sonata in D minor, op. 5 no. 7: 4. Giga. Allegro
—
Violin Sonata in E minor, op. 5 no. 8: 1. Preludio. Largo
—
Violin Sonata in E minor, op. 5 no. 8: 2. Allemanda. Allegro
—
Violin Sonata in E minor, op. 5 no. 8: 3. Sarabanda. Largo
—
Violin Sonata in E minor, op. 5 no. 8: 4. Giga. Allegro
—
Violin Sonata in A major, op. 5 no. 9: 1. Preludio. Largo
—
Violin Sonata in A major, op. 5 no. 9: 2. Giga. Allegro
—
Violin Sonata in A major, op. 5 no. 9: 3. Adagio
—
Violin Sonata in A major, op. 5 no. 9: 4. Tempo di Gavotta. Allegro
—
Violin Sonata in E major, op. 5 no. 11: 1. Prelude. Adagio
—
Violin Sonata in E major, op. 5 no. 11: 2. Allegro
—
Violin Sonata in E major, op. 5 no. 11: 3. Adagio
—
Violin Sonata in E major, op. 5 no. 11: 4. Vivace
—
Violin Sonata in E major, op. 5 no. 11: 5. Gavotta. Allegro
—
Violin Sonata in D minor, op 5 no. 12 "La Follia": Adagio - Allegro - Adagio - Vivace - Allegro - Andante - Allegro - Adagio - Allegro
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Notre Dame Period (c.1160-c.1250), Organa: Viderunt omnes
—
Notre Dame Period (c.1160-c.1250), Organa: Viderunt omnes
—
Ars antique (c.1250-c.1320), Motetti: Alle, psallite cum luya
—
Ars antique (c.1250-c.1320), Motetti: Amor potest
—
Ars antique (c.1250-c.1320), Motetti: S'on me regarde
—
Ars antique (c.1250-c.1320), Motetti: In mari miserie
—
Ars antique (c.1250-c.1320), Motetti: O mitissima
—
Ars antique (c.1250-c.1320), Motetti: Aucun ont trouvé
—
Ars antique (c.1250-c.1320), Motetti: De ma dame vient
—
Ars antique (c.1250-c.1320), Motetti: J'os bien a m'amie parler
—
Ars nova (c.1320-c.1380), Motetti: La mesnie fauveline
—
Ars nova (c.1320-c.1380), Motetti: Impudenter circumivi
—
Ars nova (c.1320-c.1380), Motetti: Cum statua
—
Ars nova (c.1320-c.1380), Motetti: Clap, clap, par un matin
—
Ars nova (c.1320-c.1380), Motetti: Febus mundo oriens
—
Ars nova (c.1320-c.1380), Motetti: Qui es promesses
—
Ars nova (c.1320-c.1380), Motetti: Lasse ! comment oublieray
—
Ars nova (c.1320-c.1380), Motetti: Inter densas deserti meditans
—
Ars nova (c.1320-c.1380), Motetti: Hoquetus David
—
Pièces de Clavecin (1724): Le Rappel des oiseaux
—
Pièces de Clavecin (1724): La Villageoise (Rondeau)
—
Pièces de Clavecin (1724): Les Tendres Plaintes (Rondeau)
—
Pièces de Clavecin (1724): Les Niais de Sologne - Doubles des Niais (I & II)
—
Pièces de Clavecin (1724): La Follette (Rondeau)
—
Pièces de Clavecin (1724): L'Entretien des Muses
—
Pièces de Clavecin (1724): Les Tourbillons (Rondeau)
—
Pièces de Clavecin (1724): Les Cyclopes (Rondeau)
—
Nouvelles Suites de Pièces de Clavecin (1728): Sarabande
—
Nouvelles Suites de Pièces de Clavecin (1728): Les Trois Mains
—
Nouvelles Suites de Pièces de Clavecin (1728): Fanfarinette
—
Nouvelles Suites de Pièces de Clavecin (1728): Gavotte - Doubles de la Gavotte (I-VII)
—
Nouvelles Suites de Pièces de Clavecin (1728): La Poule
—
Nouvelles Suites de Pièces de Clavecin (1728): Les Sauvages
—
Nouvelles Suites de Pièces de Clavecin (1728): L'Enharmonique
—
Nouvelles Suites de Pièces de Clavecin (1728): L'Égyptienne
—
Sinfonia a 8 concertanti in A minor: 1. [Allegro]
—
Sinfonia a 8 concertanti in A minor: 2. Andante
—
Sinfonia a 8 concertanti in A minor: 3. Capriccio. Tempo di Gavotta
—
Sinfonia a 8 concertanti in A minor: 4. Aria da Capriccio. Andante - Allegro - Andante - Allegro
—
Sinfonia a 8 concertanti in A minor: 5. Minuetto I - II - I
—
Hipocondrie a 7 concertanti in A minor: 1. [Adagio] - Allegro - Lentement
—
Ouverture a 7 concertanti in F major: 1. [Grave - Allegro - Grave]
—
Ouverture a 7 concertanti in F major: 2. Aria
—
Ouverture a 7 concertanti in F major: 3. Minuetto I - II - I
—
Ouverture a 7 concertanti in F major: 4. Sicilliano
—
Ouverture a 7 concertanti in F major: 5. Folia
—
Trio Sonata no. 4 in G minor: 1. Andante
—
Trio Sonata no. 4 in G minor: 2. Allegro
—
Trio Sonata no. 4 in G minor: 3. Adagio
—
Trio Sonata no. 4 in G minor: 4. Adagio
—
Aria
—
Variatio 1. a 1 Clav.
—
Variatio 2. a 1 Clav.
—
Variatio 3. Canone all'Unisono. a 1 Clav.
—
Variatio 4. a 1 Clav.
—
Variatio 5. a 1 ovvero 2 Clav.
—
Variatio 6. Canone alla Seconda. a 1 Clav.
—
Variatio 7. a 1 ovvero 2 Clav. al tempo di Giga
—
Variatio 8. a 2 Clav.
—
Variatio 9. Canone alla Terza. a 1 Clav.
—
Variatio 10. Fughetta. a 1 Clav.
—
Variatio 11. a 2 Clav.
—
Variatio 12. Canone alla Quarta. a 1 Clav.
—
Variatio 13. a 2 Clav.
—
Variatio 14. a 2 Clav.
—
Variatio 15. Canone alla Quinta. a 1 Clav. andante
—
Variatio 16. Ouverture. a 1 Clav.
—
Variatio 17. a 2 Clav.
—
Variatio 18. Canone alla Sexta. a 1 Clav. (Sesta)
—
Variatio 19. a 1 Clav.
—
Variatio 20. a 2 Clav.
—
Variatio 21. Canone alla Settima. a 1 Clav.
—
Variatio 22. a 1 Clav. (Alla breve)
—
Variatio 23. a 2 Clav.
—
Variatio 24. Canone all'Ottava. a 1 Clav.
—
Variatio 25. a 2 Clav. adagio
—
Variatio 26. a 2 Clav.
—
Variatio 27. Canone alla Nona. a 2 Clav.
—
Variatio 28. a 2 Clav.
—
Variatio 29. a 1 ovvero 2 Clav.
—
Variatio 30. Quodlibet. a 1 Clav.
—
Aria da capo
—
Concerto in E major, op. 8 no. 1, RV 269 "La primavera": 1. Allegro: Giunt'è la Primavera - Canto degl'uccelli - Scorrono i fonti - Tuoni - Canto d'uccelli
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Concerto in E major, op. 8 no. 1, RV 269 "La primavera": 2. Largo e pianissimo sempre: Il Capraro che dorme (violino principale) - Mormorio di fronde e piante (violini) - Il cane che grida (viola)
—
Concerto in E major, op. 8 no. 1, RV 269 "La primavera": 3. Danza pastorale. Allegro
—
Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": 1. Allegro non molto: Languidezza per il caldo - Il Cucco - La Tortorella - Il Gardellino - Zeffiretti dolci - Venti diversi - Vento Borea - Il pianto del Villanello
—
Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": 2. Adagio - Presto: Mosche e mosconi
—
Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": 3. Presto: Tempo impetuoso d'estate
—
Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": 1. Allegro: Ballo e canto de' Villanelli - L'ubriaco - L'ubriaco che dorme
—
Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": 2. Adagio: Dormienti ubriachi
—
Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": 3. Allegro: Lac caccia - La fiera che fugge - Schioppi e cani - La fiera fuggendo muore
—
Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": 1. Allegro non molto: Agghiacciato tremar tra nevi algenti - Orrido Vento - Correre e battere i piedi per il freddo - Venti - Battere i denti
—
Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": 2. Largo: La pioggia
—
Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": 3. Allegro: Camminar sopra il ghiaccio - Camminar piano e con timore - Cader a terra - Correr forte - Il vento Siroco - Il vento Borea e tutti i venti
—
Concerto grosso in D minor, op. 6 no. 10, HWV 328: 1. Ouverture. Allegro
—
Concerto grosso in D minor, op. 6 no. 10, HWV 328: 2. Aur. Lentement
—
Concerto grosso in D minor, op. 6 no. 10, HWV 328: 3. Allegro
—
Concerto grosso in D minor, op. 6 no. 10, HWV 328: 4. Allegro
—
Concerto grosso in D minor, op. 6 no. 10, HWV 328: 5. Allegro moderato
—
Concerto grosso in A major, op. 6 no. 11, HWV 329: 1. Andante larghetto e staccato
—
Concerto grosso in A major, op. 6 no. 11, HWV 329: 2. Allegro
—
Concerto grosso in A major, op. 6 no. 11, HWV 329: 3. Largo e staccato
—
Concerto grosso in A major, op. 6 no. 11, HWV 329: 4. Andante
—
Concerto grosso in A major, op. 6 no. 11, HWV 329: 5. Allegro
—
Concerto grosso in B minor, op. 6 no. 12, HWV 330: 1. Largo
—
Concerto grosso in B minor, op. 6 no. 12, HWV 330: 2. Allegro
—
Concerto grosso in B minor, op. 6 no. 12, HWV 330: 3. Aria. Larghetto e piano
—
Concerto grosso in B minor, op. 6 no. 12, HWV 330: 4. Largo
—
Concerto grosso in B minor, op. 6 no. 12, HWV 330: 5. Allegro
—
Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 1. Ouverture
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Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 2. Sarabande. Die schlafende Thetis
—
Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 3. Bourrée. Die erwachende Thetis
—
Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 4. Loure. Der verliebte Neptunus
—
Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 5. Gavotte. Die spielenden Najaden
—
Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 6. Harlequinade. Der scherzende Tritonus
—
Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 7. Der stürmende Aeolus
—
Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 8. Menuet. Der angenehme Zephir
—
Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 9. Gigue. Ebbe und Flut
—
Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 10. Canarie. Die lustigen Bootsleute
—
Concerto in B-flat major for 2 Recorders, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 54:B2: 1. Andante
—
Concerto in B-flat major for 2 Recorders, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 54:B2: 2. Presto
—
Concerto in B-flat major for 2 Recorders, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 54:B2: 3. Cantabile
—
Concerto in B-flat major for 2 Recorders, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 54:B2: 4. Allegro
—
Concerto à 7 in F major for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:41: 1. Grave
—
Concerto à 7 in F major for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:41: 2. Vivace - attacca:
—
Concerto à 7 in F major for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:41: 3. Adagio
—
Concerto à 7 in F major for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:41: 4. Allegro
—
Concerto in A minor for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:42: 1. Adagio
—
Concerto in A minor for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:42: 2. Allegro
—
Concerto in A minor for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:42: 3. Affettuoso
—
Concerto in A minor for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:42: 4. Allegro
—
Concerto in B-flat major for 3 Oboes, 3 Violins and Basso continuo, TWV 44:43: 1. Allegro
—
Concerto in B-flat major for 3 Oboes, 3 Violins and Basso continuo, TWV 44:43: 2. Largo
—
Concerto in B-flat major for 3 Oboes, 3 Violins and Basso continuo, TWV 44:43: 3. Allegro
—
Concerto in D minor for 2 Chalumeaux, Strings and Basso continuo, TWV 52:d1: 1. Largo
—
Concerto in D minor for 2 Chalumeaux, Strings and Basso continuo, TWV 52:d1: 2. Allegro
—
Concerto in D minor for 2 Chalumeaux, Strings and Basso continuo, TWV 52:d1: 3. Adagio
—
Concerto in D minor for 2 Chalumeaux, Strings and Basso continuo, TWV 52:d1: 4. [Vivace]
—
Mass in B minor, BWV 232, Kyrie: 1. Chorus: Kyrie eleison
—
Mass in B minor, BWV 232, Kyrie: 2. Duet: Christe eleison
—
Mass in B minor, BWV 232, Kyrie: 3. Chorus: Kyrie eleison
—
Mass in B minor, BWV 232, Gloria: 4. Chorus: Gloria in excelsis
—
Mass in B minor, BWV 232, Gloria: 5. Chorus: Et in terra pax
—
Mass in B minor, BWV 232, Gloria: 6. Aria: Laudamus te
—
Mass in B minor, BWV 232, Gloria: 7. Crhous: Gratias agimus tibi
—
Mass in B minor, BWV 232, Gloria: 8. Duet: Domine Deus
—
Mass in B minor, BWV 232, Gloria: 9. Chorus: Qui tollis peccata mundi
—
Mass in B minor, BWV 232, Gloria: 10. Aria: Qui sedes ad dextram Patris
—
Mass in B minor, BWV 232, Gloria: 11. Aria: Quoniam tu solus Sanctus
—
Mass in B minor, BWV 232, Gloria: 12. Chorus: Cum Sancto Spiritu
—
Mass in B minor, BWV 232, Credo: 13. Chorus: Credo in unum Deum
—
Mass in B minor, BWV 232, Credo: 14. Chorus: Credo in unum Deum, Patrem omnipotentem
—
Mass in B minor, BWV 232, Credo: 15. Duet: Et in unum Dominum
—
Mass in B minor, BWV 232, Credo: 16. Chorus: Et incarnatus est
—
Mass in B minor, BWV 232, Credo: 17. Chorus: Crucifixus
—
Mass in B minor, BWV 232, Credo: 18. Chorus: Et resurrexit
—
Mass in B minor, BWV 232, Credo: 19. Aria: Et in Spiritum Sanctum
—
Mass in B minor, BWV 232, Credo: 20. Chorus: Confiteor
—
Mass in B minor, BWV 232, Credo: 21. Chorus: Et exspecto resurrectionem
—
Mass in B minor, BWV 232, Sanctus: 22. Chorus: Sanctus
—
Mass in B minor, BWV 232, Sanctus: 23. Chorus I & II: Osanna in excelsis
—
Mass in B minor, BWV 232, Sanctus: 24. Aria: Benedictus, qui venit
—
Mass in B minor, BWV 232, Sanctus: 25: Chorus I & II: Osanna in excelsis
—
Mass in B minor, BWV 232, Agnus Dei: 26. Aria: Agnus Dei
—
Mass in B minor, BWV 232, Agnus Dei: 27. Chorus I & II: Osanna in excelsis
—
Missa Papae Marcelli: Kyrie
—
Missa Papae Marcelli: Gloria
—
Missa Papae Marcelli: Credo
—
Missa Papae Marcelli: Sanctus
—
Missa Papae Marcelli: Benedictus
—
Missa Papae Marcelli: Agnus Dei I & II
—
Tu es Petrus
—
Miserere
—
Venite ad me omnes
—
Haec dies
—
Jubilate Deo
—
Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: 1. Allegro vivace
—
Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: 2. Andante un poco sostenuto
—
Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: 3. Allegro vivace
—
Concerto for Piano and Orchestra no. 19 in F major, K. 459: 1. Allegro
—
Concerto for Piano and Orchestra no. 19 in F major, K. 459: 2. Allegretto
—
Concerto for Piano and Orchestra no. 19 in F major, K. 459: 3. Allegro assai
—
Vespro della Beata Vergine (1610): 1. Deus in adiutorium - Domine ad adiuvandum (Sex vocibus et sex instrumentis)
—
Vespro della Beata Vergine (1610): 2. Dixit Dominus (Sex vocibus et sex instrumentis)
—
Vespro della Beata Vergine (1610): 3. Nigra sum (Motetto ad una voce)
—
Vespro della Beata Vergine (1610): 4. Laudate pueri (a 8 voci sole nel organo)
—
Vespro della Beata Vergine (1610): 5. Pulchra es (a due voci)
—
Vespro della Beata Vergine (1610): 6. Laetatus sum (a sei voci)
—
Vespro della Beata Vergine (1610): 7. Duo Seraphim (a due voci / a tre voci)
—
Vespro della Beata Vergine (1610): 8. Nisi Dominus (a dieci voci)
—
Vespro della Beata Vergine (1610): 9. Audi coelum (Prima ad una voce sola, poi nella fine a 6 voci)
—
Vespro della Beata Vergine (1610): 10. Lauda Jerusalem (a sette voci)
—
Vespro della Beata Vergine (1610): 11. Sonata sopra Sancta Maria (a 8)
—
Vespro della Beata Vergine (1610): 12. Ave maris stella (a 8)
—
Vespro della Beata Vergine (1610): 13a. Magnificat a 7 (a sette voci & sei instrumenti)
—
Vespro della Beata Vergine (1610): 13b. Magnificat a 6
—
Symphony no. 39 in G minor, Hob. I: 39: 1. Allegro assai
—
Symphony no. 39 in G minor, Hob. I: 39: 2. Andante
—
Symphony no. 39 in G minor, Hob. I: 39: 3. Menuet
—
Symphony no. 39 in G minor, Hob. I: 39: 4. Finale. Allegro di molto
—
Symphony no. 41 in C major, Hob. I: 41: 1. Allegro con spirito
—
Symphony no. 41 in C major, Hob. I: 41: 2. Un poco Andante
—
Symphony no. 41 in C major, Hob. I: 41: 3. Menuet
—
Symphony no. 41 in C major, Hob. I: 41: 4. Finale. Presto
—
Symphony no. 48 in C major, Hob. I: 48 "Maria Theresia": 1. Allegro
—
Symphony no. 48 in C major, Hob. I: 48 "Maria Theresia": 2. Adagio
—
Symphony no. 48 in C major, Hob. I: 48 "Maria Theresia": 3. Menuet. Allegretto
—
Symphony no. 48 in C major, Hob. I: 48 "Maria Theresia": 4. Finale. Allegro
—
Symphony no. 65 in A major, Hob. I: 65: 1. Vivace e con spirito
—
Symphony no. 65 in A major, Hob. I: 65: 2. Andante
—
Symphony no. 65 in A major, Hob. I: 65: 3. Menuetto
—
Symphony no. 65 in A major, Hob. I: 65: 4. Finale. Presto
—
Symphony no. 5 in C minor, op. 67: 1. Allegro con brio
—
Symphony no. 5 in C minor, op. 67: 2. Andante con moto
—
Symphony no. 5 in C minor, op. 67: 3. Allegro
—
Symphony no. 5 in C minor, op. 67: 4. Allegro
—
Symphony no. 6 in F major, op. 68 "Pastoral": 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo
—
Symphony no. 6 in F major, op. 68 "Pastoral": 2. Szene am Bach: Andante molto mosso
—
Symphony no. 6 in F major, op. 68 "Pastoral": 3. Lustiges Zusammensein der Landleute: Allegro
—
Symphony no. 6 in F major, op. 68 "Pastoral": 4. Gewitter - Sturm: Allegro
—
Symphony no. 6 in F major, op. 68 "Pastoral": 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto
—
Suite pour ochestre, "Les Elémens": 1. Le Cahos
—
Suite pour ochestre, "Les Elémens": 2. Air pour les violons (La terre et l'eau)
—
Suite pour ochestre, "Les Elémens": 3. Chaconne (Le feu)
—
Suite pour ochestre, "Les Elémens": 4. Air. Ramage
—
Suite pour ochestre, "Les Elémens": 5. Rossignois
—
Suite pour ochestre, "Les Elémens": 9. Rondeau. Air pour l'Amour
—
Suite pour ochestre, "Les Elémens": 6. Loure
—
Suite pour ochestre, "Les Elémens": 8. Sicilienne
—
Suite pour ochestre, "Les Elémens": 10. Caprice
—
Suite pour ochestre, "Les Elémens": 7. Tambourins I & II
—
Sonata in E minor: 1. Gravement
—
Sonata in E minor: 2. Allabreve
—
Sonata in E minor: 3. Air
—
Sonata in E minor: 4. Tendrement
—
Sonata in E minor: 5. Gay
—
Balletto, "Alessandro (Les Amours d'Alexandre et de Roxane)": Ballo. Sinfonia
—
Balletto, "Alessandro (Les Amours d'Alexandre et de Roxane)": 1. Marche
—
Balletto, "Alessandro (Les Amours d'Alexandre et de Roxane)": 2. Andantino
—
Balletto, "Alessandro (Les Amours d'Alexandre et de Roxane)": 3. Allegretto
—
Balletto, "Alessandro (Les Amours d'Alexandre et de Roxane)": 4. Moderato
—
Balletto, "Alessandro (Les Amours d'Alexandre et de Roxane)": 5. Menuetto - (Trio) - Menuetto
—
Balletto, "Alessandro (Les Amours d'Alexandre et de Roxane)": 6. Antipoisino
—
Balletto, "Alessandro (Les Amours d'Alexandre et de Roxane)": 7. Chaconne
—
La Resurrezione, HWV 47: Part I. Sonata
—
La Resurrezione, HWV 47: Part I. Aria: Disserratevi, o porte d'Averno (Angelo)
—
La Resurrezione, HWV 47: Part I. Recitative: Qual'insolita luce (Lucifero)
—
La Resurrezione, HWV 47: Part I. Aria: Caddi, è ver, ma nel cadere (Lucifero)
—
La Resurrezione, HWV 47: Part I. Recitative: Ma, che veggio? (Lucifero, Angelo)
—
La Resurrezione, HWV 47: Part I. Recitative: Che sei? Chi è questo rè (Lucifero, Angelo)
—
La Resurrezione, HWV 47: Part I. Aria: D'amor fu consiglio (Angelo)
—
La Resurrezione, HWV 47: Part I. Recitative: E ben, questo tuo Nume (Lucifero, Angelo)
—
La Resurrezione, HWV 47: Part I. Aria: O voi, dell'Erebo (Lucifero)
—
La Resurrezione, HWV 47: Part I. Recitative: Notte, notte funesta (Maddalena)
—
La Resurrezione, HWV 47: Part I. Aria: Ferma l'ali, e sui miei lumi (Maddalena)
—
La Resurrezione, HWV 47: Part I. Recitative: Concedi, o Maddalena (Cleofe, Maddalena)
—
La Resurrezione, HWV 47: Part I. Aria: Piangete, si, piangete (Cleofe)
—
La Resurrezione, HWV 47: Part I. Recitative: Ahi, dolce mio Signore (Maddalena, Cleofe)
—
La Resurrezione, HWV 47: Part I. Aria: Dolci chiodi, amate spine (Maddalena, Cleofe)
—
La Resurrezione, HWV 47: Part I. Recitative: O Cleofe, o Maddalena (San Giovanni, Maddalena)
—
La Resurrezione, HWV 47: Part I. Aria: Quando è parto dell'affetto (San Giovanni)
—
La Resurrezione, HWV 47: Part I. Recitative: Ma dinne, e sarà vero (Cleofe, San Giovanni, Maddalena)
—
La Resurrezione, HWV 47: Part I. Aria: Naufragando va per l'onde (Cleofe)
—
La Resurrezione, HWV 47: Part I. Recitative: Itene pure, o fide (San Giovanni, Maddalena)
—
La Resurrezione, HWV 47: Part I. Aria: Così la tortorella (San Giovanni)
—
La Resurrezione, HWV 47: Part I. Recitative: Se Maria dunque spera (Maddalena)
—
La Resurrezione, HWV 47: Part I. Aria: Ho un non so che nel cor (Maddalena)
—
La Resurrezione, HWV 47: Part I. Recitative: Uscite pur, uscite (Angelo)
—
La Resurrezione, HWV 47: Part I. Coro: Il Nume vuncitor (Angelo, Coro di Angeli)
—
La Resurrezione, HWV 47: Part II. Introduction - Einleitung
—
La Resurrezione, HWV 47: Part II. Recitative: Di quai nuovi portenti (San Giovanni)
—
La Resurrezione, HWV 47: Part II. Aria: Ecco il sol, ch'esce dal mar (San Giovanni)
—
La Resurrezione, HWV 47: Part II. Recitative: Ma ove Maria dimora (San Giovanni)
—
La Resurrezione, HWV 47: Part II. Aria: Risorga il mondo (Angelo)
—
La Resurrezione, HWV 47: Part II. Recitative: Di rabbia indarno freme (Angelo)
—
La Resurrezione, HWV 47: Part II. Recitative: Misero! ho pure udito? (Lucifero, Angelo)
—
La Resurrezione, HWV 47: Part II. Aria: Per celare il nuovo scorno (Lucifero)
—
La Resurrezione, HWV 47: Part II. Recitative: O come cieco il tuo furor delira! (Angelo)
—
La Resurrezione, HWV 47: Part II. Aria: Impedirlo io saprò (Lucifero, Angelo)
—
La Resurrezione, HWV 47: Part II. Recitative: Amica, troppo tardo (Maddalena, Cleofe)
—
La Resurrezione, HWV 47: Part II. Aria: Per me già di morire (Maddalena)
—
La Resurrezione, HWV 47: Part II. Recitative: Ahi, abborrito nome (Lucifero)
—
La Resurrezione, HWV 47: Part II. Aria: Vedo il Ciel che più sereno (Cleofe)
—
La Resurrezione, HWV 47: Part II. Recitative: Cleofe, siam giunte al luogo (Maddalena, Cleofe, Angelo)
—
La Resurrezione, HWV 47: Part II. Aria: Se per colpa di donna infelice (Angelo)
—
La Resurrezione, HWV 47: Part II. Recitative: Mio Gesù, mio Signore (Maddalena)
—
La Resurrezione, HWV 47: Part II. Aria: Del ciglio dolente (Maddalena)
—
La Resurrezione, HWV 47: Part II. Recitative: Sì, sì, cerchiamo pure (Cleofe)
—
La Resurrezione, HWV 47: Part II. Aria: Augelletti, ruscelletti (Cleofe)
—
La Resurrezione, HWV 47: Part II. Recitative: Dove sì frettolosi (San Giovanni, Cleofe)
—
La Resurrezione, HWV 47: Part II. Aria: Caro Figlio! (San Giovanni)
—
La Resurrezione, HWV 47: Part II. Recitative: Cleofe, Giovanni, udite (Maddalena, San Giovanni, Cleofe)
—
La Resurrezione, HWV 47: Part II. Aria: Se impassibile, immortale (Maddalena)
—
La Resurrezione, HWV 47: Part II. Recitative: Sì, sì, col Redentore (San Giovanni, Cleofe, Maddalena)
—
La Resurrezione, HWV 47: Part II. Coro: Diasi lode in Cielo, in terra
—
Music for San Rocco (1608): Toccata a 4 (C237)
—
Music for San Rocco (1608): In ecclesiis a 14 (C78)
—
Music for San Rocco (1608): Sonata no. 19 a 15 (C212)
—
Music for San Rocco (1608): Suscipe, clementissime Deus a 12 (C70)
—
Music for San Rocco (1608): Canzona no. 14 a 10 (C207)
—
Music for San Rocco (1608): Buccinate in neomenia tuba a 19 (C84)
—
Music for San Rocco (1608): Intonazione del nono tono (C247) trasportato alla quinta bassa
—
Music for San Rocco (1608): Domine Deus meus a 6 (C127)
—
Audi, dulcis amica mea
—
Sonata no. 21 con tre violini (C224)
—
Ardens est cor meum
—
Timor et tremor a 6 (C142)
—
Intonazione duodecimo tono (C250) trasportato alla quinta bassa
—
Jubilate Deo a 10 (C65)
—
Sonata no. 18 a 14 (C211)
—
Misericordia tua, Domine a 12 (C69)
—
Sonata no. 20 a 22 (C213)
—
Magnificat a 33 (C151; arr. Hugh Keyte)
—
Messiah, HWV 56: Part I. Sinfony (Grave - Allegro moderato)
—
Messiah, HWV 56: Part I. Recitative, accompanied (Tenor): Confort ye, comfort ye my people
—
Messiah, HWV 56: Part I. Song (Tenor): Ev'ry valley shall be exalted
—
Messiah, HWV 56: Part I. Chorus: And the glory of the Lord shall be revealed
—
Messiah, HWV 56: Part I. Recitative, accompanied (Bass): Thus saith the Lord of hosts
—
Messiah, HWV 56: Part I. Song (Soprano II): But who may abide the day of his coming?
—
Messiah, HWV 56: Part I. Chorus: And He shall purify the sons of Levi
—
Messiah, HWV 56: Part I. Recitative (Contralto): Behold, a virgin shall conceive
—
Messiah, HWV 56: Part I. Song (Contralto) & Chorus: O thou that tellest good tidings to Zion
—
Messiah, HWV 56: Part I. Recitative, accompanied (Bass): For behold, darkness shall cover the earth
—
Messiah, HWV 56: Part I. Song (Bass): The people that walked in darkness
—
Messiah, HWV 56: Part I. Chorus: For unto us a Child is born
—
Messiah, HWV 56: Part I. Pifa (Pastoral Symphony)
—
Messiah, HWV 56: Part I. Recitative (Soprano I): There were shepherds abiding in the field / Recitative (Soprano I): And lo, the angel of the Lord came upon them / Recitative (Soprano I): And the angel said unto them / Recitative (Soprano I): And suddenly there was with the angel
—
Messiah, HWV 56: Part I. Chorus: Glory to God in the highest
—
Messiah, HWV 56: Part I. Song (Soprano I): Rejoice greatly, O daughter of Zion
—
Messiah, HWV 56: Part I. Recitative (Soprano II): Then shall the eyes of the blind be open'd
—
Messiah, HWV 56: Part I. Song (Soprano II): He shall feed his flock
—
Messiah, HWV 56: Part I. Chorus: His yoke is easy, his burden is light
—
Messiah, HWV 56: Part II. Chorus: Behold the Lamb of God
—
Messiah, HWV 56: Part II. Song (Contralto): He was despised
—
Messiah, HWV 56: Part II. Chorus: Surely he hath borne our griefs
—
Messiah, HWV 56: Part II. Chorus: And with his stripes we are healed
—
Messiah, HWV 56: Part II. Chorus: All we, like sheep, have gone astray
—
Messiah, HWV 56: Part II. Recitative (Tenor): All they that see him laugh him to scorn
—
Messiah, HWV 56: Part II. Chorus: He trusted in God
—
Messiah, HWV 56: Part II. Recitative (Tenor): Thy rebuke hath broken his heart
—
Messiah, HWV 56: Part II. Song (Tenor): Behold, and see, if there be any sorrow
—
Messiah, HWV 56: Part II. Recitative (Soprano II): He was cut off out of the land
—
Messiah, HWV 56: Part II. Song (Soprano II): But thou didst not leave his soul in hell
—
Messiah, HWV 56: Part II. Chorus: Lift up your heads, O ye gates
—
Messiah, HWV 56: Part II. Recitative (Tenor): Unto which of the angels said he at any time
—
Messiah, HWV 56: Part II. Chorus: Let all the angels of God worship him
—
Messiah, HWV 56: Part II. Song (Soprano I): Thou art gone up on high
—
Messiah, HWV 56: Part II. Chorus: The Lord gave the word
—
Messiah, HWV 56: Part II. Song (Soprano II): How beautiful are the feet
—
Messiah, HWV 56: Part II. Chorus: Their sound is gone out into all lands
—
Messiah, HWV 56: Part II. Song (Bass): Why do the nations so furiously rage together
—
Messiah, HWV 56: Part II. Chorus: Let us break their bonds asunder
—
Messiah, HWV 56: Part II. Recitative (Tenor): He that dwelleth in heaven / Song (Tenor): Thou shalt break them with a rod of iron
—
Messiah, HWV 56: Part II. Hallelujah
—
Messiah, HWV 56: Part III. Song (Soprano II): I know that my Redeemer liveth
—
Messiah, HWV 56: Part III. Chorus: Since by man came death
—
Messiah, HWV 56: Part III. Recitative (Bass): Behold, I tell you a mystery
—
Messiah, HWV 56: Part III. Song (Bass): The trumpet shall sound
—
Messiah, HWV 56: Part III. Recitative (Contralto): Then shall be brought to pass
—
Messiah, HWV 56: Part III. Duet (Contralto & Tenor): O death, where is thy sting?
—
Messiah, HWV 56: Part III. Chorus: But thanks be to God
—
Messiah, HWV 56: Part III. Song (Soprano I): If God is for us
—
Messiah, HWV 56: Part III. Chorus: Worthy is the Lamb that was slain - Amen
—
Con che soavità
—
Lamento della Regina d'Inghilterra
—
Il ballo del Gran Duca, op. 16: Corrente Nona
—
Cessate, omai cessate, RV 684
—
Lamento d'Arianna
—
Incassum, Lesbia, rogas, Z. 383
—
Ciaccona
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Oh solitude! Z. 406
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Anonymous Flemish Melodies (late 15th and early 16th century): T'andernaken - Laet ons mit hartzen - Hoboekentanz - Laet ons mit hartzen - Ihesus is een kyndekyn cleyn - Laet ons mit hartzen
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Ave regina caelorum
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Pourquoy non
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Passe et medio & reprise
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Gaillarde - Gaillarde - Gaillarde
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Ls Morisque
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J'ay pris amours I
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J'ay pris amours II
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Crions Noel
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T'andernaken
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Laet u ghenoughen, liever Johan
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Entre du fol
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Mon désir
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Je loe amours
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T'andernaken
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[Untitled duo]
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De tous biens playne
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Pavane & Gaillarde "La dona"
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Wij sheyt edel vrouwe
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Allemaigne
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4 Bransles
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Bergerette
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O Crux benedicta
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Ave mundi spes Maria
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T'andernaken al op den Rijn
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Les larmes
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Fortis cum quevis actio
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Die winter is verganghen
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Inviolata, integra, et casta es Maria à 5
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Ut Phoebi radiis à 4
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De profundis clamavi à 5
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Christe Fili Dei - J'ay pris amours à 4
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O Virgo virginum à 6
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Vultum tuum deprecabuntur à 4: Vultum tuum deprecabuntur
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Vultum tuum deprecabuntur à 4: Ave Maria, gratia plena
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Vultum tuum deprecabuntur à 4: Sancta Dei genitrix
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Vultum tuum deprecabuntur à 4: O intemerata Virgo
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Vultum tuum deprecabuntur à 4: O Maria, nullam tam gravem
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Vultum tuum deprecabuntur à 4: Mente tota tibi supplicamus
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Vultum tuum deprecabuntur à 4: Ora pro nobis
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La Déploration de Johannes Ockeghem: Nymphes des bois à 5
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O bone et dulcis Domine Jesus - Pater noster - Ave Maria à 4
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Huc me sydereo / Plangent eum à 5
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O Virgo prudentissima / Beata Mater à 6
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Delirio amoroso, HWV 99: Introduzione
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Delirio amoroso, HWV 99: Recitative: Da quel giorno fatale
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Delirio amoroso, HWV 99: Aria: Un pensiero voli in ciel
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Delirio amoroso, HWV 99: Recitative: Ma fermati pensier
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Delirio amoroso, HWV 99: Aria: Per te lasciai la luce
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Delirio amoroso, HWV 99: Recitative: Non ti bastava, ingrato
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Delirio amoroso, HWV 99: Aria: Lascia omai le brune vele / Recitative: Ma siamo giunti in Lete
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Delirio amoroso, HWV 99: Entrée
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Delirio amoroso, HWV 99: Arietta e Recitativo: In queste amenge piagge serene (Minuet) / Si, disse Clori (Recitative) / Minuet
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La Lucrezia, HWV 145: Recitative: O Numi eterni!
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La Lucrezia, HWV 145: Aria: Già superbo del mio affanno
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La Lucrezia, HWV 145: Recitative: Ma voi forse nel cielo
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La Lucrezia, HWV 145: Aria: Il suol che preme
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La Lucrezia, HWV 145: Recitative: Ah! che ancor nell'abisso / Furioso: Questi la disperata anima mia
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La Lucrezia, HWV 145: Aria: Alla salma infedel porga la pena
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La Lucrezia, HWV 145: Recitative: A voi, a voi, padre, consorte
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La Lucrezia, HWV 145: Arioso: Già nel seno comincia a compir / Furioso: Ma se qui non m'è dato
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Tra le fiamme, HWV 170: Aria: Tra le fiamme tu scherzi / Recitative: Dedalo già ke fortunate penne
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Tra le fiamme, HWV 170: Aria: Pien di nuovo e bel diletto / Recitative: Si, si, pur troppo è vero
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Tra le fiamme, HWV 170: Aria: Voli per l'aria chi può volare / Recitative: L'uomo, che nacque per salire al cielo
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Tra le fiamme, HWV 170: Da capo: Tra le fiamme tu scherzi
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Zaïs: Ouverture qui peint le debrouillement de Cahos et le choc des Elemens lorsqu'ils sont séparés
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Castor et Pollux: Acte II. Scène 2. Scène funèbre
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Les Fêtes d'Hébé: Scène 5. Air tendre
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Dardanus: Prologue. Tambourins I & II
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Le Temple de la Gloire: Acte I. Air tendre pour les Muses
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Les Boréades: Acte I. Scène 4. Contredanse en Rondeau
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La Naissance d'Osiris: Air gracieux
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Les Boréades: Acte IV. Scène 4. Gavottes I & II pour les Heures et les Zéphirs
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Platée: Acte I. Scène 6. Orage
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Les Boréades: Acte V. Scène 1. Prélude
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Concert no. 6: La Poule
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Les Fêtes d'Hébé: Musette en Rondeau (Danse de Terpsichore) - Tambourin en Rondeau (Troisième Entrée: La Danse)
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Hippolyte et Aricie: Acte III. Ritournelle
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Naïs: Prologue. Rigaudons I & II
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Les Indes galantes: Danse des Saubages - Rondeau (Quartrième Entrée: Les Sauvages)
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Les Boréades: Acte IV. Scène 4. Entrée de Polymnie
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Les Indes galantes: Chaconne (Quartrième Entrée: Les Sauvages)
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Overture in A major for 2 Horns, 2 Oboes, 2 Violins, 2 Violas and Bass: 1. Allegro con brio
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Overture in A major for 2 Horns, 2 Oboes, 2 Violins, 2 Violas and Bass: 2. Andante
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Overture in A major for 2 Horns, 2 Oboes, 2 Violins, 2 Violas and Bass: 3. Allegro
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Symphony in F major for 2 Horns, 2 Oboes and Strings: 1. Allegro assai
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Symphony in F major for 2 Horns, 2 Oboes and Strings: 2. Andante
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Symphony in F major for 2 Horns, 2 Oboes and Strings: 3. Tempo di Menuetto
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Symphony in C major for 2 Horns, 2 Transverse Flutes, 2 Boboes, 2 Violins, 2 Violas and Bass: 1. Allegro assai
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Symphony in C major for 2 Horns, 2 Transverse Flutes, 2 Boboes, 2 Violins, 2 Violas and Bass: 2. Allegretto
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Symphony in C major for 2 Horns, 2 Transverse Flutes, 2 Boboes, 2 Violins, 2 Violas and Bass: 3. Prestissimo
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Symphony in G major for 2 Horns, 2 Oboes and Strings: 1. Allegro
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Symphony in E-flat major for 2 Horns, 2 Oboes and Strings: 2. Andantino
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Symphony in E-flat major for 2 Horns, 2 Oboes and Strings: 3. Presto
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Symphony in C major for 2 Violins, 2 Violas and Bass: 1. Larghetto
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Symphony in C major for 2 Violins, 2 Violas and Bass: 2. Allegro
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Symphony in C major for 2 Violins, 2 Violas and Bass: 3. Presto
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Concertino in E-flat major for 2 Horns, 2 Transverse Flutes, 2 Clarinets, Bassoon and Strings: 1. Allegro
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Concertino in E-flat major for 2 Horns, 2 Transverse Flutes, 2 Clarinets, Bassoon and Strings: 2. Largo
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Concertino in E-flat major for 2 Horns, 2 Transverse Flutes, 2 Clarinets, Bassoon and Strings: 3. Presto assai
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What other identifiers does this connect to?
Musical Works (ISWC)
T-011.422.353-8T-315.691.885-9T-329.454.787-4T-801.958.969-7T-902.876.200-7T-906.831.104-6T-909.243.105-5T-909.243.105-5T-910.415.380-2T-910.415.380-2
+20 more
T-911.640.004-5T-911.640.005-6T-001.312.977-5T-001.439.586-8T-001.449.997-8T-003.055.867-8T-003.074.081-8T-003.111.351-5T-009.030.807-8T-010.765.116-0T-010.888.057-4T-010.963.456-1T-011.354.204-3T-011.422.353-8T-011.560.128-9T-011.673.237-6T-011.710.961-1T-011.724.735-4T-031.722.033-9T-031.837.441-2
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000008182487000000001067433300000000448669740000000047315932000000005513421800000000551382000000000055142226000000005514278700000000551513760000000055159896
+40 more
000000005516335000000000551652090000000055178536000000005518968100000000551917570000000055192290000000005520348X0000000055311616000000005544270400000000554536300000000055461841000000005599383X000000005925973900000000595914910000000063015307000000006302039200000000630326840000000063083983000000006309254800000000631039720000000072453616000000007250385500000000736645540000000073667755000000007746867300000000782445830000000078389854000000007839168X000000007839267400000000783972210000000078397635000000007840681000000000784131210000000079101891000000007981200100000000801586090000000080771606000000008078575X00000000809441830000000080944191
Identifier Graph
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What is UPC 028947910459?
028947910459 is a Universal Product Code (UPC) assigned to Archiv Produktion 1947-2013 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 1000 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm